779 tracce audio royalty-free per "Componibile"

This piece is controlled by attenuated noise. It has a pulse. Slow, but a pulse.

A double krell with delay.

No comments.

One oscillator modulating the volume of another oscillator sweeping frequencies. Made on the vcv rack modular synth.

Exploring my downsized synth. Feels great. A small synth with a trillion possibilities and hidden surprises.

Working on a program. . .

5 quantussy cells made with cycling ads. One function and intellijel quadra + expander. That's 5. Applied some limiter. The dynamics was extreme.

Made a little loop.

Using my own sound https://freesound. Org/people/gis_sweden/sounds/465286/some added noise from jupiter storm.

Doing something with my own sample mixhttps://freesound. Org/people/gis_sweden/sounds/465325/.

In my bag i have had this little not with a patch on. Today it was time to patch it. I dont know why i once draw it down. If its supposed to be a part of a bigger patch. . . This is the result. Noise.

Bartonmusicalcircuits 2lfosh (bmc 017). Manual wiggling. First it acts like a sample and hold and lfo. S/h connected to a vco and the lfo to a filter. Then i'm testing the lfos. After that you hear the two oscillators. Great module. 3 in one. Lfo, sample and hold and oscillators. Square, triangle wave and a mixed waveform!.

Mono bass drum made on modular synth. The analog sound was sampled on phonogne, then recorded in audacity.

Analog modular synth generative nonsense.

Nlc jerk off without any input is the engine for this simple patch. In my little world i see nlcs chaos modules as a helping hand. I find the though of chaos very pleasing. . . Spring reverb and analog delay are used.

Yeah #300.

A sequence in a minor. Spring reverb feedback. Filter sweeps controlled by nlc sloth. I'm not using a sequencer. There are other was to obtain a sequence on a modular synth.

Semi-generative analog synth sequence (with delay) in random keys. One of a set (a - h). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Patch notes:matriarch self-patched & sequenced by noodleboxminimal post-processing in live.

Feeding some cv to nlc ffc. Okay. It affects the module.

Modular synth resynthesized through harmor into a percussive loop.

Old school electronic sound. Think bbc radiophonic workshop. Made with analog modular synth.

This loop has a title: obtain. Made on an analog modular synth.

Sound made on modular synth.

Result from a short session. Sequencing with cvlfo, s/h, attenuverter, step sequencer.

Made with vcv rack.

Sounds from a generative patch controlled by chaos. Pure analog modular synth. But digital fx. . . Everything is analog when you hear it!.

A recording. . . It's up to you to "master" it. Use it. Make it worth. Peace.

Again polyrhythmic. . . But slow. Exploring with ring modulation.

Yes, my wasp-filter is alive again!.

Three partsfirst part 11 tones and 4ssecond part 4 tones and 3s (a little unstable sequence. . . )third part 8 tones and 12s. Question. Do i need a modular synth for making meanless things as this. . . Well, yes and no. The parts are related in different ways and theunstableness is nice. Or?all three sequences are made in different ways.

Result from a vcv-rack session. A good (or bad) way to get some ideas to implement on the real modular synth. You have to admit this is - experimental.

Made this sound in vcv-rackhttps://freesound. Org/people/gis_sweden/sounds/430997/now i have realized that sound/patch on my modular synth. Less reverb. I use ring modulation instead of amplitude modification. All analog modular synth composing composing. . .

Random glitches and oscillations. Pick a random part of the session and play with it. Created with clavia nord modular. [internal filename] 2010 - faust 2. A se, animal electricity (nord),, rec (117). Wav.

This is a little 'electronic eurorack modular synth jam'. I am singularly the one recording, producing/ posting and composing/ compiling the works as it is recorded. The date was september 04th, 2021 and it has an ''as-is'' no alteration. . Touching up. . Or thus otherwise that the uploading and steam compression did during the posting and uploading process but - take it kindly please. Lol. I would like to hear your honest options in comments as this is not anything like the music i usually do - much less dare to upload lol! ha!. Thnaks!.

One more recording today. Using chaos! yep! this time the logistic equation. But my r is constant.

Mixing something new and something older. Stretching and mixing.

Yep this is a crazy sound. What have i done. . . I have build a nonlinearcircuits sloth lfo. Https://www. Modulargrid. Net/e/nonlinearcircuits-sloth-4hpedited info:i have built the regular version. The sloth has two outputs x and y. I connected x to control frequency on one oscillator and y to control amplitude on another oscillator. Frequency experiment on left channel. Amplitude experiment on the right. The file starts as the amplitude is 0. Next time the amplitude is 0 (almost) is at about 48 sec. Then 48 sec later, at 1:37 the amplitude is 0 again. The two cycles are not identical. The tones are harder to analyze. . . X and y outputs. I guess those corresponds to x and y in a coordinate system. You can find video clips watching the sloth “drawing” butterfly wings. For example:https://www. Youtube. Com/watch?v=0ku6npz1s4gand maybe check this:https://www. Youtube. Com/watch?v=occhcm5oxp8http://nonlinearcircuits. Blogspot. Se/2014/09/sloth-chaos. Htmlthis later link is the developers page. The constructor (andrew) of this module says that my version completes “1 cycle every 15 seconds”. What does that mean? is one cycle one lap in the butterfly pattern? will the pattern repeat itself? yep, i’m going to ask him…. Edit:andrew answers my questions: “it is a very approximate description of the frequency, cycle is not the proper term to use. . . . Nor is frequency really, but they are descriptions that people can relate to easily. Depending upon the pot settings and whatever other initial conditions that happen to be in place, the signal may traverse the typical double strange attractor path. It may stay in one attractor for several loops before crossing over to the other one. The pattern will never repeats itself, it might come close but won't do it. ”my question: so, one “loop” is one cycle?andrew answers: typically it takes approx 15 seconds to make a rough figure 8, but depending upon the pot and other factors, it may take longer, much longer, sometimes it even pauses whilst deciding which way to go next.

I don't have a modular system to speak of but after watching some of divkids videos i realised my xiao could sound really nice in an ambient eurorack setup. Anyway, here's a few improv sections on my flute, only been playing 4 weeks so pardon the few bum notes. Make of it what you will but would love to hear what people come up with. Concertina loops on the way after it's been serviced.

Bringing in the noise. If this sound had a title or name it would be that. Bringing in the noise. The sound is made with an all analog modular synth. No fx at all. Not even a spring reverb. I just felt like doing something.

A little techno-loop.

Recorded a patch that generates blippy swooshy and clicky etc sound effects. The sound file is straight from the modular. You do the post editing. There must be some noises in here that is useful. . . ?.

A rare combination?.

Some nice fm sounds from my synth. Unedited and raw. Do you need some strange space sounds here they are :-).

5 min recording. Question. Do you hear any form of repetitiv pattern?the "engine" for this. . . Is a feedback patch. Chaotic? maybe. The colors the soundfile get here on freesound reveals patterns. I use this feedback patch to derive timing and pitch. I restrain the pitch. It's bad enough as it is. The feedback patch is made with 2 lfos, 1 vclfo and a vcad.

Start with chaos. In this sound/patch you have the possibility to enjoy chaos and feedbacki use my sloth lfos and jerkoff - another chaos moduleim possible sick i like this - thou its simple. Sloth modulate vco and filter cut of frequencyfeedback from vco to the filter via a vca controlled by a looping envpan fx also controlled by sloth - same env that controls the frequency. The "prassel" rustle sound is great in my earsjerkoff, exp vca, function and another sloth. Evaluation of patch/soundone cycle is - there are many cycles to consideronly short sounds - no, goodamplitude variation - yep goodpitch variation - mediumtimbre variation - some, via filter/two soundsmusical value - i think so!entertaining - yes?!.

A little modular patch generating dark drums.

Another one with 1 looping envelope and 2 vclfos in a dance. I start the recording with the looping envelope in non looping mode. After about 33 sec i switch to looping-mode. Records and hope that a pattern should emerge. So, what do you think? one more time i switch looping mode off and then on. Cool technique.

Three looping envelopes 2 on quadra and one pip slope. Forming a minimal rhythm. It's not stable. I make it even more unstable by injecting some cv to one of the envelopes. Maybe i injected a little to much? cool anyway.

Rumble made with wave rectifier, vactrolfilter etc. . . But a full spectrum rumble!.

Three part modular uncomposition. Or call it a patch driven by a mix ofchaos and order. Perfect as annoying sound. . . Made with a analog modular synth. The reverb is a spring reverb.