1,732 ロイヤリティフリー オーディオトラック の "影響"

Clapping under pontoon bridge in ireland.

Me pinging wires on a baking mesh. Thought it was quite like a submarine.

A deep bass and tom-tom drum hit with re verb.

A strange fx, almost like a robot or a machine.

Punching bag with fist.

Muffled muddy balim sound created with interplay of 2 o-ctrl (thanks walker!) through strega and o-coast. Echophon, mimeophon and morphagene heavily involved along with the haible tau phaser. X-pan plays the stereo. Rendered in reaper @48khz 32 bit fp with 14 markers for all you morphagene fans out there. Enjoy the mud!.

I love delay. Everyone does.

Recorded with my zoom h2n. I'm sorry for the high-end-cracks, ground was sandy and i moved my feet :^/ hope it's useful anyways.

Recording of a church door open & close. Basic field recording.

This is just a scream i recorded for a song a few years ago and decided to upload here.

A door opening and slamming shut in a stairwell. Sound recorded at the bottom of a two story stairwell which makes the noise sound far away.

Me on the electric guitar, looped with effects added, 102 bpm.

This is something i made with audacity using the generate>risset drum option. After i generated one long risset drum, i made a short one below it, copied it & added a delay to the track with the short decay risset drum. After that, i just leveled everything a couple times. :).

I say bybieye with a sick echo.

Sound recorder placed inside a sea drain and the heavy rubber cover lifted and released to it bangs shut. Nice echo sound.

Deep in the midgard mountain is a dragon wakening up. You are far from him. The sound has travelled kilometers.

Very echoey space: opening a tool case, snap of clasps, clattering of metal pipes, joints, tools, both in distance and up close.

A loud single crash in a quite a large room as if something heavy was droped. Slight echo.

Early morning recording located on the edge of an open meadow with a wood to the left and a farm to the right. Listen to the echo from the wood.

November 5th 2009. 8pm guy fawkes night. The sound of distant fireworks echoes off trees in a scots pine plantation in rural surrey, england. Recorded on a zoom h2 at 48khz using the front 120˚ microphone.

A recording of me whispering, then layered four times and a convulsion reverb effect added. Recorded using an mxl v63m condenser mic through flstudio.

It was voice samples vocoded and re-processed many times in different programs. Mainly alot of delay and reverb but some vocoding as well.

Sound edited from eating pretzel.

A slinky spring toy stretched out and plucked once from the end, recorded with a zeppelin design labs cortado impedance-matched piezo contact microphone. The resulting recording is a classic spring-based sci-fi "laser sound" with a massive, lengthy, rumbling decay tail. This was recorded at 24 bit 96 khz. In addition to its use as a sound effect, this waveform works well inside a convolution reverb as an offbeat spring reverb impulse response, provided one has the processor power and ram to support a 2 minute 13 second convolution. The cortado's bass response is exceptionally large for a contact mic, so high pass filtering may be desired if used as an impulse response.

Drumloop from popular korg emx1 with fx.

Snare with delay and reberv.

Synthesized scraping and howling sounds.

Original description: some random 'happy' effect, good for notifications.

The sound of footsteps while walking inside anthony gormley's metal sculpture at the white cube gallery in london, with the last few seconds recorded while walking on the concrete floor of the galley after coming out of the sculpture. The sound echoes inside the metal sculpture and sound from other people can be heard at the beginning.

Scary sounding snare echoing in the depths of a cavern.

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Kick with some echoed hi-hats.

A single deep splattering synth hit followed by a long reverb tail.

Came up with this little piano thing. It's loopable, it's emotional, it's whatever you want it to be.

This is a clock ticking sound with reverb effect. It can be used in horror situations effectively.

Only reverb.

From july 4th, 2019 by the house. Recorded with my yamaha pocketrak and edited on sony vegas. Tracks were duplicated and the last bang was slowed down. Listen how the sound echoes around the hills. Makes me think of how ernie pyle described the sounds of artillery as it echoed off the hills. Please comment on what you may use it for. Thanks for listening. :-).

A sound effect to increase suspens in a horror game for example, can be used in a music aswell(it makes me somewhat think of a ping pong ball)created using audacity.

4 beats drum loop with echo.

I was playing around in audacity and made this sound.

Create chirp 1 use audacity:. • file→new. • generate→tone. . . - waveform: sine- frequency (hz): 1500- amplitude: 1- duration 00h 00m 02. 000s. • effect→fade out. • effect→tremolo- wavefrom type: sine- starting phase (degrees): 0- wet level (percent): 100- frequency (hz): 10. 0. Create silence sound• file→new• generate→silence…. -duration: 0. 02s. • edit→copy (all). Return to chirp sound. Between every sin shape paste 0. 02s silence.

Create chirp 0 use audacity:. • file→new. • generate→chirp. . . - waveform: sine- startfrequency: 500amplitude: 1- endfrequency: 1100amplitude: 1- interpolation: linear- duration 00h 00m 02. 000s. • effect→fade out. • effect→tremolo- wavefrom type: sine- starting phase (degrees): 0- wet level (percent): 100- frequency (hz): 10. 0. • effect→change speed…- speed muliplier: 2. 000. Create silence sound• file→new• generate→silence…. -duration: 0. 02s. • edit→copy (all). Return to chirp sound. Between every sin shape, paste 0. 02s silence.

Just an echo.

Recorded using sony m10.

Friend núk (นุก) read name of level 1 in game đôn hổ and use audacity for echo. 2020. 12. 28 ≈13:00. Use audacity:• effect→change speed…-16%. • effect→echo. . . Delay time (seconds): (0. 05)decay factor: 0. 5. • effect→reverb. . . Room size: 100%pre-delay: 27 msreverberence: 28%damping: 30%tone low: 100%tone high: 100%wet gain: 0 dbdry gain: 0 dbstereo width: 100%.

Friend núk (นุก) read name of level 3 in game đôn hổ and use audacity for echo. 2020. 12. 28 ≈13:00. Use audacity:• effect→change speed…-16%. • effect→echo. . . Delay time (seconds): (0. 05)decay factor: 0. 5. • effect→reverb. . . Room size: 100%pre-delay: 27 msreverberence: 28%damping: 30%tone low: 100%tone high: 100%wet gain: 0 dbdry gain: 0 dbstereo width: 100%.

Friend núk (นุก) read name of level 4 in game đôn hổ and use audacity for echo. 2020. 12. 28 ≈13:00. Use audacity:• effect→change speed…-16%. • effect→echo. . . Delay time (seconds): (0. 05)decay factor: 0. 5. • effect→reverb. . . Room size: 100%pre-delay: 27 msreverberence: 28%damping: 30%tone low: 100%tone high: 100%wet gain: 0 dbdry gain: 0 dbstereo width: 100%.

Friend núk (นุก) read name of level 5 in game đôn hổ and use audacity for echo. 2020. 12. 28 ≈13:00. Use audacity:• effect→change speed…-16%. • effect→echo. . . Delay time (seconds): (0. 05)decay factor: 0. 5. • effect→reverb. . . Room size: 100%pre-delay: 27 msreverberence: 28%damping: 30%tone low: 100%tone high: 100%wet gain: 0 dbdry gain: 0 dbstereo width: 100%.

Strange pew-pew sound reaction to fireworks at parker steel factory, portslade.

Footsteps in a large, echoey stairwell. Clapping to edit for convolution reverb. Sony m10. 2012.