190 로열티 프리 오디오 트랙들 "피드백"에 대한

Sound is a boss dd-20 delay feeding back on itself while the controls are manipulated.

The sample is a short blast from the last couple of seconds of a noise track i just completed. . . A lot of neat, varried textures and such. . . The very end is me screaming while rapidly turning a distortion on and off.

An intercom system on a building malfunctioning into some type of feedback loop. Could be useful for some techno or gabba rave ;).

Multitracked bass played through a guitar pedal/hardware mixer based feedback loop.

Just the feedback from my tenson-amplifier.

I recorded myself making ringing feedback noise with my guitar through a valve amp, plus some wah.

I recorded myself making ringing feedback noise with my guitar through a valve amp, plus some wah.

I recorded myself making ringing feedback noise with my guitar through a valve amp, plus some wah.

I recorded myself making ringing feedback noise with my guitar through a valve amp, plus some wah.

A synth guitar processed with a lot of distortion types. Basically waveshaper and tube compression.

Feedback from a small practice guitar amp, i plug the guitar in as the cord is still connected to the amp.

This is some feedback that was recorded in the studio after we had finished recording some songs, it was just something to do, the effect pedal used in this is a 'electro-harmonix polychorus'. Some interesting sounds in there.

Feedback loop going through an improperly connected electrostatic mic, delays, pitch shifters (to justly tuned perfect fourths and perfect fifths), and reverb.

This is a pack of effects for user-interaction such as selection or clicks. It has a sci-fi/electronic theme.

Sound of a microphone unplugged: recorded with rode nt3 and zoom h6.

Feel free to use. No worries ;).

Sample created by the feedback of a microphone whith guitar effects pedals.

I used the free lokomotiv synth as source, with shit tons of effect processing and mixdown bouncing to result in almost sounding unrecognizable from its starting point.

Pattern 1 with spring reverb feedback. Simple graphic score. Fun. Compare with https://freesound. Org/people/gis_sweden/sounds/435826/.

A trailer-like impact that you would probably find in a horror/action movie trailer, recorded and edited using audacity.

Sound exercise where we had to choose a location & an object in that specific location. I chose for the sculpture atelier in the academy of bellas artes. Sound source : a non-standard tuned höfner guitar & a lithium-ion battery powered 6 watt speakerwith a cute little aaa battery powered vox pre-amp. Put on a copper plate, live manipulated & processed / bent / tapped on / glided withwhat not /. . . A long metal tube. Natural feedback has been 1 of my favorite modi operandiinfluenced by entre autres my bloody valentine, sonic youthglenn branca & a lot of noise artists. . . Recording source : a f*+#!ng apple iphone ( for which itlasted 30 minutes to put it on an apple imac ?!!?? )i take a shot @ apple for a reason , my mbp during coronahas been seen imploding ! ( dikke poef !!! ) june 2020don’t buy apple, ask louis rossmann ( youtube ). This piece has been recorded in one big long take;until now whatsoever no edits have been madelet’s see if i can make this post-production wisemore ear-candy wise even better. . . The artist known as -̶j̶o̶z̶e̶f̶a̶l̶e̶k̶s̶a̶n̶d̶e̶r̶p̶e̶dr̶o̶-has been seen predicting on his bandcamphe “ll be integrating somehow thisfree improvisational piece into his avant-latest new track called‘ mars in-3 “. . . Bluff or a promise ???. Https://jozefaleksanderpedro. Bandcamp. Com/track/mars-in-3.

It's fun to patch up a kind of analog shift register (3 stages). Doepfer a-160 controls the stages. On a-160 i use /2, /4 and /8. I sample slewed noise. No quantizer.

Feedback from messing around with a cloned circuit of the tr-808 bass drum. If decay is extended too far, the circuit gets stuck in a feedback loop and produces awesome deep-bass analogue sine waves.

Feedback from messing around with a cloned circuit of the tr-808 bass drum. If decay is extended too far, the circuit gets stuck in a feedback loop and produces awesome deep-bass analogue sine waves.

Accidentally created some feedback when recording my phonecall into protools. . .

A feedback loop involving a contact mic and surface transducer!.

Short and high pitched guitar screech.

Feedback loop drone created using make noise phonogene + make noise echophone eurorack modules. Good for some kind of force field.

A quirky digital noise type sound. The sound is played in different frequences and can be cut with ease. Can be used for all types of movie effects and in music. Enjoy!.

A digital noise sound. Synthesized using a free vsti instrument. Can be used for horror/sci-fi movies and other media.

Loud! this is a short sample from a bit of noise i recorded. Some feedback and screaming. . .

Some more guitar feedback for ya using my pedals to create the sounds.

The little speaker that could!.

Electric guitar feedback. The signal is being routed from one amp into a small miniamp.

Getting feedback from something, not sure what.

Simulated two-way radio noise feedback by pressing the talk button, created with the draw tool in audacity.

Series of bass hits and crackle generated from a no-input mixer.

Plain keyboard c recorded in a glass bowl with a little feedback in the end.

A small kick with reverb and a lot of delay feedback.

The sound is going through zoom ms-70cdr. I use the "particer" reverb program. It acts like a compressor and limiter too. . . Kills the dynamics of the modular. Nice anyway - or not. . . And i use the ladik r-330 reverb too.

Long violin tone with feedback and tape delay to make it more and more noisy,.

This is one of many build ups from my personal effects library. I used a time-stretch,and added a heavy eq over it for an added bass effect. It builds from in fade to original volume with re-verb. Enjoy. .

A feedback effect, i accidentally created while messing around sounds.

-----albeit concept seems to refer back to you- still stuck in the air; less of a concrete form - finality seems to please you.

Mind the loudness and piercing frequencies. Feedback made using only a self-patched random*source serge triple+ waveshaper, or tws+. Recorded with and formatted with splices for use with the make noise morphagene, but can use for and with whatever of course. Warning that it's it's quite high pitched so you may need to pitch it down with the morphagene's pitch knob a good bit if you want it less harsh. I think i acidentally hit splice instead of record one time so there might be a random short splice somewhere, but maybe it adds some splice length dynamics. . .

This can be a good sound to use as an intro to something dark. There is a lot of distortion, feedback, noise and instruments such as drum and piano.

One long note (b2) produced through feedback with microphone. 41khz/24bit.

Feedback loop involving jupiter storm, a-147-2vcdlfo and a-101-1 vactrol vcfcv injected from 2 x sloth and intellijel quadra expander in quadra moodsome spring reverb. After ~1min i switch "noise core disruptor" (jupiter storm) off. Evaluation of patch/soundone cycle is about 28 sec - goodonly short sounds - badamplitude variation - goodpitch variation - goodtimbre variation - goodmusical value - low to mediumentertaining - high, or what?. Merry christmas! :-).

Taken from a smartphone lav test i did a while back. Includes a few seconds of buzz and a very sarcastic "uh-oh" while distortion was still present in the recording.