1.327 tracce audio royalty-free per "Chords"

Was in a pile of older stuff about to be deleted! can be applied to various styles. Slight mixing applied. An untouched download is should also be available, still learning to mix!.

Simple punk power chord progression, fun to play you can't go wrong with a little 0 3 5 now and then.

This is a sample of an ibanez edr470ex recorded via amplitude vst software amplifier. This was the first recording i made after purchasing my emu audio interface.

A member of the alpha loopset, consisting of a set of complementary synth loops. It is:. * in the key of c major, following the chord progression c-f-c-f. * four bars long at 110bpm. * normalized.

Tritone substitution (for V), without (with V). Created by Hyacinth (talk) 04:48, 10 May 2010 using Sibelius 5.

Nasty type of tones, think bad garage rock. But a simple type of riff which could be used for a beginning or break segment if shorten.

I really went all out on this one.

The cash registers at kroger play a little jingle when you check out. In this recording, the jingle kinda cuts itself off to play a finished jingle, but the cut off is fairly rhythmic.

This sound was created using the "surge" synthesizer. Bpm: 170key: c# majorcheck it out: https://presetshare. Com/preset/view?id=1553.

Tritone substitution. F♯7 may substitute for C7, and vice versa, because they both share E♮ and B♭/A♯ and due to voice leading considerations.

The "Schwencke measure" added to J.S. Bach's Prelude in C Major BWV 846

This is an original copy, paste, and mix, by myself, which i make available to all via freesound. Org under a creative common 0 (zero) license, i. E. I am putting it into the public domain. You do not have to ask me for permission or credit, attribute, or reimburse me. I hope the sound effect, or parts of it, can be of some use to someone somewhere. Good luck with your projects!kent. Ps. Please comment and rate. .

Arpeggios in bm key : bm, am5b, g, f#7. Played on acoustic nylon guitar. Melancholic / sad feeling, the second chord has a dissonant flat dominant to give a hint of strangeness to the phrase. Sound capture using internal guitar electronics (godin multiac grand concert duet). Recording device is a tascam gt-r1. Initial sound was stereo with left and light sides 180 degrees out of phase. I converted to mono using audacity. Recorded on the 12-dec-2015 in houston, texas.

Shorter version of a another posted sound a reversed soundfile of an arpeggio using notes from the chord cadd9b5 originallly with a panning notch filter with nother added and reverb also.

This is a very brief sample obtained by opening a zip file with audacity. It sound a bit like a dial-up modem. It seems to work well for melodic solos and playing two or three note chords sounds good, too.

Sliced and hp cutoff, you can endlessly loop it. Taken from my track https://soundcloud. Com/leaving-february/sumuun.

_.

After You've Gone by Creamer and Layton (1918) verse, mm.7-23. Nashville number system realization on guitar.

Quintfallsequenz in Schuberts Es-Dur-Impromptu op.90,2

Created by Hyacinth (talk) 21:44, 22 December 2010 using Sibelius 5. vi-ii-V-I in C.

Triad in Equal Tempered Bohlen-Pierce tuning (0 6 10 semitones). Title refers to harmonics (fundamental=1:3:9:etc.).

Chromatic mediant from Tchaikovsky's (1840–1893) Chant sans paroles.

Another vs-1 stem, frozen in live 9, part of a failed project, with a bit of processing on top of it, i thought why the hell not share this btch.

I don't know what it is supposed to be, but it sounds to me like a game console bootup or something like that. If you use this sound, i would love to see how and where you used it!.

V42 of V - V - I in C. Created by Hyacinth (talk) 14:09, 15 May 2010 using Sibelius 5.

Cute cc0 loop of some upbeat, melodic stuff // c major 93 bpm.

Another "holy" ambient sound, made by layering a synthesized voice speaking/singing part of the lord's player several times to create a ringing drone with a sustained chord in the background. Made in fl studio.

Few chords creating tension and suspense. Very minimalist, high, like a piano. The sound was made with vst, at 130bpm, loopable.

Kind of melody i attempted at with toxic biohazard synth in fl studio.

Acustic guitar fender recorded with some amps from pod hd400 and some philters,eq and gross beat effects. I saved it in - 6 db with a tempo 130bpm.

Simple sounds that you can edit and use in your project! for example in the game :)instrument - ukulelerecorded. . . By phone :) (xiaomi a2 litle)edited in audacity. 100% free to use.

Four-voice texture from the Genevan psalter: Old 124th. Created by Hyacinth (talk) 01:43, 30 January 2012 (UTC) using Sibelius 5.

Multi-octave F major chord with octaves marked by brackets. Created by Hyacinth (talk) 07:47, 3 January 2012 (UTC) using Sibelius 5.

Jazz solo improvisation performance on 'rhythm changes' harmony / chord progression. Recorded with zoom-h6. Instruments in the recording: trumpet, drums, double bass, electric guitar.

A loopable recording. Played in dminor. The chords are: dm c b a90 bpm. Played on a washburn festival series guitar. Recorded with ableton.

Finger picking an a-7 chord with my epiphone sg into a focusrite 2i2 interface to reaper. Added a pitch change with reverb and eq. I love how it gives an 'organ' sound. Comments welcome. :-).

A simple three chord guitar loop extracted from my rc505 looper (recorded output from vox tonelab le).

John Stepan Zamecnik's 1913 composition Mysterioso - Burglar Music 1, which appeared in Sam Fox Moving Picture Music volume 1.

After You've Gone by Creamer and Layton (1918) chorus, mm.24-43. Nashville number system realization on guitar.

Classic hip-hop sample! if not mistaken, originally from the song u. F. O. By esg in 1981. Commonly used in hip-hop tracks in the golden era (mid-80's until mid 90's). Edited with audacity and magix music maker 5. As a a classic hip-hop sample, it's de facto public domain. It's been used so many times by so many artists through the years. Here you have a list of some songs those have it (ordered by release date):. · esg - ufo - 1981 (http://youtu. Be/0bss-qq99aq?t=14s)· dj chuck chillout & kool chip - time to rhyme - 1989 (http://youtu. Be/afniprh10z8?t=34m25s)· stezo - it's my turn - 1989 (http://youtu. Be/z8c7g5d7hsc?t=5s)· unrest - u. F. O. - 1991 (http://youtu. Be/glmmvkoklpk?t=3s)· miles davis - fantasy - 1992 (http://youtu. Be/fdbtwbqeq2s?t=18s)· notorious b. I. G. - party and bullshit (original mix) - 1993 (http://youtu. Be/6i5fgro2d38?t=10s)· junior mafia - realms of junior mafia - 1995 (https://www. Youtube. Com/watch?v=hcllk0ic0bw)· j dilla - geek down - 2006 (http://youtu. Be/70swratfghm?t=10s). Some other classic samples has been already uploaded to freesound. Org. You can check, for example, the amen break (extracted from the amen brothers by the winstons in 1969): if you make a search of "amen break" you'll find about 250 sounds (at the moment i wrote this description), original one and variations. - 2 bars version: http://www. Freesound. Org/people/bronxio/sounds/238672/.

Solo trumpet improvisation performance on major scale recorded in a sound-proof 10m2 recording studio. Performer: hikmet altunbaşlıerrecording device: zoom h6.

Combinatorial all-trichord hexachords from Elliott Carter's Piano Concerto, mm.59-60. Hexachord I: 0, 1, 2, 4, 7, 8 (6-z17A). Hexachord II: 0, 1, 2, 5, 6, 8 (6-z43A).

0 7 10 was judged most consonant by the untrained subjects. Title refers to number of semitones (unison=0).

Hairy warbling to a dark step rhythm beat. O-ctrl used to make it squeal a little. Harmonaig generates triad chords, slightly offset.

March 2018. Recording equipment: shure sm57 mic, digilab smp100 preamp, roland quad-capture interface. Equalized by logic pro x. Acoustic japan guitar fg-151.

A clip i created using eminor chord on synth with operatic alto voice trying to lure edmond to the castle. That voice is actually a male voice which happens to be me, lol.

Made with soundiron emotional piano.

Triad in Equal Tempered Bohlen-Pierce tuning (0 4 7 semitones). Title refers to harmonics (fundamental=1:3:9:etc.).

Classic hip-hop sample! if not mistaken, originally from the song u. F. O. By esg in 1981. Commonly used in hip-hop tracks in the golden era (mid-80's until mid 90's). This got also the original second bar compressed in duration before the beat starts, so it has 2 bars. Edited with audacity and magix music maker 5. As a a classic hip-hop sample, it's de facto public domain. It's been used so many times by so many artists through the years. Here you have a list of some songs those have it (ordered by release date):. · esg - ufo - 1981 (http://youtu. Be/0bss-qq99aq?t=14s)· dj chuck chillout & kool chip - time to rhyme - 1989 (http://youtu. Be/afniprh10z8?t=34m25s)· stezo - it's my turn - 1989 (http://youtu. Be/z8c7g5d7hsc?t=5s)· unrest - u. F. O. - 1991 (http://youtu. Be/glmmvkoklpk?t=3s)· miles davis - fantasy - 1992 (http://youtu. Be/fdbtwbqeq2s?t=18s)· notorious b. I. G. - party and bullshit (original mix) - 1993 (http://youtu. Be/6i5fgro2d38?t=10s)· junior mafia - realms of junior mafia - 1995 (https://www. Youtube. Com/watch?v=hcllk0ic0bw)· j dilla - geek down - 2006 (http://youtu. Be/70swratfghm?t=10s). Some other classic samples has been already uploaded to freesound. Org. You can check, for example, the amen break (extracted from the amen brothers by the winstons in 1969): if you make a search of "amen break" you'll find about 250 sounds (at the moment i wrote this description), original one and variations.

A super deep digital-analog bass loop using fl studio's sytrus, along with a vintage simulator plugin and some distortion. The chord progression is from jean michel jarre's equinoxe part 1.