77 로열티 프리 오디오 트랙들 "혼란스러운"에 대한

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01:21
Synthesized with ai, then edited to make more chaotic.
著者: Judahjog
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07:07
My first multi-timbral patch in pure data. Fm synthesis.
著者: Cryanrautha
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01:45
Fluorescent lamp is not working properly and flickering instead at the end of its life. Recorded by sony xperia c5305.
著者: Arseniiv
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00:01
A confused huh, like what's that. This appears in a star wars film on youtube:http://www. Youtube. Com/watch?v=yxtahynzojg. I would appreciate it if you could mention my youtube channel* if you use this, but if ya can't just link freesound. *http://www. Youtube. Com/user/tripledstudios8.
著者: Tripledstudios
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01:08
Made this on fl studio mobile, very chaotic track. I simply just made this for fun and just added a bunch of random sounds together. Use in what you want, just credit me.
著者: Dragonboi
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00:02
A sound of confusion. Created on a computer with a rather cheap studio microphone.
著者: Eik
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00:02
Self-explanatory.
著者: Alivvie
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00:42
Chaotic synthesizer patch.
著者: Elanhickler
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00:02
Sad boy.
著者: Lauracarolina
00:00
00:39
Synthesized sound, then sampled and processed.
著者: Tgn
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00:01
Wooden object falling.
著者: Adcbicycle
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03:31
This is the final piece for our final project of sound creation laboratory. We have made changes in several ways: erasing redundant information (such as spoken words), filtered a section of the piece in order to make a sense of outside the club or inside the club. We also introduced an echo effect to make the effect of a drunk state. Furthermore, a bed sound has been placed at the final of the piece. This is a good improvement related with the final impression the piece gives to the audience. It's a recreation of tired atmosphere and also of the desire of sleeping.
著者: Jimynord
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00:16
Voice over: "in this chaotic world, all i see is [pause] destruction".
著者: Tekgnosis
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02:23
Static track from: https://www. Freesound. Org/people/copyc4t/sounds/243518/.
著者: Browserthat
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00:37
Started out with some button sounds from a teac a6300 then digitally manipulated them. Use however you want. If you used it i'd love to see how you used it.
著者: Freedomfightervictor
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01:45
著者: Rafael Krux
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00:06
Confusion sound.
著者: Efsdcnveoi
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00:08
I heard a thing, and thought what was that? i thought this about 5times in different tones. Go, use this well.
著者: Leemuffin
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00:09
A sound to describe tilting of one's universe, vertigo, maybe nausea, confusion.
著者: Mariecaron
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03:15
Created on audiosynth one for the ipad.
著者: Egilsg
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00:10
This is a single track of a song i wrote, the feel to it is one of uncertainty. Good for cinema, more serious than frivolous.
著者: Beast Toil
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00:07
This weird sound (see tags,) was made by holding a cheezy microphone to my nose and humming. I then added reverb to it. And if you think it's easy to name these things, it's not! (see tags. ) made with audacity.
著者: Ecfike
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02:03
An electric guitar, heavily detuned, processed with layering and filtering into a tonally pleasing pad.
著者: Wgwgsa
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01:30
Its exactly what the title says. . . Chaotic! you can use any of my sounds freely, just please credit me.
著者: Dragonboi
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00:07
It's made from the short sample of scream recorded on the street.
著者: Mafon
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00:28
Applied hourglass to glass-bowing sounds with transposition spread set to more than 1…2 semitones, resulting in tense dissonant sound.
著者: Arseniiv
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00:48
Recorded in a workshop. About 40 hanging screw-clamps, randomly struck with a metal stick.
著者: Mbezzola
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00:01
Young male voice saying 'what?'.
著者: Davdud
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00:06
This sound was very simple to make. I just took the sound of an opera singer singing a scale and added reverb to it. Nothing more, nothing less. The sound does not have to bee used for just ghosts, but pretty much anything. Like an opera singing in the shower. By the way, this sound was used in a song that i made. You can get my music at http://ezrafike. Bandcamp. Com/. Made with audacity and an opera singer.
著者: Ecfike
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00:13
Due to the popularity of my first "singing ghost", i created another one. See the description on the other to find out how it was made. Made with audacity.
著者: Ecfike
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00:22
Easily one of the stupidest loops i've made but whatever. At least the sample resolution is good? maybe? idk folks, who gives a crap anyway.
著者: Jackie Makes Noiz
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01:03
An electric guitar, heavily detuned, processed with layering and filtering into noise.
著者: Wgwgsa
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00:18
A heavily detuned guitar, played noisily, chopped up and reconstituted into the vague shape of a drum solo by a very lazy "machine learning" script.
著者: Wgwgsa
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00:07
Comp-master 1. 7 band eq-telephone. Effector-lo fi. Delay-short analog. C4. Tempo140.
著者: Gmortizwavs
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00:08
This sound was created using audacity. First of all i chose a frequency of 432 hz ( a number which includes the golden rule/proportion), then i created a gradual rise in the first 4 seconds, leading into a peak which descends so it can go up again, creating an effect of confusion. At the end, the sound raises gradually and rapidly to reach its peak once again. This sound recreates, for me, a fast- moving ufo (unidentified flying object) and includes the notion of conspiracy in our society- the changing of the frequency of the tone “la “ from 432 hz to 440 hz in 1953 by the nazis. La règle d’or- 432 hertz. Le ton « la » est une pointe centrale dans le réglage des instruments musicaux. Le ministre de la propagande en allemagne pendant l’époque des nazis a fait un décret général avec lequel il a changé la tonalité « la »de 432 hz en 440 hz. On utilise cette hauteur à partir de 1939 jusqu’à nos jours. Il y a eu des protestes de la part de professeur dussault de la conservatoire parisienne qui a fait une pétition signé par 23 000 artistes françaises mais sans aucun résultat. L’organisation internationale de standardisation(iso) a accepté en 1953 les changements et on utilise la valeur de 440 hz depuis. Des recherches montrent que ce changement a des effets incontournables sur le corps et le cerveau humain- les gens entrent dans un chaos. Ce changement a été caché du monde entier parce que c’est le point de la balance dans la nature. 432 hz est la vibration qui inclue aussi le règle d’or (ou la proportion de dieu). Quand on écoute de la musique en 440 hz la première chose qu’on remarque c’est une fatigue, aucun envie de faire n’importe quoi et beaucoup d’autres ( y inclus le mouvement de notre adn) une étude récent montre que l’utilisation de 440 hz crée des mouvais effets dans la nature et dans toutes les êtres vivantes. Cette article m’a inspirée à recréer un son avec une fréquence de 432 hz qui monte et baisse graduellement. C’est un son seul de type complexe(nodal). Il est de type v( continu varié), il est éclatant,clair et lisse. L’attaque du début est graduelle et violente. Le son varie en « hauteur » de plus fort au moins fort et l’inverse, recréant un effet d’un ovni qui passe à côté de vous.
著者: Univ Lyon
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00:06
This is the sound of someone laughing after i reversed it and added reverb to it. Thought it sounded sort of neat. Made with audacity.
著者: Ecfike
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00:13
Crashing noise from the spring tank reverb with tiny sounds. Made with the koma elektronik field kit fx.
著者: Solar
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05:00
5 min recording. Question. Do you hear any form of repetitiv pattern?the "engine" for this. . . Is a feedback patch. Chaotic? maybe. The colors the soundfile get here on freesound reveals patterns. I use this feedback patch to derive timing and pitch. I restrain the pitch. It's bad enough as it is. The feedback patch is made with 2 lfos, 1 vclfo and a vcad.
著者: Gis Sweden
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06:11
Feeding some cv to nlc ffc. Okay. It affects the module.
著者: Gis Sweden
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00:03
It sounds like "yart" the disowned cousin of "yeet. " a good sound for a fail or a "huh?" it also sounds like a cow or a frog.
著者: Fartmuffin
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10:00
Start with chaos. In this sound/patch you have the possibility to enjoy chaos and feedbacki use my sloth lfos and jerkoff - another chaos moduleim possible sick i like this - thou its simple. Sloth modulate vco and filter cut of frequencyfeedback from vco to the filter via a vca controlled by a looping envpan fx also controlled by sloth - same env that controls the frequency. The "prassel" rustle sound is great in my earsjerkoff, exp vca, function and another sloth. Evaluation of patch/soundone cycle is - there are many cycles to consideronly short sounds - no, goodamplitude variation - yep goodpitch variation - mediumtimbre variation - some, via filter/two soundsmusical value - i think so!entertaining - yes?!.
著者: Gis Sweden
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00:38
Recreations of the "tim allen grunt" by my friend nathan. While attribution is not required for use of these samples, feel free to add a "thank you nathan" somewhere in your project!.
著者: Kt
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00:04
Lol i record my voice while playing video games now so that i can save certain things i say, you know, for real reactions to use for cartoons and stuff. A lot of my voice clips are from playing games with jumpscares, and that's where my screams and ooooooohs come from. I used to scream all the time when playing jumpscare games, but now it's turned into some weird growl thing or somethin, i dunno. So yeah, lots of clips. There are tons of clips that i'm not uploading though. They are exclusively mine!. And for those using my sounds, i am so thrilled xd.
著者: Reitanna
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00:02
I'm confused about something, dunno what.
著者: Reitanna
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02:01
Urban ambience recorded at skate park of baró de viver in april 2019 using a zoom h-6 for calidoscopi 2019.
著者: Bitlab Coop
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04:10
It has a start and an ending. . . Feedback. If you like noise. . .
著者: Gis Sweden
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00:32
Loop composed of 2 layers. First rhythmic layer made in ableton live. Second rhythmic layer made in reactor 6,and then processed with glitch effect plugin. Mixed in cakewalk by bandlab.
著者: Audiopapkin
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00:32
Loop composed of 2 layers. First rhythmic layer made in ableton live. Second rhythmic layer made in reactor 6,and then processed with glitch effect plugin. Mixed in cakewalk by bandlab.
著者: Audiopapkin
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