6,337 ロイヤリティフリー オーディオトラック の "実行中"

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中文(臺灣):黃埔軍校訓詞中文(中国大陆):黄埔军校训词
著者: Untitled
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01:46
The national anthem of the Republic of China (Taiwan), from the official website of Office of the President of the Republic of China. (converted to .ogg from https://www.president.gov.tw/Page/97)
著者: Untitled
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01:21
The national anthem of the Republic of China (Taiwan), from the YouTube channel of Ministry of Foreign Affairs of the Republic of China (MOFA). (converted to .ogg from https://www.youtube.com/watch?v=Oz2fo3RdbOk )
著者: Untitled
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This is a field recording of the sound of market traders in central athens markets. It's the call of the fish traders but also the butchers whose markets circle the central fish markets. A place where the intensity of the rituals becomes a positive feedback loop reinforcing the intensity.
著者: Jenniferelradhi
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Go Down, MosesGo Down, Moses, Spiritual.Übertragung (R.F.): Als Israel im Frondienst schrie, – König, lass uns ziehn! – griff Gott ein und befreite sie. – König, lass uns ziehn!    „Du bist's, Mose“,    sprach Gott und sandte ihn:    „Sag zum Pharao:    König, lass uns ziehn!“ Erst ängstlich zögernd, dann voll Mut – König, lass uns ziehn! – rief Mose: „Sieh, was Gott euch tut! König, lass uns ziehn!“    „Du bist's, Mose“,    sprach Gott und sandte ihn:    „Sag zum Pharao:    König, lass uns ziehn!“ Das Herz des Königs fror zu Eis. – König, lass uns ziehn! – Dann kam die Nacht des Wehgeschreis. – König, lass uns ziehn!    „Du bist's, Mose“,    sprach Gott und sandte ihn:    „Sag zum Pharao:    König, lass uns ziehn!“ Das Volk zog sicher durch das Meer. – König, lass uns ziehn! – Ihm nach versank Ägyptens Heer. – König, lass uns ziehn!    „Du bist's, Mose“,    sprach Gott und sandte ihn:    „Sag zum Pharao:    König, lass uns ziehn!“ Als Israel die Rettung sah, – König, lass uns ziehn! – unstillbar war ihr Jubel da. – König, lass uns ziehn!    „Du bist's, Mose“,    sprach Gott und sandte ihn:    „Sag zum Pharao:    König, lass uns ziehn!“
著者: Melody: Spiritual; setting & sound file: Rabanus Flavus (Peter Gerloff)
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Auto performance corvette ext idle3. Recorded with sony pcm-d50, tascam dap1 dat with at835 stereo mic, or zoom h2.
著者: Kyles
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A few layers how should create kind of a deep ambiance.
著者: Jaturo
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04:24
High exposition song.
著者: Juliwex
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00:53
Monophonic saxophone solo improvisation on bb-major scale, performed by toprak barut. Location: ankara, turkeydevice : zoom-h6environment : 15m2 sound-proof recording studio (@yüzen oda).
著者: Emirdemirel
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00:53
Monophonic saxophone solo improvisation on bb-minor scale, performed by toprak barut. Location: ankara, turkeydevice : zoom-h6environment : 15m2 sound-proof recording studio (@yüzen oda).
著者: Emirdemirel
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Solo trumpet improvisation performance in minor scale recorded in a sound-proof 10m2 recording studio. Performer: hikmet altunbaşlıerrecording device: zoom h6.
著者: Emirdemirel
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Solo trumpet improvisation performance on major scale recorded in a sound-proof 10m2 recording studio. Performer: hikmet altunbaşlıerrecording device: zoom h6.
著者: Emirdemirel
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01:34
This audio contains a guitar performance of lily was here song. It was recorded using a fender player telecaster guitar and yamaha audio gram 6 audio interface as recording set up. Tempo: 108. The setup to record this performance and the other ones in the same dataset (five guitar dataset) is explained here: the setup used a yamaha audio gram 6 audio interface and reaper 10 to record guitar from direct input (di), a huawei p30 lite model mar-lx1a to record guitar from a mobile and a dell inspiron 13 5000 to record guitar from a computer. To record acoustic guitar in di, i used a fishman neo d single coin on larrivée and seymour duncan seth love on the eastman connected to a nap-5 stageman floor acoustic preamp going then to the audio interface. The computer and mobile were positioned approximately 3. 8 cm from the player position (measured from the twelve fret of the guitars). The electric guitars were plugged into a dv mark little jazz guitar amp which has a di output, that was connected to the audio interface. The amp was located at a distance of 114. 5 cm from the mobile and the computer.
著者: Eduardverges
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Normal sigh.
著者: Ianlyanx
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29:43
This is the hole sound of a performance done by laura llaneli called buena vibra.
著者: Laurallaneli
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Musician playing accordion in the street, near a street market. This sound was recorded in barcelona's born neighborhood in october of 2015 with an iphone 5s.
著者: Andrebola
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This is a guided relaxation audio to help singers work with performance anxiety. The audio was created by sarah k. A voice teacher and coach with https://musiprof. Com/. To read the related blog post, please visit:. Https://musiprof. Com/blog/performance-anxiety-a-bodys-betrayal/.
著者: E Bake
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04:02
Two young men, one on a drum kit, his friend with a cow bell, improvising percussion in a square in copenhagen. Recorded with a hand-held mp3 player. After a few minutes, i walked away, so you'll hear the drumming get fainter and conversations of other pedestrians and shoppers in danish.
著者: Signalstation
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00:36
Hippies on percussion instruments in cordoba, argentina. Zoom h1 hand-held recorder.
著者: Musesdelight
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01:60
The train station in machu picchu with an announcement and a traditional performer playing.
著者: Cokeorpepsi
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Recorded street performer in bern, switzerland, using a zoom h4n pro in june 2017. Formatted for make noise morphagene.
著者: Mithimightbe
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Dolphins talk with the audience in a performance in cancun's aquarium.
著者: Sabine
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Short excerpt of children singing frere jacques, parents clapping, library, toronto (2010). Sony m10.
著者: Trp
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24 dancers falling and twisting.
著者: Cristian
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05:04
Not just a patch! i'm actually wiggling during the recording. New for me. . . Very electronic. Minimalism. Unedited recording.
著者: Gis Sweden
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Brief recording of taking a walk down a busy street and some folk musicians busking.
著者: Disasterservices
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11:45
This is a recording made in the cape coast region of ghana, west africa. It was a large drumming and dance performance put on outside. I recorded this using a zoom h4n.
著者: Shaggyjon
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06:56
This is a recording of thierry mugler's fashion exhibit in the montreal museum of fine arts from his 1985's costume collection for lady macbeth act in scotland.
著者: Sabine
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Audience applause, medium intensity. Recorded at a music performance. Mic: sennheiser ambeorecorder: zoom f8. Converted to b format using sennheiser ambeo a-b converter vst, then processed to stereo as wide cardioids at + and - 45 degrees using ambisonics toolkit (atk).
著者: Thaighaudio
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A group of male and female spanish flamenco performers dancing unaccompanied, clapping and stamping in rhythm. Applause and calls of 'olé' at end.
著者: Phonoflora
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Recorded at a romanian spring festival in lilburn, georgia.
著者: Maurcs
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A spanish male dancer dances a long tour de force of of rapid unaccompanied changing rhythms with applause and calls of 'olé' at the end.
著者: Phonoflora
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Live-recorded organ performance in loreta prague castle.
著者: Tsidilin
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00:36
This is a toyota supra on a chassis dyno being revved to the max. It has a turbo on it and you can hear it whining. It gets extremely loud to the point of distortion, but it will be a great sound for somebody who needs an engine rev without the vehicle passing by.
著者: Editboy
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A high school band warms up before a performance. The audience chatters.
著者: Thatjeffcarter
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Another attempt at techno pop. To me sounds cosmic.
著者: Levelclearer
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Recorded in a studio with an akg 414 condensor microphone set to cardioid polar pattern. Placed very close to the cymbal.
著者: Lloydevans
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Dyi contact mic attached to an old fan and exploring sound with different clothes hangers. Recorded by a dyi contact mic and zoomh5 recorder. Recorded on october 26th, 2015 in my old flat in auckland, new zealand. Recorded at 14:30pm.
著者: Travesia Sonora
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When it is, it just is.
著者: Nuncaconoci
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Having some fun with flstudio, hope you like it.
著者: Violahuesos
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Experimento de bregman y rudnicky (1975). A) tonos estándar x y y condiferentes alturas. B) grupo de tonos distractores con x y y, que hacen difícil determinar el orden de x y y. C) la adición de tonos captores con la misma altura que los distractores provoca que estos últimos formen un flujo separado (agrupamiento por similitud), por lo que es más fácil determinar el orden de los tonos de x y y.
著者: Nicolasmontero
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06:48
Some asian traditional drummers during a street fair. (not sure what culture).
著者: Disasterservices
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06:23
This is to the moon. A track made with analog modular synth.
著者: Gis Sweden
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00:21
The thirteenth production track from sampling skits with ameangelofsin. Performed through the courtesy with ameangelofsin. Sample base: https://freesound. Org/people/ameangelofsin/sounds/167227/.
著者: Kalbright
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Applause of the audience, recorded during taking video footage in local concert hall. Recorded with dslr built-in microphone.
著者: Kubuzz
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On the 30th of august, 2006, at caixaforum ( barcelona ), freesound organized a multitudinous (more than 300 people) performance and sound recording called "la audiencia disponible". This sound is one of those recorded that day. Among who made all this possible there is ruben grilo, bram de jong and jaume ferrete, with jose lozano on sound and mateo vergara as crowd conductor and the help and support of carmen garrido director of la mediateca at fundació la caixa. Massive orgasm pretending.
著者: Freesound
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Bus travel, driving in city - bus. Recording: tascam hd-p2 and beyerdynamic mce82;soundsystem: pro tools le.
著者: Ohrwurm
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This is part of a experiment on pitch difference. The audio consist on the 12 semitones of an octave, made up with sine waves.
著者: Inio
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Glass experiment. Software "grabadora de voz", hardware "moto e", 10 agosto.
著者: Pitagorastocabaelcontrabajo
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Simple experiment reorganizing the onesoundperday2018 january soundpack qu-bit nebulae 2 module and a bunch of modulation. Here are the original sounds:https://freesound. Org/people/cabled_mess/packs/27630/.
著者: Cabled Mess
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