402 로열티 프리 오디오 트랙들 "Plugin"에 대한

Approaching army? rising nightmare?. Wrote/recorded an eerie nightmare approaching in the distance sound. The sound starts soft and builds to a crescendo. Ezdrummer2 was used w/ a low pass eq filter. Panned left is ableton stock plugin glass cave mirror. Panned right is polar pad. Center is the ezdrummer2 w/ a low pass eq filter combined with the all alone pad stock plugin. Each track is sent to a return track w/ heavy reverb and adjusted for parallel processing. Additional notes:-13. 4 lufs integrated-2. 1 db true peak max. Want something more customized? send me a note or visit my youtube. Com/bainmackhope this helps and is useful for your next project. Cheers,bainmack.

Drops, track with nice and warm sound. It can be perfectly used in cinematic projects. Warm and sad pad. Plugins sylenth 1, massive, zebra 2. Bpm 70. Ableton 9. 8 midi channels. You will have fun. Project file here: https://evaluationrecords. Com/shop/ regards andrew kn.

Walking on wood floor, medium pace, dress shoes. You can hear mild traffic noises outside. Recording with mxl 990 condenser, mic near the floor, used x-hum and z-noise plugins to clean it up. As always, free to use for any reason or purpose, with one caveat. It must be used for good, and not evil :d.

Simple, sad chords with an ambient drum pattern accompanying. I created this with logic pro x and a basic soft synth that come with the software. The drums have some effects from fabfilter's "timeless" plugin, and also some distortion, but nothing too fancy. This is my first sound contributed to the community so they'll hopefuly get more interesting as i improve, but feel free to use it as you wish.

For a videogame we needed to create a sound in a scene where guitar players are doing sound check before show. Random chords, leaks, rips, tuning just for fun. Recorded using gibson les paul guitar, processed with overloud th2 plugin.

Created using tracktion waveform-10. I used 3 instances of the builtin synth subtractive, 1 was for the body of the snare the other 2 were the noise to try and replicate the wires of the snare, finally i used zynaddsubfx to create the transient. There was some eq applied to boost key frequencies in around 200hz and mastermix plugin to compress the audio.

The raw version of this sample was made by hitting my knuckle on a metal sculpture of an aircraft. De-clipped and de-noised just slightly using izotope rx. Verb, eq and comp in logic pro 8 + plugins. Recorded using the spectrumview iphone app. Sample rate = 48ksample size = 24 bit.

Echoey, creepy piano loop from a song i was working on that may never be finished. Created with the "steinway grand piano" patch, in addition to the "echo" and "silververb" plugins, all within logic pro x. If you use this in a song, i request that you link the song in the comments. I like seeing how the things i make are used. :d.

This collection of kitchen sound effects was captured on a tascam dr-07. I carried the recorder around the kitchen opening and closing drawers, the refrigerator, and clattering/clanking plates and silverware. I even did a water pour into a drinking glass. After recording i edited the sounds in protools using a variety of compression and limiting plugins. I hope you find this useful.

Old sound i uploaded years ago and never described until now. Software made, using addictive drums with a lot of reverb effects, subatomic vst, gort's minipiano soundfont. Plugins used: camelphat3, camelspace, black_box, bouncing ball delay, ambience, and a bunch of stock fl studio reverbs, eq's and delays.

A nasty cheap telephone ring designed using native instruments fm8 virtual synthesizer, a ring modulator, a moog-like filter (either are included in cockos reaper software), and a free lo-fizer vst plugin. Mono. Used in my own production: https://black-sided-sun. Bandcamp. Com/track/feb-16-day-358. Hopefully it will be useful elsewhere too.

One of a series of heavily processed sounds of me ripping various objects off a sticky surface. I ran the original recordings through s-layer, the sample-mangling plugin from twisted tools, layering and sculpting the sounds into short impulses that are suitable for ui sound design.

I wanted to record some output from an experimental device and in the moment of pluggin it in it caused a hum noise mixture. It sounded nice for something percussive. Maybe of use for someone with interests in electronic glitch music. Raw record. When: august 2020where: munich, germanyrecorded with: behringer xeniyx 1202 usb mixer44,1khz, 24bit, flac.

Wrote/recorded a guitar, simple bass, simple drums at 160-bpm. Guitar recorded direct into a scarlett 18i20 then used guitar rig 5 plugin from native instruments. Ezbass for bass. Ezdrummer for drums. Additional notes:-11. 9 lufs integrated-1. 0 db true peak max. Hope this helps and is useful for your next project. Cheers,bainmackyoutube. Com/bainmack.

Sound demo 'annie is my darling' (simon fraser) by using the akkordica vst plugin, a virtual accordion, harmonica and melodica software that covers a wide range of sounds, by combining the traditional accordion performance and modern digital functionality. Suitable for a wide range of musical styles, be it traditional, popular or classical. Features:. 1. - piano accordion2. - anglo concertina3. - strasser accordion4. - hohner accordion5. - musette accordion6. - harmonica natural7. - harmonica vibrato8. - melodica (pianica)9. - accordina (harmonicon).

This series is done through layering and processing many samples of drum sounds i synthesised using various plugins namely xoxo's vst's and zynaddsubfx mixed with some old hardware samples i made a long time ago. There are 4 packs of the same series : perc snare kick and hats all using the same process.

It was made with extraordinary plugins erhu guzheng yangquin and a sense of extraordinary expression, valley reverb, and glides. Authentic expression of chinese traditional instruments is hard to imitate so this scene is very short, but useful. As always, my sounds are free, but i'd like to hear your artworks when using a sound, or part of a sound. Also, it is a pleasure to me, if you're referencing this source in your credits.

Ambisonic test recording made with a sennheiser ambeo mic into a sound devices mixpre 6 ii. Recorded in 32bit float. Mic position was 'endfire'. Not too much action but it gives a good idea of how a quiet ambience sounds in ambisonic. You will need the sennheiser ambeo plugin in order to convert this recording into b-format.

One of a series of heavily processed sounds of me ripping various objects off a sticky surface. I ran the original recordings through s-layer, the sample-mangling plugin from twisted tools, using the granular synthesis features to generate a range of distorted, robotic tones.

I was playing around trying to create a different sound when i accidentally created this sound which reminded me of a rocket flying by. I thought it might be useful and uploaded it. I kept it a bit longer so you can edit it into a loop or fade it out to make it seem the rocket flies away =). Made with fl studio with the free firebird vst plugin.

Typical casio vintage watch sounds. Model: casio b640wrecorded in protools + roland quad capture + akg ck93 miccleaned with wns plugin. 00:01-buttons sounds when you change the mode (hour, alarm, chronometer. . . ). The clicks that sound diferent from the rest, sound when you come back to the hour mode after switching through all the other modes. 00:07-alarm.

A fidgety drum and bass loop with a cowbell, a bunch of claps, shakers and tambourines, arranged in fl studio, run through fl studio's gross beat plugin, which was set to 1/2 speed slow, and this is what the original and the processed drumloop sound like combined.

Wrote/recorded a guitar, simple bass, simple drums at 120-bpm. Guitar recorded direct into a scarlett 18i20 then used guitar rig 5 plugin from native instruments. Ezbass for bass. Ezdrummer for drums. Additional notes:-12. 8 lufs integrated-1. 0 db true peak max. Hope this helps and is useful for your next project. Cheers,bainmackyoutube. Com/bainmack.

One of a series of heavily processed sounds of a squelchy stress reliever toy. I ran the original recordings through s-layer, the sample-mangling plugin from twisted tools, combining and mulching everything into new, dynamic sounds with lots of interesting, muddy contours.

Nintendo song short 19. Wrote/recorded a short 8-bit ninetendo game-like tune at 80-bpm using ableton live 9. Midi notes are played thru the stock plugins: nylon concerto guitar + 12-bit fidelity. Want something more customized? send me a note or visit my youtube/bainmackhope this helps and is useful for your next project. Cheers,bainmack.

A more dreary version of spooky siren. The intonations of this feel more grimdark, in a sense total tripedation and tension over an event can be felt like the forthcoming of a thunderstorm over a hero illuminating him towards his true path. Reasynth, orilriver and losers filtering plugins were used. I inspired this from half life 2's citadel siren which contained a single trailing notation.

Real recording of an ar15 layered minimally with a kick drum for sub-bass region and trigger sound and processed with some plugins like transient designers, multiband compression and clipping. Eq was used for tonal shaping and frequency cutting here and there for a more polished sound. Single shot recording assembled into a burst fire loop. Made in ableton live. Enjoy.

This track was developed in 2018 via apple's logic pro x on a macbook pro 2017. The home studio employed the usage of the presonus eris e4. 5 near field monitors in east harlem new york city. The project used sample files already included in apple's logic pro x. The mixing process employed only logic pro x plugins (e. G. Compression, equalization). You may find the developer at twitter: @harlemdaw.

This track was developed in east harlem new york city during the 2nd quarter of 2018. It was developed via apple's logic pro x via a macbook pro 2017. The mixing process employed the usage of stictly logic pro x plugins (e. G. Compressors, equalizers). Monitoring the audio was performed via the presonus eris e4. 5 monitors in a bedroom home studio. This developement was actually a practice mix session. You may reach the engineer via twitter: @harlemdaw.

I recorded a viola for a theatre project. I recorded it in a dry room, close mic with a neumann tlm103. Some samples are just noises of the bow on the c or d string, then once in a while creating overtones, other samples contain some processing with echoboy by soundtoys. Amazing plugins they make!. Feel free to use the samples in any way you like. If you use it in a project i am always curious to hear it. Comments and questions welcome.

This sound is a 1-sample long impulse at 48 khz. It covers the whole frequency range with equal power. This is a perfect sample for exciting your guitar amp or reverb unit to capture it's impulse response (ir). You can also play it through a speaker in a reverbant room to capture it's reverb characteristics. Remember that the ir sample will be no flatter than your speaker's performance multiplied by your microphone's performance (frequency response characteristics). The sample has exaclty 1 second of silence, then the impulse, then another second of silence to ensure the impulse will be played clean and untruncated on any sound system or device. My test with ir lv2 convolution plugin have proven, that this sample has absolutely flat frequency response - convolved signal was identical to the source signal. After normalization and sample-alignment of the sound clips i have inverted the polarisatin of one of them and summed them - result was absolute silence, even no hiss was present as a result. This shows the accuracy of the convolution process and proves this sound to be perfect for sampling ir. The impusle was generated with c* dirac ladspa plugin. Created using audacity.

I've been working on a plugin for unity to allow users to create short loops from arrangements of other loops. Seems to be working pretty well, pretty much like a low-tech version of acid. Anyways, this was a little arrangement i made as a test, and i kinda like it so i thought i'd post it here for feedback and such. Feel free to use this loop for any project in any way, credit is not required.

Honestly, this is one of the coolest things ever. Just drag this impulse response into your ir reverb plugin and it will make everything sound like it's in a space suit / glass helmet. Really handy for an astronaut speaking, for example. I bought a massive, round, glass fishbowl to record this. Recorded with a zoom h4n. If you are as blown away as i was with this, give me a sub and like on youtube!. Fractanimal.

Rock short 24wrote/recorded a guitar, simple bass, simple drums at 160-bpm. Guitar recorded direct into a scarlett 18i20 then used guitar rig 5 plugin from native instruments. Ezbass for bass. Ezdrummer for drums. Additional notes:-12. 3 lufs integrated-0. 9 db true peak max. Notes: e, b. Hope this helps and is useful for your next project. Cheers,bainmackyoutube. Com/bainmack.

Found a half-broken wind-up rotating christmas tree music box. . . Thing. . . Raw 24/96 ms recording; be sure to decode before use. Left channel is mid, right is side. To do this manually you should separate the channels to two mono tracks, duplicate the side track and invert the duplicate. Pan the side tracks hard left and right, and mix with the mono mid channel. Or use a plugin to do it for you :d.

Metal song short 30. Wrote/recorded a metal guitar, bass, drums section at 220-bpm. Guitar recorded direct into a scarlett 18i20 then used guitar rig 5 plugin from native instruments. Ezbass for bass. Ezdrummer for drums. Additional notes:-10. 2 lufs integrated-0. 9 db true peak max. Hope this helps and is useful for your next project. Cheers,bainmackyoutube. Com/bainmack.

I created this 64 bar loop in bitwig using a sample loop that comes free with the software, next i used a multiband fx plugin with automation controlling amounts and cutoff's which then in turn had various effects on the seperate bands and as you can clearly hear i used the glitch2 vst mostly on the mid frequencies, which in turn had automation controlling/changing it's presets.

A classic movie punch sound recreated by hitting a leather car seat with a cricket bat. Recorded using a rode k2 tube mic and a schoeps cmc6, driving the preamps hard and compressing the input, then heavily compressing a number of takes using analog-emulation plugins (including a fairchild 660) and running the mix through waves maxxbass. Then limiting some more and finally adding the swoosh of a riding crop and a non-linear reverb noise tail.

Made by drfx:here is melody i (drfx) made in fl studio using the dsk music box vst plugin. You can use for what ever you want just add me (drfx and me) in credits. You dont have to but i would love to here what you are using it for. (both here and at his page). (original: https://freesound. Org/people/drfx/sounds/338986/#). The difference between this and the original (by drfx) is, that this has a little echo, is more bassy and is a loop.

Inspired by erokia's tutorial here:https://www. Youtube. Com/watch?v=sjnjfyvqrfo. I did not use paul's extreme sound stretch, but rather took an original recording of a glockenspiel (with a lot of reverb), and set the playback rate to around 20% its original value. This stretching was combined with use of the following plugins:. Valhalla space modulatorni phasistdr nova geim widertal reverb 4soundspot velo2 limiter.

While fooling around with the beat repeat plugin in ableton one day, i noticed it would do this cool rhythmic decrescendo whenever i would hit "repeat". But not when i would export! so i just kept messing around with a simple hi-hat loop with audacity running in the background. I've cut down and sampled this recording many times, think it's time i let it go to see what the internet can do with it ;).

Metal beat short 15. Wrote/recorded a metal guitar, bass, drums section at 240-bpm. Guitar recorded direct into a scarlett 18i20 then used guitar rig 5 plugin from native instruments. Ezbass for bass. Ezdrummer for drums. Additional notes:-12. 4 lufs integrated-0. 1 db true peak max. Hope this helps and is useful for your next project. Cheers,bainmackyoutube. Com/bainmack.

One of a series of heavily processed sounds of a squelchy stress reliever toy. I ran the original recordings through s-layer, the sample-mangling plugin from twisted tools, shaping them into short, sharp, and punchy impulses. These might be useful for some unusual ui sound design, or perhaps some gloopy weapon sounds!.

Pop punk short 31. Wrote/recorded a pop punk rock guitar, bass, drums section at 220-bpm. Guitar recorded direct into a scarlett 18i20 then used guitar rig 5 plugin from native instruments. Ezbass for bass. Ezdrummer for drums. Additional notes:-12. 6 lufs integrated-1. 0 db true peak max. Hope this helps and is useful for your next project. Cheers,bainmackyoutube. Com/bainmack.

Rock song short 10wrote/recorded a short rock song at 120 bpm in ableton live 9:guitar recorded direct into a scarlett 18i20 then used guitar rig 5 plugin from native instruments. Bass recorded direct into a la610 preamp then into the scarlett 18i20. Ezdrummer for drums. Additional notes:-12. 1 lufs integrated. -1. 9 db true peak max. Hope this helps and is useful for your next project. Cheers,bainmackyoutube. Com/bainmack.

Wrote/recorded a short rock song at 120 bpm in ableton live 9:guitar recorded direct into a scarlett 18i20 then used guitar rig 5 plugin from native instruments. Ezbass for bass. Ezdrummer for drums. Chords: am, c, g, f#. Additional notes:-11. 7 lufs integrated. -3. 5 db true peak max. Hope this helps and is useful for your next project. Cheers,bainmackyoutube. Com/bainmack.

Wrote/recorded short a mellow dance song at 120 bpm in ableton live 9:muugy for synth sound. Jarble bass (ableton stock plugin) for bass sound. Kit-core 808 and kitcore jarble for percussion section. Nylon concerto for the guitar plucked section. Additional notes:-11. 6 lufs integrated-0. 9 db true peak max. Hope this helps and is useful for your next project. Cheers,bainmackyoutube. Com/bainmack.

I initially created this snare using lmms ( linux multimedia studio ) and a single instance of the zynaddsubfx plugin. There were many effects and experiments done before exporting as an audio stem. Next i opened this stem ( single snare hit ) in bitwig studio and made a few copies of it and timestretched and chopped and then joined together in a group track the parts i liked to make the whole sound. Final effects included saturation, equalization , sidechain-limiting and compression.

I've had this saved for a while, and haven't really done anything with it (yet). How it was made: i took an old music box i got for christmas a few years ago, recorded it (obviously), slowed it down a little bit (it originally plays in g, now it plays in g-flat), and added reverb. The reverb plugin i use is called ambience. (it's really frickin' good. ).

Hello,. This is the sample pack that i completed for the sound design course at slam academy. The theme of this pack is sounds that could be used to make melancholy and dark sounding music, but use however you see fit. I used ableton’s operator and analog synthesizers and xfer’s serum plugin to create this sounds. All processing was used using ableton’s stock effects and serum’s stock effects. I hope you enjoy my sounds :). - milesperhour.