454 file audio bebas royalti untuk "Or&n"

Kindertotenlieder, V. In diesem Wetter, in diesem Braus. « In diesem Wetter, in diesem Braus », chant n° 5 des Kindertotenlieder (Chants sur la mort des enfants), composé en 1904 par Gustav Mahler.

Italiano: Introduzione del primo movimento (Andante sostenuto—Moderato con anima) battute 1-26 della Sinfonia n.4 di Pëtr Il'ič Čajkovskij, diretta da sir Thomas Beecham con la Royal Philharmonic Orchestra nel 1957.

Analysis of veena concert sound (https://www. Freesound. Org/people/anjds/sounds/377315/ ) with short-time fourier transform model implemented in the sms-tools software package (http://github. Com/mtg/sms-tools)parameters used in the analysis are: - window type = hamming, window size(m) = 1051, fft size (n) = 2048, hop size (h) = 263.

Recording and edit of flag in wind. Reconstructed from recordings at wind tryst farm, pennsylvania. Present were dr. Martin leck, b. Z. Dahocken, and jon alexander esq. Memory stain recordings. Hope this works for your project. Would appreciate feedback. Cheers! 40°50'59. 5"n 77°52'11. 1"w.

A peaceful fall soundscape of the swelling of the wind as it blows through the leaves of the cottonwood tree, plus, the melancholy sound of some blue jays calling out -- to me blue jays are the iconic sound of fall. Recorded using my handy zoom h4-n portable digital audio recorder and my rode nt-g 2 shotgun microphone. Enjoy.

Recorded at tea, a museum in santa cruz de tenerife. I was invited by dancer masu fajardo to create some sound ambients for a dance piece she was doing there, we decided to use only the sounds being created by her body and her interactions with the space. Here we can hear her running around a big hall, taking breaths and shouting. Recorded with a zoom h4 n.

A beat box i did for a drum n bass track i'm working on. This one i had to quantize. Recorded in audition, edited and rex'd in recycle, quantized and amp'd in reason. 170 bpm. 楽しみにしてフリップアウトしてください。.

Description :sound of audacity : pluck. N' : itération tonique. Morphologie :- masse : son seul tonique- timbre harmonique : net et clair- grain : pas de grain texture lisse et rigide- allure : pas de vibrato- dynamique : attaque franche et dure, le son commence au plus haut. - profil mélodique : variation scalaire- profil de masse : équalisation des son aigus. .

This carolina wren was braving a very cold, gusting cold front in early january. Recording made in a small midwestern town using my zoom h4-n recorder and its own internal microphones set at a record volume of 80. **note that since there were some strong north winds, you will hear the wind/roar in the background, but this wren just seemed oblivious to it. .

Sveriges Radios folkmusikinspelningar. Edseleresan 1963 Dokumentatör: Matts Arnberg, Märta Ramsten SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: 63/M/6207:13:5

This is a quick beat i made in fl studio 20. The drums and melody are my voice sent through a whole bunch of effects to create the sound i desired. Hope you like it :).

Recorded with a zoom h1 n. This is similar to rain-on-veranda-roof-and-window-glass. Wav except instead of recording on the window sill, the device is hand-held aloft in the middle of the veranda and closer to the ceiling. The rain on roof sound is louder and less rain can be heard striking the glass windows. It's a typical intense winter rain storm with wind gusts and driving rain in the month of january on vancouver island.

Noisy birds in a tree outside the radiophoenix. Org office (phoenix center for the arts, 1202 n 3rd st, phoenix, arizona, usa). Background/distant sound of airplane flying overhead, car engines, woman answering her cell phone "hello" toward the end of the file, thud of door closing midway through file. (some of the birds may be european starlings plus others, but i am not sure. ).

Cartoon whizz past, or slapstick fling something effect. Free for use anywhere, anyhow, any time. No attribution required. Three instances of the same sound effect. First instance has a rapid left to right pan. Second instance pans right to left. Third instance stays central. Cut 'n' paste whichever one of the three that you like best. Created with ni fm8 and son of a pitch vst inside flstudio 11. 04.

Some bells - first played one by one, then some clusters (i think, if you are looking for the clusters, i have another soudn called more bells, and they are probably there). The bells were part of an art installation from yougoslavian artist stipo pranyko, who was having a retrospective at tea, in santa cruz de tenerife. This was recorded in the big halls of the museum, that's why there's so much reverb. Recorded with a zomm h4 n.

/////description de base ////////. Key sound of cellphone. //////////typologie (p. Schaeffer)///. N'' : itération tonique. ////////morphologie////////////. - masse : groupe tonique. - timbre harmonique : eclatant. - grain : grain rugueux. - allure : allure qui comporte un vibrato dans le son de chaque 'bip'. - dynamique : l’attaque est violente pour chaque 'bip'. - profil mélodique : les variations sont en forme d'escalier. - profil de masse : site.

I started recording a vinyl lp into my computer before realising that i hadn’t set the anti-skate properly and the needle was stuck in the lead-in groove. I trimmed this bit of snap crackle n’ pop and kept it in the hope that it might be useful for me or anyone else. Have fun.

Sveriges Radios folkmusikinspelningar. Finlandsresan 1957 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: MA 57/11142:10:3

Ferenc Liszt La Campanella, w wykonaniu Romualda Greissa na fortepianie marki Budynowicz z 1850. Nagranie z koncertu w filharmonii w Zabrzu.

Field recording of elevated subway train in queens. The n and w trains take a sharp turn here, causing the wheels to squeal. Recorded using tascam dr-1 on 24-bit uncompressed setting. Used roll-off at 40 hz to save my speakers. I used a windscreen to cut down on wind noise which can otherwise be a problem on this recorder.

I moved the zoom h1 n onto the window sill in the veranda. It picks up the rain beating on the thin plastic roof sheathing above, and on the glass windows next to the window sill. It is rainy weather - january winter rains on vancouver island. It is a hard driving rain. My recollection is that it was about twelve millimeters in one hour. It was wet, the trees grow fast & tall.

04-21-2013 - chainsaw cutting:sunday, april 21, 2013: had to take care of some fallen trees; seemed wise to record it. This chainsaw is brand new. 45cc recording taken at a distance of 30 feet and is unfortunately tarnished at the front with an ambulance siren. Recording gear: zoom h2/n @ 44. 1k/16bit using built-in xy microphones.

I used some sounds from this site to put this together. In particular i used "vn50042" by rivv3t, "tree frog" by tito lahaye, "crickets-03" by rsilveira-88, "rain and thunder" by flathill, "spooky wind" by kangaroovindaloo "bird flap" by adam-n, "river" by poorenglishjuggler, "cricket sound" by bolkmar, "bird" by mootmcnoodles, "flapping leaves" by biancabothapure and various public domain rumbles. Thank you for listening!.

This sound would be suited for background atmosphere in a nightmare movie sequence, or to blast out of your windows to the neighborhood on halloween. It was created in audacity by using a piece the audio track from the end of the movie "my cousin vinny". It is the line marisa tomei says as she and vinny are driving back to n. Y. (oh my god, what a f'ing nightmare). It was then noise-reduced, pitch and tempo adjusted, reversed, and paulstretched.

Original sound: http://freesound. Org/people/orpheuz/sounds/258090/. This is a combination of the harmonic component and the stochastic component. It was extracted with sms-tools, hps model, with parameters:windowtype: blackmanwindowsize (m): 1765fftsize (n): 2048# parameters to identify peaks and harmonics:magnitude threshold (t): -100min duration: 0. 1max number of harmonics: 147min f0: 250max f0: 400max error in f0 detection: 7max freq dev in harmonic tracks: 0. 01stochastic approximation factor: 0. 2.

Original sound: http://freesound. Org/people/orpheuz/sounds/258090/. Harmonic sound extracted with sms-tools, hps model, with parameters:windowtype: blackmanwindowsize (m): 1765fftsize (n): 2048# parameters to identify peaks and harmonics:magnitude threshold (t): -100min duration: 0. 1max number of harmonics: 147min f0: 250max f0: 400max error in f0 detection: 7max freq dev in harmonic tracks: 0. 01stochastic approximation factor: 0. 2.

Inspired by ben croshaw's point 'n' click horror adventure games, i decided i'd try and see if i can make my own creepy whispers using audacity. This is basically some whispered lines and some really low-volume screams superimposed on one another, with some of these lines reversed. I made this on march 2012 and was recorded on my netbook's slightly damaged built-in mic.

One by one, five cars are crossing the soundfield on a straight desert wet road. We can ear them a long time before and after. Motors, air movement and weels on water. Some residual rain drops and faraway rooster after car n°4. France, nov 2022. Recorded with 2 em 172 in ab setuprecorded on zoom f3wave stereo, 24bits 48khz.

Pictures at an Exhibition - x. la grande porte de kiev - allegro alla breve. maestoso. con grandezza. Tableaux d'une exposition - N° 10 « La Grande Porte de Kiev », en mi bémol majeur, Allegro alla breve. Maestoso. Con grandezzade, de Modeste Moussorgski.

Original sound: http://freesound. Org/people/orpheuz/sounds/258090/. Stochastic sound extracted with sms-tools, hps model, with parameters:windowtype: blackmanwindowsize (m): 1765fftsize (n): 2048# parameters to identify peaks and harmonics:magnitude threshold (t): -100min duration: 0. 1max number of harmonics: 147min f0: 250max f0: 400max error in f0 detection: 7max freq dev in harmonic tracks: 0. 01stochastic approximation factor: 0. 2.

One of my favorite sounds is that of leaves skittering across a street on a crisp fall day. . . This, however, is elusive and tricky to record. However, here is a recording that i made this past friday october 19th, 2012 in a small town in southern illinois. It's not perfect, but i'm happy with it. Recording made at night as a cold front is moving in, using a zoom h4n recorder and my trusty rode n-tg-2 shotgun microphone. Enjoy. Kvgarlic.

Recorded at tea, a museum in santa cruz de tenerife. I was invited by dancer masu fajardo to create some sound ambients for a dance piece she was doing there, we decided to use only the sounds being created by her body and her interactions with the space. Here are the sounds of masu stepping at gravel and stone garten ate the museum. You can also hera the sound of stones being thrown at an empty wooden log. Recorded with a zoom h4 n.

Jason is a fuckin' cunt so let's sacrifice that lil' prick!. An instrumental little sumthin' i made in garageband for victors crypt!. It's basically a drum 'n bass-track. Added some atmospheric sounds in the middle but the solid ground is very drums 'n bass. Didn't want to put too many elementsin the mix. Sometimes it's best to keep it simple. Think the groove/beat is alright so didn't want distractions. Could be useful in anything cool, intro, outro, game, dark, eerie, spooky, creepy, scary, horrific, mysterious, crime-ish, thrilling or whatever comes to mind. Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be cool, watch and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance & hail satan!.

Wax cylinder recording of the Thai Royal Anthem ("Phleng Sansoen Phra Barami") performed by Boosra Mahin Theater Group, a Siamese (Thai) theater group visiting Berlin, Germany. Recorded by Carl Stumpf, saved in the Berlin Phonogramm-Archiv. There is a copy of this phonograph cylinder recordings in Thailand preserved by The First Antique Phonograph & Gramophone Museum in Thailand, directed by Mr. Pluethipol Prachumphol. This is the oldest recording of the Thai Royal Anthem. More information are available at http://www.t-h-a-i-l-a-n-d.org/talkingmachine/boosra_mahin/index.html ไทย: เพลงสรรเสริญพระบารมี บรรเลงดนตรีไทยโดยคณะละครนายบุศย์มหินทร์ (บุศย์ เพ็ญกุล) บันทึกเสียงในกระบอกเสียงไขผึ้งยี่ห้อเอดิสัน นับเป็นการบันทึกเสียงเพลงสรรเสริญพระบารมีของไทยที่เก่าแก่ที่สุดเท่าที่มีการค้นพบ เพลงนี้ได้บันทึกเสียงเมื่อคณะละครนายบุศย์มหินทร์เดินทางไปเปิดการแสดง ณ กรุงเบอร์ลิน ประเทศเยอรมนี เมื่อวันที่ 24 กันยายน พ.ศ. 2443 (ค.ศ. 1900) บันทึกเสียงโดย ดร. คาร์ล สตัมฟ์ (Carl Stumpf) แห่งมหาวิทยาลัยกรุงเบอร์ลิน กระบอกเสียงดังกล่าวนี้ปัจจุบันได้มีการเก็บรักษาไว้อย่างดีที่ Berlin Phonogramm-Archiv มหาวิทยาลัยกรุงเบอร์ลิน สำเนากระบอกเสียงดังกล่าวในประเทศไทยได้มีการอนุรักษ์ไว้ที่พิพิธภัณฑ์เครื่องเล่นกระบอกเสียงและหีบเสียงไทย กรุงเทพมหานคร ไฟล์เสียงดังกล่าวนี้ ผู้อัปโหลดได้รับอนุญาตจากผู้อำนวยการพิพิธภัณฑ์เครื่องเล่นกระบอกเสียงและหีบเสียงไทยให้อัปโหลดเพื่อการศึกษาและเป็นสาธารณะประโยชน์แล้ว สำหรับข้อมูลเพิ่มเติม สามารถศึกษาได้ที่ http://www.t-h-a-i-l-a-n-d.org/talkingmachine/boosra_mahin/index.html

Recorded at tea, a museum in santa cruz de tenerife. I was invited by dancer masu fajardo to create some sound ambients for a dance piece she was doing there, we decided to use only the sounds being created by her body and her interactions with the space. Here we can hear her stepping on a floor that's been previously filled up with salt. It's very subtle but works great as sime sort of glitch or crackle, if that's your thing. Recorded with a zoom h4 n.

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: roland jx-3ppatch name (pack): rave stabbingnote: c2midi note: 36.

Layered synthesis of the sound of a big hit. 1 layer. Recorded sound of a blow to the pillow (take with a percussion tint)2 layer. Recorded sound of a blow to the pillow (double low kick)3 layer. Recorded sound of a blow to the pillow (variation of a low-kick double with a low pitch and a different attack phase)4 layer. The sound of a low-frequency sweep, like in a synthetic bass drum, obtained on a synthesizer. )an additional layer of metal impact (recorded by me) is not present in all variations of the sound presented. Each layer was subjected to quite extreme compression and equalization. A bit of overdrive is present. Well, convolutional reverb.

Autumn is here and, to me, one of the most soothing of fall sounds is the wind blowing through the leaves of one of my favorite cottonwood tress, along with the lazy, nap-inducing sound of a propeller-driven plane slowly floating through robin-egg blue skies. This recording may sound a bit raw, because of the wind, but, i think it is nice to listen to. This was recorded using my handy zoom h4-n recorder and the microphone that i used is my trusty rode ntg-2 shotgun microphone.

A wonderful typical mid-summer soundscape of cicadas, and some katydids recorded on the edge of a small town in illinois. Towards the end of the recording you will hear a very cool doppler-effect as the truck passes from right to left. Recorded about 8:00 at night with my zoom h4-n recorder using it's internal microphones. I had the volume level set fairly high -- 80 -- so you will probably also hear the constant hum of the various central air conditioning units. .

I had read that some bluegrass musicians tune their guitar strings to dadf#ad because it makes playing that style of music easier. But what does it sound like? this is the sound of each string being plucked and then an "open drop" strum, with no frets held down. It was synthesized using the program 'sox'. If you have a unix machine (gnu/linux, apple macos) with sox installed, you can recreate the sound by running these commands:. Sox -n pluck. Wav synth pluck d2 pluck a2 pluck d3 pluck f#3 pluck a3 pluck d4 \delay 0. 5 1 1. 5 2 2. 5 remix - fade h 0 5 1 norm -1. Sox -n strum. Wav synth pluck d2 pluck a2 pluck d3 pluck f#3 pluck a3 pluck d4 \delay 0. 05. 1. 15. 2. 25 remix - fade h 0 4. 1 norm -1. Sox pluck. Wav strum. Wav opendrop-bluegrass. Wav. Play opendrop-bluegrass. Wav.

Shooting a nerf gun (nerf n-strike maverick rev-6), most of the shots fail. Then spinning the plastic barrel. Recorded with zoom h2. Edited with audacity. This sound is cc0 but i highly recommend that you include a link to this page when using it, to avoid misunderstandings. Http://farm9. Staticflickr. Com/8070/8213683889_517a10ef52_o. Pngon flac and ogg vorbis audio file formats. Contact me if you have interest in specific sounds for open source or commercial purpose.

How i did it? --------------------------generate a wistle sound (sinus) at 440hz, 0,8 db, 1 secapply effects : fade in, repeat x3. How can i describe it? (french)----------------------. // typologie (cf. Pierre schaeffer) :n + x’. // morphologie (cf. Pierre schaeffer) :. 1- masse: son cannelé2- timbre harmonique: terne3- grain: lisse4- allure: simple5- dynamique : attaque douce6- profil mélodique: pas d’hauteur différente7- profil de massesite : une seule hauteur de soncalibre : pas de filtrage ni équalisation.

A hyundai ix35 can be heard. It is started, runs a bit with isolated revs, and is turned off again. Before and after startup you can hear the car's control electronics. Feel free to use the sound; no attribution required. Feel free to write me in the comments what you used the sound for. Equipment:beyerdynamic mce 86 n(c)zoom h4n. File:wavmono48 khz24-bit.

Traditional biniou music from Brittany played by MM. Le Guennec et Le Bouc. Recorded by Edward Fowler and Douglas Larter. Gramophone record n° 237702. Matrixn° 2L-BFR 294. [1] Tradycyjna bretońska muzyka taneczna na dudach (binioù kozh). Македонски: Народен танц со гајда од Бретања, снимен во 1927 г.

Xy stereo recording from gärdet subway station in stockholm. This focuses on an older trains doors, various steams and similar "heavy" sound elements. In post: edited in pro tools with som bass cutting (eq) and automation to make some sounds stand out but still sound realistic. Put on a light compressor and pich-shifted down some elements to give more depth. This was in someway inspired by "dead space" tram and door sounds but slightly less "massive" and haunting. Ps. There's 2 versions of this recording. The one with "nr" in the title is noise reduced so sounds like the doors and steam are somewhat separated from the background. Hope you like it.

Made back in 2005 for a slasher rap beat on fl4 or 5. . Used strings and a dark pad, also a slap bass. I was really into bone thugs n harmony back then, so i really wanted to take the gangsta feel to a whole different level. . It just turned into a slasher thriller horror type beat. . Ofcourse i took the beat off bc i wanted to share only the score. . If used on anything , i would like to watch or listen. If making for a scene, maybe i can extend it for you , hit me up.

A high quality recording with a solid collection of various snow footstep sounds. There's sounds of slow walking, fast walking, running, jumping and kicking the snow. You should be able to get pretty much all you need for a game or a film in this recording regarding feet and snow. Recorded with a zoom h2 at 96 khz / 24-bit, truncated and saved to flac using audacity. I left some silence n the start if you want to denoise it yourself, but i think it shouldn't be necessary. It was really quiet.

A simple piece of synth pop by producer mesostic with stepped pads, bass, melody and four on the floor beats. Made on Ableton Live with freeware softsynths and included Ableton instruments and shared copyright free for any use from educational to commercial. The stems have also been shared. Track 1 uses the free MiniSpillage drum softsynth. Track 2 uses the free OB-Xd softsynth for the pads. Track 3 uses Ableton's Analog softsynth for the bass line. Track 4 uses u-he's free Tyrell N-6 softsynth for the lead melody.

Artur Nikisch (1855–1922) plays Johannes Brahms: Hungarian Dance No. 5. Recorded February 9 1906 for Welte-Mignon reproducing piano.Artur Nikisch (1878-1936) spielt Johannes Brahms: Ungarischer Tanz No. 5. Aufgenommen 9. Febr. 1906 für das Welte-Mignon Reproduktionsklavier.Italiano: Artur Nikisch (1878-1936) suona il brano Danza Ungherese n°5 di Johannes Brahms. Registrato il 9 Febbraio 1906 con il pianoforte meccanico automatico Welte-Mignon.

Harmonic sinusoidal output sound obtained by analysis and synthesis of veena concert sound (https://www. Freesound. Org/people/anjds/sounds/377315/ ) with harmonic plus stochastic model implemented in the sms-tools software package (http://github. Com/mtg/sms-tools)parameters used in analysis are :- window type = blackman, window size(m) = 1575, fft size(n) = 2048, magnitude threshold in db(t) = -100, minimum duration of harmonic tracks = 0. 01, maximum number of harmonics = 100, minimum fundamental frequency = 100, maximum fundamental frequency = 800, maximum error in f0 detection algorithm = 5, max frequency deviation in harmonic tracks = 0. 01,stochastic approximation factor = 0. 2.