714 аудиофайлов без роялти для "Английский Язык"

I care not for these ladies by Thomas Campion, sung live by my self.

Ave Maria composed by Charles Gounod. Ave Maria was composed based off of the harmony and texture of Johann Sebastian Bach's Prelude No.1 in C Major from Well-Tempered Clavier Book I (BWV 846).

A chantar m'er de so qu'eu no volria, a 12th century Occitan language song by Comtessa de Dia. It is the only surviving music by a woman troubadour. Català: La seva cançó "A chantar m'er de so qu'eu no volria", és l'única peça trobadoresca d'autoria femenina la música de la qual sobreviu intacta. "A chantar m'er de so qu'eu no volria", ein Lied des 12. Jahrhunderts in okzitanischer Sprache von der Comtessa de Dia, ist die einzige überlieferte Melodie eines weiblichen Trobadors. "A chantar m'er de so qu'eu no volria", la única canción existente por una trovadora occitania que ha llegado hasta nuestros días con música, por Comtessa de Dia. Galego: A súa canción "A chantar m'er de so qu'eu no volria", é a única peza trobadoresca dunha muller que chegou até nos con a música que acompañaba. Македонски: „Морам да пејам за она што не сакам“ (A chantar m'er de so qu'eu no volria) - трубадурска песна на окситански јазик од XII век. Автор е грофицата Беатриса де Дија. Ова е единствената зачувана песна на жена-трубадур. Occitan : Sa cançon "A chantar m'er de so qu'eu no volria", es la sola peça trobadoresca d'una femna que se ne siá servada intacta la musica. Português: "A chantar m'er de so qu'eu no volria" por Comtessa de Dia, a única canção por uma trovadora, que sobrevive com música. "A chantar m'er de so qu'eu no volria" av Grevinnan de Dia är den enda sång skriven av en kvinnliga trobadourerna som idag finns bevarad med både text och musik.

Pasquale Amato's 1911 rendition of the "Toreador Song" from Georges Bizet's 1875 opera Carmen (1875) This is Victor Matrix C-11213-1, recorded in Camden, New Jersey, on 11 September 1911, and released on a variety of labels

Serenade for Strings by w:Edward Elgar

Nè gustare m'è dato un'ora... from act 3, scene 3 of La forza del destino (1862), by Giuseppe Verdi. Sung by Enrico Caruso and Giuseppe De Luca, I believe for Pearl.

Toccata from L'Orfeo, composed by Claudio Monteverdi in 1607. Performers: Bangkok Baroque Ensemble Trisdee na Patalung, harpsichord and direction Siripong Tiptan, violin Omphorn Kowintha, violin Ekachai Maskulrat, cello Lertkiat Chongjirajitra, trumpet (principal) Performed at the Shangri-La Hotel, Bangkok, Thailand on December 17, 2005 Aufnahme der "Toccata" aus der frühen Barockoper L’Orfeo von Claudio Monteverdi, aus dem Jahr 2005

The second movement of Maurice Ravel's String Quartet, played by string players of the United States Army Band

A United States Navy Band performance of «Oh! Susanna» arranged by Senior Chief Musician Ralph Martino, Cimarron Music Press Українська: «О! Сусанна» композитора Стівена Фостера у виконанні групи ВМС США.

Csárdás, composed around 1904 by Vittorio Monti based on csárdás, a Hungarian folk dance, performed by the United States Air Force Band. Čeština: Čardáš od Vittoria Montiho (v podání The United States Air Force Band) Csárdás, componiert von Vittorio Monti um 1904 und gespielt von der United States Air Force Band Csárdás de Vittorio Monti, interprété par The United States Air Force Band Italiano: Csárdás, composizione di Vittorio Monti, registrazioni della The United States Air Force Band Македонски: „Чардаш“ од Виторио Монти (1904) во изведба на оркестарот на Военото воздухопловство на САД.

President Roosevelt's Pearl Harbor Day message to joint session of Congress asking for a declaration of war with Japan. "The Star-Spangled Banner" is played on this recording after the speech. NARA claims the entire speech to be "Unrestricted"

w:Fairest of the Fair

A romanized version of "w:Arirang", an unofficial national anthem of Korea, with string accompaniment.

Come Down Ma Evenin' Star from John Stromberg's Twirly Whirly (1902), performed by Lillian Russell. During the production of Twirly Whirly, John Stromberg delayed giving Lillian Russell her solo for several days, saying it wasn't ready. When he committed suicide a few days before the first rehearsal, the sheet music for Come Down Ma Evenin' Star was found in his pocket. It became Lillian Russell's signature song, and is the only one she is known to have recorded.

Recording of Scott Joplin's Maple Leaf Rag

John Philip Sousa's patriotic march The Stars and Stripes Forever, performed by the United States Marine Band. The Stars and Stripes Forever – amerykański patriotyczny marsz autorstwa Johna Philipa Sousy w wykonaniu orkiestry Korpusu Piechoty Morskiej Stanów Zjednoczonych. Эрзянь: Джон Филип Соузань The Stars and Stripes Forever эсь масторонь стройсэ якамо коесь. Налкси АВШ-нь Иневедень оркестрась.

Vocal de psytrance.

Vocal de psytrance.

Vocal de psytrance.

Vocal de psytrance.

Vocal de psytrance.

Vocal de psytrance.

Vocal de psytrance.

Vocal de psytrance.

Q1muziek.

Kitten on the Keys (1921), written and performed by Zez Confrey, for whom it was his first big hit. This recording is Edison Diamond Disc 50898-L. Restoration notes: Noise removal, blending original with noise removed version, manual click removal. Українська: «Кошеня на ключах», написане Зеpом Конфрі в 1921 році і виконане ним у 1922 році.

Scherzo No. 3 in C-sharp minor, Op. 39.

Tell me pretty maiden from Leslie Stuart and Owen Hall's Florodora (1899 in London; 1900 on Broadway). Sung by the "Edison Sextette" (Ada Jones, George S. Lenox, Corinne Morgan, Grace Nelson, Bob Roberts and Frank C. Stanley) for Edison Records. It Edison Gold Moulded Record #8260. Florodora was the first big hit musical of the 20th century. "Tell me pretty maiden" was the runaway hit. "Tell me pretty maiden" is a double sextet, sung by six girls, matched in looks, all 5'4" inches tall and 130lbs, and their six suitors. This recording cuts their number in half, since, although it is difficult to get six people in front of a recording horn, it is even more difficult to get twelve.[1] This recording consists of only the first verse. A vocal score is available at The International Music Score Library Project.

Movement V, "Basse et Dessus de Trompette" of Suite du Premier Ton (Suite in C major [literally "on the first tone"]) from Louis-Nicolas Clérambault (1676–1749) 1710 book of organ compositions, Livre d'Orgue. Basse et Dessus de Trompette, pièce pour orgue (for pipe organ), de Louis-Nicolas Clérambault (1676–1749)

Frank C. Stanley's 1910 Indestructible Record performance of "Auld Lang Syne". This is Indestructible Record #1267. "Auld Lang Syne", ein Lied, das traditionell zum Jahreswechsel gesungen wird, in einer Aufnahme aus dem Jahr 1910 Македонски: Шкотската новогодишна песна Auld Lang Syne („Многу одамна“) во изведба на Френк Стенли (1910).

Ludwig van Beethoven's Piano Sonata No. 28 in A major, Op. 101.

Le régiment de Sambre et Meuse (circa 1870), sung by Pierre d'Assy (1872 — 1911) Lyrics: fr:Régiment_de_Sambre-et-Meuse

Composer: Dieterich Buxtehude Title: Was frag ich nach der Welt BuxWV: 104 Type of composition: Sacred Cantata

Enrico Caruso and Nellie Melba singing the duet "O soave fanciulla" from Giacomo Puccini's 1896 opera La bohème. It was recorded in New York on 24 March 1907 (Victor C4326 95200) – http://victor.library.ucsb.edu/matrixDetail.php?id=200006039

New York Blues, a "Rag Classical" for accordion composed and performed by Pietro Frosini. Record format: Edison Diamond Disc Matrix number: 4998-B-1-6 Recording date: 1916 Release number: 50454-L Release date: February 1918 NPS object catalog number: EDIS 41040 Aufnahme der Ragtime-Komposition "New York Blues" aus dem Jahr 1916, gespielt auf dem Akkordeon von Pietro Frosini Македонски: Снимка на регтајм-композицијата New York Blues („Њујоршки блуз“). Пјетро Фрозини на армоника (1916).

How can they tell that I'm Irish? performed by Edward M. Favor (1856-1936). Edison Standard Record #10345 from 1910 Comic song. Vocal solo with orchestra accompaniment. Composed by Clarence Wainwright Murphy (1875-1913)

Al Jolson's recording of George Gershwin's "Swanee". Composed in 1919, Al Jolson recorded for Columbia Records in January 1920, and it became a runaway hit

Oh! How I Hate to Get Up in the Morning, a song by Irving Berlin produced on U.S. Army time for the Army benefit show, Yip Yip Yaphank (1918). I believe the version used in the show used the opening verse from the Irving Kaufman recording; the opening verse here was probably made for publication. This is Edison Blue Amberol #3639, which was created using Edison Diamond Disc matrix #6287.

Piano Roll recording of Scott Joplin playing "Maple Leaf Rag" in 1916. Midi conversion by PlayerRoll, and found at: http://www.pianola.co.nz. Re-recorded as audio by Major Bloodnok using Cubase. The original Piano Roll had been scanned and converted to a MIDI file by PlayerRoll, but the work remains in the public domain. This is one of a number of rare recordings by Joplin. It also demonstrates the deterioration of his health, specifically its impact on his piano playing. Original UniRecord, 1916. Maple Leaf Rag published 1899. Українська: Скотт Джоплін грає композицію реґтайму «Maple Leaf Rag» у 1916 році.

Ombra mai fu from Handel's 1738 opera Serse (a.k.a. Xerxes), sung by Enrico Caruso. Recorded 29 Jan 1920, Matrix: C-23714, Victor Cat: 88617

The Japanese anthem Kimi ga yo being performed in 1930. The source of the record is my personal collection. The record plate is number K1-A from Polyfar Recording. Català: Kimi Ga Yo (君が代), l'himne nacional japonès, tocat el 1930 per la Banda Militar de l'Acadèmia Militar Toyama. Čeština: Kimi ga jo (君が代), státní hymna Japonska, na nahrávce z roku 1930. (君が代), die Japanische Nationalhymne gespielt 1930 von der Militärkapelle der Toyama Armeeschule. Kimigayo (君が代), the Japanese National Anthem, as performed in 1930 by the Toyama Army School Military Band. Kimi ga yo (君が代, El reino de nuestro emperador), el himno nacional de Japón, ejecutado por la banda de la academia militar "Toyama" (1930) Suomi: Kimi ga yo (jap. 君が代), Japanin kansallislaulu, esitys vuodelta 1930. Kimi ga yo (君が代), l’hymne national du Japon, interprété par l’orchestre de l’école militaire Toyama. Italiano: Kimi ga yo (君が代, Il regno del nostro imperatore), l'inno nazionale del Giappone, nell'esecuzione della banda dell'accademia militare "Toyama" (1930) 日本語: 日本の国歌『君が代』。1930年、陸軍戸山学校軍楽隊の演奏。 Македонски: Химната на Јапонија насловена како „Кимигајо“ (君が代) во изведба на оркестарот на воена академија во Тојама (1930 г.) Кими га ё (君が代), японский национальный гимн, исполненный в 1930 году Toyama Army School Military Band. Tiếng Việt: Kimi Ga Yo (君が代), Quốc ca Nhật Bản, do Đội nhạc Quân đội của trường Quân bị Toyama trình diễn năm 1930.

John Philip Sousa's "The Gallant Seventh", composed 1922. Recording date not clear according to CD booklet, metadata suggests 1989 Українська: «The Gallant Seventh» Джона Філіпа Соузи, створена 1922 року. Дата запису не відома, згідно з буклетом компакт-диска, припускається 1989 рік.

Part 1 of the First Suite of Ottorino Respighi's Ancient Airs and Dances, entitled Balletto, “Il Conte Orlando”. Performed by the Marine Band on April 11, 2010, at Bishop Ireton High School in Alexandria, Va.

Enrico Caruso and Geraldine Farrar sing "Manon! Avez-Vous Peur...On L'appelle Manon", the opening of act 2, scene 1 of Jules Massenet's 1884 opera Manon. Matrix: C 12750-2

한국어: 박영호(작사) 김송규(작곡) 박향림(가수) 콜롬비아(제작) 1938년 콜롬비아 레코드 소속 박향림이 부른 트로트(Trot) 만요(Comic Song)이다. "Oppaneun punggakjaengi" ("My Brother is a Street Musician"), a comic teuroteu (trot) about a brother constantly interfering with his sister's personal business. Sung by Park Hyang-rim (박향림, 1921-1946) Composed by Kim Song-gyu (김송규, 1911-1950) Lyrics by Park Yeong-ho (박영호, 1911-1953) “Oppaneun punggakjaengi” (오빠는 풍각쟁이, «Mi hermano es un musico callejero»), un popular trot cómico coreano de 1938 compuesto por Kim Song Kyu (música) y Park Yeong Ho (texto), y cantado por Park Hyang Rim Italiano: “Oppaneun punggakjaengi” (오빠는 풍각쟁이, «Mio fratello è un musicista di strada»), un popolare trot comico coreano del 1938 composto da Kim Song Kyu (musiche) e Park Yeong Ho (testi), e cantato da Park Hyang Rim Македонски: „Опанен пунгакченги“ (오빠는 풍각쟁이), популарен корејски трот од 1938 г. од Ким Сонг Кју и Парк Јенг Хо во изведба на Парк Хјанг Рим. Oppaneun punggakjaengi (오빠는 풍각쟁이), popularny koreański utwór typu trot. Kompozycja Kim Song Kyu i Park Yeong Ho, w wykonaniu Park Hyang Rim.

Instrumental recording of "La Bayamesa", the national anthem of CubaGrabación instrumental de «La Bayamesa», el himno nacional de Cuba

w:Arthur Sullivan's w:Overture di Ballo, Overtures (1991, track 7)

Enrico Caruso (as Doctor Faust) and Marcel Journet (as Méphistophélès) perform "O merveille! ... A moi les plaisirs" from Charles Gounod's opera Faust (1859), in this 1910 Victor Recording. This is Matrix C-8555, recorded 16/1/1910 in New York, and released under a variety of labels. (http://victor.library.ucsb.edu/matrixDetail.php?id=200008638 full details).

Gesù bambino is an Italian Christmas carol composed by Pietro Yon in 1917, and translated into English by Frederick H. Martens. Performed by the chorus of the U.S. Army Band "Pershing's Own", led by Colonel Thomas Rotondi, Jr. (Leader & Commander) and CSM Debra L. McGarity (Command Sergeant Major), c. 2010.

The Lost Chord (1877) by Arthur Sullivan and Adelaide Anne Procter, sung by Reed Miller for Edison Records in 1913 This is Edison Blue Amberol #2106, which is a reissue of Edison 4-minute Amberol #202