35 로열티 프리 오디오 트랙들 "Ts"에 대한

A simple loop @85bpm. Made with ts-404. Thanks to hardpcm for the find, this is a very useful loop tool!.

This is the companion audio to the article "modify your monitor audio" appearing on w1zy's substack account. In it, we hear what happens when you mix through a soundboard the audio from a ham radio transmitter's "monitor" output and a second receiver dialed onto the transmitter's output frequency. When the two are mixed, we hear a heterodyning between the external receiver and the transmitter monitor audio sources. By adjusting the receiver's frequency to that of the transmitted signal, we can zero-beat the two audio sources together producing a "flange" effect derived from analog devices. Non-ham audio enthusiasts might find this clip interesting since it is producing this artifact not through some plug-in, but through use of "legacy" analog equipment.

Malbrough s'en va-t-en guerre

For he's a jolly good fellow

The Glory of the Yankee Navy performed by the USMC Band. March, “The Glory of the Yankee Navy" (1909) - The musical comedy The Yankee Girl was in need of a spirited march, so Sousa was prevailed upon to provide one. The march, one of Sousa’s most interesting musically, was dedicated to the star of the show, Blanche Ring. Lyrics were provided by Kenneth S. Clark. The title underwent a process of evolution. The earliest known manuscript was labeled “Uncle Sam’s Navy.” Prior to the opening, newspapers referred to the march as “The Honor of the Yankee Navy.”

1st release date: 1924 1st recording date: January 1924 Place of recording: unknown Author(s)/Composer(s): Franz Schubert (1797-1828) Music arranger(s): none Lyricist: Johann Wolfgang von Goethe (1749-1832) Performer(s): Claire Dux (1885-1967) Vocal range: instrumental Title/Work: Heidenröslein, D 257, Op. 3, No. 3 Content: - Genre(s): Tone poem

Performed by Mr. T. R. Hammond.

Recorded in a room at a museum with an animatronic t-rex - voices, sounds of t-rex animatronic and room noises.

Self-made silly sfx as part of a radio show.

Restored 1929 model a ford truck starting up. The vehicle was used as a bookmobile in everett, washington from 1929 to 1950.

This is the horn from a 1929 model a ford truck, used as a bookmobile in everett, wa from 1929 to 1950. The vehicle has now been restored.

A t-rex rumbles through the valleys.

Recorded with zoom h4n.

T2-2bis dynastar wideband t2xort1 battery jitter.

Sons criados a partir do atrito entre um par de tênis e uma superfície rígida e lisa, captados com microfone shotgun sennheiser(condensador, supercardioide); pertencente à categoria de sons humanos, de acordo com a metodologia de murray schafer, dentro do tema de sons de combate ou luta. Gravado para a disciplina de captação e edição de áudio do curso rádio, tv e internet, universidade anhembi morumbi. São paulo-sp. Brasil.

T-rex growling, huffing, bellowing, and roaring. I had to cover myself in spinosaurus pee to get this. :b. (made with cc0 samples of alligator, lion, and elk).

Model a ford sounds as they drive. Grinding gears and ooga horns.

An go when the liar ball you don't want with thumbnail. . . . . . . . . . . . Okay for you don't gone virtual ans and another synth. I took a picture of liar ball you don't want with bfb 7: the liar ball you don't want and put it through the virtualans. Download thumbnail of liar ball you don't want:https://i. Ytimg. Com/vi/sdas5vnbvoo/maxresdefault. Jpg.

A (rather rough) recording of stockholm's tunnelbana jingle, accompanying station announcements and messages from the driver. Recorded using a samsung galaxy gear, and edited in rather amateur fashion.

Me making raptor noises with a slight echo and a pitch shift. A few of them are much deeper, like a t-rex. I get slightly choked in the middle.

Scraping of a metal brush against steel surface.

Sound of a tyrannosaurus rex roar or roaring 2x. Great for a monster or other sound as well.

Sound of a tyrannosaurus rex roar or roaring. Great for a monster or other sound as well.

Monster noises made using heavy granular synthesis, formant and pitch-shifting on a female voice.

We where located in the news media viewing area called nasa causeway. This as close as anyone can get to the launch. This was the maiden voyage of the orion spacecraft, and one of the very few delta iv heavy launches. In the beginning of recording you hear nasa announcer giving countdown into loud speakers, when you reach around the 1min 50 sec mark the true booster engine sound overtakes the pa system. We are very grateful for the opportunity to share this, most powerful man made machine with 2. 1million pounds of thrust to get millions of pounds into space.

Meow.

Gemma's bass - ass - boom - would/10.

Modular.

'ts a recording of me saying "get ready" 3 times. The words increase in energy/emotin.

This is the official sample of the brescia crew fuori tempo!follow we on our facebook page: https://www. Facebook. Com/pages/fuori-tempo/509768292403315?fref=ts.

High resonance experiment with ts-404. This is a somewhat average techno-ish loop. Pretty simple. Only minor editing in audacity (ie. Normalize, remove noise, compress).

The sound of a creaky door, recorded with my zoom h5. Processing: noise-removal (reafir), mild compression/coloration (molot vst), and convolution reverb (reverberate core; factory preset: medium plate ts).

This is a recording of the background noise of the us lab on the international space station, recorded by commander chris hadfield. This is what normal life sounds like in space. Find out more:. Twitter: twitter. Com/cmdr_hadfield. Facebook: www. Facebook. Com/astronautchrishadfield?fref=ts.

Swishes for layering, transitions. Some swishes have a tonal character to it and every swish is different so you can use it for multiple situations in an edit or something. You are allowed to use these sounds in any way, no need to credit me. Greets, tapesome. If you want to support this free community give freesound a donation and give something back to this community to upload your own high-quality sounds.

Td-3-tg recorded with zoom h-1. Td was performing slide through octaves with "slide" button pressed in program, and subsequent cs were played, in octave -1 and 0, and higher c in octave 0 and +1, back and forth. Program takes 7 16th notes and the space between notes takes 9 rests. Tempo of the td-3 was set to maximum and the volume control was set to high amount, to let zoom h-1 with rec level setting to 37, be driven up to -6db. Sound recorded in 96khz and 24bits. Trimmed and saved in flstudio edison, what made sound 32bit. No amplify, no normalisation. "tune" knob of td-3 was set to maximum as well as "cut off", "envelope" and "accent". "resonance" and "decay" was set to one o'clock. "waveform" swicth was set to square. No distortion. Zoom h-1 was plugged by a cable, td-3 output to line in. Cable was named vitalco - 1/8 inch trs to 1/4 ts, male to male, 3m.