3,612 Royalty-Free Audio Tracks for "3"

Soundscape_humfaksound description: die treppen verbinden 3 stockwerke miteinanderwave, 44. 1khz, 16bitrecording device: zoom h2next with xy-capsulelocation: universität zu köln, humanwissenschaftliche fakultät, gebäude 906lat: 6. 919444lon: 50. 933611date recorded: 2014-11-25recorded by: selina weidenfeld and edited by: rené müllerthis recording was created during the seminar "gestaltung auditiver medien" (ws2014/2015) intermedia, bachelor of arts, university of cologne.

Combeloup, grenoble. On field recording in a forest of autumn falling leaves, round 1 p. M. Of monday october 20 2014. I seated on path border, under the tree of the photo, trying don't move. Better headphone listening. Binaural recording: zoom h4, soundman okm ii klassic, wav 24 bit, 48 khzduration 3'.

Recording of traffic passing overheard, underneath a bridge spanning the bow river, in banff, alberta, canada. A car passes from right to left 1/3 of the way through the recording. Recorded during winter. Snowy and cold. Recorded using the h2n zoom recorder on the m/s raw setting. Decoded to stereo.

My 2 years old jack russell terrier shanti, plays with her favourite toy, not giving it to me and fighting for it, running after it in the apartment. You can get a lot of growls from this record, some breathing, licking & sniffing included). Recorded with rode ntg-3 & roland r-26. .

Check me out at www. Soundcloud. Com/thedasilva spaced out at 150 bpm. Good for chopping and shit :3 i would love it if you gave me credit and show me how you used it, but it's not needed. Showing me that you used it lets me know that my sounds are worth downloading!.

A field recording in the evening of 3 dec 2011, while walking along bloor st w in toronto's koreantown. Sounds of traffic, and pedestrians. Recorded with a roland r05 using the unit's built-in omnidirectional stereo mikes screened with a home-made wind screen made from faux-fur.

Formula one race cars passing into the back straight near turn 10 at the 2012 australian grand prix in practice session 3. Field recording within large crowds with ambiance of pa announcers, crowd noises, helicopters, and screaming f-1 700hp v-8 engines upshifting & revving up to 18,000 rpm. Tascam dr-05 with built-in mikes.

Mud and rocks river. Created by strong rains on the top of a volcano. After the rains, mud comes down dragging rocks. Night. Iruya, very small town in salta, northwest argentina. Recorded using zoom h4n internal mics (stereo xy setup) and rodentg-2. 3 meters distance.

I made 3 copies of each sample:a-stretch of 25% and passed in guitar cab simulatorb-lowered by 5-7 semitones and passed in a bass chorusc-passed in a very bland reverblayers and passed in the art vla2 compressor. . . I like them very much. . . Try and enjoy. . (also works with other percussive sounds).

Looking for more sounds? 🔊🔊🔊. Audiojungle: https://goo. Gl/muysmmpond5: https://goo. Gl/s63pl7. Check these demon sounds: https://audiojungle. Net/item/demon-screams-pack/22527034?s_rank=3. Free stuff😎. Freesound: https://bit. Ly/2v3w61n. Follow us 👍 instagram: https://www. Instagram. Com/wakerone_/.

A re_edit of this sound::. Https://freesound. Org/people/mattc90/sounds/203532/. Put it in the sample machine of caustic 3. Pitched it to match 133 (for this break beat track im doing). Added a type of volume lfo, then also pitch-preserved it so it wouldnt be so high pitched.

Recording of my office before anyone else is in. The only sound apart from the faint fan noise is a regular, very, very faint beep from something every few seconds (approx. 3. 7 khz). Zoom h5 with xyh5 capsules.

Hello out there. This sound is made with arturia keylab 61. The software is called analoglab 3, and was included in the buy of the keyboard. Hope u like it. I woud raally like to listen/see what you have done with the sound. So please notifi me. :d :d.

Created in waveform-10 using 1 instance of zynaddsubfx with 3 layers of hi pass filtered oscillators which were tweaked in detail to sound more like noise. Theres a little reverb, delay and distortion in there. The other oscillator was white noise created in 4osc ( native waveform-10 plugin ).

Some kind of west american wetland bird call. Recorded about 3 or 4 meters from the source (bird was in a tree. ) heavily eq'd to minimize the wind. Slightly expanded/noise-gated to reduce the other bird songs. Recorder: zoom h5date: 2/8/2018time: 4:30pmlocation: fremont, ca (usa).

The drone has a form of pattern repeating every 2 minutes. But other thing are vaguely linked to this pattern. The heart of this patch is intellijel quadra + expansion. I'm using 3 oscillators and noise. I add some character to the sound with a driver pedal (boss bd-2).

This is a simple dry (no effects) 4 track recording with just drums bass and 2 guitars. The reason i use 2 guitar tracks is to fatten the sound. It could have been done with just 3 tracks but this is the sound i shoot for in my rhythm tracks.

A short clip of a (intentionally) low-skill trumpet player playing a simple warm-up tune. Could be used to demonstrate technique improvements or what-not-to-do. Trumpet played was a yamaha allegro with a yamaha 14b4 mouthpiece. Recorded using the internal microphones of a tascam dr-40x at a distance of approximately 3 feet.

Recording made by artist, oliver payne for the greensand country landscape partnership to celebrate the sites and sounds of the greensand ridge. This recording was made on a cold afternoon on march 4th 2021 in the layby opposite the maulden working woodlands centre. Recorded with mixpre 3 and clippy mics.

Large 6 wheeled snow plow passes by. Hear the truck in the distance, gearing up. The sound gets louder as it nears at peaks at -12db when it's in front of the shotgun. Deep bass intentional, plenty of headroom to eq. Recorded on sound device 633, rode ngt 3 in a blimp covered with real audio rainman cover.

This is a recording of 3 girls laughing and giggling. Recorded this for one of the projects and have since then used it in numerous other projects. This is my contribution to the community at freesound. Feel free to use it in anyway you want commercial or non-commercial.

Chime note on C. In chimes, modes 4, 5, and 6 appear to determine the strike tone and have frequencies in the ratios 92:112:132, or 81:121:169, "which are close enough to the ratios 2:3:4 for the ear to consider them nearly harmonic and to use them as a basis for establishing a virtual pitch."[1]

Ambience from xarhakos bar in thessaloniki, near the white tower, after quarantine in 2021, where the bars had opened, but no music was allowed. You can only hear the chatter, the cups and other sounds of the environment, not being polluted by the music. Take 3.

Soundscape of a forest in springtime in lozère. Original quadraphonic recording with sd mixpré 6 ii 96khz/32b, 4 x dpa 4022 : 2 ortf (cinela albert) and 2 90°/25cm (cinela cosi). Stereo reduction. Have a good listening. Gps : 44. 336057, 3. 721654sound réf : 20210423_08h39_lrlsrs.

Hapi drum improvisational duet with debby and gordon rosenberg, featuring hapi mini c major and hapi origin d minor. Recorded as is, no editing, 2 hapi drums, one zoom nh4 recorder, one session. Recorder set 3 feet away, at front center, recording level 80. Recorded on march 11, 2016, indoors in our studio.

This is track 3 of 3 that makes up the sound file listed as breath of life - full. In releasing individual tracks, you will be able to make an arrangement that works for you. Most of the sounds i upload are from songs where i have lost my direction. In sharing them here, i hope someone can pick them up and make them part of something beautiful. I would love to hear what you make of them as it will be a source of inspiration to me. To see the possibilities beyond my own horizon. Everything starts off as a soundbridge project. I occasionally use aria maestosa for midi composition as the sounds are basic and pure. Audacity can't be beat when it comes to clipping. Engine dj is my library manager.

Scheherazade, Symphonic Suite, Op. 35. The San Francisco Symphony Orchestra conducted by Pierre Monteux. Violin solo by Naoum Blinder. Recorded March 3 & 4, 1942 in the War Memorial Opera House in San Francisco. Victor DM-920. Transferred and restored from the original 78 set. La suite symphonique Shéhérazade Shéhérazade , de Nikolai Rimsky-Korsakov, Op. 35: I. La mer et le vaisseau de Simbad, interprétée par l'orchestre symphonique de San Francisco dirigé par Pierre Montreux avec Naoum Blinder en premier violon. Enregistrement des 3 et 4 mars 1942 à l'opéra du Mémorial de la Guerre à San Francisco.

Recording of a male slowly breathing in through his mouth which i made for a poetic video edit. 3 breaths in. 4 breaths out. Recorded with my rode ntg-2 on a tascam dr-40 at 96khz 24-bit. Cut in premiere pro and exported with same settings as recorded.

Examples of digital clipping (Source: Beethoven's Fifth, 30 second cut, loudest peaks occur at 19.9, 20.7, 22.7 and 23.8 second marks). A set of five files: 1. Original, normalized to 1 dB margin to full scale. 2. +2dB overload 3. +5 dB overload 4. +10 dB overload 5. +20 dB overload

An alarm inspired by the utsuho reiuji one in touhou 11/12. 3! this might have been done with a vst called ice cream but that's only because i hear some suggestions of a tritone in there. (i made this a while ago. ) in any case, it appears to be the result of noodling around in mixcraft 6!.

Imaginary futuristic car driving through desert. Danger in the air. Scifi tension. Instruments used for sounddesign: pro 53 (sound of car and wind) and the freeware synthesizer da hornet (artificial horror sound). Slow lfos, filter and pwm modulation,3 voice unisono, internal chorus fx (pro 53), no additional effects, faded out. Da hornet - fast pitchmodulation.

Try as a loop! i used my acoustic guitar and did some knuckle-knocking on the body while muting strings. Sounds like a native drum! effect: speed increase from 33 1/3 rpm to 45 rpm, moise reduction and vol. Envelope. Recorded on conexant smart audio with at2020 mic, processed on audacity.

Tropical birds near a cave. Generated by using new firmware version 2 of plaits sequenced/modulated by o-ctrl from makenoise. Morphagene run at 2/3. Effects erbe-verb and mimeophon. Into x-pan. Rendered in repair @48khz 32bit fp with markers for all you morphagene fans. Enjoy!.

A browning hi-power pistol having its magazine removed and replaced. Includes 3 takes. Sound was created by mixing multiple different takes of an airsoft browning hi-power pistol replica foley. Crediting me isn't required if you decide to use my sound, but it would be greatly appreciated if you do!.

This is the sound of traffic on a 3 lane one way street in a media sized city. Recorded with a mixpre 3ll and a pair of audio technica at943 microphones in stereo.

Sveriges Radios folkmusikinspelningar. Jämtlandsresan 1951 Dokumentatör: Matts Arnberg SV EN Instrument: Fiol Hänvisning till tryckt källa: Svenska låtar Jämtland/Härjedalen nr. 29 Radiotjänsts ursprungliga produktionsnummer: B 51/19920:18:3

First Publication Alberts Music Sydney Australia with separate violin & cornet parts (ommitted) Fourth edition 1932 by another publisher Palings Sydney Australia with band parts Bert Rache (-1928) http://nla.gov.au/anbd.aut-an35655503 Dated Australia wide (5 July 1910). "Advertising". The West Australian XXVI, (7,572): 1. Retrieved on 3 May 2021.

Sveriges Radios folkmusikinspelningar. Finlandsresan 1957 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: MA 57/11142:36:3

Sveriges Radios folkmusikinspelningar. Folkliga visor från Frostviken (kompletterande inspelningar 1960) Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 58/11696S:14:3 Hänvisning till tryckt/skriftlig källa: Johan Nordlander: Svenska barnvisor och barnrim, nr. 55

They Died for You, They Died for Me performed by the Silver Wings of the United States Air Force Band. Track 2 from Freedom! (2000). Colonel Lowell E. Graham, conducting. Chief Master Sergeant James K. Queen, management.[1][2][3]

Sveriges Radios folkmusikinspelningar. Bohuslänsresan 1957 (kompletterande inspelningar 1960) Dokumentatör: Matts Arnberg, Ulf Peder Olrog SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 57/10617:58:3

w:John Philip Sousa's w:The Thunderer, performed in 1896 by the w:United States Marine Corps Band, From Fife and Drum (1988, track 3). This is a Columbia Phonograph Company cylinder recording under the band directorship of Francesco Fanciulli.

The Dream Valley of Glendaurel, The Old Rustic Bridge, Bonnie Dundee, Campbell's Farewell to Redcastle performed by the Pipe Band of the United States Air Force Reserve Band. Track 3 from Glorious Past, Boundless Future (2002).

Silent Nights performed by the Concert Band of the United States Air Force Band of the Rockies. Track 18 from Holiday Brass (2000). Lieutenant Colonel Philip C. Chevallard, commander and director.[1][2][3]

Sveriges Radios folkmusikinspelningar. Bohuslänsresan 1957 (kompletterande inspelningar 1960) Dokumentatör: Matts Arnberg, Ulf Peder Olrog SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 57/10617:63:3

Variations on an Old Welsh Air performed by the Concert Band of the United States Air Force Band of the Golden West. Track 3 from Holiday Fantasies (2000). Captain Douglas Monroe, conductor.[1]

Sveriges Radios folkmusikinspelningar. Finlandsresan 1957 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: MA 57/11142:11:3

Sveriges Radios folkmusikinspelningar. Ålandsresan 1958 Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 58/11869 S:1:3 Hänvisning till tryckt/skriftlig källa: Svend Grundtvig: Danmarks Gamle Folkeviser (DgF), nr. 40

Sveriges Radios folkmusikinspelningar. Bohuslänsresan 1957 (kompletterande inspelningar 1959) Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 57/10617:46:3

Sveriges Radios folkmusikinspelningar. Ålandsresan 1958 Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 58/11869 S:17:3 Hänvisning till tryckt/skriftlig källa: Svend Grundtvig: Danmarks Gamle Folkeviser (DgF), nr. 306