755 pistes audio libres de droits pour "Processus"

Multi-layered rhythm loop at 90 bpm.

A reel by scanner, aka robin rimbaud. Formatted for use in the make noise morphagene. "a mixture of abstract melodic ambient and strange processed radio stuff and ‘scanner’ style sounds which should be fun. Keeping in mind that i want people to be able to use them as easily as possible and inspired. ". Scanner (british artist robin rimbaud) traverses the experimental terrain between sound and space connecting a bewilderingly diverse array of genres. Since 1991 he has been intensely active in sonic art, producing concerts, installations and recordings, the albums mass observation (1994), delivery (1997), and the garden is full of metal (1998) hailed by critics as innovative and inspirational works of contemporary electronic music. To date he has scored 65 contemporary dance productions, including works for the london royal ballet and merce cunningham in nyc. In 2016 he installed his water drops sound work in rijeka airport in croatia, ghosts at cliveden national trust uk, and scored the world’s first ever virtual reality ballet, nightfall. He scored the hit musical comedy kirikou & karaba (2007) and narnia ballet (2015) based on the popular children’s book, philips wake-up light (2009), the re-opening of the stedelijk museum, amsterdam in 2012 and in 2018 released an app that measures the quality of soil in europe with live data with artist kasia molga. His work salles des departs is permanently installed in a working morgue in paris whilst vex house, the residential house he designed a permanent soundtrack with chance de silva architects, won the riba london award 2018. Committed to working with cutting edge practitioners he collaborated with bryan ferry, wayne macgregor, mike kelley, torres, michael nyman, steve mcqueen, laurie anderson, and hussein chalayan, amongst many others. Scannerdot. Com.

Omnisphere engine start.

Time domain processed sample using argeiphontes lyre and transverb.

Mp3 version of chimes on our lanai.

Sounds like. . . Sparows chirping. Sort of.

Processed snare or tom sound.

Rough, dirty, disrhythmic snareloop processed through a few effects.

Rough, dirty, snareloop with a steady rhythm processed through a few effects.

Fuzzy mid-pitch lead sound with an electrical quality to it in a stuttering kind of rhythm.

A heavily processed tapping on a table sound.

A wide, weird bubbling sound.

The backspace button on my work pc hit over & over again, then processed in live.

A coffee machine gurgle processed in live.

Mid-pitched electronic snare processed with fast delay and flanger.

Mystic noisy distant thing. . . Created in virtual waves!.

High tom sound. The reverb is actually filtered noise. 44100 16 bit mono made with microtonic drumsynth.

Old field recordings originaly made for a friends short film that focussed on the internet and telecommunications. Think i used reaktor and audiomulch. I always do my topping and tailing in soundforge.

Processed through ableton. Taken from a field recording one day at the palm beach park.

This is the sound of a group of harp strings being excited using the hairs of a violin bow, but processed in two iterations.

Slice of heavily processed snare with a flanged body, crisp attack & reverb'd tail.

Processed glass sound.

Processed glass sound.

Loud and heavy hh hi hat.

Lightful pad with resonant filter going down.

These are heavily processed beats inspired by a thread on the isratrance forum.

Same as kaleido-preset 1, processed in effects and filters at 120 bpm on reaktor.

Processed acoustic guitar. Loops at 120 bpm.

The beat was made using the real drum sounds in fruity loops for a friend who wanted to jam some new guitar riffs for his band. The tempo was originally 60 bpm but sounds better at 90bpm. It comprises of 2 bars of drums with hats and 2 with a ride.

Funny name for a beat-induced track, cool licks though. . .

I really don't know how this one happened????.

A noise rising.

A noise rising.

Female voice saying "speech signal processing".

A noise that i managed to somehow create in windows sound recorder a long, long time ago.

Another noise that i managed to somehow create in windows sound recorder a long, long time ago.

This is a beat i made using the percussion presets form fab filter 1 cm synth for a track i was writing. Each hit was then loaded into abletons impulse drum sampler and tweaked for my pleasure. The snare was subject to some serious stretching,which gives it a rasping sound!fab filter 1 really is a simple but very useful synth.

Synthetic scratching noises, short and reasonably dry.

Drumloops with heavy effects on it, somewhat idmish. 130 bpm, but also sounds good played in other speeds. Slicing in recycle or some other slicer can also give interesting results.

Made by holding an old shower-rail in a harmonic point.

Initially this was a recording of the back of an old cathode ray tv.

Initially this was a recording of the back of an old cathode ray tv.

Definitely some birdsong was used.

Definitely some birdsong was used.

Just a tweaked bit of electric bass.

Playing with the switches on my nagra reel-to-reel - sort of a ryoji ikeda kind of thing popped out - i love surface noise, tape compression. . The whole media in fact!.

This is a sample i made from a piano through a variety of processors. It sounds to me like a texture you may hear in a boiler room or some kind of ventilation system.

These are string samples used in the ccmixter track, corrina (film noir mix).

Multisampled reese made with massive+cyanphase vdist+various other stuff.

This is a high hat processed, repeating from low to high notes very quickly.