287 로열티 프리 오디오 트랙들 "Algorithmic Composition"에 대한

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08:27
Hello World! is a piece of contemporary classical music for clarinet-violin-piano trio composed by Iamus Computer in September 2011. It is arguably the first full-scale work entirely composed by a computer without any human intervention and automatically written in a fully-fledged score using conventional musical notation.
著者: Iamus (computer system)
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02:32
Opus one is arguably the first fragment of professional contemporary classical music ever composed by a computer in its own style.
著者: Iamus (computer system)
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16:56
Sonic object 251 radio astronomy signals electronic composition fragment 16m57sg.
著者: Adrian
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00:57
Electronic algortmic generated sonic object nr1 "arcturian symphony fragment".
著者: Adrian
00:00
00:17
Additive synthesis example.
著者: Agsxpop
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01:00
Algorithmic music composition.
著者: Gis Sweden
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07:07
My first multi-timbral patch in pure data. Fm synthesis.
著者: Cryanrautha
00:00
00:55
Based on the logistic equation. . .
著者: Gis Sweden
00:00
01:36
My first composition using cakewalk. A first try arrangement for a game soundtrack i'm developing. Hope you enjoy.
著者: Donfaifo
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00:05
A small composition from a web audio toy.
著者: Nunoh
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00:24
Formatted for use in the make noise morphagene. This reel was used in the morphagene: plane of composition video. It consists of several splices of equal length to be traversed through linearly or nonlinearly. Splices created in ableton live 9 from stock sounds.
著者: Makenoisemusic
00:00
02:51
Modular synth generative feedback patch driven by feedback between flip-flop chaos (nlc), a vclfo and logistische gleichung (klangbau köln). Two simple voices and filtered noise. Some reverb from spring reverb.
著者: Gis Sweden
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00:15
Formatted for use in the make noise morphagene. This reel was used in the morphagene: plane of composition video. It consists of several splices of equal length to be traversed through linearly or nonlinearly. Audio is counting from 1 through 8 with various text-to-speech voices. The output has been edited so that the numbers appear at the same time in each splice for plane of composition traversal.
著者: Makenoisemusic
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02:15
Machine composition for 3 voices and colored noise. Composers: zlob diode chaos, nlc jerkoff, nlc ff chaos and nlc genie.
著者: Gis Sweden
00:00
01:06
A small piece of music made a sunny day in november.
著者: Gis Sweden
00:00
01:05
A small piece of music made a sunny day in november.
著者: Gis Sweden
00:00
01:16
A small piece of music made a sunny day in november.
著者: Gis Sweden
00:00
02:07
Vcv-rack and a machine composition patch - or generative patch. Minimal but some of the voices are constantly "doing things". . . I tried to add some sort of steady beat to this one. Wanted to make it less wild/wierd. Quantizer? what is that. Let the virtual synth decide.
著者: Gis Sweden
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07:59
Okay i have to find the cycles. The start of a cycle is where the oscillator play in (about) unison. One cycle begins at 1:22. 82. Does it end at 1:57. 35?i might create a track called "selfie in three cycles". . .
著者: Gis Sweden
00:00
06:09
Some sort of poor mans quantussy x 3. Am-modulation delivers some nice sounds. Deep blurp. Beeps and nonsense. This is generative modular synth music. Machine composition. The machine is a small analog modular synth. Beep!.
著者: Gis Sweden
00:00
03:37
Mixing chaos, feedback and odd sounds in this. . . Whatever it is.
著者: Gis Sweden
00:00
00:26
The selected track. . . Electronic it is. . .
著者: Gis Sweden
00:00
03:00
I recorded one hour of machine composition. I did not listen to it. I did not open the file in audacity. I told my fb fiends to give me a number between 0 and 57. I got 42 (what else). This sound is minute 42 to 45 from my one hour recording. The rest is deleted. Gone.
著者: Gis Sweden
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11:54
My synth creates 24 tracks. No scale known to human. . . Track start are marked by a high-hat sound. Some are short!. 0:00 track 11:57 track 22:02 track 32:08 track 42:32 track 54:015:455:515:576:02 track 106:066:216:316:357:06 track 15 my favourite7:317:347:407:55 hmmm okay8:38 track 209:409:469:51 interesting11:53 track 24.
著者: Gis Sweden
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00:21
I made a tonal quantussy recording. The bass always plays a low c. The 5 tracks are selected from one 15 min long recording. The synth creates defined tracks with different character.
著者: Gis Sweden
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01:15
This is a raw sound-design sci-fi piece i made with a modular system using 4ms ensemble oscillator, mutable instruments clouds, strymon magneto & intellijel polaris.
著者: Siliconesound
00:00
01:00
Result from a vcv-rack session. A good (or bad) way to get some ideas to implement on the real modular synth. You have to admit this is - experimental.
著者: Gis Sweden
00:00
03:05
Analog modular synth generative nonsense.
著者: Gis Sweden
00:00
01:12
Simplified quantussy cell x 3 playing.
著者: Gis Sweden
00:00
00:60
Simplified quantussy cell x 3 playing.
著者: Gis Sweden
00:00
01:18
Simplified quantussy cell x 3 playing.
著者: Gis Sweden
00:00
03:11
Machine composition with modular synth.
著者: Gis Sweden
00:00
01:54
5 quantussy cells controlling 2 oscillators, 1 wave folder, 1 filter and 1 drum module (bmc analog drum). Even the pitch of the drum is controlled by one of the quantussy cells. The drum sound to fed to the feedback in on doepfer a-199 spring reverb.
著者: Gis Sweden
00:00
00:40
New session with quantussy cells as an engine for machine composition. New key and some changes. Just listen.
著者: Gis Sweden
00:00
13:41
Machine composed electronic music - or experimental generative atonalelectronic music made with an analog modular synth. Some results from two machine composition recording sessions. The modular is a machine. I compose the patch. The modular/machine composes the music. I don't want to call it auto composition, algorithmic compositionor generative. This is machine composition!. Track list1) känner igen2) form3) nästan 194) symetri5) växlingar. Https://www. Youtube. Com/watch?v=xhv0rkdjzg0.
著者: Gis Sweden
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06:00
5 quantussy cells made with cycling ads. One function and intellijel quadra + expander. That's 5. Applied some limiter. The dynamics was extreme.
著者: Gis Sweden
00:00
00:49
After some confused techno days i'm back with machine composition. This is a basic patch on my analog modular synth.
著者: Gis Sweden
00:00
02:38
Some generative music-ish. . . Inspired by david tudor. . . Hard to understand but true - for me. . .
著者: Gis Sweden
00:00
12:19
This sound is meant to be paired with thishttps://freesound. Org/people/gis_sweden/sounds/431375/this is an almost tonal machine composition recording. . . Annoying background sound. . . Check! i have selected my part. Made on analog modular synth.
著者: Gis Sweden
00:00
03:45
More feedback patching. Everything goes around. . .
著者: Gis Sweden
00:00
00:19
I record my modular synth performing. I select parts - silence to silence - under 30 seconds. Machine composition - human selection. Warning this is very electronic. . . I'm patching up quantussy cells to make this. Much work for. . . What?.
著者: Gis Sweden
00:00
04:01
A machine composition recording2 voices.
著者: Gis Sweden
00:00
01:32
Drones made with an analog modular synth. The drones are generated by a generative patch.
著者: Gis Sweden
00:00
11:46
Out of my control. . . . Let the synth decide.
著者: Gis Sweden
00:00
04:54
Selected parts from a longer recording. This is a modular synth controlled by quantussy cells. They are one method for creating generative music. I call it machine composition.
著者: Gis Sweden
00:00
06:19
Made this sound in vcv-rackhttps://freesound. Org/people/gis_sweden/sounds/430997/now i have realized that sound/patch on my modular synth. Less reverb. I use ring modulation instead of amplitude modification. All analog modular synth composing composing. . .
著者: Gis Sweden
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03:03
Sounds made with analog modular synth. Analog delay and spring reverb. Is this music or sound-design? something in between. Anyway its made with generative technique. The synth is working by it self. Machine composition.
著者: Gis Sweden
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00:45
Isle of Beauty by Thomas H. Bayly. Isle of Beauty von Thomas H. Bayly.
著者: Composition: Thomas H. BaylyTranscription: C. Guy HooverMIDI-Transcription: Simon Horn
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00:30
The Più vivo section in Six Moments Musicaux, No. 4. The piece, composed by Sergei Rachmaninoff in 1896 was published before 1923, and thus is in the public domain. See also Image:Moments Musicaux 4.png.
著者: Alton
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