1 327 аудиофайлов без роялти для "Chords"

the famous chords symbolizing the church bells in Debussy's prelude La cathédrale engloutie

This is a so called "epic" chord progression (amcfg) played rhythmically by the string section of an orchestra: basses, cellos and violins.

A piano player coming to a sudden halt. 2 variants. One sounds like a catchy chord while the other one sounds more "crashy".

bdim7=do7=fo7=a♭o7 and it's enharmonic equivalents resolving (d7 to E-flat).

Turnaround in F. Created by Hyacinth (talk) 04:07, 12 June 2010 using Sibelius 5.

bdim7=do7=fo7=a♭/g♯o7 and it's enharmonic equivalents resolving (b7 to C).

Bad guy/"Villian" motif/riff.

A synth chord i placed in fl studio. C a f c. Using a saw square and pulse pwm wave for combo. Then put a sweeping band pass filter from top frequency to bottom frequency. Then i put a panner with the speed lfo sweeping from fast to slow. Next the right amount of reverb. Finally some copmression and normalizing. Using sound to reach out to angels.

A file i made by recording myself playing two chords on a piano. Great for replacing window's sounds.

Was in a pile of older stuff about to be deleted! can be applied to various styles. Nothing done in the mixer.

Created with spitfire labs. I made this progression for underscoring for a scene in a play that took place after a character died.

Use accordion as a sound effect. . . It recorded by h1 handy recorder. . . Slow down and reverb by premiere cs5.

bdim7=do7=fo7=a♭o7 and it's enharmonic equivalents resolving. (fo7 to G-flat)

Triad in Equal Tempered Bohlen-Pierce tuning (0 4 10)

K. Y. Elektro tweaker.

Remix of https://freesound. Org/people/hunterscrossbow/sounds/149778/ to make a creepy ambience.

A metallic percussion loop over a chord progression in c major on piano. Perfect for your blue man group cosplay!.

Chromatic descending 5-6 sequence from which "Lay, Lady, Lay" sequence is derived.

Beta scale minor triad on C. MIDI pitch bend appears to match intervals.

D, F, Ab = C, Eb-, Gb-

A phrase on nylon guitar with some jazz chords to loop & jam over. A bit of ambience fx.

Dm chord played with ascending minor modes (aeolian, dorian and phrygian), ascending harmonic minor scale, ascending and descending melodic minor scale.

Repeating chord progressions with piano lead and organ chorus backing through audacity. Ideal for interlude or movie backing track.

A really haunting drone. I recorded a few chords on a old, out of tune piano with a room mic, then processed it with heavy delay and reverb effects.

Short improv on 3/4 upright acoustic bass. Iphone mic recording. Mastered with apple plug-ins and vinyl filter.

Dramatic piano loop to make you crykey: em. Bpm: 100.

I put work by hermanschmidt and victorcenusa to chat with each other in this ambient piece having the odd chord accent.

The Lost Chord (1877) by Arthur Sullivan and Adelaide Anne Procter, sung by Reed Miller for Edison Records in 1913 This is Edison Blue Amberol #2106, which is a reissue of Edison 4-minute Amberol #202

Simple calming sounding synth chords played on fl studio. Recorded and processed in audacity. This sound was created at: 30 july 2020, 9:40:11 pm gmt+10. This sound is using the creative commons 0 licence! use it however you like :d. Note: sounds are better sounding when downloaded.

Same as noiseatthegates. Wav but cleaned up. Just a little riff you can throw into any kind of rock/metal or other mix.

Three crescendo plucked chords on a classical guitar. Heavily treated with delay and modulation treatments. Will add more from this project soon.

I made using synth chords with electronic beats and 143 bpm. I run through chrome music lab in song maker.

Playing vst guitar on my keyboard in balkan style.

This is kind of neat. . . . A g-chord played on my 12-string, then looped several times so it sounds like it is holding for a long time.

Warped guitar riff and rhythm top fill with multiple fx.

The sound emitted and created from the vocal chords of a person when he, or she commits the act that is "coughing". Recorded on an iphone 6s.

Re-sampled pad at 172 bpm, the key is unknown as i believe it is a chord, it's a mix of g and f.

Electric guitar, minimal distortion based on c sharp with an almost power chord like single note performance until the break.

Electric guitar, high gain. 4/4 type of hard rock/metal riff. Think clapton cocaine or sabbath nib.

Sixteen-bar progression - repeating variety: third section's first half repeated twice.

A chord progression in c minor made on lmms, played on bells put through phasing and delay. If you make music using this, please leave a link under this post.

A little thing i came up with while doing some research on how j macis writes music. Found out he puts a capo on the second fret and by doing that this japanese pop chord progression i learned by watching a video marty friedman did on japanese style guitar improv was sounding a lot better than without one. This is free to use but if you do use it maybe throw my name on there, or at least show me what you did!. Recorded with a shitty usb mic i got for 20$ against an orange crush 20rt, effects used were a blues driver and a tube screamer.

Two measures of squelchy acid bass with piercing synth chords. Created in lmms, further effects applied in audacity with valhalla supermassive. 140 bpm, a flat hungarian minor.

Recording of piano (physical, not electronic keyboard) tones and a chord (mostly c in different octaves), made quickly with cellphone with a little bit of noise, hopefully can still be useful.

Part of the beta loopset, a set of complementary synth loops. It is:. * in the key of g mixolydian, following the chord progression g7sus4 fsus2. * four bars long at 110bpm. * normalized.

Excerpt from Bach's Mass in B minor

Barred 4th fret strummed & and plucked recorded with blue snowball at 16bit.

Triad in Bohlen-Pierce tuning (0 7 10). Title refers to number of semitones (unison=0).

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: elektron analog fourpatch name (pack): grit chordnote: c2midi note: 36.

Electric guitar, heavy gain. Faster style riff with a change to a hitting slow style break. Sorta punkish in a way.