3,612 Royalty-Free Audio Tracks for "3"

Singing bowlsingle strike with an soft malletmain frequency's:182hz (f#3)519hz (c5)967hz (b5).

At about 3:30 this morning, a car crashed into my nabour's gate with a loud bang! recorder used: philips dvt5000.

An experimental sound made in fl studio. Literally 3 "string thump" samples with overdrive applied, and played at different pitches simultaneously using audacity.

The sound of 3 milk bottles clanging together. Reminiscent of a rack of empty milk jugs waiting for the milk man.

Syncopated, fast, electronic clicks that pan back and forth twice in about 3 seconds.

I recorded myself being hit by a car many times. 8 screams total. 5 general screams, 3 long rreeeaaaggghhh!'s. They're badass.

Short reverb caused by stomping my feet and making sounds with my mouth, somewhere in belgium 2012. Recorded with olympus ls-3.

Single shot 3-stage yoy drop. Created with flstudio 3x osc and cmt bitcrusher free vst effect. Eq'd in audacity for a touch more bite.

3 massive thunders recorded in milano with sennheiser short-gun and zoom. I like them so much so i like to share them. Enjoy. F.

Very cute baby babbling or baby talk sound clip. Baby says 3 sounds.

Record with sound devices mixpre 3 96khz and a rode ntg2 up close.

Three grunts from a male sounding voice. All 3 grunts are available individually if you want to create your own loops.

Sound of canon 80d shutter that open and hold for about 3. 2 seconds and then close.

I feed 2 lfo sqr-wavs to a vca. Now you can get 3 levels of cv.

Pasos en piso de baldosas pies descalzos - pasos lentos grabado con micrófono piezoeléctrico colocado sobre el suelo a 3 cm de los pies.

A modern take on the legendary simmons sds series kick sound. Made on the modularsynth machine in caustic 3. 2.

A breakbeat i done at 150 bpm. Done in caustic 3 on the beatbox used the r1000 drum kit.

Riff acoustic guitar with maracas!. Microphone: c-3 behringeredirol ua-4fxsoftware: cubase 5.

Made some adjustements and a new recording. Terrible result but fun work/programming!. Algorithmic drone music program. The computer is my analog modular synth. 01 to 08 are clock sequencer steps. 00 rem osc_1 - wave shaped sin oscillator (osc) - tuned to 130hz00 rem osc_2 - clean sin from oscillator - tuned to 130hz00 rem osc_3 - sqr from oscillator through filter - osc tuned to 130hz00 rem clk speed = 0. 5 hz00 rem line 01 each of the 3 vcas gets an unique cv value ([gate] -> [3 s/h] -> [3 vca])00 rem ---------------------------------------------------01 sample values for vca (cv in) x 3 (osc_1, osc_2, osc_3)02 sample frq for osc_103 sample frq for osc_204 sample new clk speed05 sample frq for vibrato in osc_106 sample frq for osc_307 env to all vca08 sample cv for (osc_3) filter10 goto 01. When i begin the recording the program has been running for a while.

Originally written for the piano, the Gymnopedies are extremely well-suited to the natural idiomatic expression of the guitar. This arrangement of the Three Gymnopedies comprises ALL the notes of the original piano versions: a complex process since all the piano sounds must fit comfortably, or uncomfortably, onto the six strings of the guitar.

1st release date: 1935 1st recording date: 7 September 1934 Place of recording: EMI Studio No.1, Abbey Road, London (United Kingdom) Author(s)/Composer(s): Ludwig van Beethoven (1770-1827) Lyricist(s): none Music arranger(s): none Conductor: Serge Koussevitzky (1874-1951) Performer(s): London Philharmonic Orchestra Vocal range: instrumental Title/Work: Symphony No. 3 in E-flat major, Op. 55 Content: 2nd Movement (Part 2): Marcia funebre (Adagio assai) Genre(s): Symphonic

I played arbitrary co-soundings on the mystic scale (it becomes mystic arabian if you mimic arabian music; otherwise is sounds european). I applied 300 hz steep low pass (eq) on an inverse sawtooth soundwave generator. I applied many delay effects in tandem. Created on fruity loops and re-equed on wavelab. Mystic(has three submodes, scale-shifts [same intervals, overall shifted]). • do, re#, mi, sol, sol#, si• do, do#, mi, fa, sol#, la• do#, re, fa, fa# la, la#. (semitonally/fret steps: 0, +1, +3, +1, +3, +1, +3). (si = ti, do = c). It is chordable.

Very amateur guitar play of a tune of my own doing, up and down fret board mainly on one string. From an old cassette (memorex 120) recorded in 1984 when i was 15. This was an experimental recording session, using two tape recording machines. This is take - 1 or track - 1 of 3, with the end result making a 3 track recording.

10 beats in 2/4 versus 5/4 and 15 beats in 3/4 versus 5/4. Multiples of two divide 2/4 evenly, and multiples of three divide 3/4 evenly (neither depiction requires ties), but neither divides 5/4 evenly (both depictions require ties). At, say, quarter note = 150 bpm and quarter note = 225 bpm, respectively, the first pair and the second pair are identical.

Sveriges Radios folkmusikinspelningar. Hälsingland/Gästriklandresan 1949 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Hänvisning till tryckt källa: Radiotjänsts folkvisetävling, A 477:1 (Samling hos Svenskt visarkiv) Radiotjänsts ursprungliga produktionsnummer: L-B 49/12062:3:3

3 Ruffles and Flourishes and General's March performed by the Concert Band of the United States Air Force Heritage of America Band. Track 35 from disc 1 of Ceremonial Music (2005).

3rd movement from J. S. Bach's Italian Concerto played on piano

Sound of a. 22 caliber lever action rifle being cocked. Recorded in the desert with rode ntg-3 on zoom h6n.

Sveriges Radios folkmusikinspelningar. Dokumentatör: Matts Arnberg Radiotjänsts ursprungliga produktionsnummer: M57/10.848:3:7

Sveriges Radios folkmusikinspelningar. Dokumentatör: Sveriges Radio (Q1543058) Radiotjänsts ursprungliga produktionsnummer: 38/2512

Bugle scale: the five notes that comprise most bugle calls: C G C E G (harmonics 2 3 4 5 6).

duo pour 2 cors par le compositeur Antoine Clapisson

Sveriges Radios folkmusikinspelningar. Dokumentatör: Matts Arnberg Radiotjänsts ursprungliga produktionsnummer: 58/221S:2:3

Sveriges Radios folkmusikinspelningar. Dokumentatör: Matts Arnberg Radiotjänsts ursprungliga produktionsnummer: M57/10.847:2:3

Wooden planks getting tossed around my backyard. Recorded on an ntg-3.

Sveriges Radios folkmusikinspelningar. Dokumentatör: Matts Arnberg Radiotjänsts ursprungliga produktionsnummer: M57/10.848:1:3

S-bahn train leaving station. Recorded sept 3 2018 in berlin, de with zoom h4n.

Sound from kaossilator. Sound from addictive synth. Merged together in kaoss pad 3. Edited in audacity. Let me know if you use it.

Sound recorded at a french street market (albi). Date 26/3/2016. Recorded using voice recording app on iphone 5s.

Night at the river. Recorded with zoom h2 on the 3. Of october 2015 12:00 pm local time in puch/urstein, austria. Not edited.

Very annoying cry and some people cant even last 3 seconds listening.

Dead air humming static at 103. 3 on the fm radio dial.

Reason 3. 0 was used: hi-hats were added to the original drums. Very techno like feature.

Description de base:. First try in audacity, sound 1. 3 seconds. Typologie:. Itération tonique. Masse: groupe tonique. Timbre harmonique: clair. Grain: lisse. Allure: pas de vibrato.

This loop has been created using program garageband 3 and the plug inof the universal sound bank sonic box boom using a syntesizer from the list of instruments.

Ascending synthesized sound effect of an alien swarm of insects. Electronic cicadas. Created entirely with audacity 1. 3. 12-beta.

Record with sound devices mixpre 3 96khz and a rode ntg2 up close.

One of 3 recordings made outside home park, home of plymouth argyle fc 25th august 2018. Bad result for argyle, they lost 4 - 0.

One of 3 recordings made outside home park, home of plymouth argyle fc 25th august 2018. Bad result for argyle, they lost 4 - 0.