56 file audio bebas royalti untuk "Convoluted"

Piano sequence band filtered remix.

One chorus transforms to another smoothly.

Respuesta impulsional de la sala.

Unit impulse 48khz, 120 bpm.

Convolution with the impulse response of the 3r floor from pompeu fabra university (poblenou, barcelona) and https://www. Freesound. Org/people/inspiredfunk/sounds/66352/.

Impulsional response recorded with behringuer ecm800 and m-audio soundcard. Hall of the 3r floor of pompeu fabra university (poblenou, barcelona).

I loaded a slew of random ir files into kontakt, played them through other irs and into the plate140, fairchild, and neve1073 plug ins off the uad card. Then i selected 5 good hits and applied logic's offline compression and destructive fade envelopes. I loaded them into space designer and it produces deep/bright/spacious reverbs.

Convolución.

Sonido convolucionado. Sonido original: https://www. Freesound. Org/people/viliguis/sounds/392288/.

Impulsional response from the 52. 329 classroom at pompeu fabra university, barcelona. Recorded with behringher ecm800, m-audio soundcard and the soundsystem from the classroom.

Este sonido es la respuesta impulsional de una habitación rectangular (no vacía) de 11 metros cuadrados. Está generada a partir de una grabación de un sweep en dicha habitación, convolucionado con la inversa de dicho sweep. Empieza a partir del segundo 10.

Here we have de convolution between some drums and the impulse response of a large and reverberant room.

These are impulse responses of the reverb unit within the korg d888 multitrack recorder. .

This is the impulse response of my bedroom in my home!recorded with zoom h4n.

Impulsional response from tànger underground hall that connects roc boronat building with tànger building. Recorded with behringuer ecm800 and m-audio soundcard.

This is a mix i've done for the march contest. It uses a few short water recordings i made in my apartment which i convolved, mutated, phase vocoded, and time stretched in sound hack.

Testing csound's phase vocoder toolset on some field recordings. Part of a longer, less interesting program output. Overzealous use of convolution and time compression/expansion. .

Rca tape cartridge simulation impulse response: this will bring you back that dark tone found in 60s lo-fi recordings, perfect to use on your mix bus.

An impulse response i made of the spring reverb found in the roland re-301 chorus echo (1977) running into a mackie 8bus desk at "optimum" levels. Made and processed in reaper.

For those who like a vintage sound, this impulse response tries to be the most faithful in the type of spring reverb used in the 60s, on vocals, on guitars, and mainly as a mixing reverb as an alternative to plate reverb if do you want the sound of a garage rock or dub. Depending on the context, you can leave the reverb in mono which reinforces the vintage character.

Testing csound's cross-synthesis opcodes on some field recordings. Orch:. Sr =44100kr = 4410ksmps = 10nchnls = 2. Zakinit 2, 2. Instr 1. A1, a2 soundin "drags. Wav"a3, a4 soundin "listerine. Wav". Aconv1 cross2 a1, a3, 4096, 8, 99, 1aconv2 cross2 a2, a4, 4096, 8, 99, 1aconv1 diff aconv1aconv2 diff aconv2. Zaw aconv1, 1zaw aconv2, 2. Outs aconv1*(p4), aconv2*(p4). Endin. Instr 2. A1, a2 soundin "crush. Wav"a3 zar 1a4 zar 2. Aconv1 cross2 a1, a3, 4096, 8, 99, 1aconv2 cross2 a2, a4, 4096, 8, 99, 1aconv1 diff aconv1aconv2 diff aconv2outs aconv1, aconv2. Endin. Score:. ;gaussian windowf99 0 4096 20 6 1. I1 0 34 1i1 34 34 0i2 34 34. E.

Dynastar signal spectrum convolution right path channel.

Dynastar signal spectrum convolution left path channel.

Ir-like sounds that were made digitally via buffer priming.

Were experiments with algorithmic reverb, trying to create the reverb style used in the 80's.

Impulse response of interior of a parked 2007 kia cee'd estate, recorded with a zoom h1n on 28/01/2021.

Ir - impulse response of a forest (5m). Ir - forest (10m) : https://freesound. Org/s/558824/ir - forest (20m) : https://freesound. Org/s/558823/. Gear : rode nt4file: 96khz, 24 bit, stereo, wav.

This is a sum of two units, a digital reverb ams rmx16 and spring reverb fisher k10 with gate, this was an experiment i wanted to do and by the way, it worked well.

I used the sound of a brush scraping as the source, added the sound you get when you twist a russian doll (already convolved with itself), and this was the result. To me it sounds a little bit like wind.

Experimental irs for convolution reverbs.

Impulse response of the famous digital reverb unit rmx16, in its most popular configuration: nonlinear.

I recorded me clapping in my favourite tunnel of my village and made irs of it.

A digitally modelled impulse response of a location. I use these impulse responses for sound implementation in games, but some of these work great on musical sources as well.

Recorded a clap in my bathroom with no shower door or curtain with a zoom zh1 @ 96khz 32bit, denoised with izotope rx, flattened spectrum slightly by matching with pink noise.

Impulse response generated from field recordings of a parking garage. Recorded using an audio technica bp4029 m/s shotgun microphone into a zoom h4n recorder. This recording is part of a pack of impulse responses comparing different recording and post-processing techniques. A full explanation of the experiment and recording process is presented in this video: https://youtu. Be/nm65zx3u7me. Sweep recordings were deconvolved using voxengo deconvolver.

These are taken from my modded behringer bg412s from 2004. I know this is one of the most hated cabs in the world but i gave it 2 celestion vintage 30s. The top speakers are in an angle to the outside. . . So you get something different. It really is a awesome heavy plywood cab. . . No chipwood crap. The irs are mix ready and should deliver a brutal sound. Even: mix ready universal full sound sm57balls: a bit more whoosh sm57brutal: a bit more scooped sm57bruzl: evil black metal shred pyle pdmic75. Have fun!.

Recorded a clap in a quiet winter snow-covered forest in rural ontario. Can be used for an impulse response. Not ideal, but interesting anyway! recorded with a zoom h2n recorder.

A couple of ir from a field recording at carnarvon gorge amphitheatre, a very subtle sandstone acoustic, not a big reverb, but warms up a flute nicely. . . . This place is an ancient aboriginal initiation site.

A couple of ir from a field recording at carnarvon gorge amphitheatre, a very subtle sandstone acoustic, not a big reverb, but warms up a flute nicely. . . . This place is an ancient aboriginal initiation site.

I made changes in the impulse response of the fisher k-10, i used a demo of the fisher spacexpander on youtube that had a warmer sound, i did eq match using small sections of the video where the audio is dry or wet, i did this sin several times and the result was fantastically similar. The reference used: https://youtu. Be/17x9fqbjbfw.

An impulse response, made with vital softsynth, simulating the responce of a bunch of strings tuned to notes of bohlen—pierce scale. Specifically, a middle ground between 13 equal divisions of a tritave (interval 3/1) and the just-intonation bohlen—pierce scale. (for no particular reason. ). Convolving with this might add some xen flavor to your sounds, even if you play in standard tuning 12edo. I tried it with surge xt’s hammered dulcimer patch (i love hammered dulcimer!) and heard some additional shimmering.

A combination of several tube spring reverb units with a dark vintage character.

Linear decay produced from stereo pink noise to reproduce 80's plate reverb in a convolution reverb plug-in. This can be filtered to find best character.

I tried to create a frequency response by means of eq matching, in the sound of the original tapes, and with the same sound using the optigan going to the sidechain of the eq matching, this was the most faithful i could do.

It’s a mix the 80s gated reverb and the fisher k10 stereo (gated), this is an experiment that i did combining a thicker reverb with low frequency, with an impulse response from a 60s spring reverb unit, which brings a movement nice in the mix.

The giant 1000 liter wine tank at red maple vineyard in the hudson valley - west park, ny. This sounds amazing for "old vocals"a very springy plate tank reverb. Complex and colorful. White and pink noise was played through two speaker exciter transducers attached the outside of the tank. 12gaugemicrophones black212 blumlein microphone inside the tank into behringer xr18, logic pro. Feel free to use as you like but please do mention the source if you can. @manysounds.

Tube spring reverb unit compressed on the tape.

Pulse responses from great british spring reverb processed with equalizers, tube preamps and compressed with analog tape.

This is a 24-bit 44. 1khz impulse response recorded at the very acoustically interesting notre dame in new york city. The stereo x/y mics are oktava small-diaphragm microphones running into a sound devices 702.

It's my first attempt to make use of ir-lv2 convolution plugin. Seems like an amazing tool. Recorded with zoom h2 via usb. Processed through ir: lv2 convolution reverbversion 1. 3 by tom szilagyi. Http://factorial. Hu/plugins/lv2/ir. Used a custom ir file:http://www. Freesound. Org/people/unfa/sounds/181699/. Recorded using zoom h2 and audacity.