5,956 Royalty-Free Audio Tracks for "Ass"

This is a recording of me vacuuming my carpet (a short carpet, not sure of the exact name of it), in a small studio apartment in kansas city, ks. It's recorded with the worst mic possible (a generic labtec microphone you can buy at an office supply store for like 10 bucks). I literally have no idea the vacuum brand, as i searched all over it for a whole minute, to no avail. But who cares the brand, because it sounds cool! (it has "120v~60hz 7amps" if that means anything to you) i am mainly vacuuming up kitty litter from the carpet because my cat likes to make sand castles for hours on end and she likes to think "outside the box" as it may. Oh, and there is an obstacle between the mic and the space i'm vacuuming, it's literally a screen room divider. I recorded this just because i thought it would be cool, plus i'm just starting an associates in audio engineering, so i figured i could get experience doing just about anything. Oh, and the end is my favorite part, just because i like listening to the motor click off and wind down. Ummm. . . Yeah, i think that's about it. Enjoy!.

This is the latest homework i have done, for this one i imagined this:its as if you were hearing from the ears of the person in the cashier spot, at a busy restaurant, this person gets caught in a time wrap and they start to like trip on these sounds from the kitchen, the stage across the bar, and even them turning a page on their boring magazine. If you read this and haven't played it yet, close your eyes and imagine you're that person and tell me what you feel!. At this point i have learned about effects and all that(still no pro), so be sure to listen with earphones for the best experience!sounds i used:. The busy kitchen (but i used the texture i made from it, you can see it in my other uploads) from cpark12 https://freesound. Org/people/cpark12/the funky free saxophone from insigner https://freesound. Org/people/insinger/the water faucet from redafs https://freesound. Org/people/redafs/the pan bam (as i like to call it) from jonascz https://freesound. Org/people/jonascz/the page turn from lawnjelly https://freesound. Org/people/lawnjelly/.

I recorded this in my living room with mics in an x-pattern on the couch very close together, using a tascam dr-70d and behringer dyynamic microphones with patch cables for optimal volume. I recorded this at maximum gain on the tascam as two stereo files, then conjoined them to a 6-channel audio file properly and mixed the front two channels to a monaural center channel for added effect. The final result is what can be downloaded here. Tghe music in the background is part of the star trek: generations expanded complete score, and is coming from my computer to the rear of the recording, which lasts just over a minute in length, and the music was just background noise for testing purposes only. No copyright infringement was intended. Credit for the music goes to the now late jerry goldsmith and also dennis mccarthy, who is still alive. I hope you like this audio demonstration, and find it useful when considering rigs like the holophone, or comparible 5. 1 surround sound microphones / rigs. I take no credit for this recording, as it was done for demonstration purposes only. Have fun!.

Td-3-tg recorded with zoom h-1. Td was performing slide through octaves with "slide" button pressed in program, and subsequent cs were played, in octave -1 and 0, and higher c in octave 0 and +1, back and forth. Program takes 7 16th notes and the space between notes takes 9 rests. Tempo of the td-3 was set to maximum and the volume control was set to high amount, to let zoom h-1 with rec level setting to 37, be driven up to -6db. Sound recorded in 96khz and 24bits. Trimmed and saved in flstudio edison, what made sound 32bit. No amplify, no normalisation. "tune" knob of td-3 was set to maximum as well as "cut off", "envelope" and "accent". "resonance" and "decay" was set to one o'clock. "waveform" swicth was set to square. No distortion. Zoom h-1 was plugged by a cable, td-3 output to line in. Cable was named vitalco - 1/8 inch trs to 1/4 ts, male to male, 3m.

A stockholm, sweden commuter rail x60 train (alstom coradia nordic) on the then j35 (bålsta - nynäshamn) line arriving at and leaving from the älvsjö station. It was a cold day, if i recall correctly between -10 to -20°c (-5 to 15°f) and there was about 1 or 2 centimeters (1/4 to 1/2 inch) of powdery snow. 00:00 warning signal at crossing (for commuter train employees only) with train arriving in background. 00:21 footsteps in cold thin snow layer00:25 squealing as the train comes to a stop00:36 doors opening00:41 driver announcing that the train will depart for stockholm central station and bålsta station00:55 warning sound before doors are closing and more footsteps00:58 doors closing01:11 squealing as the train start to roll. Recorded friday december 18, 2009, 10:01 am (utc + 1 h), with the built in mic of a canon digital ixus 950 is camera (which could be used to record audio only). File straight off from the camera with the exception of id3 tags added with foobar2000 v1. 3. 4.

[absolute_silence_00. 50_sec. Wav]. S/o to rlc209!. Here's what rlc209 dm:ed about this silence: "yeah, it was no joke, your wav file was perfect. I created my first ios app a couple weeks ago and i needed to play a quick silent file to buffer the sound player function within my app so that it would play the game sounds as normal without a slight freeze or delay. ". --------------------------------------------------------------. Absolute silence! intended for the freesounders that truly need some absolute, real, clean silence!. This is not an early april fools joke 2020. I've actually thought about releasing/publishing silences for a long time now (for years!). It shouldn't exist only free sounds but also free silences !. I saw that some freesounders needed clean silence to use as "blank space". That's why these silences were created!. I am not 100% sure what silence can be used for otherwise, but it can be useful for some things when you think about it!. If you enjoyed the silence, please rate, comment, spread! it really helps!. Note: make sure to check out the other matrixxx-silences! the silence quality is always better when you download the silence(s)! ⛄. Enjoy!/matrixxx.

Session 1, find more koto in this sound pack. The recorder wasn't optimally placed in the session 1 recording, so sometimes you might hear some low impact noises transitioning through the table to the recorder. Some eq (low cut) should be able to fix this. We went to my friend's father to record a koto, a traditional japanese zither-like (table harp) instrument, consisting of a large wooden base with long strings for plucking. The strings are tuned in the japanese pentatonic scale, allowing a mystic, mysterious, beautiful harmony. It was my first time ever playing this instrument, so don't expect wonders lol. But i tried to "feel" the instrument as well as i could, working from my limited keyboard and guitar playing skills. I improvised simple patterns, and also tried to work with call and response ideas, and bass notes, plucking the low strings with my fingers, and then plucking the high ones with a pick. Happy listening, chopping, and remixing!. In kashiwa, chiba, east of tokyo. Mid october 2016. Zoom h2n stereo ms recording in 96khz, 24bit.

This is my naked voice. I didn´t modify anything. It doesn´t have much amplitude, maybe it sounds sad. . . This is a german poem "das gemeinsame schicksal" ("the shared fate"),written by friedrich schiller(1759 - 1805), a great german poet, a friend of goethe. Original text : " siehe, wir hassen, wir streiten, es trennet uns neigung und meinung, aber es bleichet indes dir sich die locke wie mir. "my translation : "look, we hate, we argue, our affectations and opinions drive a wedge between us. In the meantime your hair turns grey. Mine as well. ".

This epson m188b printer is currently at manchester international airport at one of the restaurants in terminal 1. This epson m188b printer is currently at manchester international airport at one of the restaurants in terminal 1. My friend ethan was fixing this printer and e-mailed me a sound recording of this file. This can be used for a modern receipt printer. It can aalso be used as a game scoreboard counter.

This is a recording of children playing in the large playground at the luxembourg gardens in paris, france. The recording was made from the east side of the playground, next to an attraction that allows kids to hang from a sort of harness and slide down a rail. The metallic clink you hear periodically is the sound of the runners on this gadget banging into each other as kids jump off of them. Recorded with a zoom h4n at 96 khz / 24 bits in stereo with built-in mics.

Recorded with my epi sg through the walrus slo pedal on dream setting into the focusrite 2i2 interface and into reaper. The bass was recorded with a squier mini-bass through a behringer bxl1800 amp and into reaper. Did a pitch change on the guitar and no quantizing as i like the 'push/pull' feel of the human tempo. May add some percussion down the line. A shout out to kenny gioia for the reaper tutorials. He's the man. Please comment on what you may use it for. Thank. :-).

I made this by playing a piccolino recorder and then adding reverb to it. There was a loop ready-made in garage-band that i used as a model but then changed it because i didn't want it to loop. I added flourishes so that it ends. This is the intro for an audio book i am recording but since i created the sound, i can share it. I would be happy if anyone else wanted to use it. No need to give credit etc.

Test guitar solo. Bright noise as artifact of notebook mic input agc (automatic gain control) made in the imposition of a previously recorded. Recorded: 20-10-2013notebook: aspire-5742g, windows 7, asio4all driver, sonar x2, noise gate and vox plug-ins. Guitar: squier stratocaster, south korea, early 1990, with pickup saymour duncan at bridge position. Very very old strings. Guitar connected directly to notebook mic input. Exported to wav 44000/16. Encoded into mp3 with linux console: lame -b 320 -m s soloprev3. Wavlame version: lame 64bits version 3. 99. 5 (http://lame. Sf. Net).

This is a recording made on an iphone se using the now discontinued sennheiser ambeo vr headset for binaural "3d" recording. This recording has not been processed in any way except for the levels which were normalized. Since it was a cold windy day, i believe i had the mics under a thin hat, which acted as a wind shield. This may have slightly muted the higher frequencies but it shielded the mics from wind noise. I will make some more recordings and share them.

There's two male ghosts, one of them more loud and more low pitched than second. They sing along some song without words and screams, they're just wail and howl. Ideally can be placed in any place related somehow to ghosts(abandoned home, castle, graveyard) in some suspense moments or as constant sound on background(though, i should notice, that the sound isn't seamless). I recorded it with my own voice, audacity's delay effect on every of two tracks(every track has one voice - logically).

(forgive the squeaks. I have no control over that. )saw this on you tube for guitar and recorded with my epiphone sg through the walrus slo pedal on the dream setting and into the focusrite 2i2 interface into reaper. Finger style with bass. The bass was recorded with a squire mini-bass through a behringer bxl1800 amp also through the interface to reaper. Thanks much to kenny gioia for the reaper tutorials as i would never be able to figure things out on my own. Comments welcome and let me know what you may use it on. :-).

They've been telling us to "eat ze bug. . . " but now you can try before you buy. Here are some soft, distance crickets recorded on a warm, quiet summer night. Just like old jeb used to like it! i bumped the volume up by about 6. 3db, as i didn't want to ruin the serene quality by bring it to full normalization. Not processed or modified in any other way, but a decently clean sample. Audio specs:-. Wav uncompressed- 44. 1 khz (standard)- 16-bit.

Apocalyptic, dystopian, totalitarian tts voice: the small fringe minority of people, who are on their way to ottawa, who are holding unacceptable views that they are expressing, do not represent the views of canadians. The only way through this pandemic, is to get everyone vaccinated. Normality as it was before will not come back full-on until we get a vaccine for this. Regardless of the fact that we are attacking your fundamental rights. . . Or limiting your fundamental rights, and the charter says that is wrong, we are still gonna go ahead and do it.

Soundtrack guitar stems from frozen fjords song. This is dry guitar recording (with no fx)full song here: https://soundcloud. Com/darkbluesmile/frozen-fjordsif you use this sample you >>>must<<< write my name (mareproduction) as a author of this sample and link to this page. If you like what you hear please consider a small amount (even one dollar is enough) of donations to support my work. Thank you!. Paypall:jazzgitara@gmail. Com.

Over 6 hours of night ambient shot in the countryside near a house close to the main road. Rain hitting the vines, thunders, village sounds, crickets, occasional cars passing on the road, far thunders with no rain, dogs barking, roosters, all in one unedited take. This was recorded with the mobile phone (allview e2 living) with the "voice recorder" app at maximum quality settings so do expect a lower quality. You are free to use this sound as you wish.

Series of car/truck/bus passes recorded on the side of a night time city street. At :21 two guys on bikes with a boombox pass - one of the weirdest sounding things i've recorded. Ambisonic b-format recording recorded with the coresound tetramic in pittsburgh, pa. *note: you will need to decode this b-format ambisonic file with a plug-in such as the (free)surroundzone2 which allows you to decode the file to a surround, stereo, or mono format. Also note that these are fuma bformat files (and opposed to ambix bformat).

A wonderful slice of small town life. Recorded august 27 2022 at a small town baseball game in southern illinois. Not a huge crowd, but you hear the murmur of parents, kids and of course the crack of the steel bat against the baseball. Especially good with headphones on, as i recorded this in stereo. Equipment: zoom f3. Microphones: em clippy 272 omni-directional microphones on microphone stands located 38 inches apart. Enjoy this timeless summer soundscape representing all that is good. (to paraphrase james earl jones! ).

Oskar Böhme's Sextet in E-flat minor II. Scherzo, Allegro vivace performed by the United States Marine Band's Marine Brass Sextet on July 16, 2020, in John Philip Sousa Band Hall in Washington, D.C. as part of the Marine Band's "Live from 8th and I" summer virtual concert series.

Thousands of cicadas occur in endless cycles for roughly one minute, at least where i was in my backyard in san antonio, texas. At the beginning of the cycle, they truly sound like a jet with engines idling on a runway, growing louder as it maneuvers into a take-off position. After several more seconds, the soft whirring grows louder and louder for about ten seconds or so, and at the closing of the cycle crescendos into a a sustained cacophony like crickets on crack.

Ludwig van Beethoven's Piano Sonata No. 28 in A Major, Op. 101, Movement IV: Geschwind, doch nicht zu sehr und mit Entschlossenheit. (Allegro) As there is no pause between the last two movements, it is suggested that Image:Beethoven - Piano Sonata No. 28 in A Major, Op. 101 - III. Langsam und sehnsuchtsvoll and IV. Geschwind, doch nicht zu sehr und mit Entschlossenheit.ogg be used instead of this one.

Ludwig van Beethoven's Piano Sonata No. 28 in A Major, Op. 101, Movement III: Langsam und sehnsuchtsvoll (Adagio, ma non troppo, con affetto). As there is no pause between the last two movements, it is suggested that Image:Beethoven - Piano Sonata No. 28 in A Major, Op. 101 - III. Langsam und sehnsuchtsvoll and IV. Geschwind, doch nicht zu sehr und mit Entschlossenheit.ogg be used instead of this one.

Oskar Böhme's Sextet in E-flat minor I. Adagio ma non tanto, Allegro molto performed by the United States Marine Band's Marine Brass Sextet on July 16, 2020, in John Philip Sousa Band Hall in Washington, D.C. as part of the Marine Band's "Live from 8th and I" summer virtual concert series.

Made for the ice-breaker collab. Simple mournful loop with deep kick, flute and strings. Tempo=90 bpm. An arpegiated supersaw over drone effect (wollo drone) repeats 3 times. First iteration includes a melody played as a flute. Second iteration of the loop has the flute replaced with a full string section. Third time around, it's just the arp and drone. All three versions of the loop have a deep, reverberating and mellow kickdrum. Sounds tribal(-ish). Created in flstudio 11. 04 with virtual instruments and vst eq + reverb.

The Preislied, "Morgenlich leuchtend im rosigen Schein" from Die Meistersinger von Nürnberg (1868). Sung by Leo Slezak for Edison Records in 1910 Per a request, as this cylinder is in very good preservation, this version simply had the pops removed, and no other restoration. This is Edison Amberol #40038

This reel is formatted specifically for use with the "time travel simulation" technique seen at https://youtu. Be/1nqemcvv2xo. Each (short) splice is recorded only on the left channel, so that it can be processed and then re-recorded into the right channel without interference. See the video for full details. Sound: transient sounds formatted for use in make noise morphagene. Recorded by mike johnson of the make noise crew, using zoom h4n in a kichen, then processed in ableton live. There are a few drum transients from a recording session as well.

Some kind of tardis-esque machinery humming away, ready to project the adventurer into outer space. Would be useful as a sound effect for a video involving strange futuristic machinery. No effects have been put on it to aid this. This was created with my eurorack, the main component is a waldorf wavetable oscillator nw-1 module, put through an a-127 triple voltage controlled resonance filter and a a-188-2 tapped bdd delay. The filter and oscillator are modulated in sync by an a-145 lfo.

All the music on these tracks was written by me. All instruments were played by me as well. All you have to to is loop them and you'll have a great base rhythm for your projects or to just jam with. That's why i create these types of loops; they help me create full finished compositions. If you would like to check out my original music it is available here:. Https://traxis1. Bandcamp. Com/album/the-road-to-oblivion-2.

A clean raw stereo recording of about a thousand people chatting with each other. No distinct dialogue. Recorded in stereo on an h4n. The microphone was positioned about 20 feet above and to the side of the crowd. Recorded in a big space with huge ceilings--would be suitable for a theatre, auditorium, rally, sports game, etc. , but an experienced editor might be able to make this into an outdoor scene as well. There might be minimal handling noise.

A clean raw stereo recording of about a thousand people chatting with each other. Includes distinct dialogue in american english, iberian spanish and other languages. Recorded in stereo on an h4n. I slowly walked through the crowd during this recording. Recorded in a big space with huge ceilings--would be suitable for a theatre, auditorium, rally, sports game, etc. , but an experienced editor might be able to make this into an outdoor scene as well. There might be minimal handling noise.

A clean raw stereo recording of a about a thousand people chatting with each other. Almost no distinct dialogue. Recorded in stereo on an h4n. The microphone was positioned on the side of the crowd, close but not in the crowd. Recorded in a big space with huge ceilings--would be suitable for a theatre, auditorium, rally, sports game, etc. , but an experienced editor might be able to make this into an outdoor scene as well. There might be minimal handling noise.

File i recorded while at work on a telephone pole. I found a span of the steel cable they string between the poles that hold phone lines or cable lines. But this was just the bare span and nothing touching it. If you hit them with a wrench they make weird laser gun sounds. Recorded with my phone and cleaned up a bit in audacity. Use as you please. If you use it for anything interesting and want to share what you used it on, sure let me know. Enjoy.

A patch generating triggers not that random. . . The triggers are triggering an envelope generator and a sample and hold. The sample and hold cv is quantized following a minor 7th chord rules. Hope you understand. . . Pardon my english. Why this. Answer. I have to start adding something like this to my patches. But i use 3 lfos for this :-/ thats about all i got - right now. The alm pip slope works fine as an lfo too. Square wave this time. Take a close look.

Created using the korg electribe 2 (the synth variant) analogue modeling synthesis engine and fx. If you don't like the busywork of cutting, sorting, naming etc. , you can check out this paid "game-ready" asset on the unity asset store:http://u3d. As/rk4. It's always nice to hear back from you. What projects did you use these sounds for?please let me know. ;-).

The following packs where used as source for the creation of these samples, the process was basic layering processing and resampling until i had a nice sounding results. Http://freesound. Org/people/theriavirra/packs/16665/http://freesound. Org/people/niqoplitnouk/packs/13936/http://freesound. Org/people/jagadamba/packs/13878/?page=2#soundhttp://freesound. Org/people/moca/packs/13261/http://freesound. Org/people/csmag/packs/13007/http://freesound. Org/people/quartertone/packs/12775/http://freesound. Org/people/quartertone/packs/12754/.

The bronze temple bell of the byodo-in temple in the valley of the temples cemetery just outside kaneohe, hawaii. The bell was cast in japan and had been installed in a free standing bell tower, as is customary in japan, and can be rung by anyone who passes by. It's timbre and sound reminded me very much of the bronze bell in hiroshima called the peace bell, which is in a tower directly across the river from the technical school ruins.

Plucking the rim of an empty wine glass with my finger. Recorded a bunch of samples then isolated the ones i liked into this file. Left a small gap of silence between them for separation later. While all the samples were initially recorded at 16-bit 44100hz, some of the later ones compiled into this wav were accidentally saved at 8-bit and have gathered some noise as a result. All samples recorded using a blue yeti microphone. Used audacity's noise removal filter to to remove background noise. Attribution appreciated but not required.

Assymetric ticking noise. Sounds like the ticking of an analogue counter. A single clock tick was placed on two seperate tracks in order to control the time interval between ticks. One of the tracks was pitch shifted to create the sound of two, slightly different ticks. Both tracks pass through a tight chorus filter and a delay tap to recreate a slight sense of springiness and rattle as the "counter wheels" tick over. Created in flstudio with one audio clip, fruitydelay2, fruity fastdist, fruity parametric eq 2, fruity chorus and equo.

A bad readout of an excerpt from prosperous. The tempest act 4, scene 1, 148–158. Our revels now are ended. These our actors,as i foretold you, were all spirits, andare melted into air, into thin air:and like the baseless fabric of this vision,the cloud-capp'd tow'rs, the gorgeous palaces,the solemn temples, the great globe itself,yea, all which it inherit, shall dissolve,and, like this insubstantial pageant faded,leave not a rack behind. We are such stuffas dreams are made on; and our little lifeis rounded with a sleep. .

A sample from our new electrifying library, available in full at www. Pureaudioninja. Com. If you like our sounds, or have any feedback, please leave a comment!it would be great to know how we can make improvements!. If you use our sounds in your production, it would be cool to hear what you used it for, and if you want some karma points, you may credit us as 'pure audio ninja' in your productions.

This is a small clip which i made playing the original video on my laptop and recording it on my cell phone. There is a noise machine on and a voice distortion tool being used and foreground dialog as well. It's the whispered dialog that is crucial in my quest for justice. The sample is to offer up proof that this is very real to those who may be questioning if i am indeed serious. Please reply with transcription of background dialog, or a cleaned up sample. Your help is so appreciated.

My mother in the kitchen just around the corner from my closed bedroom door getting some ice from a square ice bucket in the freezer which is right at the entrance to the kitchen. You can hear them drop into her big glass and pop when they hit the water. I was recording out the window at the time. You can hear an american robin, red cardenal and mourning dove as well.

Alienxxx and i had a little private dare. This is how it sounds when i have mixed the two resulting files. I made a schematic sketch on a simple modular patch. All info was this sketch. The resulting sounds was meant to be 30seconds long and in mono. We both posted our sounds. Alienxxx sound http://freesound. Org/people/alienxxx/sounds/343864/my (gis_sweden) sound https://www. Freesound. Org/people/gis_sweden/sounds/344087/i wanted to mix the sounds as a stage two in this dare. This sound is the result of my mix.

Hubcap rolling away from a car crash and rattling and clanging as it comes to rest. Actually, i needed the sound of a hubcap to add to an auto accident crash sfx and recorded this pot lid in my basement using my laptop computer, audacity, and an inexpensive condenser mic. Hubcap2 is the pot lid rattling around and coming to rest on the linoleum covered floor in my basement. (the mic was closer to the pot lid for hubcap2. ).

Ambient recording of a yakiniku restaurant in tokyo. I used a stereo pair of microphones mounted on the table next to the grill at 120 degree angles. There is a fair amount of noise from the grill itself, but if the volume is reduced for use as a background noise, the grill sounds becomes negligible. You can hear the background music, the waiters and kitchen staff and some diners/utensils. Near the end an order is placed in japanese.

The sounds of solway's scrap yard on toronto's ernest avenue. It is an old industrial neighbourhood, rapidly gentrifying. The gentrifiers resent the scrapyard, but it was there first. You can hear the sounds of a mobile crane on caterpillar tracks dumping scrap into semi-trailers which will soon pull out for the steel mills of hamilton. As the trucks are loaded, the drivers chat in the background. Recorded with a roland r05 and a sennheiser mke 400 stereo mike with home-made wind screen on 30 september 2011.