46 Royalty-Free Audio Tracks for "Arthur Bäckstäde"

Sveriges Radios folkmusikinspelningar. Mazurka och mejselhugg – Festglädje och vardagsid på Gotland Dokumentatör: Sven Jerring Instrument: Fiol Radiotjänsts ursprungliga produktionsnummer: L.B. 40/4378

Sveriges Radios folkmusikinspelningar. Mazurka och mejselhugg – Festglädje och vardagsid på Gotland Dokumentatör: Sven Jerring Instrument: Fiol Radiotjänsts ursprungliga produktionsnummer: L.B. 40/4378

Sveriges Radios folkmusikinspelningar. Mazurka och mejselhugg – Festglädje och vardagsid på Gotland Dokumentatör: Sven Jerring Instrument: Fiol Radiotjänsts ursprungliga produktionsnummer: L.B. 40/4378

Sveriges Radios folkmusikinspelningar. Mazurka och mejselhugg – Festglädje och vardagsid på Gotland Dokumentatör: Sven Jerring Instrument: Fiol Radiotjänsts ursprungliga produktionsnummer: L.B. 40/4378

Sveriges Radios folkmusikinspelningar. Mazurka och mejselhugg – Festglädje och vardagsid på Gotland Dokumentatör: Sven Jerring Instrument: Fiol Radiotjänsts ursprungliga produktionsnummer: L.B. 40/4378

Sveriges Radios folkmusikinspelningar. Mazurka och mejselhugg – Festglädje och vardagsid på Gotland Dokumentatör: Sven Jerring Instrument: Fiol Radiotjänsts ursprungliga produktionsnummer: L.B. 40/4378

Sveriges Radios folkmusikinspelningar. Mazurka och mejselhugg – Festglädje och vardagsid på Gotland Dokumentatör: Sven Jerring Instrument: Fiol Radiotjänsts ursprungliga produktionsnummer: L.B. 40/4378

Arthur Pryor's "That Flying Rag" played by Arthur Pryor's Band, in an arrangement by Louis-Philippe Laurendeau. This is Victor Record 17021, Matrix B-11240. (Full details)

Arthur Fields sings Hunting the Hun, recorded 1918. It was a hit during the first world war and also a strong seller the years after. Arthur Fields singt Hunting the Hun, aufgenommen 1918. Der Titel war ein großer Hit während des Ersten Weltkrieges und verkaufte sich auch danach noch gut.

The march "On Jersey Shore" by Arthur Pryor (1904), performed by the United States Marine Band. Recorded Thursday, November 7, 2002 at the University of Massachusetts-Amherst Fine Arts Center Concert Hall as part of the 2002 National Concert Tour. Colonel Timothy W. Foley, conducting.

Ted Snyder's "Ramshackle Rag" played by Arthur Pryor's Band, in an arrangement by William Schulz. This is Victor Record 17021, Matrix B-11233, and was recorded 15 November 1911 (Full details)

Arthur Fields sings He Comes Up Smiling. Fields recorded this song in 1914 for Columbia Records (78rpm). Arthur Fields singt He Comes Up Smiling. Fields nahm diesen Song 1914 für Columbia auf (78rpm).

Arthur Fields performs I far Down An' Go Boom with his Assassinators, 1929 probably for Edison Records. Arthur Fields singt I far Down An' Go Boom mit seinen Assassinators, 1929 wahrscheinlich für Edison Records.

Little Maid of Arcadee, from W.S. Gilbert and Arthur Sullivan's Thespis

Reconrding by Arthur Collins. Albany Indestructible cylinder #1459

Sveriges Radios folkmusikinspelningar. Lapp-Nils - En jämtländsk storspelman. Dokumentatör: Matts Arnberg (Q5559459) Radiotjänsts ursprungliga produktionsnummer: 55/46412:2:8

Sveriges Radios folkmusikinspelningar. Lapp-Nils - En jämtländsk storspelman. Dokumentatör: Matts Arnberg (Q5559459) Radiotjänsts ursprungliga produktionsnummer: 55/46412:2:2

Sveriges Radios folkmusikinspelningar. Lapp-Nils - En jämtländsk storspelman. Dokumentatör: Matts Arnberg (Q5559459) Radiotjänsts ursprungliga produktionsnummer: 55/46412:1:1

Sveriges Radios folkmusikinspelningar. Lapp-Nils - En jämtländsk storspelman. Dokumentatör: Matts Arnberg (Q5559459) Radiotjänsts ursprungliga produktionsnummer: 55/46412:2:3

Sveriges Radios folkmusikinspelningar. Lapp-Nils - En jämtländsk storspelman. Dokumentatör: Matts Arnberg (Q5559459) Radiotjänsts ursprungliga produktionsnummer: 55/46412:2:6

Sveriges Radios folkmusikinspelningar. Lapp-Nils - En jämtländsk storspelman. Dokumentatör: Matts Arnberg (Q5559459) Radiotjänsts ursprungliga produktionsnummer: 55/46412:2:4

Sveriges Radios folkmusikinspelningar. Lapp-Nils - En jämtländsk storspelman. Dokumentatör: Matts Arnberg (Q5559459) Radiotjänsts ursprungliga produktionsnummer: 55/46412:2:1

Sveriges Radios folkmusikinspelningar. Lapp-Nils - En jämtländsk storspelman. Dokumentatör: Matts Arnberg (Q5559459) Radiotjänsts ursprungliga produktionsnummer: 55/46412:2:7

Nobody by Bert Williams, recorded by Arthur Collins, Victor no,. 4391

Sveriges Radios folkmusikinspelningar. Lapp-Nils - En jämtländsk storspelman. Dokumentatör: Matts Arnberg (Q5559459) Radiotjänsts ursprungliga produktionsnummer: 55/46412:1:2

Sveriges Radios folkmusikinspelningar. Lapp-Nils - En jämtländsk storspelman. Dokumentatör: Matts Arnberg (Q5559459) Radiotjänsts ursprungliga produktionsnummer: 55/46412:1:3

Sveriges Radios folkmusikinspelningar. Lapp-Nils - En jämtländsk storspelman. Dokumentatör: Matts Arnberg (Q5559459) Radiotjänsts ursprungliga produktionsnummer: 55/46412:2:5

written by Ernest Hogan, Sung by Arthur Collins, accompanied on banjo by Vess L Ossman, Edison Record 7317, 1902.

Sveriges Radios folkmusikinspelningar. Lapp-Nils - En jämtländsk storspelman. Dokumentatör: Matts Arnberg (Q5559459) Radiotjänsts ursprungliga produktionsnummer: 55/46412:1:5

Sveriges Radios folkmusikinspelningar. Lapp-Nils - En jämtländsk storspelman. Dokumentatör: Matts Arnberg (Q5559459) Radiotjänsts ursprungliga produktionsnummer: 55/46412:1:4

Victor record n°17020-A, sung by Arthur Collins and Byron Harlan.

Edison yellow paraffin cylinder recording of Arthur Sullivan giving an after-dinner speech at the "Little Menlo" in London. George Gouraud had come to London to demonstrate Edison's "Perfected" Phonograph. Gouraud demonstrated the phonograph to various celebrities in a series of Phonograph Parties in the autumn of 1888 and made recordings of their reactions as messages for delivery to Thomas Edison. Arthur Sullivan (1842-1900) was one of these guests, and it is his speech to Edison that appears here. Length: 1:34 Transcription: “

Semper Paratus, performed in 1944, during World War II, by the Boston Pops.

This is considered the first Jazz recording. "This tune was issued on an Edison Blue Amberol wax cylinder in April of 1917 and on an Edison record in July of that year." Jazz band

The Lost Chord (1877) by Arthur Sullivan and Adelaide Anne Procter, sung by Reed Miller for Edison Records in 1913 This is Edison Blue Amberol #2106, which is a reissue of Edison 4-minute Amberol #202

Artur Nikisch (1855–1922) plays Johannes Brahms: Hungarian Dance No. 5. Recorded February 9 1906 for Welte-Mignon reproducing piano. Artur Nikisch (1878-1936) spielt Johannes Brahms: Ungarischer Tanz No. 5.

Bassoon Concerto in Bb major - Allegro This recording of Arthur Grossman of the Mozart Bassoon Concerto in Bb major was made in Bordeaux France in 1957 with the 7th Army Symphony Orchestra conducted by Ling Tung.

Artur Nikisch (1855–1922) plays Johannes Brahms: Hungarian Dance No. 5. Recorded February 9 1906 for Welte-Mignon reproducing piano.Artur Nikisch (1878-1936) spielt Johannes Brahms: Ungarischer Tanz No. 5. Aufgenommen 9. Febr. 1906 für das Welte-Mignon Reproduktionsklavier.Italiano: Artur Nikisch (1878-1936) suona il brano Danza Ungherese n°5 di Johannes Brahms. Registrato il 9 Febbraio 1906 con il pianoforte meccanico automatico Welte-Mignon.

An Edison "Perfected" Phonograph cylinder recording of The Lost Chord (composed 1877) by Arthur Sullivan (1842-1900), played on piano and cornet. One of the earliest surviving recordings of music; was played at the press conference that introduced the phonograph to London on August 14 1888. Cuts off slightly before the ending of the song. The recorded version is somewhat abridged (a middle section has been cut, possibly due to time constraints). Overall a well-preserved example of wax cylinder recording technology. Length: 2:07

The Lost Chord (1877) by Arthur Sullivan and Adelaide Anne Procter, sung by Reed Miller for Edison Records in 1913 This is Edison Blue Amberol #2106, which is a reissue of Edison 4-minute Amberol #202

Oh! How I Hate to Get Up in the Morning, a song by Irving Berlin produced on U.S. Army time for the Army benefit show, Yip Yip Yaphank (1918). I believe the version used in the show used the opening verse from the Irving Kaufman recording; the opening verse here was probably made for publication. This is Edison Blue Amberol #3639, which was created using Edison Diamond Disc matrix #6287.

w:Arthur Sullivan's w:Overture di Ballo, Overtures (1991, track 7)

Historically significant 1911 recording by duo Arthur Collins and Byron G. Harlan of "Alexander's Ragtime Band" (1911), originally composed by Irving Berlin. Recorded for Victor Records (#16908-B), this particular comedic duet of the song became a smash hit due to its farcical emphasis.

Արամ արմանի թարգմանած ռէմպոյի քերթուածներէն մին։.