2 870 royaltyfrie lydfiler for «Note»

City, truck engines, long break squeals, nyc (1999). Minidisc recorder with sony ecm-ds70p.

These are recordings of a recorder music class playing pitches g a b randomly, with occasional unintelligible conversation.

Arirang performed by the Airmen of Note of the United States Air Force Band. Track 6 from Global Reach (2018).[1] Credits: Commander and conductor - Col. Larry H. Lang Alto Saxophone, Soprano Saxophone, Flute, Alto Flute – Technical Sgt. Mike Cemprola* Alto Saxophone, Soprano Saxophone, Flute, Alto Flute, Piccolo Flute – Senior Master Sgt. Tyler Kuebler* Baritone Saxophone, Bass Clarinet – Master Sgt. Doug Morgan* Bass – Technical Sgt. Cameron Kayne* Bass Trombone – Master Sgt. Benjamin Polk* Drums, Percussion – Master Sgt. David McDonald* Guitar – Master Sgt. Geoff Reecer* Piano, Electric Piano [Fender Rhodes] – Technical Sgt. Chris Ziemba* Tenor Saxophone, Clarinet – Master Sgt. Grant Langford* Tenor Saxophone, Flute, Clarinet – Master Sgt. Tedd Baker* Trombone – Master Sgt. Ben Patterson*, Master Sgt. Jeff Martin*, Master Sgt. Kevin Cerovich* Trumpet – Senior Master Sgt. Brian MacDonald*, Chief Master Sgt. Kevin Burns*, Technical Sgt. Logan Keese*, Technical Sgt. Luke Brandon* Vocals – Technical Sgt. Paige Wroble*

Sakura performed by the Airmen of Note of the United States Air Force Band. Track 1 from Global Reach (2018).[1] Credits: Commander and conductor - Col. Larry H. Lang Alto Saxophone, Soprano Saxophone, Flute, Alto Flute – Technical Sgt. Mike Cemprola* Alto Saxophone, Soprano Saxophone, Flute, Alto Flute, Piccolo Flute – Senior Master Sgt. Tyler Kuebler* Baritone Saxophone, Bass Clarinet – Master Sgt. Doug Morgan* Bass – Technical Sgt. Cameron Kayne* Bass Trombone – Master Sgt. Benjamin Polk* Drums, Percussion – Master Sgt. David McDonald* Guitar – Master Sgt. Geoff Reecer* Piano, Electric Piano [Fender Rhodes] – Technical Sgt. Chris Ziemba* Tenor Saxophone, Clarinet – Master Sgt. Grant Langford* Tenor Saxophone, Flute, Clarinet – Master Sgt. Tedd Baker* Trombone – Master Sgt. Ben Patterson*, Master Sgt. Jeff Martin*, Master Sgt. Kevin Cerovich* Trumpet – Senior Master Sgt. Brian MacDonald*, Chief Master Sgt. Kevin Burns*, Technical Sgt. Logan Keese*, Technical Sgt. Luke Brandon* Vocals – Technical Sgt. Paige Wroble*

I have been working on my twelve-tone program (in chuck). 1 - random 12 tones with random note-length for prime. 2 - then retorograde is played. 3 - after that prime and retrograde at the same time (3 times). Here the note-length is a average value.

Samples of the small glockenspiel i started out on as a child. Have fun! :-). Recorded with a zoom h5 and a rode nt2000. Edited in audacity and ocenaudio. It's always nice to hear what projects you use these sounds for. Let me know. ;-).

These loops are a set of slow funk-inspired jazz loops with notes of blues overlaying a foundation of trap drums. Slow, atmospheric and reflective, these atmospheric loops work perfectly for backgrounds or transitions for your next project.

This sound effect is a screaming monster its made for games and other projects. This wasn't made with minecraft note block studio now!.

Sample of a saron key from an iron gamelan. Basic mic, some compression. The note is pelog 7, approximately a 'c'.

I've created this sample with voltage modulare. It's a pink noise with some spring reverb the note that i've played is a g.

Low notes with clock like pattern [cc zero].

Simple theme for a scary movie or dark placethe notes are b then f.

An analog synth horn with a warm, friendly feel to it. This is the note a in the 4th octave. (created with audiosauna. ).

Sound of shuffle machine to shuffle cards, used for poker sessions. Please note, that it's empty in this recording, no cards loaded.

Sinister beginning, followed by calm tones. Playing my keyboard, slow notes. Used it for background for narration of a video about the universe.

Reggae steppers drum pattern. One drop with bass steady on quarter notes.

Image for describing cambiata as nonchord tone pattern. Created by Hyacinth (talk) 18:41, 3 November 2011 (UTC) using Sibelius.

Sound effect originally used in a rhythm game for when a player misses the correct note at the correct time.

Low e guitar string. Minimal processing. Will eventually become part of a larger guitar sample pack.

This is moog matriarch analog bass! ;). For even more free sounds check my soundcloud page!https://soundcloud. Com/amazeusmusic.

Ambisonic b-format recording for creaky footsteps in a fairly reverberant hallway. Recorded with the coresound tetramic. *note: you will need to decode this b-format ambisonic file with a plug-in such as the (free)surroundzone2 which allows you to decode the file to a surround, stereo, or mono format. Also note that these are fuma bformat files (and opposed to ambix bformat).

Description de base : sound created with audacityajout de 3 sinusoides correspondant aux notes : do, mi, sol. Ajout ensuite de trois silences de 0. 5 sec pendant les notes. Typologie de schaeffer : itération tonique (n''). Morphologiemasse : groupe de sons tonique (accord)grain : lissedynamique : abrupteprofil mélodique : variation scalaire.

This is a synth riff i created for this remix of "egyptian lover" i am in the process of doing. The notes are a b c d e. Really those are the notes. ; ) thought this riff came out pretty strangely awesome. Please enjoy, use, remix, flip around, share, comment, conspire, organize and chillax. : ).

This is a stylised musical dripping sound effect, that can be easily loopd. . . . . It was created by me for a stage play.

One note slide of a acid. . Already distort and ready to make havoc in your song.

Drum dump 2012 begins. See pack descriptions for notes.

If you want to use sound in your project, please note to me in credits and let me now.

Playing my keyboard, slow notes of the hymn "how greeat thou arst" used it for background for narration of a video about the universe.

A wooden logdrum played with my finger (note c ). Recorded with an akg perception 220.

A single voice note held and then added a lot of re-verb. Mild flanger produced a sound like a blow horn.

I've sampled one of my bass patches for zynaddsubfx. Enjoy :).

An abstract bell sound from a synthesizer hitting single notes.

Loud claps in a bathroom. Note: this was taken on april 10th, 2018 around 12pm in a school bathroom.

Low and high tones in a calm continuum. Playing my keyboard, slow notes. Used it for background for narration of a video about the universe.

A saw wave created with sfxr and pitch shifted with audacity. The first note in the major pentatonic scale.

A little melody from violin on d string and reaching the a note.

Self recordedbass type: hohner professional pj-s. The last recorded single note (my bass was stolen on sept. The 23 in 2012).

A soft texture for synth pads in a3. Built by layering several sine-wave generators to create the note a and some of its overtones. It was then drowned in reverb. The sine-generators played just a short impulse, what you hear is the tail of the reverb, to give it more richness. Post-production: reverb.

Passamezzo moderno/"Gregory Walker" chord progression in C major, beginning with tonic chord in root position and continuing using minimal-change and "closest-packing" rules (minimizing each voice's change from previous note and keeping each chord's notes as close to each other as possible; resulting order of inversions is root-second-root-first/root-second-root-first-root)

Ambisonic b-format recording recorded with the coresound tetramic in pittsburgh, pa. *note: you will need to decode this b-format ambisonic file with a plug-in such as the (free)surroundzone2 which allows you to decode the file to a surround, stereo, or mono format. Also note that these are fuma bformat files (and opposed to ambix bformat).

Passamezzo moderno/"Gregory Walker" chord progression in C major, beginning with tonic chord in first inversion and continuing using minimal-change and "closest-packing" rules (minimizing each voice's change from previous note and keeping each chord's notes as close to each other as possible; resulting order of inversions is first-root-first-second/first-root-first-second-first)

This is me playing the ancient (very rare) notes which bach created being really drunk. I'm a classics master, so i worked really hard to play it perfectly just as the note sheet says. Feel free to use anywhere, it's classic!(created with care using ableton, grand piano and 2-octave keyboard).

Recorded with zoom h2n ambisonic b-format (no z track), airplane cabin with passenger chatter. *note: you will need to decode this b-format ambisonic file with a plug-in such as the surroundzone2 which allows you to decode the file to a surround, stereo, or mono format. Also note that these are fuma bformat files converted from ambix format.

Passamezzo moderno/"Gregory Walker" chord progression in C major, beginning with tonic chord in second inversion and continuing using minimal-change and "closest-packing" rules (minimizing each voice's change from previous note and keeping each chord's notes as close to each other as possible; resulting order of inversions is second-first-second-root/second-first-second-root-second)

Some piano notes recorded to a bad tape with panasonic rq-a220 player/recorder/radio.

Mysterious crackling noise. Possibly rain, or turntable static, or crumpled plastic?! i didn't make notes when recording this, so i have no idea. :).

A single note plaid on an electric guitar with distortion, bent down, followed by a soft larsen.

An otomatone "wah" and probably off-key note by sliding around on the fret bar because i don't know how to actually play it yet.

One long note (b2) produced through feedback with microphone. 41khz/24bit.

Plank under a bridge with cars driving past. Recorded on an xiaomi redmi note 10 pro.