238 Royalty-Free Audio Tracks for "Amp"

Hearing aid type feedback generated by a small radio shack amp & speaker and a cheap mic. Recorded for use in the play "house of blue leaves" by john guare.

Hearing aid type feedback generated by a small radio shack amp & speaker and a cheap mic. Recorded for use in the play "house of blue leaves" by john guare.

A large belgian beer goblet favoured for gin and tonic chez moi. Recorded in mono with an akg 414, fredenstein mic amp, rme fireface interface into pro tools.

Sounds a bit like machinery. Recorded with edirol r-1 & sennheiser me66.

A new breath of an android, robot, a machine or an alien. Created with the plex synthesizer. This time: more fx. . . . Guitar amp, stomps, chorus. . . .

Clean sound blues in em, c7/d, b7 and b. Recorded on an lg smartphone, yamaha pacifica electric and crate acoustic amp. This track is clean, no fx.

Heavy and medium rain on roof. Recorded from below a plastic roof. Format: wavquality: stereo | 24 | 96 000mic: lom usi promic amp: zoom h6distance: 10-50cm.

A recording of a fender rhodes through a fender reverb amp using a se tube mic. Feel free to sample and use this recording. Check out my tunes at:. Www. Soundcloud. Com/telescope_thieves.

The annoying party guy howling at night sound. I used this for a guy jumping into a lake. 24bit 48k> apogee ensemble thunderbolt pre amp> cm 87 mic.

Small "wooden fish" or mokugyo temple block from kohya-san, japan, played with the original cloth covered beater. Recorded in mono with an akg 414, fredenstein mic amp, rme fireface interface into pro tools.

Lighting an electronic cigarette lighter from komazawa, tokyo, japan. The lighter is emblazoned with the word "tadaima" = welcome home. Recorded in mono with an akg 414, fredenstein mic amp, rme fireface interface into pro tools.

Made using ableton and some self-generated feedback in the studio, this was produced for a stage play in which a character is electrocuted by a faulty amplifier.

Electric guitar being routed from the output of a bass amp into a danelectro "honeytone" miniamp with maximum volume and distortion on both. Full sustain, miked 24bit wide-stereo.

Moaning sound. I used:samson condenser microphone. Presonus audiobox 22vsl pre-amp. Software: studio one. Effects: yes: reverb, delaysample: my own voice. Voice: femalelayers: 1 voice. Recorded where: the netherlandsrecorded date: 2019-february.

Zaphir bells. I used:samson condenser microphone. Presonus audiobox 22vsl pre-amp. Software: studio one. Effects: yes: reverb, delaysample: my garden wind-chime. Layers: 1 voice. Recorded where: the netherlandsrecorded date: 2019-february.

Huge, slamming gong, very long and unprocessed mostly but slightly cut off at the end. "recorded with two akg c3000s in x/y format, through a replica of an old british tube pre-amp".

Made in ableton live. Layered together out of various explosions sounds and a kick drum. One sound layer ran through a guitar amp for distortion. Low-fi-ish.

I recorded these with my yamaha pocketrak. I used my epiphone sg directly off my simmons d200 drum amp. Edited with sony vegas with 2 track duplications. Please comment on what you may use it for. Thanks. :-).

I used blue cat's free amp to add a distorsion effect to the voice so it sounds like a radio communication.

An acoustic bass guitar synthesized using supercollider. Here's the code. Synthdef(\help_dwgplucked, { |out=9, freq=52, amp=0. 7, gate=0. 01, c3=22042,release=0. 5, pan=0| var inp = playbuf. Ar(2,buffer. Read(s, "/path/to/acoustic bass test. Flac",0,5900,action:harmonics. New(4096))); var son = dwgplucked. Ar(freq, amp, gate,0. 6,0,c3,inp,release);amplitude. Ar(inp,0. 5,2); out. Ar(out, pan2. Ar(son * 0. 04, pan)); }). Add;pbind( \instrument, \help_dwgplucked, \delta , pseq([0. 25,0. 5,0. 75,1]*1,inf), \dur , 1, \note, pseq([-3,0,3,7],inf), \stepsperoctave, 12 ). Play;.

The clip was created using a synsonics "terminator" guitar with a built-in amp by running the output to my sound card and sound card's output going into to a secondary jack intended for headphones on the guitar. It created an interesting metallic noise, almost like a ring mod. . . There is a segment where i was poking the guitar's amp circuit board with my fingers which creates lots of grumbling/squelchy noises. . . The guitar is kind of crappy, but it makes a pretty neat noise synth! :b.

Several male burps recorded in studio for cartoons. Vários arrotos gravados em estúdio para desenhos animados. Mic - beyerdinamic mc 740 n (c) p48pre-amp - sound devices 302daw - pro tools 12. 4. 0 with digi002 rack.

Taking the glass lift in the new library with french girls and scottish students and walking out onto the 7th floor. Olympus ls3, internal pre-amp, okm binaural mics.

Mono-e-guitar-track amp-everything-at-11 boss-metalzone-60%gain metal-loop-dirty-noisegates-off i-cleaned-it-up-!boring! so-i-took-all-noisegates-off-for-a-more-authentic-sound.

Street pop tunez delivers an amped bass on the electric side for your library. Works in all daws.

I used:samson condenser microphone. Presonus audiobox 22vsl pre-amp. Software: studio one. Effects: yes - reverbsample: my own voice. Voice: femalelayers: 1 voicecan be used to loop. Recorded where: the netherlandsrecorded date: 2018-january.

I used:samson condenser microphone. Presonus audiobox 22vsl pre-amp. Software: studio one. Effects: yessample: my own voice. Voice: femalelayers: 12 voicescan be used to loop. Recorded where: the netherlandsrecorded date: 2018-january.

Recording of placing metal and plastic cutlery into a draw. Recorded using an audio technica shotgun mic, external pre-amp and zoom h4n recorder. Recording in 24bit, 48khz.

I recorded this on my yamamha pocketrak directly off my simmons drum amp using my epiphone sg with a vibrato pedal and a little whammy bar. One track duplication for each effect. Please comment on what you may use it for. Thanks. :-).

First test of my new nt1-a's. Steinberg c1 usb pre amp, recorded on phonecalm ocean, rocky shore. Sounds of, sloshing water, masked plovers, and other birds, a dog, some creaking of anchored boats. I throw some rocks into the water, at the end.

A short bach-like improvisation i made with a digital piano sound from fabfilter's 'twin 2" soft synth. No structure to the bars, unpredictable and wandering. Feel free to use as you wish in your mixes.

Scary sounding gabba kick made in ableton using the operator + an amp effect. Most kicks in this pack are going to be really weird and sometimes kind of unusable. Good luck!.

Bassguitar loop - 120 bpm. . Recorded at epicsound studio. Bass: custom shop bass made by mr. Vácha (cz). Amp: line 6 lowdown hd400. Box1: gallien-krueger neo212 - mic. Shure beta 52a & shure sm57. Box2: vlasa&black; 1x15 bass - mic. Akg d112.

Heavy gain but not super high gain. Think loud marshall amp with the guitar player teasing you to the start of the song. And yeah it sounds almost like that one song you all know.

Ibanez guitar, lots of reverb and delay, using glass slide in conjunction with digitech whammy pedal,marshall amp, recorded with sm57 16 bit 44. 1 mono. Plenty of space in-between movements could be used as a whole or cut to taste. Great halloween filler!.

Just stumbled across the recording of me scraping all of my guitar strings while adding headphones from my amp (with distortion) to my phone when i recorded the sound and i decided to share this with you.

Request. I used:samson condenser microphone. Presonus audiobox 22vsl pre-amp. Software: studio one. Effects & settings: no effectssample: my own voice. Voice: female speech, slow, sexylayers: 1 voices. Recorded where: the netherlandsrecorded date:: 2018-08-08.

Very short piece of guitar sound you can use in your podcast, movie or anything you want to used it for. I played a samick hollow body guitar over a fender amp. I used different effects in the recordings, but, this one is the clean version.

Recorded as part of my mus152 class with my friends andrew and kevin. On a zoom h6 an sm57, an at2020 and a lousy amp.

By chance i noticed that my guitar neck was cracking, in a very nice way. I used it, ever since i noticed this, for several sound design gigs. I hope you can use it too. (recorded with two neumann km184 mics and a ssl xlogic pre-amp. ).

Recording at the conningham reserve, tasmania. September 2019. Lots of different kinds of bird. Wind from still to gusty, rustling the gumtrees all around. Some passing cars ruin the atmosphere, and a highway is a bit too close. Two nt1-a microphones, steinberg c1 usb pre amp, recorded on phone.

18 people applauding. Recorded on a marantz pmd 661, 6 september 2019, with a rode nt4. Recording level okay, but the waveform is sometimes clipped due to the loud clapping overloading the pmd661’s input amp. The input attenuation for the pmd661 should have been set to -6db (or -12db).

This is my cat charlotte recorded with two yamaha pocketrak recorders placed in front of a peavey bandit 65 amp set on reverb. I used an audio-technica mic to record her meow's and ended it with her motor boat purr. :^)if you use it please comment on what you will use it for. Thanks. :^).

Cinematic impact. Dark, distorted, large, powerful. Original samples made using an acoustic guitar as a resonator for an electric bass, and recorded using a zoom h4n. Processing includes layering, reversing, amp simulation, distortion, delay and reverb. Recorded for my personal a sound a day challenge (asoada).

Some wah wah guitar i recorded for a video, sharing the guitar take from the track. Tascam dr-40 through a digital performer drv-100 (best mic i had at the time) recording a stratocaster playing through a crybaby wah pedal into a fender twin reverb amp.

I used ableton's:. - grain delay (spray: 80ms, frequ: 43 hz, rndpitch: 3. 19, fdb: 65, wet: 70%)- compressor with very slow release as kind of an amp-follower- carefully adjusted gate with 111ms release- very short simpledelay- overdrive- short reverb. Original sample:http://www. Freesound. Org/people/kyster/sounds/147082/.

I was fiddling around with an analog synth that went into a peavey km50 keyboard amp and i made this soundit has loads of pitch editing giving it the house-ey feel to it and i think it was an fmaj5/9 chord with extra 6ths and 4ths.

This sound was recorded december 11, 2013, using an alesis qs8, a roland 550w keyboard amp, the dm1 app for the ipad 2, an m-audio preamp, and multitrack recording software: sonar 6 studio.

Dark and powerful sound of a vintage, beast of a power amplifier, switching on. This is an older recording i had lying around, fades out at the end. Could for example be used as a sound effect for a title screen, or turning on a big piece of equipment.

High e played on an acoustic gibson jumbo. The guitar was recorded with a single microphone (a brauner phantera) connected to an api pre-amp. The signal was fed into a digidesign a/d converter and recorded in protools 9 in waveform audio file format. All the samples were subsequently edited with the gpl software audacity. Location milano, italy. 2013.