60 Royalty-Free Audio Tracks for "Amplifier"

Creating an impulse response from zt lunchbox amplifier, recorded with rode nt1000 microphone.

A clip from creepy sounds captured in an abandoned mine while reviewing the thrunite tn12 flashlight on exploring abandoned mines youtube channel, reversed, amplified and cleaned up.

I turned off the microphone. Still, there was a very weak signal from the mic input. I amplified the signal and got this.

Example of a sound at four levels of amplification: 0. 0, 0. 5, 1. 0, 1. 5includes clipping at the 1. 5 level. Sound generated using the go-sound golang programming library:https://github. Com/padster/go-sound. As part of the demonstration program:https://github. Com/padster/go-sound/blob/master/runthrough. Go.

Me turning my line6 spider iv 15w amp on and off again. Recorded with a boss br-600 digital recorder and trimmed on audacity.

The sound produced from a guitar amplifier by touching the tip of the input cord to various parts of the guitar. This had moderate reverb and chorus effects on.

Jukebox amplifiers electric hum.

Dark and powerful sound of a vintage, beast of a power amplifier, switching on. This is an older recording i had lying around, fades out at the end. Could for example be used as a sound effect for a title screen, or turning on a big piece of equipment.

A tufton model, marshall-bluetooth speaker is pairing, the second sound is how it disconnects.

Unusual experimentation.

Sounds of a guitar + old practice amp feedbacking. The amp is quite noisy.

Person plugs in and starts to play electric guitar.

Overload noise sound occurs when error pa and mic operation.

Made using ableton and some self-generated feedback in the studio, this was produced for a stage play in which a character is electrocuted by a faulty amplifier.

Rhodes Mark I verzerrt über Röhrenamp -- Selbst gemachte Aufnahme --Fetz 19:58, 8. Apr 2006 (CEST) Rhodes Mark I with an overdriven tube amp -- own Recording.

I cut out some parts of the "badoink audacity base loop" (id:540779) and did my best to make a simple song using only audacity. It wasn't easy lol, i used several effects from audacity itself: reverb, echo, pluck, distortion, equalization, amplify, change speed, change pitch and tone generator. The end result is not a masterpiece, but it was nice to participate in this challenge, thanks badoink.

A heavy guitar rock jamming music theme. Maybe someone can find creative use for it?.

Recording of a button sound from a vintage teac hi-fi stereo amplifier. Recorded and processed at 24bit 96khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

All sounds made using following equipment:. -roland m-cube gx-xlr cable-ibanez grg170dx electric guitar.

Sound effect created with a piezo pickup transducer attached to foam tubing being talked through and recorded through a preamp with a donner wave analog delay pedal attached utilizing audacity amplify, bass and trebble, distortion and paulstretch.

Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

A precise electronic synthesizer foundation underneath an analog non-compliant lo-fi electric guitar riff. Gritty, cheeky, free!.

Excerpts of from freesound #403476 , which has a variety of electrical noise. Extended version here.

C Major scale played on an Ibanez RG120, with octave effect produced by a Peavey VYPYR 75 amplifier.

Recorded with zoom h4. Made with an electric guitar and an amplifier.

Amplifier being plugged in.

Just the feedback from my tenson-amplifier.

Computer turning on sound, and fender amplifier interference sound.

An electric guitar is tuned to standard tuning through an amplifier.

Switching on a computer, in the background you can hear the noise of an amplifier.

Clean wind loop without birds or trees or anything. Generated in audacity with white noise, amplifier, wahwah.

Opening riff to johnny b. Goode by chuck barry. Recorded in studio one. Amplifier plugin - drive british.

Bass test (warning) very low - care about your acoustic systemdon't use (listen) more then 50% of your power amplifier can work :).

A happy little melody i made on guitar, my guitar was recorded directly from my amplifier. Feel free to use however you like! credit is appreciated!.

Recorded with zoom h1 near the strings while i makes a drone sound with the ebow. Guitar is a jazzmaster. No amplifier used.

This is a sample of an ibanez edr470ex recorded via amplitude vst software amplifier. This was the first recording i made after purchasing my emu audio interface.

A nice and powerful loop, the guitar is recorded directly from my amplifier and for the drums i used rhythm rascal. Feel free to use however you like, credit is appreciated!.

Contact microhone placed on metal plate. Light tapping and scratching by hand, in the second half scratching by another thin metal tool. Vacuum tube amplifier with contact microphone.

Rotterdam (nl) city ambience during the fifa world championship 2010, the game between germany and holland. The funny echo's are natural - something between the buildings. And yes, there is a drunk dude with an amplifier and a microphone somewhere. It aint me.

Harmonious beats. Close to nature. Nice to listen. The sound was created on "garage band" and also with the help of an amplifier. Initially it was created for a game which has background of grass meadow and birds so this has kind of cool and calm and uplifting beats. .

An improvised stoner riff played on an archtop guitar passed through pharaoh fuzz then through an orange amplifier with overdrive enabled. After that the signal goes directly into the computer. Recorded using an alesis io/2 interface with input set to "line" and gain to the minimum.

This sound is an extremely distorted sample of breathing suitable for use in horror soundscapes. It was created by taking the sound of breathing and feeding it through multiple filters in audacity. The filter sequence used is as follows: reverb, volume boost, static, phaser, bass boost, barry's satan maximizer, amplifier.

Following the latest ‘dare the community’ i’ve finally hooked up my dirt cheap rtl software radio dongle to the formerly disused ‘masthead amplifier’ on our roof. Here are some english truckers(?) chatting over cb radio. They seem to be talking about one of their mates growing a beard and suggesting they ‘give him a quran’.

This is a deep bass rumble sound. Created in audacity by generating a brownian noise and band passing it through a steep 15 to 100 hz filter. The reason for the roll off below 15hz is to remove energy that doesn't produce any sound. It just moves the speaker cone and wastes amplifier power, thus it was rolled off.

This is a tone that i generated using my electric fender strat through one of my vintage amplifiers in my studio. Works well as a sample for composing soundscapes with it - i've used these tones in maschine and other sequencing/midi based instruments to create some interesting orchestral arrangements with the tones.

A very low frequency tone/drone made with the studiofactory software synth. It's a cross-mod of the perlin tone generator with a formant generator. This is about as low and loud as my current speaker/amplifier system allows. Use with care i. E. Turn down your playback systems output before you play it. Final mastering was done with audacity.

It's a recording i have made accidentally during a rock band's rehearsal. The zoom h2 was used as a microphone for vocalist. I have accidentally caused some feedback squealing. When i managed to get rid of it i said "pardon". This sound made me laugh. Recorded with a zoom h2 plugged into a guitar amplifier. Normalized and converted to flac using audacity. Enjoy.

Recorded mobile phone radio signal, which can be heard with a very simple antenna & amplifier. Creative commons zero. From this example, it may look like goa-trance-x is based on radio science. But i assure that it is only the coincidence (or scientists of gsm are secret goa-trance-x fans).

Lead in groove of a 7" single @ 45 rpm. Recording chain:. Pro-ject primary turntable with an ortofon om 5e cartridge→ onkyo stereo amplifier→ behringer uca202 audio interface→ laptop using audacity. Notched out some motor noise and selectively eliminated or lessened some other noises for aesthetic reasons.

Recorded and raised the gain very high, this is simply my fingernails gently rubbing against the fabric of my fender mustang iv amplifier. I also recorded some egg rolls cooking and got some of that spicy hot sizzle in there :) bass boosted in audacity and equalized to perfection in audacity. *if you download this sound, please write in the comments what you used it in!*.