95 file audio bebas royalti untuk "Rel"

This is the fire alarm in my building as recorded in the hallway outside my apartment. The ceilings are relatively low. The floor is vinyl or something. Drywall otherwise. This recording is backwards. Slowed down, exported & slowed down again.

My friend ripping an apple in half with his bare hands. Unedited. Recorded originally to use as a sound for when the stem breaks in my school's production of james and the giant peach. Recorded on my iphone x in a relatively sound proof dressing room.

(higher pitch and relatively different in terms of character than the original) based upon my "single gunshot. Wav" sfx, this experiments a bit with the effects of stereo audio. I made the sound quite punchy also. Created with audacity. Use however you see fit.

Record relative dì lan read/sing bài tăng thi sĩ việt châu use zoom h1, 2016. 01. I use compress format. Ogg because very long but gooder quality than. Mp3 (and no patent monopoly).

Some riffing on a small bamboo mouth harp purchased in yunnan, china. The pumi name for these instruments is didi or cuocuo. This one is a relatively low register, for this instrument. Recorded with toptech tf-a27 digital voice recorder.

A field recording of a car passing by on a non-windy day, i think it might've been a honda accord, the sedan version which generally has a relatively subdued engine sound when passing by. I use this personally for scenes in the city.

Me lighting up a. . . Cigarettei used this for a audio poetry project and thought it might be useful. The recording is not edited and thus relatively quiet, but since the quality is rather good you should be able to amplify it as needed. Recorded with rode nt1-a via focusrite scarlett solo 1st gen.

Close-up recording of pressing down repeatedly on a double-wrapped loaf of bread. Crinkling, crackling, and rustling on both press and release. Relatively fast tempo, quickly pressing in and releasing around 60bpm. Recorded on a tascam dr-40x, no post-processing.

Recorded with a zoom h1 n. Waves lap gently against the sand shore, absorbed by tons of freshly strewn kelp. It is near a tide turn, so the wave action is relatively gentle. The sounds are more like lapping, and not crashing. It is a very gentle sound.

Common-tone modulation between C minor and its relative major Eb, using the common-tone G, in Schubert's Op. 163 (D. 956).

Ambience recording at the first base camp on chimborazo volcano. The mountain was relatively quiet and there wasn't much wind. This was taken on a cold overcast day on the mountain side.

Rain and thunder with some light traffic, relatively close. Urban setting. Recorded in staten island, ny june 4, 2021 with the on board x-y mic of a zoom h4n pro from the 2nd floor window of an nyc townhouse (first part facing the street, second part facing the back).

Iphone recording of a group of people sitting in a theatre in downtown boston, ma, prior to a film screening. The room was perfectly tempered and acoustically treated, and people were talking at a relatively normal level without echo or reverberation. It was too good to pass up recording it. At first, there are people talking near by, but towards the end, i am further back and the group chatter effect can be noticed in whole.

Capoeira mestre calango was nice enough to do a couple of short recordings on the berimbau for me. A berimbau is a one stringed instrument with the string made from the inside liner of a truck tire, it has a claxia(sp?) a shaker with it and is modulated by placing the gourd against the stomach and removing it. Done with hdp2 and two sennheiser mics 66 67, was in 24 bit 96khz, downconverted to 16b at 44. 1, a relatively clean recording at a very high level.

Capoeira mestre calango was nice enough to do a couple of short recordings on the berimbau for me. A berimbau is a one stringed instrument with the string made from the inside liner of a truck tire, it has a claxia(sp?) a shaker with it and is modulated by placing the gourd against the stomach and removing it. Done with hdp2 and two sennheiser mics 66 67, was in 24 bit 96khz, downconverted to 16b at 44. 1, a relatively clean recording at a very high level.

Ile de ré, edge of beach, bag and surf, stones roll under water. The sea is relatively powerful, i am in the water, the boom above the waves. Original wavre 96/32 2021/05/29 with ortf setup dpa4022 in cinela albert with mixpré6ii recorder.

I play three notes on tenor trombone: Bb3, Bb2 and Bb1. They are all in first position. The first two notes are in the standard range of the trombone, while the last note is a pedal tone. This occurs when the instrument resonates at the fundamental, rather than the 2nd harmonic. Pedal Bb is relatively easy on trombone, but much harder on trumpet (I'm unable to do it, despite being proficient at trumpet and at a beginner's level on the trombone).

A poot recorded with relatively good quality, ie. Low noise, no echo, etc. Post-processed using audacity (equalization, amplification, noise-reduction) to achieve more consistent levels and fidelity. Recorded on a moto g5 plus (smartphone) using easy voice recorder (android). Processed with audacity for a more consistent tone and volume.

Record and change voice from relative say "bay lên trời cao" use n4n pro 2019. 01. 30 10:00. Use audacity change sound become like superhero:. - effect→change pitch…percent change -20. 0. - effect→reverbroom size (%): 8pre-delay (ms): 36reverberance (%): 67damping (%): 78tone low (%): 100tone high (%): 16wet gain {db): 0dry gain {db): 0stereo width (%): 100no wet only.

Beside a railway track in hanover, lower-saxony, germany. Recorded with tascam dr-100mk3 plus wind screen.

An amazing 3-second poot with a music-like sound (trumpet). Relatively good quality, ie. Low noise, no echo, etc. Post-processed using audacity (equalization, amplification, noise-reduction) to achieve more consistent levels and fidelity. Recorded on a moto g5 plus (smartphone) using easy voice recorder (android). Processed with audacity for a more consistent tone and volume.

A series of 5 short, natural poots, aka. Farts, separated by about a second of silence. All natural and relatively good quality, ie. Low noise, no echo, etc. Recorded by the producer on different occasions and post-processed using audacity (equalization, amplification, noise-reduction) to achieve more consistent levels and fidelity. Recorded on a moto g5 plus (smartphone) using easy voice recorder (android). Cute > nasty?.

Record and change voice from relative say "bay lên trời cao" use n4n pro 2019. 01. 30 10:00. Use audacity change sound become like superhero and fix its speed:. - effect→change pitch…percent change -20. 0. - effect→reverbroom size (%): 8pre-delay (ms): 36reverberance (%): 67damping (%): 78tone low (%): 100tone high (%): 16wet gain {db): 0dry gain {db): 0stereo width (%): 100no wet only. - effect→change tempo. . . Percent change: 60. 000.

A patch with nonlinearcircuits jerkoff ("chaos circuit based on the jerk equation and its electronic implementation by jc sprott") in the center. I had a question that needed an answer. Is jerkoff a stable lfo when not using the input to disturb the rythm?my answer is. It can be relatively stable, but sometimes it is wobbling around. The recording is from a wobbly jerkoff. One output to osc cv in and another to a vcf vc in. The third output goes to a comparator. The comparator generates a trigger every time the cv is passing the threshold level.

A series of 5 short, natural poots, aka. Farts, separated by about a half-second of silence. All natural and relatively good quality, ie. Low noise, no echo, etc. Recorded by the producer on different occasions and post-processed using audacity (equalization, amplification, noise-reduction) to achieve more consistent levels and fidelity. Recorded on a moto g5 plus (smartphone) using easy voice recorder (android). Cute > nasty?.

What seems to be a malfunctioning alarm at a rail crossing. The clanging of the electronic bell has an irregular pattern and seems muted. Perhaps even more annoying to some than the typical crossing gate alarm.

Train-station train-tracks engine steam.

East midlands mainline train travelling slowly, lots of track noise. No passenger noise.

Recording of my duduk. It's in the key of a, so i played a b3 and pitched it up to c3 with melodyne so it's usable in a sampler or to import as a wavetable in serum or whatever. Because of it's harmonic content, it actually works great as a clean yet relatively translatable sub bass for electronic music. I used it to make a wavetable in serum which works perfectly. The instrument is a double reed woodwind folk instrument from armenia, the reeds are made of a flattened piece of bamboo, and the body is made of the wood from an apricot tree. And it's history dates back to approximately 1200bc. Enjoy!.

Finally, my first contribution to freesound. Org. I'd be interested to know where you use this. There was a single hornet airshow in kuopio harbour today. Recorded the whole seven to eight minutes long show in a relatively secluded location, so there is minimal to none audience in the recording. I left half a minutes of ambient recording to both ends of the recording. Recording device: sony pcm-m10recording format: 24 bit, 48. 0 khz, stereo pcm, wav.

Two flat barges, relatively big, are docked side-by-side (at berth) and rubbing against one another due to choppy conditions. Raw audio edited to remove moments of intense, booming wind noise. Recorded on january 22, 2021 at the staten island ferry terminal & vessel depot in st. George, staten island, new york city, new york, usa on a zoom h4npro recorder with on-board x-y microphone, aimed downward at the barges from an elevated position.

Minimalism-ism by Marco Kalnenek. Marco Kalnenek [*1969] is a musician from Heerlen, the Netherlands. Kalnenek started playing the piano at age 9. His first band Foolish Behaviour was formed around 1982, when he started jamming and recording tapes with assorted friends. Hundreds of hours of music and other noises were recorded in the 12 years that followed. A few cassettes and cd-r’s were privately released and various tracks turned up on compilations, most notably on Comfort Stand Recordings and blocSonic. In the meantime Kalnenek started his own label, WM Recordings, in 2004. After years of relative inactivity Marco Kalnenek’s first official EP “If Not For” finally appeared in May 2013.

ElectricShockingKrautRockingMinimalMachine by Marco Kalnenek. Marco Kalnenek [*1969] is a musician from Heerlen, the Netherlands. Kalnenek started playing the piano at age 9. His first band Foolish Behaviour was formed around 1982, when he started jamming and recording tapes with assorted friends. Hundreds of hours of music and other noises were recorded in the 12 years that followed. A few cassettes and cd-r’s were privately released and various tracks turned up on compilations, most notably on Comfort Stand Recordings and blocSonic. In the meantime Kalnenek started his own label, WM Recordings, in 2004. After years of relative inactivity Marco Kalnenek’s first official EP “If Not For” finally appeared in May 2013.

Improv by Marco Kalnenek. Marco Kalnenek [*1969] is a musician from Heerlen, the Netherlands. Kalnenek started playing the piano at age 9. His first band Foolish Behaviour was formed around 1982, when he started jamming and recording tapes with assorted friends. Hundreds of hours of music and other noises were recorded in the 12 years that followed. A few cassettes and cd-r’s were privately released and various tracks turned up on compilations, most notably on Comfort Stand Recordings and blocSonic. In the meantime Kalnenek started his own label, WM Recordings, in 2004. After years of relative inactivity Marco Kalnenek’s first official EP “If Not For” finally appeared in May 2013.

Long recording of an intense new england thunderstorm, recorded through an open window with a portable minidisc recorder and attached sony condenser microphone. The first ~18:45 is relatively quieter (and cleaner), though there are several good thunder rolls at ~1:20, 4:00, and 14:10. After 18:45 the storm picks up and the recording is correspondingly louder, and the storm goes a bit crazy -- there are many very loud thunder rolls, though unfortunately there is also some clipping and distortion. From 24:00 through the end of the recording, the storm winds down and the recording level is just right to pick up a number of very clean but loud thunder rolls, with some nice stereo separation.

The creaking of metal boxcars and rails as a freight train passes through a crossing at a modest rate of speed. The crossing alarm bells ping constantly throughout.

Bowling alley- the thing with recording a bowling alley is that the pins are so far away. When you’re the one bowling, you’re not really listening to all the chatter around you; in fact your brain does its best to cancel it out (it’s called selective listening, google it), and so you really hear the clamoring of the pins as they crash and fall. Microphones don’t have any such ability; they just take in whatever sound waves reach them, and they don’t care either way about the relative loudness of those sound waves. So what happens in a recording like this is that even though it sounds like any ordinary (busy) bowling alley, the pins sound really far away in relation to the human chatter. Nady stereo condenser microphonefocusrite saffire pro24 interfacelogic 8 on a macbook probowling alley in san diego.

The new hope & ivyland railroad is located in new hope, pennsylvania, usa. Basically, it's a tourist railroad that gives visitors the experience of riding in an old fashioned train. You take a short trip out (too short in my opinion) and a short trip back to the station. Since i wanted clean sound, my wife decided to surprise me by paying for the private seats on the very back (outside) of the train. Think of old pictures of presidents waving from the rear of a moving train. . . That place!. So, with zoomh4n pro in hand, i recorded the entire trip from station to station. There's lots of good, old fashioned, clickity-clackity track in this one. A rarity these days as most tracks are now put down with out breaks for miles at a time. Enjoy!. Christopher.

Clean, dry recording of a smartphone touchscreen being rapidly tapped as if a message was being written on it. Could just as easily be used as sounds from using (writing, playing mobile games, browsing, etc) a tablet or really any relatively small touchscreen device. Tapping speed and length between taps varies throughout the recording, but overall i tried to make it sound as natural as possible while still offering options for more granular placement. Recorded with an akg p170 into a tascam 208i audio interface at 48khz/24-bit. Microphone was positioned 5-6 inches away from source. A 120hz high-pass filter was applied to remove unnecessarily pronounced bass frequencies.

Field recording in the interior of a riding train in 2020, gliding over iron tracks.

A train passing through a wooded area. Recorded in rspb stour estuary woods, wrabness, essex, uk. Recorded with a zoom h6 msh-6 stereo mic on a calm summers day.

English spring #gm0017 is the latest free sample pack from gowler music. Recorded in the month of april in the northern english country side, this sample pack features over one hour of ambient nature sounds including bird calls, wind and the occasional airplane overhead. Rather than cutting the raw files into shorter minute-long samples, we’ve decided to leave these samples ‘as is’ to give people more creative control of the content. With only a slight eq tweak and some channel boosting, these samples have been left relatively untouched to give a more realistic, true sound. Perfect for any music producer of film maker looking for real ambient nature sound effects, english spring #gm0017 can be downloaded for free now. Https://gowlermusic. Com/free-sample-pack-english-spring-gm0017/.

Field-recording on a railway platform in 2021 in belgium. A train is arriving, it glides on the tracks, brakes and comes to a standstill.

Street noises recorded while walking through the most touristy area of montmartre, in paris, france. Streets visited include rue des saules, rue norvins, rue du mont cenis, rue du chevalier de la barre, rue du cardinal guibert, rue azais, rue saint eleuthere, in that order. Highlights include:. 00:00-00:30-> walking south along the relatively quiet saules ("willow") street in montmartre; footsteps and squeaking boots. 00:42-01:02-> street-cleaning truck passing on the same street. 01:02-01:30-> piano playing inside a restaurant on norvins street. 01:30-01:36-> rock music in some other shop. 01:44-01:46-> kids running past. 01:56-01:58-> barely audible music somewhere, under heavy crowd sounds. 01:56-02:59-> crowd noises, clinking silverware and plates in the restuarants i'm passing, increasingly heavy crowd. 03:00-03:21-> passing van, followed by another bus. 03:21-04:06-> ill-behaved young males ruining my take with strange ape-like cries. 04:06-04:17-> i think this was a passing taxi. 04:20-05:08-> someone playing a steel drum on the ground in mont cenis street. 04:43-------> someone closing a gate, i think. 05:16-05:18-> american tourist exclaiming at close range in chevalier de la barre street. 05:53-06:18-> street portrait artists talking and joking with each other. 06:30-07:25-> someone playing the harp on cardinal guibert street next to the basilica, partially drowned out by a passing car. 07:25-08:23-> someone singing on the steps in front of sacré-coeur. He had a powerful but distorted amplifier--the bad sound quality was like that in real life. I turned around in front of the basilica on this dead-end street and that's why the music switches sides. 08:23-08:40-> yes, that's a chainsaw. The city was trimming some large trees. 09:33-09:47-> more chainsaw noise as i walked past the workers on azais street. 10:00-11:00-> increasing crowd noise as i walk back north to the busiest part of montmartre along saint eleuthere street. Recorded with a hand-held h4n at 96 khz / 24-bits, stereo, compressed into 160 kbps / 44. 1 khz / 16 bits mp3. Recording date march 16, 2012, in the early afternoon.

Created by divkid for use in the make noise soundhack morphagene. There are dry-only, fx-only, and mix versions of this reel in the pack. See it in action at https://youtu. Be/rk4ufmfcouc. Patch walkthrough. The patch starts with the qu-bit chance providing discrete random values (sample and hold) going into an instruo harmonaig. This takes the stepped random voltages and quantizing them to a given scale. I put in the notes c d eb f g ab bb which is a c natural minor scale, the relative minor of eb major (for anyone that's curious). However like most of my modular work i didn't actually tune the oscillators to anything specific. So treat the scale as a pattern of intervals not a set of specific notes. The quantized notes then form 4 voice chords giving us a root, third, fifth and seventh cv output that will be diatonic following the scale pattern, meaning the third will be major or minor, the seventh major, minor or dominant and the fifth natural or diminshed to suit the scale. With the 4 quantized outputs on the harmonaig these all go into the four oscillators on the synthesis technology e370 quad morphing vco. Each of the e370 oscillators are in the basic morph xy mode using the built in rom b set of wavetables. Wavetables are modulating by various mixes of the befaco rampage, mutable instruments tides, wmd multimode envelopes and music thing modular turing machine. The modulation sources are mixed and split with multiples and mixers. These modulating wavetables then go into a bubblesound vca4p where i'm using 4 mk1 intellijel dixie oscillators all un-synced and free running with sine wave lfos. Each lfo freely fades the voice in and out of the vca4p. As this is unsynced there's no regard to pitch changes linked to changes in amplitude and the swells. I find splitting the gate/rhythm from pitch regarding sequencing to be a freeing and interesting way to work that's not available on traditional instruments. This is just a simple application of that idea with the lfos fading freely unrelated to the other modulation or sequencing of pitch. The sound then goes from the vca4p mix out into a befaco mixer and praxis snake charmer which the output section of the larger case and i'm sending a 'pre' auxiliary out into my fx case. The dry sound first goes into the erica synths fusion delay / flanger vintage ensemble which is giving me short modulated delays giving vibrato like sounds and pushing the input level and overdrive gives us some warmth and grit that thickens up the sound and also fills in the gaps left by the free running lfos pulling quieter sounds and compressing in the on board tube. This then outputs to the feedback 1 bit multitap delay module which has it's delay chip pushed to longer times for some added crackle and noise. I'm using the two delay taps for a shorter and longer delay with little feedback to mix the dry sound for a generally noisier and smeared version of the input. This then goes into the xaoc devices kamieniec with it's on board lfo as slow as possibly for a mildly resonant phase shifting. This goes into mutable instruments clouds set to sew random grains slowly and randomly which are pitch shifted up 2 octaves to fill out some high end flourishes against the closed chord voicings at the core of the patch. Finally this goes into a long lush reverb from the halls of valhalla card in the tiptop audio z-dsp. The stereo fx chain and the mono dry signal are mixed in the befaco hexmix and recorded as a mixed stereo file. I'd consider this to be the main 'reel'. However i split the dry signal and the fx only wet stereo signal and recorded those at the same time so you can choose which reel to use and experiment with dry/wet or blended sounds from this patch.