190 로열티 프리 오디오 트랙들 "피드백"에 대한

Working with my spring reverb.

Harsh microphone feedback. (sounds different after download).

Was walking around and i heard this strange sound so i recorded it with my i phone.

Working with feedback. This is just "work in progress". But cool. When this "neuron" doesent have contact it gets upset.

Two small connected feedback systems playing for you.

Chorus, flanger, phaser in feedback playing 1 note.

While recording with paw 120 digital recorder the autogain started to earohones caused a feedback sound.

The clip was created using a synsonics "terminator" guitar with a built-in amp by running the output to my sound card and sound card's output going into to a secondary jack intended for headphones on the guitar. It created an interesting metallic noise, almost like a ring mod. . . There is a segment where i was poking the guitar's amp circuit board with my fingers which creates lots of grumbling/squelchy noises. . . The guitar is kind of crappy, but it makes a pretty neat noise synth! :b.

Sound is distortion+flanger in feedback loop, into various pedals (including fuzz and harmonizer. ) sounds kind of like a glitchy, digital chainsaw. . . Or something.

Freaky resonant feedback atmosphere created with an excellent sound generator.

Electric guitar chords going through a "honeytone" miniamp with the gain and overdrive all the way up. Seek eeeeeeelectricityyyyyy.

Made using ableton and some self-generated feedback in the studio, this was produced for a stage play in which a character is electrocuted by a faulty amplifier.

Bass-heavy feedback of some sort.

A weird ambient loop i made with echoes and feedback through a mixing desk.

A bell.

Feedback texture created using soundtoys echoboy delay unit.

Anyone familiar with circuit bent sounds will recognize something in this fake circuit bent production of mine. I abused bitcrushers, frequency shifters and god knows what else on my guitar recordings. . . I need another aspirin. >_>;.

Made sometime during 2017. Excerpts from my experiments with sinusoidal waves, homemade distortion effects, digital reverb, room reverb, and speaker->mic->pc feedback. Several effect parameters are controlled via an ekg setup called the "infernal gadget" which i constructed between 2010-2011 and used for several improvised music sessions.

A small feedback patch.

More sounds made with my analog modular synthincludes spring reverb feedback :-)more ring modulation noise.

Using an cvlfo in a feedbackloop creating very "chaotic" cv!.

This sound was from a live video feed on a social media broadcast. At some point the audio just got caught into a feedback loop that lasted for a bit. I thought it sounded interesting and saved it. Has kind of a laser or phaser cannon kind of thing going on. Perhaps an alert sound of some sort. Probably many possibilities for usage.

Some generative music-ish. . . Inspired by david tudor. . . Hard to understand but true - for me. . .

Is this thing on?.

Had a short relaxing session with my modular. I wanted to use the "divide by 64" patch and make some generative sounds/music. I added some mixer feedback. This is a patch for 2 voices.

Trying to restrict feedback. . .

De-tuned electric guitar noise played through a heavy metal pedal and a small practice amp , recorded with a cheap condenser mic and fussed with a bit.

Sample is a clip from another song i just recorded. Created with effects pedals feeding back into each other. Effects used: behringer micro-mixer (used here as a "clean boost/volume effect), sirkut electronics gnarler, danelectro eq, boss xtortion, and boss metal zone, with various other fx sprinkled throughout. This is another "sounds kind of like screaming" sample.

This is a recording i made for one of my songs. I found it nice to run the group's output through the ohmforce ohmicide and have some fun with the separate bands. The original loop consists of me, drumming on my metal kitchen-sink with drum-brushes. The snary accents are the brushes on the back of my acoustic guitar. All recorded with a neumann u87 and mangled through a ua solo610 with tube-gain cranked up. The bassdrumsound is also an handplayed sound from my nord lead. All recorded in 48/16.

Adaption of my "backwards swoosh" sound effect, fed through a delay vst with the feedback quickly increased to a very high level and then dropped down. Reminded me of a suitable effect for a warphole or something like that, hence the name. Yet another attempt at making an "astroboy" style effect.

Beep. Failed attempt at creating a better batter pick-up sound for nikki.

Analog delay on fender strat through fender blues deluxe in bm.

Electronic Noise or some sort of electronic interference sound effect.

Sound of feedbacks. Sound recorded with a zoom h4n pro. Son de larsens. Son enregistré avec un zoom h4n pro. My sounds are licensed under the creative commons 0 license but it would be a pleasure for me to hear your work so doesn’t hesitate to comment or to send me a message with your work :).

Sound of feedbacks. Sound recorded with a zoom h4n pro. Son de larsens. Son enregistré avec un zoom h4n pro. My sounds are licensed under the creative commons 0 license but it would be a pleasure for me to hear your work so doesn’t hesitate to comment or to send me a message with your work :).

Sound of feedbacks. Sound recorded with a zoom h4n pro. Son de larsens. Son enregistré avec un zoom h4n pro. My sounds are licensed under the creative commons 0 license but it would be a pleasure for me to hear your work so doesn’t hesitate to comment or to send me a message with your work :).

Screebly kinda noise - abrupt random panning version.

Atonal modular synth melody.

Yeah #300.

A sequence in a minor. Spring reverb feedback. Filter sweeps controlled by nlc sloth. I'm not using a sequencer. There are other was to obtain a sequence on a modular synth.

5 min recording. Question. Do you hear any form of repetitiv pattern?the "engine" for this. . . Is a feedback patch. Chaotic? maybe. The colors the soundfile get here on freesound reveals patterns. I use this feedback patch to derive timing and pitch. I restrain the pitch. It's bad enough as it is. The feedback patch is made with 2 lfos, 1 vclfo and a vcad.

Start with chaos. In this sound/patch you have the possibility to enjoy chaos and feedbacki use my sloth lfos and jerkoff - another chaos moduleim possible sick i like this - thou its simple. Sloth modulate vco and filter cut of frequencyfeedback from vco to the filter via a vca controlled by a looping envpan fx also controlled by sloth - same env that controls the frequency. The "prassel" rustle sound is great in my earsjerkoff, exp vca, function and another sloth. Evaluation of patch/soundone cycle is - there are many cycles to consideronly short sounds - no, goodamplitude variation - yep goodpitch variation - mediumtimbre variation - some, via filter/two soundsmusical value - i think so!entertaining - yes?!.

Recorded with smartphone, november 24, 2017.

Heavily processed vst synth sound using various reverbs, phasers and distortion.

Recorded at ableton live, using old tx81z synth from yamaha + boss digital delay dd7 messing around with feedbacks and time creating tape like fx.

My two neuron patch with cross feedback! here it is. I think!i will take a closer look tomorrow.

No, it's not beautiful but its a generative feedback patch.

Another piece of feedback recorded using a mobile phone, thats why the quality aint all that, pedal used is a electroharmonix polychorus.

Me and a mate just er, decided to smash 2 cheap guitars to bits, something to do at the time.

A sample i made in cubase. A man saying get me out heavily reverberated. W/ added feedback that i pitch shifted and reverberated. And lots of whispering voices in different pitches.