667 pistes audio libres de droits pour "Place"

Blok modular set to bang on random keys/throw random parameters in various places. Sort of a kind of fm synthesis but i'm pretty sure blok can do a lot of extra things like place filters/waveshapers after the modulator but before the main oscillator. Don't want to give away much else but you can improv random textures by drawing in a waveshaper window/right-click to drag the drawing from one side to another. Also you can use the atan button to scale the notes on some sort of curve by distorting the note values. I could've added delay/reverb/eq/ ambience but i wanted it to be as dry as possible because that's personally what i look for, raw sounds that you can choose to change if you like. No edits aside from normalizing the. Wav file.

In 's-hertogenbosch in holland we have carnival every year. This is a recording in the centre of the city. A recording of several 'dweilorkesten' that is a band that plays musing in the street. 'literal' translation is 'mop band or mopping band'. The go trough the streets like someone mopping the floor. This recording at the market-place is made with hundreds of people around. The ambience here is totally different from other places in the town and the world. It complete different than the south american carnival. Recorded: march 7th 2011, markt, 's-hertogenbosch, holland. Rode svm > sony pcm d50 recorder. Re-uploaded as public domain.

Title/Work: Meine Seele rühmt und preist (My soul extols and praises), BWV 189 Content: Disc 23B: Part 2: Recitative and aria Genre(s): Cantata Author(s)/(Composer(s): Johann Sebastian Bach (1685-1750) Music arranger(s): none Lyricist(s): none Performer(s): Max Meili (1899-1970) Conductor: Curt Sachs (1881-1959) Place of recording: Paris (France) 1st release date: 1935 1st recording date: 1935

1st release date: 1937 1st recording date: 1943 Place of recording: London, United Kingdom Author(s)/Composer(s): Ludwig van Beethoven (1770-1827) Lyricist(s): none Conductor: Arturo Toscanini (1867-1957) Performer(s): BBC Symphony Orchestra Vocal range: instrumental Title/Work: Symphony No. 6 in F major, Op. 68 (Beethoven) Content: 1st Movement (Awakening of serene Impressions upon arriving in the Country): Allegro ma non troppo (Conclusion) Genre(s): Symphonic

Label: His Master's Voice Cat. no.: DB 10083 Order number: OZA 12665 Matrix/StamperID: OZA1265-1 1st release date: 1945? 1st recording date: 1945? Place of recording: Switzerland Author(s)/Composer(s): Ludwig van Beethoven (1770-1827) Performer(s): Suzanne Gyr, Piano (1899-1974) Vocal range: Instrumental Title/Work: Piano sonata No. 23 in F minor, Op. 57 'Appassionata' Content: Allegro ma non troppo (Part 1) Genre(s): Piano sonata

Title/Work: Il barbiere di Siviglia Content: Atto 1-Sc 02/03-Recitativo: Ah, ah! che bella vita! (Figaro) Genre(s): Operas Author(s)/Composer(s): Gioachino Rossini (1792-1868) Music arranger(s): none Lyricist(s): none Performer(s): La Scala Theatre Orchestra Conductor: Lorenzo Molajoli (1868-1939) Place of recording: unknown 1st release date: 1929 1st recording date: 8 July 1929

1st release date: 1935 1st recording date: 7 September 1934 Place of recording: EMI Studio No.1, Abbey Road, London (United Kingdom) Author(s)/Composer(s): Ludwig van Beethoven (1770-1827) Lyricist(s): none Music arranger(s): none Conductor: Serge Koussevitzky (1874-1951) Performer(s): London Philharmonic Orchestra Vocal range: instrumental Title/Work: Symphony No. 3 in E-flat major, Op. 55 Content: 2nd Movement (Part 2): Marcia funebre (Adagio assai) Genre(s): Symphonic

1st release date: 1942 1st recording date: 29 August 1942 Place of recording: unknown Author(s)/Composer(s): George Frideric Handel (1685-1759) Music arranger(s): Sir Hamilton Harty (1879-1941) Lyricist(s): none Conductor: Sir Malcolm Sargent (1895-1967) Performer(s): The Hallé Vocal range: instrumental Title/Work: Water Music, HWV 348-350 Content: Suite in F major, HWV 348: Allegro deciso Genre(s): Suites

Label: His Master's Voice Cat. no.: DB 2706 Order number: 2RA 858 Matrix/StamperID: 2RA858 -I- 1st release date: 1936 1st recording date: 4 November 1935 Place of recording: unknown Author(s)/Composer(s): Hugo Wolf (1860-1903) Lyricist(s): Eduard Mörike (1804-1875) Performer(s): Herbert Jansen, Baritone (1892-1965) and Michael Raucheisen, Pianoforte (1869-1984) Vocal range: Baritone solo with pianoforte accompaniment Title/Work: Vergangenheit Content: The Hugo Wolf Society Vol. 6 Genre(s): Tone poem Comments: RCM and ELP

Title/Work: Symphony No. 35 in D major, K. 385 (Haffner Symphony) Content: Part 1/5: 1st Movement: Allegro con spirito Genre(s): Symphony Author(s)/(Composer(s): Wolfgang Amadeus Mozart (1756-1791) Music arranger(s): none Lyricist(s): none Performer(s): NBC Symphony Orchestra Conductor: Arturo Toscanini (1867–1957) Place of recording: New York City, New York (United States) 1st release date: 1947 1st recording date: 1 November 1946

Title/Work: Symphony No. 35 in D major, K. 385 (Haffner Symphony) Content: Part 4/5: 3rd Movement: Minuetto Genre(s): Symphony Author(s)/(Composer(s): Wolfgang Amadeus Mozart (1756-1791) Music arranger(s): none Lyricist(s): none Performer(s): NBC Symphony Orchestra Conductor: Arturo Toscanini (1867–1957) Place of recording: New York City, New York (United States) 1st release date: 1947 1st recording date: 1 November 1946

Surround recording of the main square in diocletian's palace in the old center of split in croatia. It is a summer afternoon, flying swallows can be heard and the place is teeming with tourists from all nations sitting and drinking coffee or listening to a group of folk singers which can be heard in the distant background. Part of the square is covered with a large wooden porch, making quite a clatter as the tourists walk over it. Recorded with a zoom h2. This file contains the rear channels, recorded with a mic-dispersion of 120°.

Recorded on 20. 05. 2020 on schneealpe in styria, austria. Its funny - and a bit scary - that one can see the exact crevice the recording took place from a satellite. There was a bit of snow left from winter but rapidly melting. Drops fall from 30 cm to the rock below in different rhythms. Recorded with 2 km184 ab ~40cm apart into sounddevices 744. Unfortunately i had no proper windscreen and so there is quite some rumble up to 120hz. The rumble can be filtered out easily, but i left the recording as is (i normalized and converted from 96k to 48k in audacity).

A short clip of a recording i made from my cbf600 motorcycle gearbox and chain. You can hear gearbox wine (normal), the sound of the chain running over the drive sprocket, some gear shifts and a little wind noise. I recorded it to see what it sounded like. It can make a good reference with which to compare should you think there is a problem in the future. I like the sound of the engine running and gears, normally drowned out by the exhaust. I clipped the mic to the gear lever. If i do it again i will place it further away from the sprocket.

This is the sound of a sheet metal that is under high tension, hitting it with a small key produced a laser fire type of sound. Recorded using a contact mic as the area is surrounded by a lot of noise, the contact mic cut out everything. The recording was taken at my place of work so it would be easy should anyone require the "shots" to be re-recorded at a different tempo. 96khz 24bit mono-mix.

High above our heads and the less pleasant layers of car traffic, budgies tweet and chirp and chitter. Nestling in the crowns of pine trees in various parks across the eu capital, they add a subtropical flavor to brussels' diverse soundscape. Just as most of the city's inhabitants, the ring-necked, alexandrine and quaker parrots came from a different place. Having escaped a zoo exhibit many years ago, they've been eking out a living, adapting to the tempered climate and found themselves a new home. As urban animals they contribute to brussels' exceptional cosmopolitan vibe. (recorded in the park of forest).

A short soundscape built from the following public domain freesounds. Originally put together for an audio drama for misfit's audio to replicate the sounds of construction taking place beneath ground level, hence the reverb. There is also a version in the same pack without the reverb. Circular saw: http://freesound. Org/people/organicmanpl/sounds/198779/'saw of avalon': http://freesound. Org/people/mauxuam/sounds/216828/drill: http://freesound. Org/people/richerlandtv/sounds/216493/hammer: http://freesound. Org/people/dvideoguy/sounds/207782/general construction: http://freesound. Org/people/abouch/sounds/181184/.

Imagine you just landing on an unfamiliar planet, where the local on the planet is just some unpopulated area with a open wide field or jungle. You don't see any one, or anything, but either dust,trees, grass, or a vacant road. While your wondering through this place you also notice that that nightfall is approaching, and you can see the moon and the starts of this planet. This synth patch is just the sound for that, a drone bass synth patch used to create some imaginary audience feel that would lead you or someone to be driven to madness. This patch was made in massive.

I sold my giant couch, and two professional movers came to pick it up. Before they moved it, they whipped out a huge roll of clear plastic, and expertly passed it around and around the sofa until the whole thing was wrapped. The noise the wrapping made was astonishingly loud and echoey in our place, and sounded very. . . Uh. . . Science fiction-y. Recorded on my samsung note 20 phone, and some movers' mumbles included, so not desperately high quality -- but maybe someone can use part of it for a wizard rending the space time continuum with a sharpened wormhole, or some such. :-).

Two contact microphones recording an engine from a mini cooper s in sport mode. Surprisingly aggressive-sounding. Intended to use for a race car asset. Contact microphones are stethoscope-like mics that you place onto a surface to record vibrations. This way, i was able to record the raw engine without wind or perspective. The left channel is the chassis and the right is the engine block. . . Blending the two together produces a great sound. Free to use.

Català. 11 de març de 2023. La vida és bona si l'aigua sona. Passejada per les fonts de collserola en temps de sequera. Font de mina. Mesura de l'indret amb el sonòmetre a les 11:59 del matí d'un dissabte, persones passejant i fent esport que parlen. Min 25,10 dbmitjana 55,5 dbmax. 72,5 db. English. March 11, 2023. Life is good if the water sounds. Walk through the collserola springs on drought timemine source. Measurement of the place with the sound level meter at 11:59 a. M. On saturday, people walking and playing sports talking. Min 25. 10 dbaverage 55. 5 dbmax. 72. 5 db.

Title/Work: Sonata No.18 in E-flat major Opus 31 No.3 Content: No.4: 2nd Movement (Conclusion) - Scherzo (Allegro vivace) Genre(s): Piano sonata Author(s)/(Composer(s): Ludwig van Beethoven (1770-1827) Music arranger(s): none Lyricist(s): none Performer(s): Pianoforte solo: Claudio Arrau (1903-1991) Conductor: none Place of recording: London, EMI Studio No. 3, Abbey Road 1st release date: 1947 1st recording date: 10 January 1947

1st release date: January 1942 1st recording date: 9 May 1940 Place of recording: Carnegie Hall (Studio), New York City (United States) Author(s)/Composer(s): Johannes Brahms (1833-1897) Performer(s): Piano: Vladimir Horowitz (1903-1989) and the NBC Symphony Orchestra Vocal range: instrumental Title/Work: Piano Concerto No. 2 in B-flat major, Op. 83 Content: 4th movement (Part 2): Allegretto grazioso Genre(s): Piano concert

1st release date: January 1942 1st recording date: 9 May 1940 Place of recording: Carnegie Hall (Studio), New York City (United States) Author(s)/Composer(s): Johannes Brahms (1833-1897) Performer(s): Piano: Vladimir Horowitz (1903-1989) and the NBC Symphony Orchestra Vocal range: instrumental Title/Work: Piano Concerto No. 2 in B-flat major, Op. 83 Content: 4th movement (Conclusion): Allegretto grazioso Genre(s): Piano concert

Title/Work: Sonata No.18 in E-flat major Opus 31 No.3 Content: No.3: 2nd Movement (1st part) - Scherzo (Allegro vivace) Genre(s): Piano sonata Author(s)/(Composer(s): Ludwig van Beethoven (1770-1827) Music arranger(s): none Lyricist(s): none Performer(s): Pianoforte solo: Claudio Arrau (1903-1991) Conductor: none Place of recording: London, EMI Studio No. 3, Abbey Road 1st release date: 1947 1st recording date: 10 January 1947

Title/Work: Mass No. 2 in E minor, WAB 27 Content: 6th Movement: Agnus Dei (Part 2) Genre(s): Masses Author(s)/Composer(s): Anton Bruckner (1824-1896) Music arranger(s): none Lyricist(s): none Performer(s): Philharmoniker Hamburg Conductor: Max Thurn (1897-1969) Place of recording: Hamburg State Opera, Hamburg (German Reich) 1st release date: 1938 1st recording date: 10 June 1938

Title/Work: The Dream of Gerontius, Op. 38 Content: God's Presence and His very Self (Part 2, Section 5) Genre(s): Oratorios Author(s)/(Composer(s): Edward Elgar (1857-1934) Music arranger(s): none Lyricist(s): Text from the poem by John Henry Newman (1801-1890) Performer(s): Liverpool Philharmonic Orchestra Conductor: Malcolm Sargent (1895-1967) Place of recording: unknown 1st release date: 1945 1st recording date: 8 April 1945

Stereo recording of the interior of an ice cream parlor in the historic center of dubrovnik / croatia. It is early afternoon in high summer. The sales crew are a merry lot, bantering loudly with the tourists of different nations that are absolutely cramming the place. Lots of multinational voices can be heard, men, women and children talking loudly and all at once. Under that is the intense hum of a cooling system working itself to death!the ice cream was good too. I can recommend the peanut flavor. Recorded with a zoom h2, mics set to 90° dispersion.

I recorded this at late night in a rural german area at summer, approximately 150 - 200 meters away from the party (the party took place on a big and open field). The wind was blowing away from the people towards me, which is the reason, why you can hear the people well, even though there were trees between the people and the recording micorphone. Mabe you can hear a few cars very far in the distance along with the near taxis, picking the people up to take them home, too.

One of autumn's most signature sounds is that of dry leaves skittering and tumbling as they ride along on a hard surface. In this case, the hard surface is asphalt. Hardly any other sound, just the strong autumn wind, and bunches of dried out sweet gum, maple and oak leaves racing across an asphalt parking lot. Think of it, also, as the sound from our youth, our careful youth when everything was achievable. At least for me, this brings me back to my happy place. Recorded on saturday october 17 2020 in an asphalt parking lot buffeted by gusts between 20 and 30 mph. Sound devices 702. Sennheiser mkh416 left channel, beyerdynamic m58 right channel.

anyone who reminds you of your past, has no place in your future. it really helps to shut people up, when that needs to happen. I wish i could recall where i heard this; a web search didn't yield anything. Enlightenment as to its source would be appreciated. I asked my partner to express it for me. It has helped me, maybe it will help someone else. Addendum, through argumentation i found that many do not fight fairly. One's "past" does not include something underhanded you pulled last week, or a crappy statement you made five minutes ago. Those may be forgivable but they don't yet qualify as your "past. " these things are called "current. ".

Title/Work: Brandenburg Concerto No. 2 in F major, BWV 1047 Content: 2nd Movement: Andante (2nd Record) Genre(s): Concerti grossi Author(s)/Composer(s): Johann Sebastian Bach (1685-1750) Music arranger(s): none Lyricist(s): none Performer(s): Philadelphia Orchestra Conductor: Leopold Stokowski (1882-1977) Place of recording: Academy of Music, Philadelphia, Pennsylvania (United States) 1st release date: 1929 1st recording date: 17 December 1928

1st release date: 1937 1st recording date: 29 November 1936 Place of recording: Abbey Road Studios, EMI Studio No. 1, Abbey Road, London (United Kingdom) Author(s)/Composer(s): Luigi Boccherini (1743-1805) Lyricist(s): - Conductor: Landon Ronald (1873-1938) Performer(s): Pau Casals (Cello) (1876-1973) and the London Symphony Orchestra Vocal range: instrumental Title/Work: Cello Concerto in B-flat major, G.482 Content: 3rd Movement (Part 1): Rondo (Allegro) Genre(s): Cello concerto Comments: RCM and ELP

Title/Work: The hymns my Mother used to sing Content: Song of 1911, Baritone vocal solo and orchestra Genre(s): Christian hymns (sacred music) Author(s)/Composer(s): Frank Langford (unknown birth/death date) Music arranger(s): none Lyricist(s): Frank Gee-Fort (unknown birth/death date) Performer(s): Robert Carr, baritone (1881-1948) Conductor: none Place of recording: London (United Kingdom) 1st release date: 2 October 1911 1st recording date: 21 September 1911

Label: Decca Records Cat. no.: K 1144 Order number: AR 9079 Matrix/StamperID: AR 9079-2 1st release date: September 1945 1st recording date: 18 January 1945 Place of recording: Kingsway Hall, London (United Kingdom) (printed on record) Author(s)/Composer(s): Pyotr Ilyich Tchaikovsky (1840-1893) Lyricist(s): none Music arranger(s): none Conductor: Stanford Robinson (1904-1984) Performer(s): National Symphony Orchestra of London Vocal range: instrumental Title/Work: Casse-Noisette Suite, Op. 71 ("Nutcracker-Suite") Content: Valse des fleurs (Waltz of the flowers) Genre(s): Ballet music Comments: ELP

Label: Disque "Gramophone" Cat. no.: DB 1001 Order number: 2-053278 Matrix/StamperID: CVE-31274-5 (A31274, 2-053278-P) 1st release date: 1927 1st recording date: 29 October 1926 Place of recording: - Author(s)/Composer(s): Julius Benedict (1804-1885) Lyricist(s): none Music arranger(s): Jean-Baptiste Arban (1825-1889) Conductor: Josef Pasternack (1881-1940) Performer(s): Toti Dal Monte (born as Antonietta Meneghel (1893-1975)) Vocal range: Soprano vocal solo, with orchestra Title/Work: Carnival of Venice Content: Part 1 Genre(s): Variations for trumpet Comments: RCM and SPU

Label: Parlophone (Carl Lindström Company) Cat. no.: P 9118 Order number: 20200 Matrix/StamperID: 2-20200 1st release date: 1927? 1st recording date: 30 March 1927 Place of recording: Hochschule für Musik, Berlin (German Reich) Author(s)/Composer(s): Franz von Suppé (1819-1895) Lyricist(s): Karl Costa (1832-1907) Conductor(s): Fritz Zweig (1893-1984) Performer(s): Orchester der Staatsoper Berlin Vocal range: instrumental Title/Work: Leichte Kavallerie (operetta) (Light Cavalry) Content: Ouverture - Part 2 Genre(s): Operetta terminology Comments: RCM and ELP

Title/Work: Brandenburg Concerto No. 2 in F major, BWV 1047 Content: 2nd Movement: Andante (1st Record) Genre(s): Concerti grossi Author(s)/Composer(s): Johann Sebastian Bach (1685-1750) Music arranger(s): none Lyricist(s): none Performer(s): Philadelphia Orchestra Conductor: Leopold Stokowski (1882-1977) Place of recording: Academy of Music, Philadelphia, Pennsylvania (United States) 1st release date: 1929 1st recording date: 17 December 1928

1st release date: 1937 1st recording date: 29 November 1936 Place of recording: Abbey Road Studios, EMI Studio No. 1, Abbey Road, London (United Kingdom) Author(s)/Composer(s): Luigi Boccherini (1743-1805) Lyricist(s): - Conductor: Landon Ronald (1873-1938) Performer(s): Pau Casals (Cello) (1876-1973) and the London Symphony Orchestra Vocal range: instrumental Title/Work: Cello Concerto in B-flat major, G.482 Content: 2nd Movement (Conclusion): Adagio non troppo Genre(s): Cello concerto Comments: RCM and ELP

The staten island ferry "molinari" on final approach into st. George, staten island, late in the afternoon on april 04, 2021. The recording was made from the rear port side of the upper deck (where people are supposed to be quiet, but clearly don't obey the rules). Although the ambience is the in the public domain, the docking announcement over the pa system may need to be licensed through the dot. Note: this is a raw recording from a zoom h4n using the on-board x-y microphone. No processing has taken place. Ste-034. Wav, ambiance session on april 04, 2021.

(recorder: zoomh4npro 2018)(microphones: binaural roland cs-10em in-ear monitors). As these are recorded using binaural in-ear mics, i purposefully don't turn my head to keep the sound clean and coming from the same direction. This was recorded in the burbank town center food-court area. I was careful to avoid specific conversation for legal purposes. There was a cranky baby nearby, so you get an occasional frantic cry. This would be perfect for any project taking place in a large, public center with a tile or stone floor and lots of movement. Enjoy,. Christopher c. Courter.

This is a recording of all in-flight announcements from a flight attendant, the first officer and captain during a flight from atlanta to new york on august 17, 2018, recorded directly from the headphone jack at my seat with a zoom h1n. Each clip is separated by a few seconds of silence. For authenticity, i left all the dc voltage spikes and electronic noise in place. This may be useful if you want an authentic announcement without the acoustics, i. E. Use your own speaker sims or impulse responses to fit into an existing sound design environment. I never did figure out why the first officer said "hello. . . Are you back there? hello? hello?" but it has been captured anyway.

Title/Work: Brandenburg Concerto No. 2 in F major, BWV 1047 Content: 1st Movement: Allegro (1st Record) Genre(s): Concerti grossi Author(s)/Composer(s): Johann Sebastian Bach (1685-1750) Music arranger(s): none Lyricist(s): none Performer(s): Philadelphia Orchestra Conductor: Leopold Stokowski (1882-1977) Place of recording: Academy of Music, Philadelphia, Pennsylvania (United States) 1st release date: 1929 1st recording date: 27-29 September 1928

1st release date: 1938 1st recording date: 29 April 1937 Place of recording: unknown Author(s)/Composer(s): Edvard Grieg (1843-1907) Lyricist(s): none Music arranger(s): none Conductor: Hans Rosbaud (1895-1962) Performer(s): Pianoforte: Walter Gieseking (1895-1956) with the Staatskapelle Berlin (Berlin State Opera House Orchestra) Vocal range: instrumental Title/Work: Piano Concerto in A minor, Op. 16 Content: Part 3: Cadenza and 1st Movement: Allegro molto moderato (Conclusion) Genre(s): Piano concerto

Label: Decca Records Cat. no.: K 1129 Order number: AR 8997 Matrix/StamperID: AR 8997-2 1st release date: June 1945 1st recording date: 2 January 1945 Place of recording: Kingsway Hall, London (United Kingdom) (printed on record) Author(s)/Composer(s): Ludwig van Beethoven (1770-1827) Lyricist(s): none Music arranger(s): none Conductor: Malcolm Sargent (1895-1967) Performer(s): National Symphony Orchestra of London Vocal range: instrumental Title/Work: Symphony No. 5 in C minor, Op. 67 Content: 4th Movement: Allegro (Conclusion) Genre(s): Symphony Comments: -

1st release date: April 1928 1st recording date: 1926 Place of recording: London (United Kingdom) Author(s)/Composer(s): Wolfgang Amadeus Mozart (1756-1791) Performer(s): Budapest String Quartet 1st Violin: Emil Hauser (1893–1978) 2nd Violin: Imre Pogany (1893–1975) Viola: István Ipolyi (1886–1955) Cello: Harry Son (born Henri Mozes Son) (1880–1942) Vocal range: instrumental Title/Work: String Quartet No. 17 in B-flat major, K. 458 Content: 3rd Movement: Adagio (1st Record) Genre(s): Chamber music

1st release date: 1938 1st recording date: 29 April 1937 Place of recording: unknown Author(s)/Composer(s): Edvard Grieg (1843-1907) Lyricist(s): none Music arranger(s): none Conductor: Hans Rosbaud (1895-1962) Performer(s): Pianoforte: Walter Gieseking (1895-1956) with the Staatskapelle Berlin (Berlin State Opera House Orchestra) Vocal range: instrumental Title/Work: Piano Concerto in A minor, Op. 16 Content: Part 3: Cadenza and 1st Movement: Allegro molto moderato (Conclusion) Genre(s): Piano concerto

I did not record this ambience sound! wtfi've left my zoom h1 recorder at a friends place for quite some while until i picked it up today. Accompanied by a few tracks that make sense to us i also found this record, which none of us (not me nor my friend) recognizes as their record. There were two files (which i recognize as takes), so it must be a part of a fictional flick. I've pulled them together here. Here's what i belief it is:ambience of a crime scene with cars approaching, motors running, people alighting and then talking. Seems like the police or other authorities just discovered a corpse.

Label: Decca Records Cat. no.: K 1142 Order number: AR 9057 Matrix/StamperID: AR 9057-2 1st release date: September 1945 1st recording date: 18 January 1945 Place of recording: Kingsway Hall, London (United Kingdom) (printed on record) Author(s)/Composer(s): Pyotr Ilyich Tchaikovsky (1840-1893) Lyricist(s): none Music arranger(s): none Conductor: Stanford Robinson (1904-1984) Performer(s): National Symphony Orchestra of London Vocal range: instrumental Title/Work: Casse-Noisette Suite, Op. 71 ("Nutcracker-Suite") Content: Dance of the Sugar Plum Fairy; Russian Dance (Trepak) Genre(s): Ballet music Comments: ELP

Been fairly busy lately, but, finally i'm glad to be able to get around to posting some more wonderful, enjoyable nature sounds. This is a hot-humid july ambiance recorded at midday in the shawnee national forest in illinois. The predominant bird you hear is an eastern towhee. His call literally sounds like he is thirsty and tired of the heat of summer!this woods recording has the feel of slow motion summer, but still with the exciting and subtle knowledge that, things are starting to give way to autumn, and indoor schedules and long shadows. . Recorded thursday july 21, 2022. Equipment: zoom f3 and lom usi pro microphones. Recording in deep hardwood forest containing many hickory trees, beech trees and a lot of oak trees. A magical place.