1,066 ロイヤリティフリー オーディオトラック の "論証"

00:00
05:25
Couple of minutes of soccer/crowd noise at a feyenoord game, the kuip stadium in rotterdam, netherlands. This was mixed for t. V. Broadcast and quickly recorded to the line in of my macbook. Neumann km 140 mics for crowd noise, sennheiser 416p's at the pitch, into a lawo mc66/2 desk. Stereo, dolby pro logic ii encoded.
著者: Huubjeroen
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00:06
Zildjian 19" beautiful baby jazz crash ride with three rivets. Played with vicfirth 7a stick. Recorded with r-09. Eastjutland, holme, århus, denmark.
著者: Sajmund
00:00
00:11
I know what you thought.
著者: Nuncaconoci
00:00
00:09
I did. It was different. I looove technology.
著者: Nuncaconoci
00:00
00:30
Sometimes, my imagination goes here, and further. I never offer explanations for the bits and bites i ask from him, and clearly, he doesn't check it out later. So i put this together out of thin air. Probably. My mom used to caution that i shouldn't watch those horror flicks, they would warp my mind. Well any fascination with the macabre came directly from her. Right, dad?. Anyway, she should never have said that. I took it personally. She won't do it again. There's just a chance that this guy took it personally too.
著者: Nuncaconoci
00:00
00:14
That didn't happen. S'alright by me. . . I'm not sure he was kidding. . .
著者: Nuncaconoci
00:00
04:19
Claudio S. Grafulla's march Washington Grays, performed by the U.S. Army Band
著者: Composition: Claudio S. Grafulla (1810–1880) Performance: U.S. Army Band
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00:02
Sound of pressing and relasing self-inking stamp recorded using stereo mid-side technique on zoom h4n and external dpa 4006 microphone.
著者: Radwoc
00:00
00:31
Here's the perfect suspenseful "goodbye". Works perfectly to conclude until next week. Leave your audience hanging on the edge of their seat only to realize they have to wait until next week to see the conclusion. Recorded with the yamaha ypg-525 using the goblinsynth and audacity. No acknowledgment necessary. I understand. Thank you and have fun!.
著者: Hobotrails
00:00
00:06
If you've resolved not to lie, stick to it.
著者: Nuncaconoci
00:00
00:56
Never make a decision with your head in a closet. "if that's what you want. . . ".
著者: Nuncaconoci
00:00
01:50
French baker speaking with a typical and beautifull accenti m ordering a croque-monsieur.
著者: Aisselles
00:00
03:55
Washington Grays (1861), composer Claudio S. Grafulla's most popular march, composed for the 8th Regiment, New York State Militia near the start of the American Civil War. It is here performed by the U.S. Air Force Band for their 1998 album Front & Center, a Collection of American Marches, conducted by Colonel Lowell E. Graham.
著者: Claudio S. Grafulla (Composer, 1810–1880) Scan of credits THE UNITED STATES AIR FORCE CONCERT BAND Commander/Conductor: Colonel Lowell E. Graham - Greeley, CO Manager: Chief Master Sergeant James H. Moseley II - Beaumont, TX PICCOLO MSgt Ardyth Scott - Shreveport, LA FLUTE MSgt Lawrence Ink* - Rockville, MD MSgt Lucille Johnston Snell - Albuquerque, NM TSgt Sharon Weinberg - Philadelphia, PA OBOE MSgt Ronald Erler* - Falls Church, VA CMSgt Robin Forrester-Meadows - Evansville, IN ENGLISH HORN CMSgt James Moseley II - Beaumont, TX E-FLAT CLARINET MSgt Jan Siegfried - Valparaiso, IN B-FLAT CLARINET CMSgt Steven Lawson* - Simi Valley, CA TSgt George Stoffan - Norwalk, CT MSgt Carl Long - Hanover, NH MSgt Elizabeth Campeau - Pinckney, MI MSgt Sandra Haton* - Columbia, SC TSgt Richard Drew - Joliet, IL TSgt Brian Jones - Panama City, FL MSgt Kay Schultz - Skaneateles, NY MSgt Lorraine Haddad* - Poughkeepsie, NY TSgt Shawn Buck - Brookside, PA SMSgt Robert Little - Houston, TX BASS CLARINET TSgt David Aspinwall - Atlanta, GA CONTRA ALTO CLARINET TSgt Brian McCurdy - Virginia Beach, VA BASSOON CMSgt Danny Phipps* - Annapolis, MD TSgt Lawrence Burke - Redondo Beach, CA ALTO SAXOPHONE SMSgt John Thomas* - Ellisville, MS MSgt William Marr - Alexandria, VA TENOR SAXOPHONE TSgt Jeffrey Snavely - Milwaukee, WI BARITONE SAXOPHONE MSgt Mary Beth George - Buffalo, NY FRENCH HORN TSgt Deborah Stephenson* - Dallas, TX TSgt Leslie Mincer - Charlottesville, VA TSgt Kent Wyatt - Arlington, TX TSgt Philip Krzywicki - Philadelphia, PA CORNET TSgt Andrew Wilson* - Gambier, OH SMSgt David Golden - Bethlehem, PA TSgt Michael Bosch - Bethlehem, PA MSgt William Adcock - San Jose, CA TSgt Curt Christensen - Mt. Clemens, MI MSgt Clarence Mitchell - Portsmouth, VA TRUMPET TSgt Robert McConnell - Wadsworth, OH MSgt James Bittner - Harrisburg, PA TROMBONE SMSgt Mark Williams* - Okemos, MI MSgt Jeffrey Gaylord - Western Springs, IL MSgt Lindsey Smith - Williamston, MI TSgt James VanZandt - Austin, TX EUPHONIUM MSgt Ann Baldwin* - Canton, OH TSgt Lance LaDuke - Niles, MI TUBA MSgt Jan Duga* - Columbus, OH SMSgt Edward McKee - Roselle, NJ MSgt David Porter - Alcoa, TN TIMPANI MSgt Patrick Shrieves - Freehold, NJ PERCUSSION MSgt Aubrey Adams* - Medford, OK SMSgt Mark Carson - East Fultonham, OH TSgt Thomas Maloy Jr.- Clinton, NY TSgt Erica Kadison - Louisville, KY * Principal CREDITS Colonel Lowell E. Graham - Commander/Conductor/Producer Major Frank J. Grzych II - Deputy Commander/Producer Captain Scott A. Guidry - Staff Officer/Co-Producer Mr. Bruce Leek - Engineer/Digital Editing Master Sergeant Kendall S. Thomsen - Assistant Engineer Chief Master Sergeant Dana L. Steinhauser - Director of Public Affairs Master Sergeant William D. Porter II - Recording Production Technical Sergeant Robert K. McConnell - Graphic Layout Master Sergeant Elizabeth K. Campeau - Liner Notes Technical Sergeant Sharon B. Weinberg - Booklet Editor Crabtree + Company (Arlington, VA) - Cover Design Mark Custom Recording Service (Clarence, NY) - Disc Replication Lion Recording Services, Inc. (Springield, VA) - Disc Packaging Master tapes were recorded at The Center for the Performing Arts, George Mason University, Fairfax, Virginia, June 6-8, 1998 Catalog number: BOL-9807
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00:55
This discussion followed "trust issues" and preceded all hell breaking loose. My sister was right.
著者: Nuncaconoci
00:00
00:13
It was a really old song and i hadn't heard it.
著者: Nuncaconoci
00:00
01:12
I was gifted a wonderful new phone with a 128 megapixel camera, and an elevated frame rate for video. I use it. The awesomeness of the internet does the rest. I'm innocent, of course.
著者: Nuncaconoci
00:00
01:23
Try and envision a big athletic naked guy trying to get a look at his own testicles with a hand mirror. I got the photo. . .
著者: Nuncaconoci
00:00
00:39
I have two sisters. One i can't even speak to, and one with whom i am very close. She stopped by at exactly the right time.
著者: Nuncaconoci
00:00
03:31
Freischutz Quickstep performed by the Concert Band of the United States Air National Guard Band of the Southwest. Track 2 from American Songs (2005).
著者: Composition: Claudio S. Grafulla; Performance: United States Air National Guard Band of the Southwest, Concert Band; Recording: United States Air Force
00:00
00:13
There's always a reason. . .
著者: Nuncaconoci
00:00
01:15
A man yelling a self made song in icelandic. Recorded with a samsung 7 phone.
著者: Pax
00:00
00:05
The kid on the elevator said it was "goose day. " i don't recall hearing of that before, and i do not approve. Nor would the little shit's mommy. I was just playing with my phone. I've heard that juveniles aren't generally charged as adults. Why can't adults, then, clobber them?.
著者: Nuncaconoci
00:00
00:08
This is just a simple four to the floor kick drum pattern at 120 bpm. I created the kick itself by layering various synth timbres in rob papen's albino plugin. Processing was also applied such as compression, eq and using subtle distortion in specific frequency areas to get it sounding like this. For anyone that would like to hear my music:https://soundcloud. Com/mattcmusic.
著者: Mattc
00:00
01:52
Many children play in the city forest recorded with mixpre 6 and two audio technica 4022 in ab stereo. If you want to support me, you are welcome to have a look here: https://richardatmo. Bandcamp. Com/. You can play albums there and also buy single sounds from me for small money. It's a way to support me. Or just have fun and chill with nature sounds. Have a nice day.
著者: Garuda
00:00
00:28
When a photo session isn't one. . .
著者: Nuncaconoci
00:00
00:15
I had to call it something.
著者: Nuncaconoci
00:00
01:13
Der Tag bricht an und zeiget sich; Evang. Gesangbuch 438; Wach auf, wach auf, ’s ist hohe Zeit; Evang. Gesangbuch 244
著者: Melodie: Melchior Vulpius 1609; Satz und Tondatei: Rabanus Flavus (Peter Gerloff)
00:00
00:25
I'm not allowed to talk about it. More on this later. ;-d.
著者: Nuncaconoci
00:00
00:17
I love surprising people. It's why i do what i do. After all, i don't (think i) look threatening at all.
著者: Nuncaconoci
00:00
00:19
This is the lead-up to "nothing to wear. " i'll not post any of the follow-up unless it is requested.
著者: Nuncaconoci
00:00
01:19
The moral, if i dare call it that, is that if you are incapable of physicaly defending yourself, it is advisable to treat everyone with at least a modicum of respect. Such is the requirement of vulnerability.
著者: Nuncaconoci
00:00
00:09
Nobody does the right thing.
著者: Nuncaconoci
00:00
00:03
Vocal, speaking, and audio snippets of interviews of visual artists that i did as part of a collaborative music project in 2018. The idea was to chop up and use these samples for a trance / punk form of music - which we jokingly called prance music. I used some, but never released any music with it in the end. Maybe one day i will, but in the meantime - i hope you can find some use of these.
著者: Zzztefanos
00:00
00:36
Don't you just love a professor who can get his point across in spite of the odds.
著者: Nuncaconoci
00:00
00:17
You've been the target of an attack, and you're at the local city precinct. I'd always thought the police had a blanket in the car. Not sure why. One reaches a point where it no longer matters. Getting there can be accelerated if your rescuer arrives without thinking to bring along something, anything for you to wear home.
著者: Nuncaconoci
00:00
03:54
I'm Just Wild About Harry song (instrumental version). 78 RPM vertical cut photograph. Noise removed. Some equalization and compression to adjust for "tinny" sound. Some mild adjustments to even out the volume. Українська: «Я просто божеволіє від Гаррі», написана Юбі Блейком і на слова Нобла Сіссла, виконана в 1922 році.
著者: Eubie Blake, composer (with Sissle, Noble, lyrics), performance conducted by Vincent Lopez, published by Edison
00:00
00:17
Worth mentioning that the groan track is separate from the conversation, for those who want to use just one or the other. I hesitate to say i'm in training, but in a way i am. I don't really know what sorts of things i can get away with, so i have become acquainted with a brit who, i thought, knows everything there is to know. Instead, she may be a bit of an experimenter, and she practices a bit fast and loose. I surely can tell she loves it. . . During this bit of conversation i saw her reach and turn the clamping screws tighter. Extrusion. Interesting. One might wonder why he puts up with it, and i can tell you, he doesn't. A session like this one and he doesn't speak to me for a week. It goes on, i can tell you, at least until he finds where i keep the handcuffs. I do know where to find another pair.
著者: Nuncaconoci
00:00
11:51
Kids are playing on the playground. Prague, june 2020, shortly after the first wave of the covid-19 crisis (the playground is almost empty). The children play carefree.
著者: Marek
00:00
01:57
April 2021, springtime. A class of young children is playing in an outdoor playground in belgium, spoken words are in flemish. Birds are singing, a plane is passing by.
著者: Gecop
00:00
04:08
Stephen Foster's music to "We Are Coming, Father Abraham", played by the United States Marine Band. Performed February 16, 2009 at The Music Center at Strathmore. Col. Michael J. Colburn, conducting; Gy.Sgt. Kevin Bennear, baritone.
著者: Untitled
00:00
00:03
Short sound effects made with minikorg 700s + kenton midi to cv converter.
著者: Hast
00:00
00:18
Nice Auditorium Applause sound recorded live. This applause sound is public domain so you can use it for whatever you want to.
著者: Thore
00:00
02:43
著者: John McCormack
00:00
02:44
著者: John McCormack
00:00
00:03
Manipulated recording of the back of headphones being rubbed together.
著者: Ismailmasha
00:00
00:03
Glass bottle shattering.
著者: Sgarrison
00:00
00:02
Recording of a phone screen being flicked.
著者: Ismailmasha
00:00
00:02
Fork being scraped around in a trash can.
著者: Evanmack
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