233 file audio bebas royalti untuk "Preamp"

Take 1. A knife rubbed against a cheese slicer in order to create the effect of a sword being drawn from a sheath. This was recorded for the purpose of a college project. Sony ecm-ds70p mic to a sony minidisc mz-n710 acting as a preamp into my edirol ua-25 audio interface. Photos:http://www. Flickr. Com/photos/str33ty/373690370/http://www. Flickr. Com/photos/str33ty/373690361/.

* circular saw for cutting stone on a construction site* ambient noise: birds, voices, construction site* distance to source: ~8m* height above source: ~5m* post processing: none. * microphone: samson c01* interface: phonic firefly 808u* resolution: 24bit@96khz* preamp: +35db* cables: 2x 6m sommer sc-the stage 22, hicon connectors* software: ardour on debian.

Free loop for any use :-) have funthese are my diy 80s drums. I used my mouth and created drums using sound design. Subscribe my youtube channel :-)for new sampleshttps://youtu. Be/kkq2trtynu0. I used it for recording and editing:. Instrument -mouthmic - superlux h o8mic preamp - behringer mic100sound card - line6 toneport gxsoftware - cubase le elements 7plugin - melodyne.

Recorded in a controlled studio environment with a sennheiser mkh 416 shotgun microphone into a universal audio la-610 mk ii pre-amp through ssl converters. 48000 khz 32-bit float. Recorded by benni knop, sound designer & re-recording mixer for dream vault studios. Http://dreamvaultstudios. Comhttp://benniknop. Com.

A classic movie punch sound recreated by hitting a leather car seat with a cricket bat. Recorded using a rode k2 tube mic and a schoeps cmc6, driving the preamps hard and compressing the input, then heavily compressing a number of takes using analog-emulation plugins (including a fairchild 660) and running the mix through waves maxxbass. Then limiting some more and finally adding the swoosh of a riding crop and a non-linear reverb noise tail.

My apartment/studio was very quiet except for the steam heat so i put a mic in the middle of the room (an ear trumpet labs edwina) and put it through a lindell mic preamp and then into a focusrite 18i20 interface to record. This is the mono, 48khz, 32-bit file for your dining and dancing pleasure. Actually, it's just room tone and can be mixed judiciously to cover gaps in your own tone or to make brand new rooms from scratch.

Sony dvp-s530d cd/dvd player. A couple of takes of the disc tray being gently pushed closed. The first take includes the sound of the player spinning up a disc. The left channel is a sennheiser mkh-416 and the right channel is an akg c414 b-uls, both into a john hardy m-1 preamp into pro tools. Each mic has a slightly different recording position and overall sound.

Recorded in a controlled studio environment with a sennheiser mkh 416 shotgun microphone into a universal audio la-610 mk ii pre-amp through ssl converters. 48000 khz 32-bit float. Recorded by benni knop, sound designer & re-recording mixer for dream vault studios. Http://dreamvaultstudios. Comhttp://benniknop. Com.

Car horn honking like a guy stuck in traffic (which i know all too well). Two versions of irritation. Recorded using a audio technica at891r with a scarlett solo preamp then cleaned up using izotope rx8 advanced to remove some ambient noise. No need to credit if you don't want to. You may use as much as you want for whatever you want. Hope it helps!.

Recorded in a controlled studio environment with a sennheiser mkh 416 shotgun microphone into a universal audio la-610 mk ii pre-amp through ssl converters. 48000 khz 32-bit float. Recorded by benni knop, sound designer & re-recording mixer for dream vault studios. Http://dreamvaultstudios. Comhttp://benniknop. Com.

70's era korg univox sr-120 drum machine driven through gap-pre73 preamp sent through joe meek c2 optical compressor sent through aphex compellor compressor, limiter and aural exiter, recorded via sony pcm-d50. I think the univox is broken because i can't get any other sounds than tom-toms and claves from it.

After spending a weekend putting together a giant wardrobe (from everyones favourite swedish furniture store) for my girlfriend i thought i should reward myself by making some recordings of it. This is a close mic recording of one of the internal draws. For this recording i used my sennheiser mkh416 going into a sound devices mp-1 preamp and recorded to a tascam dr-680.

Braun model 3105 coffee maker. Multiple takes of picking up and replacing the glass carafe on the hotplate. The left channel is a sennheiser mkh-416 and the right channel is an akg c414 b-uls, both into a john hardy m-1 preamp into pro tools. Each mic has a slightly different recording position. The akg has more of a "room" perspective whereas the sennheiser gives a close up, detailed perspective.

Rock song short 10wrote/recorded a short rock song at 120 bpm in ableton live 9:guitar recorded direct into a scarlett 18i20 then used guitar rig 5 plugin from native instruments. Bass recorded direct into a la610 preamp then into the scarlett 18i20. Ezdrummer for drums. Additional notes:-12. 1 lufs integrated. -1. 9 db true peak max. Hope this helps and is useful for your next project. Cheers,bainmackyoutube. Com/bainmack.

Recorded on back porch birds ambience etc. . . Chain: rsm4 & pdmic45 > art usb dual pre > zoom h1 @ 44. 1 24 > reaper > flac @ 44. 1 16 and dither level 6. Signal chain is: pyle pdmic45 condenser sent to left channel of an art usb dual pre mic preamp. . . Right channel nady rsm4 plus 20 db selected. . . Both channels sent to a zoom h1. . . Post done in reaper. Phase flip and panned figure of 8 to sides and left condenser mono for mid side.

Dont ask why this is named like that lol, made using a lot of layers but the fundamental of the snare is synthesized, distorted the first miliseconds of the sample to make an snappy transient and make it cut throught the mix. For the process i used analog modelled plugins such as exciters, tube saturators, preamps, coloring eqs, and compressors alongside with some digital modelled plugins such as camelcrusher, transient shaper and sliceeq both by kilohearts, the compressor mjucjr ny klanghelm to amplify the waveform of the sample and finally a clipshifter plugin, which i love it, to limit the snare aggresively.

After spending a weekend putting together a giant wardrobe (from everyones favourite swedish furniture store) for my girlfriend i thought i should reward myself by making some recordings of it. This is a close mic recording of the sliding door, i followed the top of the door (where there was the most interesting sound) the full length of the wardrobe as i opened/closed the door. For this recording i used my sennheiser mkh416 going into a sound devices mp-1 preamp and recorded to a tascam dr-680.

Items used:• electric guitar: cort x100 open pore black• guitar pedal: ksr ceres (ceres – 3ch preamp pedal – ksr amplification®). The file is phased. The right channel is delayed 25 ms (milliseconds). It is part of my death metal guitar folder pack.

Rode nt4 microphone compare signal-noise of phantom and battery power. Nt4, together with small electrical clock, in bed under all the pillows of the house. ;-). First 48v phantom-powersecond 9 v battery-power. Gear chain: rode nt4 with original xlr cord > sound devices 302 >tascam dr-100 mk2. My conclusion: the battery powered mic nt4 is 0. 5db more quiet. Not very significant. See also; http://freesound. Org/people/klankbeeld/sounds/217695.

This recording was done early one morning in may 2012 in the middle of scotland. You can hear the usual sounds of the countryside at this time of year and day. The two front microphones were facing the river tay, the two back ones drummond hill. This is the sound those front ones captured. All of them microphones were audio technica at-3031 ones, connected to the rme quadmic preamp into an edirol r-44 recorder. To get a quadraphonic or surround sound you have to download both tracks (they are next to eachother on the list) and alter them the way you want. If you compare them, then it shows what a difference it makes where you point those microphones.

I uploaded this after i finish my job (for scoring a music and additional foley/sfx) and by the time for cleaning, i found some of them were not used, were not even reviewed. I have several unused items. As i have benefited several times from this website, it's time to give back. Why not. This was recorded in my home studio, using my condenser microphone, the isk u99 (neumann knock-off, so the seller and a friend said to me; i wouldn't know however. ) powered by apogee duet preamp and simple shock-mount, i hope this recording clean enough for many uses. I recorded in close proximity, hence the high frequency a bit harsh. No edit. No effect. Cheers.

I uploaded this after i finish my job (for scoring a music and additional foley/sfx) and by the time for cleaning, i found some of them were not used, were not even reviewed. I have several unused items. As i have benefited several times from this website, it's time to give back. Why not. This was recorded in my home studio, using my condenser microphone, the isk u99 (neumann knock-off, so the seller and a friend said to me; i wouldn't know however. ) powered by apogee duet preamp and simple shock-mount, i hope this recording clean enough for many uses. I recorded in close proximity, hence the high frequency a bit harsh. No edit. No effect. Cheers.

I uploaded this after i finish my job (for scoring a music and additional foley/sfx) and by the time for cleaning, i found some of them were not used, were not even reviewed. I have several unused items. As i have benefited several times from this website, it's time to give back. Why not. This was recorded in my home studio, using my condenser microphone, the isk u99 (neumann knock-off, so the seller and a friend said to me; i wouldn't know however. ) powered by apogee duet preamp and simple shock-mount, i hope this recording clean enough for many uses. I recorded in close proximity, hence the high frequency a bit harsh. No edit. No effect. Cheers.

I uploaded this after i finish my job (for scoring a music and additional foley/sfx) and by the time for cleaning, i found some of them were not used, were not even reviewed. I have several unused items. As i have benefited several times from this website, it's time to give back. Why not. This was recorded in my home studio, using my condenser microphone, the isk u99 (neumann knock-off, so the seller and a friend said to me; i wouldn't know however. ) powered by apogee duet preamp and simple shock-mount, i hope this recording clean enough for many uses. I recorded in close proximity, hence the high frequency a bit harsh. No edit. No effect. Cheers.

I uploaded this after i finish my job (for scoring a music and additional foley/sfx) and by the time for cleaning, i found some of them were not used, were not even reviewed. I have several unused items. As i have benefited several times from this website, it's time to give back. Why not. This was recorded in my home studio, using my condenser microphone, the isk u99 (neumann knock-off, so the seller and a friend said to me; i wouldn't know however. ) powered by apogee duet preamp and simple shock-mount, i hope this recording clean enough for many uses. I recorded in close proximity, hence the high frequency a bit harsh. No edit. No effect. Cheers.

This was produced by tapping on a stethoscope which had an earbud pressed against a shure sm57 mic. Low pass filter applied, as well as compression and a gate. Chorus added. Used a recording cassette deck as a preamp going into an m-audio audiophile usb soundcard. Note: if you're having problems listening to this clip, the cutoff frequency of your speaker set may be too high(solution: new speakers). The signal strength exists almost entirely in the very low frequencies, so you may need a sub-woofer to hear it. Otherwise, try turning your speaker volume all the way up. Doing so may saturate the signal and at least allow you to hear the harmonics of the signal caused by the distortion. I don't recommend it, but you'll at least maybe be able to hear something.

Upper maxwell falls, evergreen, co, at the top of the falls. Recorded a little before dusk, 2017-07-19. Recorded binaurally using sound professionals ms-tfb-2 binaural microphone headset, 12vdc battery box, sound devices mixpre-6 at 24/192. Postprocessing: digital gain, downsampled to 16/48. Flac: encoded. The rock formations here play appealing tricks with the sound of the running and falling stream. Facing out over falls dropoff, vaguely. A lot of digital gain (+30db?) was applied in postprocessing. The analog preamp was originally set to +21db on the aux-in (ch5/6) input, but this may not have been the optimal gain staging. See also schoeps ms stereo version recorded one month later, here: http://freesound. Org/people/chromakei/sounds/400404/.

Hi guys, i'm back. For years i haven't uploaded any sounds except my news themes, (thanks to you for your nice comments and thousands of downloads)now i give you an impulse response i made to check how my mixes would sound on a typical living room audio setup (but listening with headphones). The chain: technics hifi-system, multi-cone speakers, audix reference microphone, focusrite preamps. To use it like intended, just load this file into a convolution plugin in your master insert. You'll hear your mix like sitting. . . Well. . . In my living room. It'll sound muffled to you, that's because i captured the ir and all the reflections with an omni-directional mic and i have thick curtains ;-dof course it can be used as a really, really nice and natural-sounding ambience ir, too. Use it as an aux-reverb).

Another recording of rain and thunder, but in some ways a better one. This one is a surprisingly big crack and rumble preceded and followed by a nice sounding rain. I made this by positioning a stereo-matched pair of akg c451b condenser mics in an exaggerated x-y configuration (a wider stereo field) and aiming them out of my open window. The mics went into a universal audio 2-610 preamp, an apogee duet 2, and then ableton at 48khz and 24 bits. I believe i had the mics set flat, and there was no post processing (though i was mightily tempted to upload the much-better-sounding eqed and compressed files) so that you can fine tune it to suit your needs. You'll notice that the loudest parts of the thunder boom clipped the input, but, due to the pleasant and forgiving nature of vacuum tubes, the clipping sounds more compressed than distorted. Feel free to use this sound in any commercial or artistic work! you do not need to credit me.

sigil reel 2: percussion. Created by nathan moody, formatted for use in the make noise soundhack morphagene. This is one of two morphagene reels made from one-of-a-kind handmade electro-acoustic instruments and found objects created by sound designer and musician nathan moody, an outgrowth of his 2018 album, "the right side of mystery. ". This reel is focused on percussive, inharmonic content from found objects and one-of-a-kind handmade instruments including metal table tops, perforated steel gongs, stretched springs, steel tubes, a drum made from packing tape, shakers made of tin cat food lids, and much more. They were struck with rubber mallets, carbon fiber rods, drumsticks, and woolen tympani mallets. They were recorded with a variety of microphones (sennheiser mkh50, dpa 4061, audio-technica at4050, shure sm57 and beta 52a), through awtac channel amplifier and neve 511 preamps. The hits are gritty, raw, and harmonically complex often with long decays, holding up well to varispeed manipulation, decay-tail looping, and filtering. For more information about nathan moody and the sounds and instruments used on this reel, visit nathanmoody. Bandcamp. Com and music. Noisejockey. Net.

This audio contains a guitar performance of lily was here song. It was recorded using a fender player telecaster guitar and yamaha audio gram 6 audio interface as recording set up. Tempo: 108. The setup to record this performance and the other ones in the same dataset (five guitar dataset) is explained here: the setup used a yamaha audio gram 6 audio interface and reaper 10 to record guitar from direct input (di), a huawei p30 lite model mar-lx1a to record guitar from a mobile and a dell inspiron 13 5000 to record guitar from a computer. To record acoustic guitar in di, i used a fishman neo d single coin on larrivée and seymour duncan seth love on the eastman connected to a nap-5 stageman floor acoustic preamp going then to the audio interface. The computer and mobile were positioned approximately 3. 8 cm from the player position (measured from the twelve fret of the guitars). The electric guitars were plugged into a dv mark little jazz guitar amp which has a di output, that was connected to the audio interface. The amp was located at a distance of 114. 5 cm from the mobile and the computer.

A recording of a manual typewriter. The author is inserting paper, typing a paragraph, and then removing the paper. Sound of paper being inserted into the typewriter using the paper platen winder. Then the sound of typing of about 50 words. A small bell sound is heard at the end of each line, then the sound of the platen being pushed back to start the next line, and the platen moving the paper up one line. The sample ends with the sound of the paper being wound through the typewriter and removed. I have tried to avoid clipping of each typed letter. There is a lot of percussive multi pitch sound in each typed letter. There is a mechanical escapement that provides a clicking sound as the platen is moved back for the next line. This sample was recorded direct to the hard drive of this samsung nc10 netbook using audacity set to 44. 1khz and 16 bit in mono. A dynamic microphone was used on a small desk stand about 1 foot (30cm) from the typewriter, the stand being on a different table to the one on which the typewriter was used. The microphone was a fairly cheap make (hitachi hmp606) and was pre-amplified using a maycom mictube preamplifier built into the xlr connector, connected to the mic in port of the samsung nc10 netbook. The mic boost was reduced to zero, and the gain of the maycom preamp was at its lowest setting.

I tried out some new gear and methods! more mountainside rain! a complete storm from beginning to end with swelling and then waning rainfall, occasional thunder. Ms stereo bar on mic stand projected through open second-floor window, just under the roof eaves. Recorded july 20th during one of the mid-afternoon brief intense storms we can seem to get frequently in the rocky mountain foothills beginning around june. If you were listening and wondering, the direct sound of the thunder is somewhat occluded as i believe the storm was behind the overhanging roof and house from the perspective of the microphone array. The mountainous terrain and other objects in the field reflected some of that thunderclap, as well as the exterior wall of the home, and so this is all a little bit funky. Mid-side stereo recording:large diaphragm condensers mounted on octavia stereo mic mounting bar:akg perception 220 mid (cardiod) (on top, upside-down)akg perception 400 side (in bidirectional mode) (on bottom, facing left)sound devices mixpre-6 preamp+mixer+recorder (ch1+2 paired to ms stereo, gain @ +21db, fader @ unity, balance at mid/side center) w/48vdc phantom power applied, on-board mid-side encoding and monitoring in l+r, 24/96khz stereo recording. Postprocessing:cooledit 2000: edited to excerpt from longer recording. Normalized recording to 0db. Downsampled to 16bit 48khz. Flac: encoded.