89 Royalty-Free Audio Tracks for "1967 07 17"

Klaviersonate Nr. 17 d-moll, op. 31.2 Der Sturm - III. allegretto

*17 steps in 21-et on C = B♭↓. Equal-tempered: 217/21:1 = 971.43 cents. MIDI pitch bend: 109,54

*17 steps in 36-et on C = ??. Equal-tempered: 217/36:1 = 566.67 cents. MIDI pitch bend: 42,53

*17 steps in 20-et on C = ??. Equal-tempered: 217/20:1 = 1020 cents. MIDI pitch bend: 51,70

*17 steps in 48-et on C = ??. Equal-tempered: 217/48:1 = 425 cents. MIDI pitch bend: 0,72

*17 steps in 19TET on C = B. Equal-tempered: 217/19:1 = 1073.68 cents. MIDI pitch bend: 74,55

*Hundred-fifty-third harmonic on C = D♯ (Ben Johnston's notation). Just: 153:128 = 308.87 cents. Limit: 17-limit. MIDI pitch bend: 107,66

*17 steps in 72 equal temperament on C. Equal-tempered: 217/72:1 = 283.33 cents. MIDI pitch bend: 85,58 Created in Sibelius with midi pitch bend on 91 for 284.375 cents rather than 283.339. New version a M2 on 85,90 for 283.3251953125 cents rather than 283.339.

*17 steps in 41 equal temperament on C. Equal-tempered: 217/41:1 = 497.56 cents. MIDI pitch bend: 28,63

*17 steps in 31-et on C = ??. Equal-tempered: 217/31:1 = 658.06 cents. MIDI pitch bend: 74,50

*17 steps in 23-et on C = ??. Equal-tempered: 217/23:1 = 886.96 cents. MIDI pitch bend: 105,59

*17 steps in 22-et on C = ??. Equal-tempered: 217/22:1 = 927.27 cents. MIDI pitch bend: 93,72

*12 steps in 17 equal temperament on C = G♯ (Easley Blackwood's notation). Equal-tempered: 212/17:1. MIDI pitch bend: 8,79

*Major semitone/Minor diatonic semitone (17th harmoic) on C = C17♯ (Ben Johnston's notation). 17/16 = 104.96 cents. Limit: 17-limit. MIDI pitch bend: 75,65

*16 steps in 17 equal temperament on C = B♮ (Easley Blackwood's notation). Equal-tempered: 216/17:1 = 1129.41 cents. MIDI pitch bend: 53,73 Created by Hyacinth (talk) using Sibelius 5 with midi pitch bend on M7 on ~54,73 for 1129.44 cents.

*Hundred-nineteenth harmonic on C = B. Just: 119/64 = 1073.78 cents. Equal-tempered: 211/12:1 = 1100 cents. Limit: 17-limit. MIDI pitch bend: 78,87

*11 steps in 17 equal temperament on C = A♭ (Easley Blackwood's notation). Equal-tempered: 211/17:1 = 776.47 cents. MIDI pitch bend: 60,56

*14 steps in 17 equal temperament on C = B♭ (Easley Blackwood's notation). Equal-tempered: 214/17:1 = 988.24 cents. MIDI pitch bend: 30,60

*13 steps in 17 equal temperament on C = A♮ (Easley Blackwood's notation). Equal-tempered: 213/17:1 = 917.65 cents. MIDI pitch bend: 83,69

*Two-hundred-twenty-first harmonic on C = A. Just: 221/128 = 945.48 cents. Limit: 17-limit. MIDI pitch bend: 70,78

Klaviersonate Nr. 17 d-moll op. 31.2 Der Sturm - I. Largo. Allegro

*15 steps in 17 equal temperament on C = A♯ (Easley Blackwood's notation). Equal-tempered: 215/17:1 = 1058.82 cents. MIDI pitch bend: 106,50

*1 step in 17 equal temperament on C = D♭ (Easley Blackwood's notation). Equal-tempered: 21/17:1 = 70.59 cents. MIDI pitch bend: 75,54 17 tone equal temperament is the tempered scale derived by dividing the octave into 17 equal steps (equal frequency ratios). Each step represents a frequency ratio of 21/17, or 70.6 cents.

Klaviersonate Nr. 17, d-moll, op. 31.2 Der Sturm - II. adagio

*Major semitone/Minor diatonic semitone on C = C17♯ (Ben Johnston's notation). 17/16 = 104.96 cents. Limit: 17-limit. 17th harmonic.

*Eighty-fifth harmonic on C = E♯ (Ben Johnston's notation). Just: 85:64 = 491.27 cents. Equal-tempered: 25/12:1 = 500 cents. Limit: 17-limit. MIDI pitch bend: 26,93 on M3

*Superminor third on C = D♯-. 17:14 = 336.13 cents. Limit: 17-limit.

*34 steps in 72 equal temperament on C. Equal-tempered: 234/72:1 = 566.67 cents. MIDI pitch bend: 43,53 Created in Sibelius with midi pitch bend on 85 for 565.625 cents rather than 566.678. New version a P4 on 42,85 for 566.650390625 cents rather than 566.678.

17-tet scale on C (70.59 cent steps). MIDI pitch bend matches intervals.

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 34 Fugue No. 17 in A-flat major, BWV 862

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 34 Fugue No. 17 in A-flat major, BWV 862

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 33 Prelude No. 17 in A-flat major, BWV 862

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 33 Prelude No. 17 in A-flat major, BWV 862

*17 steps in 18-et on C = ??. Equal-tempered: 217/18:1 = 1133.33 cents. MIDI pitch bend: 85,74

A single bar from "Fugue No.17 in A flat", BWV 862, displaying contrapuntal polyphony. The piece is part of J. S. Bach's Das wohltemperirte Clavier, Part I. See: File:BachFugueBar.png

Title/Work: Brandenburg Concerto No. 2 in F major, BWV 1047 Content: 2nd Movement: Andante (2nd Record) Genre(s): Concerti grossi Author(s)/Composer(s): Johann Sebastian Bach (1685-1750) Music arranger(s): none Lyricist(s): none Performer(s): Philadelphia Orchestra Conductor: Leopold Stokowski (1882-1977) Place of recording: Academy of Music, Philadelphia, Pennsylvania (United States) 1st release date: 1929 1st recording date: 17 December 1928

1st release date: April 1928 1st recording date: 1926 Place of recording: London (United Kingdom) Author(s)/Composer(s): Wolfgang Amadeus Mozart (1756-1791) Performer(s): Budapest String Quartet 1st Violin: Emil Hauser (1893–1978) 2nd Violin: Imre Pogany (1893–1975) Viola: István Ipolyi (1886–1955) Cello: Harry Son (born Henri Mozes Son) (1880–1942) Vocal range: instrumental Title/Work: String Quartet No. 17 in B-flat major, K. 458 Content: 3rd Movement: Adagio (1st Record) Genre(s): Chamber music

Title/Work: Brandenburg Concerto No. 2 in F major, BWV 1047 Content: 2nd Movement: Andante (1st Record) Genre(s): Concerti grossi Author(s)/Composer(s): Johann Sebastian Bach (1685-1750) Music arranger(s): none Lyricist(s): none Performer(s): Philadelphia Orchestra Conductor: Leopold Stokowski (1882-1977) Place of recording: Academy of Music, Philadelphia, Pennsylvania (United States) 1st release date: 1929 1st recording date: 17 December 1928