667 pistes audio libres de droits pour "Place"

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03:52
1st release date: 1935 1st recording date: 7 September 1934 Place of recording: London (United Kingdom) Author(s)/Composer(s): .mw-parser-output .commons-creator-table{background-color:#f0f0ff;box-sizing:border-box;font-size:95%;text-align:start}.mw-parser-output .commons-creator-table>tbody>tr{vertical-align:top}.mw-parser-output .commons-creator-table>tbody>tr>th{background-color:#e0e0ee;font-weight:bold;text-align:start}@media(max-width:719px){.mw-parser-output .commons-creator-table,.mw-parser-output .commons-creator-table>tbody{display:block;width:100%}.mw-parser-output .commons-creator-table>tbody{border-right:1px solid #aaa;border-bottom:1px solid #aaa}.mw-parser-output .commons-creator-table>tbody>tr{border-top:1px solid #aaa;display:flex;flex-wrap:wrap}.mw-parser-output .commons-creator-table>tbody>tr>th{border-left:1px solid #aaa;padding:2px;flex:1 1 100%}.mw-parser-output .commons-creator-table>tbody>tr>td{border-left:1px solid #aaa;padding:2px;flex:1 1}}@media(min-width:720px){.mw-parser-output .commons-creator-table{border:1px solid #aaa;border-collapse:collapse;border-spacing:0;padding:5px}.mw-parser-output .commons-creator-table>tbody>tr>th,.mw-parser-output .commons-creator-table>tbody>tr>td{border:1px solid #aaa;padding:2px}.mw-parser-output .commons-creator-table>tbody>tr>.halfwidth{max-width:10em}.mw-parser-output .commons-creator-table>tbody>tr>.fullwidth{max-width:20em}} Ludwig van Beethoven  (1770–1827)      
Auteur: Ludwig van Beethoven (1770-1827)
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15:49
1st release date: 1935 1st recording date: 7 September 1934 Place of recording: London (United Kingdom) Author(s)/Composer(s): .mw-parser-output .commons-creator-table{background-color:#f0f0ff;box-sizing:border-box;font-size:95%;text-align:start}.mw-parser-output .commons-creator-table>tbody>tr{vertical-align:top}.mw-parser-output .commons-creator-table>tbody>tr>th{background-color:#e0e0ee;font-weight:bold;text-align:start}@media(max-width:719px){.mw-parser-output .commons-creator-table,.mw-parser-output .commons-creator-table>tbody{display:block;width:100%}.mw-parser-output .commons-creator-table>tbody{border-right:1px solid #aaa;border-bottom:1px solid #aaa}.mw-parser-output .commons-creator-table>tbody>tr{border-top:1px solid #aaa;display:flex;flex-wrap:wrap}.mw-parser-output .commons-creator-table>tbody>tr>th{border-left:1px solid #aaa;padding:2px;flex:1 1 100%}.mw-parser-output .commons-creator-table>tbody>tr>td{border-left:1px solid #aaa;padding:2px;flex:1 1}}@media(min-width:720px){.mw-parser-output .commons-creator-table{border:1px solid #aaa;border-collapse:collapse;border-spacing:0;padding:5px}.mw-parser-output .commons-creator-table>tbody>tr>th,.mw-parser-output .commons-creator-table>tbody>tr>td{border:1px solid #aaa;padding:2px}.mw-parser-output .commons-creator-table>tbody>tr>.halfwidth{max-width:10em}.mw-parser-output .commons-creator-table>tbody>tr>.fullwidth{max-width:20em}} Ludwig van Beethoven  (1770–1827)      
Auteur: Untitled
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00:24
Ambience in a supermarket. Recorded with a zoom h2. Http://farm9. Staticflickr. Com/8070/8213683889_517a10ef52_o. Pngon flac and ogg vorbis audio file formats. Contact me if you have interest in specific sounds for open source or commercial purpose.
Auteur: Qubodup
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00:15
Now you know i had a problem in a shopping mall, of all places.
Auteur: Nuncaconoci
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01:41
This is a submission for sarah belle reid's collaboration prompt for her forthcoming electroacoustic opera. It comprises a dry recording of a male voice reading the following original text describing a moment from a dream:. "this is a story about dreams. It is not about a specific dream, or rather while it takes place in one dream it is about many. From time to time in my dreams i am in a city. Not a particular city, like paris or chicago, but the events of the dream happen in a setting which includes tall buildings and crowded streets and views of the sun setting behind a busy skyline. One time, while having such a dream, i was standing on an arcing bridge over a body of water like a river or canal. The late afternoon sun was to my left, and the warmth of the sunlight contrasted with the cool breeze off the water. As i looked across the curving expanse of water, i was mesmerized by the bright reflections of the sun on the water, on the glass of the windows, across this expansive space. I realized with a start that i recognized a cluster of buildings across the way. I had seen them before, in another dream. In that dream i had been a different person. Rather, in most all of my dreams i am in some way myself, but entangled in a moment from some other life, surrounded by characters and pursuing concerns that are alien to my waking being. In that moment, in this dream, i came to understand that all my dreams that happen in a city are happening in the same city, the same geography and architecture holding dozens of episodic lives i may have between sleeping and waking. ".
Auteur: Hlprmnky
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02:34
A late summer soundscape that is a favorite of mine. . Microphones set up in some mature woods about 60 feet from a large lake on labor day weekend. Most of the background is the insects, which are very obvious during this time of year. The swelling of their volume is nap-inducing (*at least to me in my opinion. )here is the midwest this swelling and subsiding of the insect wave tells me that summer is just about starting to go back downhill, after a feverish peak. Despite the covid-19 of the year, nature does not seem to have changed her soundscape. Life goes on in the forests. The birds, whose job of raising young is over, are still there. . . They're just resting and relaxing and listening to the insects as well i'm sure. Now of course you will hear a few prominent birds in this captured moment:(1) a great blue heron squawks out starting at 1:17 into this piece. (2) the alarm call of a red-headed woodpecker can be heard at 2:14. Other than that, just the insects singing their hearts out and the assortment of birds taking secondary place during this time of year. This was recorded on sunday september 6th 2020 at 8:30 in the morning in the forest in southern illinois. Equipment: zoom f4, microphone: sennheiser mkh 8060. Enjoy this audio snapshot of the subdued -- yet vibrant - sound color of late summer, finding comfort in the fact that, within four weeks, the colors of the leaves will be changing to oranges and reds and yellows. But, for now, there is still life to live in the insect and bird world.
Auteur: Kvgarlic
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04:40
Symphony No. 3 in E-flat major, Op. 55 (Beethoven) - 4th Movement (Part 1) Finale (Allegro molto) 1st recording date: 7 September 1934 Place of recording: London (United Kingdom) Author(s)/Composer(s): .mw-parser-output .commons-creator-table{background-color:#f0f0ff;box-sizing:border-box;font-size:95%;text-align:start}.mw-parser-output .commons-creator-table>tbody>tr{vertical-align:top}.mw-parser-output .commons-creator-table>tbody>tr>th{background-color:#e0e0ee;font-weight:bold;text-align:start}@media(max-width:719px){.mw-parser-output .commons-creator-table,.mw-parser-output .commons-creator-table>tbody{display:block;width:100%}.mw-parser-output .commons-creator-table>tbody{border-right:1px solid #aaa;border-bottom:1px solid #aaa}.mw-parser-output .commons-creator-table>tbody>tr{border-top:1px solid #aaa;display:flex;flex-wrap:wrap}.mw-parser-output .commons-creator-table>tbody>tr>th{border-left:1px solid #aaa;padding:2px;flex:1 1 100%}.mw-parser-output .commons-creator-table>tbody>tr>td{border-left:1px solid #aaa;padding:2px;flex:1 1}}@media(min-width:720px){.mw-parser-output .commons-creator-table{border:1px solid #aaa;border-collapse:collapse;border-spacing:0;padding:5px}.mw-parser-output .commons-creator-table>tbody>tr>th,.mw-parser-output .commons-creator-table>tbody>tr>td{border:1px solid #aaa;padding:2px}.mw-parser-output .commons-creator-table>tbody>tr>.halfwidth{max-width:10em}.mw-parser-output .commons-creator-table>tbody>tr>.fullwidth{max-width:20em}} Ludwig van Beethoven  (1770–1827)      
Auteur: Ludwig van Beethoven (1770-1827)
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02:49
Symphony No. 3 in E-flat major, Op. 55 (Beethoven) - 2nd Movement (Part 2) Marcia funebre (Adagio assai) 1st release date: 1935 1st recording date: 7 September 1934 Place of recording: London (United Kingdom) Author(s)/Composer(s): .mw-parser-output .commons-creator-table{background-color:#f0f0ff;box-sizing:border-box;font-size:95%;text-align:start}.mw-parser-output .commons-creator-table>tbody>tr{vertical-align:top}.mw-parser-output .commons-creator-table>tbody>tr>th{background-color:#e0e0ee;font-weight:bold;text-align:start}@media(max-width:719px){.mw-parser-output .commons-creator-table,.mw-parser-output .commons-creator-table>tbody{display:block;width:100%}.mw-parser-output .commons-creator-table>tbody{border-right:1px solid #aaa;border-bottom:1px solid #aaa}.mw-parser-output .commons-creator-table>tbody>tr{border-top:1px solid #aaa;display:flex;flex-wrap:wrap}.mw-parser-output .commons-creator-table>tbody>tr>th{border-left:1px solid #aaa;padding:2px;flex:1 1 100%}.mw-parser-output .commons-creator-table>tbody>tr>td{border-left:1px solid #aaa;padding:2px;flex:1 1}}@media(min-width:720px){.mw-parser-output .commons-creator-table{border:1px solid #aaa;border-collapse:collapse;border-spacing:0;padding:5px}.mw-parser-output .commons-creator-table>tbody>tr>th,.mw-parser-output .commons-creator-table>tbody>tr>td{border:1px solid #aaa;padding:2px}.mw-parser-output .commons-creator-table>tbody>tr>.halfwidth{max-width:10em}.mw-parser-output .commons-creator-table>tbody>tr>.fullwidth{max-width:20em}} Ludwig van Beethoven  (1770–1827)      
Auteur: Ludwig van Beethoven (1770-1827)
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04:23
Symphony No. 3 in E-flat major, Op. 55 (Beethoven) - 2nd Movement (Part 3) 1st release date: 1935 1st recording date: 7 September 1934 Place of recording: London (United Kingdom) Author(s)/Composer(s): .mw-parser-output .commons-creator-table{background-color:#f0f0ff;box-sizing:border-box;font-size:95%;text-align:start}.mw-parser-output .commons-creator-table>tbody>tr{vertical-align:top}.mw-parser-output .commons-creator-table>tbody>tr>th{background-color:#e0e0ee;font-weight:bold;text-align:start}@media(max-width:719px){.mw-parser-output .commons-creator-table,.mw-parser-output .commons-creator-table>tbody{display:block;width:100%}.mw-parser-output .commons-creator-table>tbody{border-right:1px solid #aaa;border-bottom:1px solid #aaa}.mw-parser-output .commons-creator-table>tbody>tr{border-top:1px solid #aaa;display:flex;flex-wrap:wrap}.mw-parser-output .commons-creator-table>tbody>tr>th{border-left:1px solid #aaa;padding:2px;flex:1 1 100%}.mw-parser-output .commons-creator-table>tbody>tr>td{border-left:1px solid #aaa;padding:2px;flex:1 1}}@media(min-width:720px){.mw-parser-output .commons-creator-table{border:1px solid #aaa;border-collapse:collapse;border-spacing:0;padding:5px}.mw-parser-output .commons-creator-table>tbody>tr>th,.mw-parser-output .commons-creator-table>tbody>tr>td{border:1px solid #aaa;padding:2px}.mw-parser-output .commons-creator-table>tbody>tr>.halfwidth{max-width:10em}.mw-parser-output .commons-creator-table>tbody>tr>.fullwidth{max-width:20em}} Ludwig van Beethoven  (1770–1827)      
Auteur: Ludwig van Beethoven (1770-1827)
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04:46
Symphony No. 3 in E-flat major, Op. 55 (Beethoven) - 2nd Movement (Part 1) Marcia funebre (Adagio assai) 1st release date: 1935 1st recording date: 7 September 1934 Place of recording: London (United Kingdom) Author(s)/Composer(s): .mw-parser-output .commons-creator-table{background-color:#f0f0ff;box-sizing:border-box;font-size:95%;text-align:start}.mw-parser-output .commons-creator-table>tbody>tr{vertical-align:top}.mw-parser-output .commons-creator-table>tbody>tr>th{background-color:#e0e0ee;font-weight:bold;text-align:start}@media(max-width:719px){.mw-parser-output .commons-creator-table,.mw-parser-output .commons-creator-table>tbody{display:block;width:100%}.mw-parser-output .commons-creator-table>tbody{border-right:1px solid #aaa;border-bottom:1px solid #aaa}.mw-parser-output .commons-creator-table>tbody>tr{border-top:1px solid #aaa;display:flex;flex-wrap:wrap}.mw-parser-output .commons-creator-table>tbody>tr>th{border-left:1px solid #aaa;padding:2px;flex:1 1 100%}.mw-parser-output .commons-creator-table>tbody>tr>td{border-left:1px solid #aaa;padding:2px;flex:1 1}}@media(min-width:720px){.mw-parser-output .commons-creator-table{border:1px solid #aaa;border-collapse:collapse;border-spacing:0;padding:5px}.mw-parser-output .commons-creator-table>tbody>tr>th,.mw-parser-output .commons-creator-table>tbody>tr>td{border:1px solid #aaa;padding:2px}.mw-parser-output .commons-creator-table>tbody>tr>.halfwidth{max-width:10em}.mw-parser-output .commons-creator-table>tbody>tr>.fullwidth{max-width:20em}} Ludwig van Beethoven  (1770–1827)      
Auteur: Untitled
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04:16
Symphony No. 3 in E-flat major, Op. 55 (Beethoven) - 1st Movement (Part 2) - Allegro con brio 1st release date: 1935 1st recording date: 7 Septemper 1934 Place of recording: London (United Kingdom) Author(s)/Composer(s): .mw-parser-output .commons-creator-table{background-color:#f0f0ff;box-sizing:border-box;font-size:95%;text-align:start}.mw-parser-output .commons-creator-table>tbody>tr{vertical-align:top}.mw-parser-output .commons-creator-table>tbody>tr>th{background-color:#e0e0ee;font-weight:bold;text-align:start}@media(max-width:719px){.mw-parser-output .commons-creator-table,.mw-parser-output .commons-creator-table>tbody{display:block;width:100%}.mw-parser-output .commons-creator-table>tbody{border-right:1px solid #aaa;border-bottom:1px solid #aaa}.mw-parser-output .commons-creator-table>tbody>tr{border-top:1px solid #aaa;display:flex;flex-wrap:wrap}.mw-parser-output .commons-creator-table>tbody>tr>th{border-left:1px solid #aaa;padding:2px;flex:1 1 100%}.mw-parser-output .commons-creator-table>tbody>tr>td{border-left:1px solid #aaa;padding:2px;flex:1 1}}@media(min-width:720px){.mw-parser-output .commons-creator-table{border:1px solid #aaa;border-collapse:collapse;border-spacing:0;padding:5px}.mw-parser-output .commons-creator-table>tbody>tr>th,.mw-parser-output .commons-creator-table>tbody>tr>td{border:1px solid #aaa;padding:2px}.mw-parser-output .commons-creator-table>tbody>tr>.halfwidth{max-width:10em}.mw-parser-output .commons-creator-table>tbody>tr>.fullwidth{max-width:20em}} Ludwig van Beethoven  (1770–1827)      
Auteur: Ludwig van Beethoven (1770-1827)
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02:01
I used several different sounds from many different places to perfect this instrumental. I've worked on it for a month or so.
Auteur: Treasureboxfilms
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03:52
A field recording of people shopping in a mall. About 20 seconds in, a man coughs. . . Then. . . Voices of adults chatting and young people too. A few minutes later a girl walks right by and says "found it". . . Then chuckles and says "it was by the seat. ".
Auteur: Postproddog
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00:53
Low gain type of rolling riff where the riff just goes places unknown. Probably better chopped up into smaller sections.
Auteur: Aceinet
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05:46
The motor sound of a cruise ship recorded several places on the deck. Recorded on the ship "color magic" 08/04/2020 at 05. 18 am.
Auteur: Tomostepop
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01:12
In prague you get places which don't sound like the city at all. Recorded with zoom h4n.
Auteur: Be A Hero Not A Patriot
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00:26
On a music tour mostly travelling along the volga river and stopping at various places on the way. Captured on portable cassette recorder. May 1992.
Auteur: Trp
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01:47
An old guitar recording that served as a sample to my music track dreaming of places that don't exist ( https://soundcloud. Com/headshock-1/dreaming-of-places-that-dont-exist). Direct recording of my jackson sl-3 soloist electric guitar through a line 6 pod x3, using its internal reverb effects. (large hall reverb with decay at 99%, or maybe even 100% for that endless washed out effect).
Auteur: Burning Mir
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03:06
A tap being turned on and off, with water draining at the end. Some handling noise in places, sorry about that. Has been recorded using a filter at 115hz.
Auteur: Chris
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00:43
A warm landscape full of sounds using waves from a coast and leaves of the trees and wind to recreate this mixture of quite and lovely ambience. Mixed on adobe audition cc using the following sounds samples:. Tree_creak_04 by department64 - https://freesound. Org/people/department64/sounds/95262/. Waves against shore by afeeto - https://freesound. Org/people/afeeto/sounds/254857/. Autumn wind and dry leaves by stek59 - https://freesound. Org/people/stek59/sounds/457318/. Sword_sounds_01 by tabook - https://freesound. Org/people/tabook/sounds/431222/.
Auteur: Bolkmar
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00:05
On a music tour mostly travelling along the volga river and stopping at various places on the way. Captured on portable cassette recorder. Walking around moscow, may 1992.
Auteur: Trp
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00:03
On a music tour mostly travelling along the volga river and stopping at various places on the way. Captured on portable cassette recorder. Walking the streets of moscow. May 1992.
Auteur: Trp
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00:23
On a music tour mostly travelling along the volga river and stopping at various places on the way. Captured on portable cassette recorder. Walking around moscow, may 1992.
Auteur: Trp
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00:25
On a music tour mostly travelling along the volga river and stopping at various places on the way. Captured on portable cassette recorder. Walking around moscow, may 1992.
Auteur: Trp
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00:01
This is a layered clap of some stuff from vengeance, random places, and synthesized inside harmor and massive. Made using fl studio.
Auteur: Toxemiccarton
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00:05
Sound of an orecart slowly moving down some orecart tracks. Taken from https://www. Youtube. Com/watch?v=yrlrjnydhpm full credit to frank from exploring abandoned mines and unusual places.
Auteur: Amusquiz
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00:41
Random guitar playing with many experimental pod x3 effects, and some post-processing on the recordings. These resulting ducks have seen better times, and have been in better places :-).
Auteur: Burning Mir
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22:21
Outdoor recording of a fireworks display 8th november 2008. Recorded in linton, uk. There is some wind noise in places. Some background crowd noise (oohs and aahs etc). 22mins, 30mb. Recorded on a zoom h2.
Auteur: Hudsomi
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00:14
On a music tour mostly travelling along the volga river and stopping at various places on the way. Captured on portable cassette recorder. Walking around moscow, may 1992.
Auteur: Trp
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02:57
On a music tour mostly travelling along the volga river and stopping at various places on the way. Captured on portable cassette recorder. Walking around moscow, may 1992.
Auteur: Trp
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00:42
A forest stereo field design that i made from field recordings recorded from different places. Audios were recorded by zoom h8 handy recorder's xy capsule (48khz, 24bit). Recorded in aug 2022 kusadasi & datca, turkey.
Auteur: Gorkylmz
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00:02
Clapping in echoey spots to capture the impulse-response. You can map the contours to make your own convolution reverbs.
Auteur: Jonsept
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01:58
Yep this is a crazy sound. What have i done. . . I have build a nonlinearcircuits sloth lfo. Https://www. Modulargrid. Net/e/nonlinearcircuits-sloth-4hpedited info:i have built the regular version. The sloth has two outputs x and y. I connected x to control frequency on one oscillator and y to control amplitude on another oscillator. Frequency experiment on left channel. Amplitude experiment on the right. The file starts as the amplitude is 0. Next time the amplitude is 0 (almost) is at about 48 sec. Then 48 sec later, at 1:37 the amplitude is 0 again. The two cycles are not identical. The tones are harder to analyze. . . X and y outputs. I guess those corresponds to x and y in a coordinate system. You can find video clips watching the sloth “drawing” butterfly wings. For example:https://www. Youtube. Com/watch?v=0ku6npz1s4gand maybe check this:https://www. Youtube. Com/watch?v=occhcm5oxp8http://nonlinearcircuits. Blogspot. Se/2014/09/sloth-chaos. Htmlthis later link is the developers page. The constructor (andrew) of this module says that my version completes “1 cycle every 15 seconds”. What does that mean? is one cycle one lap in the butterfly pattern? will the pattern repeat itself? yep, i’m going to ask him…. Edit:andrew answers my questions: “it is a very approximate description of the frequency, cycle is not the proper term to use. . . . Nor is frequency really, but they are descriptions that people can relate to easily. Depending upon the pot settings and whatever other initial conditions that happen to be in place, the signal may traverse the typical double strange attractor path. It may stay in one attractor for several loops before crossing over to the other one. The pattern will never repeats itself, it might come close but won't do it. ”my question: so, one “loop” is one cycle?andrew answers: typically it takes approx 15 seconds to make a rough figure 8, but depending upon the pot and other factors, it may take longer, much longer, sometimes it even pauses whilst deciding which way to go next.
Auteur: Gis Sweden
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03:29
Save A Little Dram For Me song from United States prohibition era. MEDIUM: 1 sound disc : analog, 80 rpm ; 10 in. CREATED/PUBLISHED Orange, N.J.: Edison. Lyrics: (spoken) In the middle of the sermon, Parson Johnson rose and started sniffing the air. There was a peculiar smell tricklin’ up the parson’s nose. That told him that gin was ‘round somewhere. And he closed his Bible gently in the middle of the psalm and started figurin’ mentally where that smell was coming from. His eyes scanned every pew, and then he did declare, he says “I announce this meetin’ through… (sung) …until you kick in with my share.” Oh Bretheren if you want more preachin’ Save a little dram for me. Glory hallelujah Why drinkin’ gin ain’t against my teachin’. Treat me with equality. (spoken) From this here smell it’s very plain to see That somebody here’s been holding out on me. (sung) For Bretheren if you want more preachin’ Save a little dram for me. (spoken) Now when they passed the bone dry law, I was the very first to say that it never would stay And neither did I think the law could regulate our thirst. That’s why I’ve got some stored away. Now since prohibition’s got us drinks is few and far between. Of all the stingy brothers you’re the worst I’ve ever seen. But I insist on my share. Don’t say it’s all run out Or else you’re going where-- You know that bad place I been preachin’ ‘bout? (sung) For Bretheren if you want more preachin’ Save a little dram for me. Glory hallelujah Why drinkin’ gin ain’t against my teachin’. Treat me with equality. (spoken) I’ve shared your joy and I’ve shared your sin And believe me brothers I’m gwine to share your gin. (sung) For Bretheren if you want more preachin’ Save a little dram for me. Українська: «Збережи для мене трохи драм», пісня з епохи сухого закону США, випущена в 1922 році.
Auteur: Untitled
00:00
01:39
A recording of me walking through the snow which was fairly soft fluffy snow. There are also some places in the recording where i step on some brittle ice which crunches cracks louder.
Auteur: Dayvable
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05:23
Recorded 6/7/13 with tascam dr-07 mk ii. I don't know the exact location, it could have been 1 of 2 places. Park ridge illinois or new york city manhattan.
Auteur: Taavhaap
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01:23
There are noisy supermarkets. This is an amplified raw recording. Workers move furniture, people talk, music plays etc. Intetesting acoustics due to the design of the ceiling. Some noise comforts me - something's going on. I like busy places.
Auteur: Nicknamelarry
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01:25
On a music tour mostly travelling along the volga river and stopping at various places on the way. Captured on portable cassette recorder. Deep into the night on deck of boat, a trumpet. May 1992.
Auteur: Trp
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01:09
Recording of my wife swimming in the jezioro dobczyckie - lake on the south of poland during the august of 2016. Some distant human voices, dog barking present in a few places. Mic: rode ntg 3 in rode blimpcrecorder: roland r26.
Auteur: Dawidwmika
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02:51
Wavefolded percussion raw with erbe-verb and mimeophon effects added. O-ctrl sequenced into mimeophon and partly held in places. Markers placed for morphagene. Enjoy and tell me about what you do with the set. Thanks.
Auteur: Jim Bretherick
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08:56
A busy supermarket car park with lots of traffic coming and going. Cars driving round looking for places to park. Doors opening and closing, people talking. Olympus ls-5, internal mics, 15hz low cut.
Auteur: Richwise
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05:58
Large hall of an old building that became a library and a museum, in marble that resonates a lot. The people, voices and movement, seem distant. Would also be appropriate for airports, train stations, places of passage. Streo recording with h5.
Auteur: Xkeril
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00:29
Ok, i don't know how many of you might be interested in this, but i figure there's no harm in posting it. I'm working on some original songs. Laptop-based, electronic songs, with many orchestral parts, including violin, viola, cello, and string bass. Presonus studio one has some very nice vst string instruments, and i have some really great ones for kontakt. But they all are missing one thing, and i couldn't find the (admittedly esoteric) sound that i'm looking for anywhere on the internet. Being a viola player myself, i recorded myself playing these very particular incidental sounds. Let me explain-. There's this 'grabby' sound that a well-rosined bow makes just is it is first being drawn across the string. Listen carefully to any of the pros and you'll hear it. In your laptop sequences, if used subtly, right at the point where the first note of a phrase is initiated, this sound can give the string part a marked sense of realism*. This, combined with vibrato, reverb and a nice warm/tube/tape saturation setting, nobody will be able to tell the difference between your vst and the real thing. About the audio-i tried to keep them as pitchless as possible, thus not limiting their utility. I recorded two sets of all four open strings (c, g, d, a), first close mic'ed, and once from a few feet away, in stereo. Or to say it another way, the sounds are as follows-1. Open c close2. Open g close3. Open d close4. Open a close5. Open c far6. Open g far7. Open d far8. Open a far. It's totally overkill for me to record all the different versions, but i suppose somebody out there might find one more appropriate than another for their purposes. They work pretty effortlessly for violin and viola, but you might have to pitch them down for cello and string bass. I added no processing whatsoever, apart from normalizing each individual sound. Aiff, recorded at 44/16. Nady scm-2090 stereo condenser mic, focusrite saffire pro 24 interface, recorded in logic. Not the quietest room, but these sounds will be so far down in the mix that it won't matter. Free for all to download, no attribution necessary. Http://www. Freesound. Org/people/bruce%20burbank/sounds/220917/. As an example, here's the part i'm working on that motivated me to record these sounds, with the grabby sound in place. See if you can spot the three times i used it. *pro tip- much the same way i'll insert an inhale breath right before horn or oboe phrases.
Auteur: Bruce Burbank
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Collection of 3 places of a smaller river, sorted from slow/quiet to fast/loud. Each spot has 3 perspectives: close, semi close, and distant. Recorded with the m/s capsule of a zoom h6, so it is mono compatible. All of the sounds are part of the pack "rivers" if you want to download all sounds at once.
Auteur: Pfannkuchn
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00:41
Heavy rain followed by a blast of thunder that 'rushes' away and fades. I've left enough room for an audio edit to fit your project. Enjoy. On playback, there seems to be a very high pitched 'tick' in places. This is not part of the original recording and is not included when 'downloaded'. I think this must be a slight fault on the web site.
Auteur: Carthny
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23:29
Recording from a garden in the new forest, hampshire, uk in january. I happened to put the recorder right next to where a bird (blackbird i think) decided to perch and start singing, so the song is really loud in places. All sorts of background people noise like diy, chainsaw, voices, etc. Zoom h5, internal xy capsules.
Auteur: Richwise
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This is a nylon coat with a wide-tooth zipper being zipped and unzipped at various speeds plus a couple of intermittent 'stuck zipper' sections. In several places i left the swishing sound of the nylon coat in to simulate the sound of a sleeping bag being zipped/unzipped. Recorded with stereo nt1a mics in a soundbooth. No effects.
Auteur: Elementals
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01:48
Paisaje sonoro de lluvia en varios espacios de mi departamento, versión corta, hecho para proyecto colaborativo de tramas, espacios de experimentación artísticahttps://www. Facebook. Com/tramas. Espacios/. Te invitamos a ver el proyecto en el que se te invita a colaborar interviniendo estos paisajeshttps://soundscapes-soundmemories. Tumblr. Com/. Soundscape of rain falling in different places of my department.
Auteur: Dalolu
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I couldn't find anything on freesound like the sound that places when you enter the 7'11 by my house! it's like a chime that plays an f5. It's very nostalgic. Sliding door by holadioshttp://freesound. Org/people/holadios/sounds/240805/. Sliding doors by magnesushttp://freesound. Org/people/magnesus/sounds/368084/. Both under cc0 are used to create the sliding door sound. The bell is the ni kontakt factory celesta :0.
Auteur: Plasterbrain
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A recording i made using my 3dio binaural microphones (and zoomh1 as the recorder). Set up the tripod near the door to my balcony. You can hear the wind against the house, rattling a little in some places. Rain comes and goes, against the glass door. Some cars can be heard outside, on the wet concrete. Recorded on thursday, 24th of february in noord-holland, the netherlands. Feel free to use this for any project you might have, and a mention is always appreciated.
Auteur: Indigostars
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