238 Royalty-Free Audio Tracks for "Amp"

Tuned percussive sounddesign, made with a synth, a big reverb, an eq and a guitar amp. It is a bit more agressive than the previous one. You can use it for filmscore music, ambient. . .

A short and simple tapping riff. All guitar tracks were recorded with an ibanez rg7321 plugged directly into an m-audio fast track pro. I used cubase as my daw and plugins by tse audio and lepou for overdrive and amp simulation, respectively, some stock cubase plugins (eq, compression, delay, etc. ) and some drum hits were added using superior drummer.

High e played on an acoustic gibson jumbonormalized to -3db with audacity. The guitar was recorded with a single microphone (a brauner phantera) connected to an api pre-amp. The signal was fed into a digidesign a/d converter and recorded in protools 9 in waveform audio file format. All the samples were subsequently edited with the gpl software audacity. Location milano, italy. 2013.

Recorded in a controlled studio environment with a sennheiser mkh 416 shotgun microphone into a universal audio la-610 mk ii pre-amp through ssl converters. 48000 khz 32-bit float. Recorded by benni knop, sound designer & re-recording mixer for dream vault studios. Http://dreamvaultstudios. Comhttp://benniknop. Com.

Recorded in a controlled studio environment with a sennheiser mkh 416 shotgun microphone into a universal audio la-610 mk ii pre-amp through ssl converters. 48000 khz 32-bit float. Recorded by benni knop, sound designer & re-recording mixer for dream vault studios. Http://dreamvaultstudios. Comhttp://benniknop. Com.

Recorded in a controlled studio environment with a sennheiser mkh 416 shotgun microphone into a universal audio la-610 mk ii pre-amp through ssl converters. 48000 khz 32-bit float. Recorded by benni knop, sound designer & re-recording mixer for dream vault studios. Http://dreamvaultstudios. Comhttp://benniknop. Com.

Recorded in a controlled studio environment with a sennheiser mkh 416 shotgun microphone into a universal audio la-610 mk ii pre-amp through ssl converters. 48000 khz 32-bit float. Recorded by benni knop, sound designer & re-recording mixer for dream vault studios. Http://dreamvaultstudios. Comhttp://benniknop. Com.

I decided to upload all of my sound design stuff where i am working or have worked on. This is a series of hard sole footsteps on a stone tile floor i recorded for slicing it up to load it in a sampler. Recorded with a brauner phantom classic via an xlogic alpha vdh pre-amp from solid state logic.

Hello my lovely comrades. These are some bits and pieces i salvaged from a few hours of practicing/f***n’around on my bass one lovely fall morning. Recorded by leaning an iphone 6 up against the front of an amp, and then processed in adobe audition. Have a blessed day. Gec gecgec gecgec gec.

Stereo recording at oyster cove, known in the tasmanian aboriginal language as putalina, tasmania. Lots of different kinds of bird, definitely wattlebirds, ducks, forrest ravens, masked plovers. Flies. Occasional light wind. Some passing cars ruin the atmosphere, and a highway is a bit too close. Two nt1-a microphones, steinberg c1 usb pre amp, recorded on phone.

Recorded in a controlled studio environment with a sennheiser mkh 416 shotgun microphone into a universal audio la-610 mk ii pre-amp through ssl converters. 48000 khz 32-bit float. Recorded by benni knop, sound designer & re-recording mixer for dream vault studios. Http://dreamvaultstudios. Comhttp://benniknop. Com.

Recorded in a controlled studio environment with a sennheiser mkh 416 shotgun microphone into a universal audio la-610 mk ii pre-amp through ssl converters. 48000 khz 32-bit float. Recorded by benni knop, sound designer & re-recording mixer for dream vault studios. Http://dreamvaultstudios. Comhttp://benniknop. Com.

Recorded in a controlled studio environment with a sennheiser mkh 416 shotgun microphone into a universal audio la-610 mk ii pre-amp through ssl converters. 48000 khz 32-bit float. Recorded by benni knop, sound designer & re-recording mixer for dream vault studios. Http://dreamvaultstudios. Comhttp://benniknop. Com.

This is a recording of the bat colony, or roost, that is situated in the centre of bellingen new south wales australia. The roost is next to the bellingen river in on of the last remaining patches of low altitude rainforest in the region. Recorded using tascam pro dat with akg ck 98 shotgun microphone with p12-48 pre-amp, also known as akg se300b.

This is a simple sketch, where i played on electric guitar just for fun through a little guitar amp [pignose], some simple rock riff with solo part. It`s not a quality record, so i adding "lo-fi" in a name trek. Temp 77 bpm.

Here is a sample of a windy night recorded on a cheap shure pg48 connected to a blue icicle pre-amp use it in your music, movies, or whatever just make sure to send an email to beambotmusic@gmail. Com so that i can find your project. Also check out my soundcloud page where i put all of my completed music https://soundcloud. Com/beambot. Enjoy!.

This is the second of two fx i've posted of the beast i used for beauty and the beast in our theatre. I was having a terrible time finding a good sound so i just pitch shifted my own voice down an octave. This is the second where the beast is panting just before his second entrance. The other one is 3 growls (and one meow) of the beast. Enjoy. Kp.

Great for background music in film or video games. Use it as a riser or to create an ambient dreamy feel. Left channel is rode nt1aright channel is sm57recorded out of a fender amp. Use this for whatever you want, for free. Feel free to credit me if you feel compelled to. Find me here:https://geoffreybremner. Wixsite. Com/gbaudio.

The sound is a guitar drone. Effects used: light distortion > eq > pitch shifter/harmonizer on multi-effect > delay on a second multi-effect > more delay > vibrato > reverb. ) direct to soundcard, edited w/ compression and fading on the beginning/end to hide "loop clicks". Sound is a bit distorted in parts due to peaking from the reverb (i guess). . . Meant to imitate shoegaze-style guitar drones. . . If i had a proper amp it might sound better!.

This is only a recording of me playing a djembe, recorded with a pair of nt1-a mics, but after messing around with some of logic's amp and resonator effects i ended up with this. The 6/8 groove reminded me of the doctor-who theme, and the interval displacement of a minor 6th i thought sounded pretty cool. You don't have to credit me, but if you use my sound i'd love to hear what you come up with!.

This is a series of sounds created for spitfire audio's make music day 2020 #spitfiremmd2020 it is a plastic drum, a springy pot rack and a big metal chip bin. There are both harmonic and enharmonic sounds here. The bin as a wonderful resonance and a lot of low end. This is a mono recording through a sennheiser 416 and an rme pre-amp. Enjoy!.

Hoping this one doesn't have the squeak sounds like with the wav file. My first attempt at ambient guitar. Recorded with my epiphone sg through the walrus slo pedal on 'rise'setting, into the focusrite 2i2 interface and then into reaper. The bass is a squier mini-bass through a behringer bxl1800 amp into the interface and into reaper. I used reverb, eq, compression and pan surround on both instruments. Comments welcome and let me know what you use it for. :-).

Samples of the vintage korg mini pops 45 drum machine. No processing applied here but a very gentle fft based noise reduction. After all, i figured background noise was part of the machine's sonic identity. No patterns here, since that would have taken forever, just the individual sounds. Some of them alone, some of them combined. Recorded mono with a zoom h2n thru the machine's "amp" output.

Inspired by a discussion on the ambient online forum:https://www. Ambientonline. Org/forum/ambient/sound-design/92341-how-to-synthesize-drum-sounds. Used the subtractor synth from reason. Please refer to the pack description for a full list of the sounds synthesized. Ao_subtractor_snare_2_1. Reason subtractorosc 1 is off (set balance 100% to osc 2 + noise). Osc 2 set to sine wave, oct = 3. Noise decay = 127, noise color = 127, noise level = 127. Filter set to low-pass 12 and completely open (=127). Amp env decay = 44.

This jump scare sound was created by playing 2 dissonant chords on a single coil telecaster mic'd up w/ a vox ac 10 amp. The two guitar tracks are panned left and right- reverb and delay are added. Additionally, frequency enhancers were added between 4khz - 6khz which adds a higher tonal energy in the upper range of the guitar. Gain is added which can be heard as signal noise mostly at the end of the clip. Enjoy. Bainmack.

(forgive the squeaks. I have no control over that. )saw this on you tube for guitar and recorded with my epiphone sg through the walrus slo pedal on the dream setting and into the focusrite 2i2 interface into reaper. Finger style with bass. The bass was recorded with a squire mini-bass through a behringer bxl1800 amp also through the interface to reaper. Thanks much to kenny gioia for the reaper tutorials as i would never be able to figure things out on my own. Comments welcome and let me know what you may use it on. :-).

Recorded with my epi sg through the walrus slo pedal on dream setting into the focusrite 2i2 interface and into reaper. The bass was recorded with a squier mini-bass through a behringer bxl1800 amp and into reaper. Did a pitch change on the guitar and no quantizing as i like the 'push/pull' feel of the human tempo. May add some percussion down the line. A shout out to kenny gioia for the reaper tutorials. He's the man. Please comment on what you may use it for. Thank. :-).

From frederick noad's book: 'idiots guide to playing the guitar. ' noad plays it so beautifully, i could never match him, but i just wanted to try it with the electric instead. Recorded with my squire tele and squire bass into the focusrite interface. The guitar went through the walrus slo pedal on 'dream' setting with editing done in reaper. (shout out to kenny gioia for the tips). Bass was run through my behringer bxl 1800 bass amp and through the interface. Both instruments were triple tracked. Please comment on what you may use it for. Thanks. :-).

This audio contains a guitar performance of lily was here song. It was recorded using a fender player telecaster guitar and yamaha audio gram 6 audio interface as recording set up. Tempo: 108. The setup to record this performance and the other ones in the same dataset (five guitar dataset) is explained here: the setup used a yamaha audio gram 6 audio interface and reaper 10 to record guitar from direct input (di), a huawei p30 lite model mar-lx1a to record guitar from a mobile and a dell inspiron 13 5000 to record guitar from a computer. To record acoustic guitar in di, i used a fishman neo d single coin on larrivée and seymour duncan seth love on the eastman connected to a nap-5 stageman floor acoustic preamp going then to the audio interface. The computer and mobile were positioned approximately 3. 8 cm from the player position (measured from the twelve fret of the guitars). The electric guitars were plugged into a dv mark little jazz guitar amp which has a di output, that was connected to the audio interface. The amp was located at a distance of 114. 5 cm from the mobile and the computer.

This jump scare sound was created by playing 2 dissonant chords on a single coil telecaster mic'd up w/ a vox ac 10 amp. The two guitar tracks are panned left and right- reverb and delay are added. The delay tail you can hear oscillates between left and right speaker as it fades. Additionally, frequency enhancers were added between 4khz - 6khz which adds a higher tonal energy in the upper range of the guitar. Gain is added which can be heard as signal noise mostly at the end of the clip. Enjoy. Bainmack.

Wrote/recorded a free dance tune at 120bpm using ableton live 9. The notes revolve around: c, g, d, e, dableton stock drum rack w/ stock samples for the percussion section. Mod amp sine bleep for the side toms. Ableton stock grand piano for piano. Muggy stock plugin for the synth-like parts w/ pitch bends in the midi. Synth1 vst64 for the long sustaining notes during the rhythm synth parts. Other notes about this recording:-14. 0 lufs integrated. -1. 4 db true peak max. Hope this helps and is useful for your next project. Cheers,bainmack. Youtube. Com/bainmack.

Recorded with my squier telecaster and squire mini-bass through the focusrite interface into reaper. A nod to kenny gioia for the reaper tips. The guitar was sent through the walrus slo pedal on 'dream' setting. Also added a pitch change to compliment some of the guitar parts. The bass was double tracked for better sound. Bass amp is a behringer bxl1800. Comments welcome. Bartolome calatayud was born in 1882 on the island of mallorca, received in 1899 the diploma of honor 1st class granted by the workers instructive center palma for his "superior musical knowledge in guitar playing". Although less famous in the classical guitar world, bartolome calatayud has left much enjoyable and exciting music written for classical guitarists of all abilities. He taught many pupils in majorca during his final years. He died in 1973 at the age of 91.

This one was also made in sylenth1, its a pretty dirty gritty sounding patch i made. Has a bit of the 'decimate' bitcrusher (sylenths', and i also added a bass amp in logic to fatten the sound up, its played in g. I always name my loops with the first letter on its key hence the name ghost chord=) , and is a loop made at 128bpm. Feel free to use it in any of your works + more importantly let me know why you like it?i take quite some time into adding details in my sounds. I find making a loop can be very good for tuning your ears & production techniques, because like an artist if your painting something small u add a lot more detail. No need to credit me but its always nice(the more u do this the more u get i say=)enjoy. Dw.

This sample consists of noise recorded via a hondo strat electric guitar resp. The guitar's neck pickup. Throughout the sample there is a low hum. In the beginning, a mobile phone was moved in front of the pickup. The noise might have been created by the clock of the phone's cpu or the backlight of the phone. After that, one crt display is switched on resulting in a buzz. Later on, a second crt display is switched on, again resulting in a buzz followed by additional noise in higher frequencies. Then, a neon light is switched on, creating even more noise. Towards the end, again the mobile phone. . . The guitar was connected to a scott&noble ht25r amplifier which was recorded with a t. Bone sc450 condenser and a behringer ddx3216 digital console directly into ardour.

Made in ableton live this time, it is a multilayered loop consisting of recordings of an ak47, a 30 caliber 1918, and an m60 machine gun to make a rediculous powerful sound. A very short clicky kick drum with the high end reduced is added before the initial gunshot to make it punch more, otherwise it would sound weaker. There are two mechanical bolt sounds, one covering the upper mid range, and the other covering the extreme highs. Shell ejections and two reverb tails were mixed in at the end with some simple automated panning to make it move around the stereo field. The tempo slowly decreases to simulate barrel heating. Lots of processing. The layers were eq'ed, then ran into a software amp that is gently distorting the low and mid range. Then smashed together with ott multiband upward/downward compression to bring out the details. A maximizer was used to bring up the loudness some. Enjoy.

This recording is inspired by alienxxx http://freesound. Org/people/alienxxx/sounds/345510/made a little patch on my modular, still missing its (main) oscillators. I let the patch sound thru a pair of cheap computer speakers that i use as monitors. In an adjacent room, close to an open window, i put my phone and record. This is the unedited outcome. The recording was made 09:00 (16-05-11). Unfortunately nothing happened outside the window. Even the birds was quiet. I think there is a hint of feedback in the sound? first i planned to record with an old tape recorder, but i couldn’t find it. . . I think this recording should be listened to with low volume. May by it was a mistake to amplify the sound in audacity? but i think there is a nice room ambiance to the recording. Ideas for next time. Use guitar amp. Find old tape recorder. Don’t put recording device to close to window.

This sound is a 1-sample long impulse at 48 khz. It covers the whole frequency range with equal power. This is a perfect sample for exciting your guitar amp or reverb unit to capture it's impulse response (ir). You can also play it through a speaker in a reverbant room to capture it's reverb characteristics. Remember that the ir sample will be no flatter than your speaker's performance multiplied by your microphone's performance (frequency response characteristics). The sample has exaclty 1 second of silence, then the impulse, then another second of silence to ensure the impulse will be played clean and untruncated on any sound system or device. My test with ir lv2 convolution plugin have proven, that this sample has absolutely flat frequency response - convolved signal was identical to the source signal. After normalization and sample-alignment of the sound clips i have inverted the polarisatin of one of them and summed them - result was absolute silence, even no hiss was present as a result. This shows the accuracy of the convolution process and proves this sound to be perfect for sampling ir. The impusle was generated with c* dirac ladspa plugin. Created using audacity.

Sound exercise where we had to choose a location & an object in that specific location. I chose for the sculpture atelier in the academy of bellas artes. Sound source : a non-standard tuned höfner guitar & a lithium-ion battery powered 6 watt speakerwith a cute little aaa battery powered vox pre-amp. Put on a copper plate, live manipulated & processed / bent / tapped on / glided withwhat not /. . . A long metal tube. Natural feedback has been 1 of my favorite modi operandiinfluenced by entre autres my bloody valentine, sonic youthglenn branca & a lot of noise artists. . . Recording source : a f*+#!ng apple iphone ( for which itlasted 30 minutes to put it on an apple imac ?!!?? )i take a shot @ apple for a reason , my mbp during coronahas been seen imploding ! ( dikke poef !!! ) june 2020don’t buy apple, ask louis rossmann ( youtube ). This piece has been recorded in one big long take;until now whatsoever no edits have been madelet’s see if i can make this post-production wisemore ear-candy wise even better. . . The artist known as -̶j̶o̶z̶e̶f̶a̶l̶e̶k̶s̶a̶n̶d̶e̶r̶p̶e̶dr̶o̶-has been seen predicting on his bandcamphe “ll be integrating somehow thisfree improvisational piece into his avant-latest new track called‘ mars in-3 “. . . Bluff or a promise ???. Https://jozefaleksanderpedro. Bandcamp. Com/track/mars-in-3.