585 pistes audio libres de droits pour "Sec"

Recording of a kind of shy laughter performed by a student from the sound design course at the national school of arts, uruguay, playa hermosa. Gear:. Focusrite 2i2 3rd gensennheiser mkh50.

A full set of assorted sounds i recorded personally of my coffee brewing setup a while back. I get great use out of these, as there is a nice range here, clicks, gears, liquid pouring, tapping on small cups, the list goes on. Feel free to use however you want without credit. That said, i'd always love to hear if my sounds were helpful to you and how you used them!.

From the eerie fx pack. See tags for some more detail. All sounds from eerie fx pack were actually ripped (using edison) from a highly modified version of my upload 'eerie fx full'.

Recorded on zoom h4n pro w/ rode m3 & rode ntg1.

A mixer truck, freshly loaded is mixing (extremely dry) concrete in the drum as it spins on the frame of the truck! i held the mic to the exterior of the steel drum as it spun. So there are underlying cat engine noises in the background. The concrete is so dry, its load enough to over power the majority of engine sounds.

Some artificial wind mixed with a weird metallic hum. Feels wave-like. Made/generated in audacity.

A general/common sound when a weapon is not ready to fire (needs reload)!. This sound can for example be used in games, for example when the player is trying to shoot but has ran out of ammo - you name it!. If you enjoyed the sound, please rate, comment, spread! it really helps!. Note: make sure to check out the other matrixxx-sounds! the sound quality is always better when you download the sound(s)! ⛄. Enjoy!/matrixxx.

Recorded with a sennheiser mkh 416 into a tascam dr-100 mkii.

Voice actor: mr rotpbrecorded tascam dr-05xsfx conversion edited: adobe + fxs + mastered.

Hey everyone!. Feel free to use this sound in all your projects. Thanks!.

Clean, dry recording of a roughly half-filled metal can (the ribbed kind used for most canned food - probably steel, tin, or a blend of the two) containing dry oatmeal being shaken. A variety of forces and speeds were used to create a diverse assortment of sounds. Originally recorded specifically for canned oatmeal sounds, but could easily work for shaken cans containing most kinds of tiny, dry granules such as rice, nuts, grains, etc. A metal can was used for the unique, metallic timbre it produces - a glass jar or plastic container would sound different. Recorded with a behringer xm8500 directly into a steinberg ur22c interface at 48khz, 32-bit float. True 32-bit, not just 24-bit upconverted.