1.756 file audio bebas royalti untuk "Perangkat Keras"

Short excerpt from jam session. Analog synthesizers, digital fx, no computer. Instruments and flow:(drums, funky pattern, fx) korg monotribe -> korg kaosspad kp3(deep pad, chorus, distortion) arturia microbrute -> korg ax3000gmixed with behringer q502, recorded with zoom h2n.

Acid sound for sampling, recorded with roland tb-03.

Acid sound for sampling, recorded with roland tb-03. Delay effect from ableton.

Acid sound for sampling, recorded with roland tb-03.

Acid sound for sampling, recorded with roland tb-03. Delay effect from ableton.

Fsi evolver efx shot.

A repeating synth line with recorded cutoff and effects changes.

The raw data is result of this command in my linux command line shell:. Cat /dev/sda1 > my_hard_drive. Then the file my_hard_drive has been imported as raw by audacity sound editing program with attributes:. Signed 16 bit pcm with no byte order 2 channels (whatever. . . ) stereo, 44100 hz. This sound differs from that which can be played just by command "cat /dev/sda1 > /dev/dsp" - this last command plays sound through speakers instead of writing a file. The sound is closer to sound of 56k modem. Later i will upload it (i've just connected line-out of sound card to it's microphone slot).

This is record from line-out of soundcard connected to microphone in, when command "sudo cat /dev/sda1 > /dev/dsp" is running in my linux command line shell. Sounds really close to modem 56k. Unfortunately i've written it into 128 kbit mp3, so this is result of back conversion into wave.

Yamaha tx81z initialized with mild adjustments, run through a korg ea-1. Mixed with a behringer, with fx sends going to a chorus pedal and a distortion pedal. Sampled with the mpc. Sounds similar to dirty guitar or an electric violin. 44. 1k, 16-bit.

A real recording of an external hdd (hard disk drive) getting turned on and off.

Some gnarly tones from the oberheim ob-8 analogue best. Sounds no different than the vst lol. Would love to hear your re-purposing of it!.

Straight c saw from the all analog akai timbre wolf synthesizer.

A self modulated a-110. A self modulated bermuda through filter with some res. Barton analog drum, spring reverb and analog delay stompbox. Sxxxe (you know what) sound is imperfect wave forms, or. . . ?.

The clanking of tools being moved around.

Dsi evolver.

A glitchy prophet 8 recording using its analog sequencer.

Channeling the /dev/sda1 hard drive partition into a file. At last i've imported the raw file properly as the 8-bit unsigned linear pcm. This is 8bit mono 44100 hz windows wave. Lots of strange digital sounds. Quite useful for noise and experimental musicians. Interesting that if we just do cat /dev/sda1 > /dev/dsp we hear different sound more like modem 56k. I also made a record of it. See my files.

Fat square wave sub bass made with z3ta+ and a korg ea-1 mixed through a behringer mixer, recorded with an mpc. 44. 1k 16-bit.

Dave smith's mopho analog synthesizer's triangle wave sampled with an mpc through a behringer mixer. 44. 1k 16-bit.

Recording near a computer fan and hard drive. Not great quality recording. I had placed the mic right where all the air was blowing. Sounds best on lower volumes.

Strange intermission.

This was recorded by holding a small pcm recorder (zoom h1n) very close to an ipod 4th generation. The ipod was turned on and its hard drive tried to start up. You can hear the spin up of the motor and the hard drive head clicking back and forth. The hard drive fails to power up completely and eventually shuts down again. A 350 hz high pass filter was applied, in addition to audacity noise reduction, to get this clean motor noise from the original recording. The stereo file was then mixed to mono because the mic was slightly off center from the ipod, and the stereo provides no benefit. The hard drive in this ipod is a 1. 8" 40 gb toshiba hard drive, the ipod model is a1059. The microphone was held just 3 cm (1. 2 in) from the ipod. Recording settings were stereo 44. 1 khz at 16 bit (wav format). The file is the same except it's mono.

Listen closely - the m sounds unbelieveable solid and consistent. Generator: waldorf mconverter: rme babyface.

Experimenting with detuning the oscillators on the monstrous oberheim ob-8 analogue synthesizer. Would love to hear your re-purposing of it!.

A recording of an external hard drive spinning up. Recorded with an audio-technica at2020usb+.

As i was playing with creating sequences with help of square waves i happen to make this beat. Annoying. . . Made with a small modular synth with love :-).

Now i have downsized my shift register. 2-steps.

Filling tool on metal.

The sound of a wooden garage door being open.

Made this as a test of midi-solutions quadra thru. It works!.

Made using a variety of different hardware hacking techniques.

High hat loop from sps 1 machinedrum.

Bass riff recorded from a sixtrak.

Failing hard drives.

Dave smith's mopho analog synthesizer's sawtooth wave sampled with an mpc through a behringer mixer. 44. 1k 16-bit.

Stop computer after 'shutdown -p now' command was entered. H-m-m. . . Yes, it's linux os. System have 4 hd (seagate) and zalman system fun. Xy-stereo.

This is a recording of my broken hard drive when i turn it on. It sounds like it attempts to read the data but then it fails and powers down.

Inserting and removing a 3. 5" high-density floppy from an hp usb floppy drive. Unprocessed, recorded up-close with a blue yeti pro.

Attaching then releasing a metallic tool head. A pair of sennheiser me64s into a tascam dr40.

Some chords played on an arp solina string ensemble going through an electro harmonix small stone phaser pedal. Let me know how you re-use it!.

Starting a computer, sounds of the hdd and fans as the computer boots windows.

Electric wood sander sanding a sheet of ply wood. Hard, loud and abrasive sound, high volume low pitch. Recorded inside a workshop with a zoom h6 recorder. Audio was post-processed to boost the audio. Wood sander was a bosch 230v.

Not gonna explain about this one much. Basicly i just made a simple patch on my virus c hardware synth which consists of 2 osc's (sine / saw), osc2 slightly detuned from the osc1. Fast pitch envelope on both osc's to get the "punch" part in the kick. Ran through virus's lowpass/bandpass filters, lowpass cutting from 100% to 0% with a speed of 1/4 beats to get a "filtering down" effect to the kick, bandpass rejecting slightly frequencies from a range of 400-600hz. Then i sampled it, many times and picked the best sample. Eq->distort->eq->distort million times and this is the result. Ofc i did some cutting and added some lowpass/bandpass filters with various mix levels @ some points and did some other shit also but basicly it's just eq & distort. Hf, its a decent kick but needs some fixing still since the punch is too separate from the bass.

Booting up my grandma's black hp desktop with a 320gb western digital hard drive recorded with dr-05 at my grandma's bedroom.

A near chaotic experiment. Im mixing cycling envelopes and lfos to generate triggers. The four sounds are totally unrelated. > bass drum. > snare (or something. . . )> bass. The pitches for the bass are generated withthree mixed lfos. A trigger is generated from the quantizerwhen the cv changed enough to generate a new note inthe selected scale. > ear piercing and annoying sound. Three minutes of more than enough.

Samples i made with my korg volca fm.

Some clips of my diy analog synth on the build.

Drilling sound.

Sound of screws being moved around.