5,956 Royalty-Free Audio Tracks for "Ass"

This piece was produced using a text-to-speech program on a "rant" by francis e. Dec. Mr. Dec was a disbarred lawyer from new york state who spent the balance of his adult life writing and publishing rants against a global conspiracy that had removed him from the legal profession, controlled the white house for decades, performed clandestine medical operations on the entire population of earth and worked for a malevolent entity called the "world wide communist gangster computer god". Mr. Dec appears to have hated just about every religious, racial, ethnic, professional and political group that he was aware of. Although i have tried to maintain the syntax and general flow of this rant; i have taken the liberty of removing the more offensive passages and phrases. Since the development and widespread use of anti-psychotic drugs in north america, schizophrenic creativity of this level of complexity has become harder to find. Street ranters are an endangered species but my memories of them include the unusually stiff, declamatory and repetitious cadence of their speeches. Curiously, a speech-to-text program mimics some of these features. I hope that the irony in using a computer voice cuts two ways. Mr. Dec's rants are in the public domain. To his credit he was very open source with his work. My use of dec's writings should not be construed as advocacy for his views nor as an endorsement of how our society currently treats persons labeled as schizophrenic. The wikipedia entry on francis e. Dec is a good and balanced starting point if you are interested in the life and work of this very unique and unfortunate man. I leave the listener with this quote by g. K. Chesterton-. "the madman is not the man who has lost his reason, the madman is the man who has lost everything except his reason. ". --.

This is a quick fire sound i made using qubodup's "swing 25" public domain/cc0 upload on this site. It's a bamboo stick swinging, which i layered and toyed with to get the results here. For those curious, here are the steps. * i took the file into reaper, and slowed the file's playback rate to 31% of the original. * i then duplicated the file three times, for a total of 4 tracks. * track 1 (lowish gas-burner sound):- reverb (drum-room impulse response, a medium-sounding reverb with a slight deadness to it. In free impulse loader reverberate le, stretched impulse to 150% and set attack time to 0. 218s). - eq (-8db bandpass near 200hz, rising back to 0 by the 1k mark. Low-pass applied at 5. 8khz). * track 2 (lowest of sounds, like a bassy gas-burner):- chorus effect. That's it. (specifically acon digital multiply, a free plugin, set to the "romantic" preset). * track 3 (not as low as track 2, but closer to track 2 than 1)- reverb (a large hall impulse response. No adjustments, ie. No increased attack or stretching like for track 1. ). -chorus doubler (free plugin duet, preset: "basic doubler. " same effect as if i had doubled the track and pitched one up 6 cents. ). - chorus (free plugin acon digital multiply, preset: "romantic. "). * track 4 (most flame-thrower, whooshy of tracks. )- reverb (impulse response says "hall medium," but it's a thick, even echo from start to finish. Makes the sound go from its default "whoosh" to a flamethrower noise. - chorus doubler (duet again, preset: basic doubler). - chorus (acon digital multiply, preset: "romantic. "). Master bus:. - compressor (tdr kotelnikov mastering compressor, the free successor to the tdr feedback compressor ii. Preset: punchy. Thresh: -20. 9, soft knee: -1. 5, ratio: 2:0:1, attack: 7. 0 ms, release peak: 70 ms, release rms: 165 ms, makeup: 1. 5 db, output: 2. 0 db. That's it.

A few cycles of my dad's home oxygen machine with a ticking battery operated clock in the background recorded in the early morning in the living room with lifecam hd3000 webcam at the end of about 16 feet of usb cable dragged out of my bedroom. He's about 6 feet away, i was with my back to the room with my camera pointed at my chest so he wouldn't think i was filming. It would seem this is the first and only oxygen machine on freesound. A full cycle seems to last from between 7 to 10 seconds. From wikipediaoxygen concentrators typically use pressure swing adsorption technology and are used very widely for oxygen provision in healthcare applications, especially where liquid or pressurised oxygen is too dangerous or inconvenient, such as in homes or in portable clinics. Oxygen concentrators are also used to provide an economical source of oxygen in industrial processes, where they are also known as oxygen gas generators or oxygen generation plants. Oxygen concentrators utilize a molecular sieve to adsorb gasses and operate on the principle of rapid pressure swing adsorption of atmospheric nitrogen onto zeolite minerals and then venting the nitrogen. This type of adsorption system is therefore functionally a nitrogen scrubber leaving the other atmospheric gasses to pass through. This leaves oxygen as the primary gas remaining. Psa technology is a reliable and economical technique for small to mid-scale oxygen generation, with cryogenic separation more suitable at higher volumes and external delivery generally more suitable for small volumes. [1]at high pressure, the porous zeolite adsorbs large quantities of nitrogen, due to its large surface area and chemical character. After the oxygen and other free components are collected the pressure drops which allows nitrogen to desorb. An oxygen concentrator has an air compressor, two cylinders filled with zeolite pellets, a pressure equalizing reservoir, and some valves and tubes. In the first half-cycle the first cylinder receives air from the compressor, which lasts about 3 seconds. During that time the pressure in the first cylinder rises from atmospheric to about 1. 5 times normal atmospheric pressure (typically 20 psi/138 kpa gauge, or 1. 36 atmospheres absolute) and the zeolite becomes saturated with nitrogen. As the first cylinder reaches near pure oxygen (there are small amounts of argon, co2, water vapour, radon and other minor atmospheric components) in the first half-cycle, a valve opens and the oxygen enriched gas flows to the pressure equalizing reservoir, which connects to the patient's oxygen hose. At the end of the first half of the cycle, there is another valve position change so that the air from the compressor is directed to the 2nd cylinder. Pressure in the first cylinder drops as the enriched oxygen moves into the reservoir, allowing the nitrogen to be desorbed back into gas. Part way through the second half of the cycle there is another valve position change to vent the gas in the first cylinder back into the ambient atmosphere, keeping the concentration of oxygen in the pressure equalizing reservoir from falling below about 90%. The pressure in the hose delivering oxygen from the equalizing reservoir is kept steady by a pressure reducing valve. Older units cycled with a period of about 20 seconds, and supplied up to 5 litres per minute of 90+% oxygen. Since about 1999, units capable of supplying up to 10 lpm have been available.

Ok, i don't know how many of you might be interested in this, but i figure there's no harm in posting it. I'm working on some original songs. Laptop-based, electronic songs, with many orchestral parts, including violin, viola, cello, and string bass. Presonus studio one has some very nice vst string instruments, and i have some really great ones for kontakt. But they all are missing one thing, and i couldn't find the (admittedly esoteric) sound that i'm looking for anywhere on the internet. Being a viola player myself, i recorded myself playing these very particular incidental sounds. Let me explain-. There's this 'grabby' sound that a well-rosined bow makes just is it is first being drawn across the string. Listen carefully to any of the pros and you'll hear it. In your laptop sequences, if used subtly, right at the point where the first note of a phrase is initiated, this sound can give the string part a marked sense of realism*. This, combined with vibrato, reverb and a nice warm/tube/tape saturation setting, nobody will be able to tell the difference between your vst and the real thing. About the audio-i tried to keep them as pitchless as possible, thus not limiting their utility. I recorded two sets of all four open strings (c, g, d, a), first close mic'ed, and once from a few feet away, in stereo. Or to say it another way, the sounds are as follows-1. Open c close2. Open g close3. Open d close4. Open a close5. Open c far6. Open g far7. Open d far8. Open a far. It's totally overkill for me to record all the different versions, but i suppose somebody out there might find one more appropriate than another for their purposes. They work pretty effortlessly for violin and viola, but you might have to pitch them down for cello and string bass. I added no processing whatsoever, apart from normalizing each individual sound. Aiff, recorded at 44/16. Nady scm-2090 stereo condenser mic, focusrite saffire pro 24 interface, recorded in logic. Not the quietest room, but these sounds will be so far down in the mix that it won't matter. Free for all to download, no attribution necessary. Http://www. Freesound. Org/people/bruce%20burbank/sounds/220917/. As an example, here's the part i'm working on that motivated me to record these sounds, with the grabby sound in place. See if you can spot the three times i used it. *pro tip- much the same way i'll insert an inhale breath right before horn or oboe phrases.

Studio technologies - stereo simulator (generation ii). Https://studio-tech. Com/products/generation-ii-stereo-simulator/. The generation ii stereo simulator from studio technologies creates a convincing stereo imagefrom a mono audio source. The fully mono-compatible signal simulates space withoutreverberation by using random, non-recursive filter techniques. The mode switch (found on the hardware unit) controls the overall sound of the generation ii. In the music position, the full audio bandwidth of the input signal is simulated. This mode isappropriate for audio material with little or no voice-only content. In the music & voice position, the input signal is sent through a band-reject filter prior togetting sent to the simulator circuits. This creates stereo simulation over the low and highfrequency range, while limiting simulation in the voice band. This mode is appropriate for audiomaterial that contains voice-only content, such as a film track or television show. The stereo intensity control determines the amount of stereo simulation that is produced. Inthe fully counterclockwise position (ir files “0” – included for process comparison), no simulatedstereo is produced. The mono input signal is sent equally to the left and right outputs. As thecontrol is turned clockwise (ir files “1 – 6”), the amount of stereo simulation increases.

As of this recording, i am the official town troubadour of manchester, ct, usa. I am just putting the finishing touches on an album collecting the various songs i have written for the town in this role. One of the songs mentions the church bells that ring out every day in at the top of the hill in town, so i thought it would be nice to open that song with a field recording of the bells. Every day at noon, center congregational church in manchester, ct, usa plays a full 10 minutes of music. This is a recording of the full 10 minutes as played on december 4th, 2022 - recorded with a zoom h1n, fades added in audacity. It was quite windy and despite my wind sock, there is the occasional audible gust. I was set away from direct traffic sound, but there is ambient traffic sound. There was also a church maintenance truck that slowly drove past me midway through the recording (probably curious at the strange person with the tripod recorder and headphones). I have not attempted to identify the songs in this recording. But if you recognize any, please let me know!.

I made this sound in september 2003 - i used a fairlight mfx 3 - a direct descendant of the first sampler ever made - and the best ever to this day editing software for ground breaking features and functions. Clip based eq and level which you could cross fade between made the use of automation almost redundant in precise to picture editing. It also had a unique alternative jog function. You could loop 1 frame or so as you chose of sound at the orginal pitch which made it easy to find transient points. I then 'grind' the play head over a solo'd sound and play this into a reverb unit. I have many of these accidental experiments and one day i shall make the fairlight pack!. Until then enjoy this alien - from mars with love :). Ps - you can do this experiment today! i found that i can use sound flower as an out put in audio finder. If you open a sample in the sample editor - you can recreate the fairlight jpg by grabbing the playback head in play. You may then route sound flower thru an input channel and get some unusual effects that are difficult to achieve. . If you can improve on this method let me know!.

I was recording outside my bedroom window while eating dinner in the living room, then i came back in here to see if i got anything interesting. I was zooming through the recording at 5x speed when i came across this bit of incidental pareidolia. I'm not sure what was going on, maybe the neighbors' stereo, but i don't remember hearing it, it's much louder in the living room so i should have. Whatever it was came out as a little distant choppy 2-notes alternating melody when played at 5x speed, which suddenly gets louder and solid as you hear the lower note followed by a third lower note. These 2 louder notes sound to me like someone singing the words all day. This would lead me to believe the original tones have some light harmonics i don't hear at normal speed. After which it goes back to the softer stuttering 2-note alternating thing from before. It doesn't sound like much at all at normal speed. So i just did a few straight pitch changes with goldwave until i got to 5x and saved this little file. See if it sounds like "all day" to you.

A drowsy, warm lazy hot day in mid-summer in the forest of the midwestern usa. As is the case around mid-july, the birds are not singing as much. Perhaps they are just exhausted from raising a family and wilting from the heat. The insect chorus ebbs and flows, like the ocean waves creeping up on the beach, and retreating back. Except, unlike the ocean which never stops moving, the insects will eventually stop singing and hibernate for the winter. I have always loved the sound of propeller-driven planes and their slow, molasses-like sound. That sound has always induced a melancholy touch to the recordings. To me, this drowsing plane symbolizes change -- even though the birds and plants are still in full growth, the end is near. . . In about four more weeks schools will resume, the emphasis for many will turn inward. Leaving the woods to deal with the transition. The droning plane, like ocean waves, symbolize change. . . In several months there woods will be drastically changed. Recording made on july 18, 2022 using sound devices mixpre 6 and the sennheiser mkh 8020 omnidirectional microphone. Enjoy this peaceful ambiance, and hopefully it will trigger some long-past memories for you.

The ambiance of the famous strasbourg christmas market, known as one of the oldest in the world (first edition took place in 1570) and the city's biggest touristic event, gathering thousands of people downtown for one month at the end of every year. I took my zoom h2n in different places, capturing a slightly different mood each time. Expect lots of crowd sounds, background music, street atmosphere and. . . A lot of different languages (french, german, spanish, english. . . . All recordings made in ms stereo mode (120° setting).

A short clip from one of my original compositions. All instruments and vocals by f. Benjamin (me ~ badoink)equipment used: audacity, yamaha synthesizer, zoom r8 portable studio, hydrogen and my gronked up brain. All my sounds are licensed as creative commons 0 and can be used for whatever you like. I don't require that you give me credit but it is appreciated. I answer all my messages here so feel free to contact me.

I created this using fl studio and serum. **note: if you plan to make money with my creations, do email me at djdomenian@gmail. Com**. If this is going to be used in a non-profit fashion, please drop a link below of your project below! i'd love to hear it!!. Please credit both of my names, jay prowaves a. K. A. Domenian as a "contributing sound designer & artist". Thank you all! i hope that you enjoy my sounds! <3!.

Created by hainbach aka stefan paul goetsch, formatted for use in the make noise soundhack morphagene. "i call it noir, since it is has a vibe of film noir to it. I made this with scoring for picture or theatre in mind, recording piano, percussion, synths on a telefunken m15 and nagra iii and playing that back on half speed. All music is harmonically related, so it should not grind too much when switching apruptly. I left some space for new splices in the end, as i feel that makes it more playable. ". Https://www. Hainbachmusik. Com/.

Thought this would make the perfect, very unique style to use drums as filler background music during a very important statement or speech. This track is a little over two minutes long and has just enough soft beats to not distract the listener to what is being said. This was recorded using a yamaha keyboards guitarpop style drum rhythm, audacity & a little improvisation. I must admit. . . I like what i hear and i think - so will you!. No acknowledgement to me is necessary but maybe a shout-out to yamaha would seem in order.

Recently, i have been playing "the last stand legacy collection" and got inspired to create some of my own zombie sound effects. These are all created by me from my own voice. This is free for anyone and credit is not needed. I do recommend giving credit in your usage so that others can find these sound effects as well. Be sure to leave some of the content that utilized my sound effects down below, i will make sure to check them out! this version has all the sound effects applied except for reverb.

A hostage, a lightbulb, a camera. A hard conversation and a lot of uncomforable silences. This sound is part of the weird roomtones and silences soundpack - a compilation of synthetic ambiences and silences meant to enhance a neutral atmosphere in the desired direction. The filenames usually describe an imaginary situation that i imagine would need the particular roomtone, often influenced by movies i've watched. >>>> you can use the soundpack as you wish, but i'd be happy to hear your feedback. In particular - how did you use the sound (for example, what kind of scene) and what can be improved. <<<<thank you in advance!.

A recording of my mini-fridge that i split into two components - the hum (this) and the evaporator thing that makes all the drippy sounds. I separated them so people can change the volume of each element, since i noticed with my fridge that you can only really hear the hum if you're really close, but hear the drippy sounds from quite a distance away, even if they're really quiet. Recorded with a zoom h4n pro, used rx7 to separate the elements. As always, i've got the un-modified loop in my "raw recordings" pack.

Br class 319 with gec g315bz (gto thyristor) traction motor departing from a standstill, recorded from the centre of the pantograph car. The clip starts with an idle hum, followed by muffled closing doors and power being applied. The hum grows and varies in tone on initial departure, and is joined by an electrical buzz and the echoing high-pitched sound of the traction motor off the surrounding valley. The clip ends with power being removed as the train approaches a station, and crosses a set of points. Note: there is one muffled station announcement within this clip.

Atmosphere in the interior of the sagrada familia, or more formally, the basílica i temple expiatori de la sagrada família, in barcelona, spain. Antonio gaudi's as-yet unfinished masterwork, begun in 1882, and set to be completed around 2026. It's an awe-inspiring building, with soaring, tree-like pillars and flooded with color from the stained-glass windows. This is a recording, made 2022 june 14, of the hubbub of sound inside the nave with multi-lingual tourists milling about, taking selfies, and gazing upward in awe. (try playing it back pitched down by and octave or more too!). .

An empty car of the metro of porto, portugal arrives at an aboveground empty station on a january morning in 2022. Recorded with a zoom h1n. This was a no-service subway stop so the doors did not open and there is no passenger noise. The audio travels from one side to the other as the metro passes because of the stereo mics. I've benefited a lot from cc by 0 recordings on freesound--i use them for my bandcamp projects. It would be fun to know what you did with this one.

I placed about 200 small brass ball-bearings (2mm diameter)on to a "half-life analogy apparatus" (which i have access to but i've never see the like using a google search. Basically its a titled wooden box with holes. The ball bearings roll down some of which fall through the holes and are collected in a beaker. The remainder are collected at the end of chute. Anyway, i just like the sound and hope someone can make use of it !i used a zealsound microphone and recorded directly into my laptop using audacity. The sound is as recorded.

Starts with two quick finger snaps before passing an iced coffee. Coffee back back and forth, on and off wooden desk shaking the plastic cup with ice, several repetitions. Recorded with a rode nt-usb mini (and a split cup jasmine milktea and house iced coffee from zero degrees in tempe, arizona. It was good as hell. ) recorded for the fiction podcast valence. Credit to hug house productions at https://hughouse. Productions greatly appreciated, but not mandatory. Enjoy! i love you!.

This is a field-recording of washing up / doing the dishes after a small lunch. All separate steps of the process are included in the recording:0:00 - 0:54 s: filling the sink1:00 - 3:10 s: washing up3:10 - 6:03 s: drying the dishes with a towel and ranging them in cupboards and drawers6:03 - 6:21 s: draining the sink6:21 - end : cleaning the sink. The recording was made with the mid-prize smartphone huawei p10 lite. The recording was created as background atmosphere for my trackhttps://soundcloud. Com/rabmusiclab/washing-up.

Mystic chord on C as the 7th, 10th, 13th, 9th, 12th, and 8th harmonics. 7 = B♭ = C = 0 cents = 1/1 = unison 8 = C = D- = 231.17 cents = 8/7 = septimal major second 9 = D = E = 435.08 cents = 9/7 = septimal major third 10 = E = F♯ = 617.49 cents = 10/7 = greater septimal tritone (11 = F↑ = G↑- = 782.49 cents = 11/7 = undecimal minor sixth) 12 = G = A = 933.13 cents = 12/7 = greater just minor seventh 13 = A♭ = B♭- = 1071.70 cents = 13/7 = ?

Minuet in G major (BWV Anh. 114) by Christian Petzold from the Notebook for Anna Magdalena Bach First published: 1725 or before as in https://imslp.org/wiki/Minuet_in_G_major,_BWV_Anh.114_(Pezold,_Christian) Other works on the same theme: https://vimeo.com/42708836 https://www.pianotv.net/2017/03/minuet-in-g-minor-anh-115-tutorial/ Recorded by Millennium bug in Jun 2019 (piano sound version; see File:Menuet bwv anh 114 115 Anna Magdalena.wav for synthesiser sound version)

The Fighters of Korea (traditional U.S. Air Force songs including "Will You Go Boom Today" [a.k.a "If you fly"], "Itazuki Tower" [a.k.a. Air Force 801, set to "Wabash Cannonball"], and "Jet Combat" [a.k.a "Song of the Sabres" or "The Mission"] performed by the Concert Band of the United States Air Force Band. Track 10 from Heritage to Horizons (2007). Previously published as track 4 from United States Air Force 40th Anniversary (1987).[1][2][3]

This is a section of the pack with 50 bass drum varieties. Most of them are just minor changes and they resemble extremely "similar" sounds however they're based on different wave forms which are mixed together to form varieties. Other parameters were mashed, some may have distortions some may not. All the sounds you hear are synthesized. Generally these sounds are for dance music, some of them are well suited for more experimental music as well. But it should not be limited to just techno or trance. . . .

Sunflower Slow Drag is a ragtime composition by Scott Joplin and Scott Hayden, performed as a wind band arrangement of a piano original. Recorded between May 23 and 27, 1994 by the United States Marine Corps Band at the Center for the Arts at George Mason University in Fairfax County, Virginia.

An audio representation of the pigs in the story of jesus casing out the unclean spirit "legion" - from mark 5:1-20. We created this to use as a part of acting out the skit - to experience how scary it would have been for the people in the town and those tending the pigs. Original sounds from:sound effects obtained from https://www. Zapsplat. Com "herd of pigs grunting and screaming madly" by smartsoundr27-12-heavy splashing in water. Wav by craigsmith on freesound. Org15y08m20_herd_of_horses 01 mixdown 1. Wav by n_audioman on freesound. Org.

Edison yellow paraffin cylinder recording of Arthur Sullivan giving an after-dinner speech at the "Little Menlo" in London. George Gouraud had come to London to demonstrate Edison's "Perfected" Phonograph. Gouraud demonstrated the phonograph to various celebrities in a series of Phonograph Parties in the autumn of 1888 and made recordings of their reactions as messages for delivery to Thomas Edison. Arthur Sullivan (1842-1900) was one of these guests, and it is his speech to Edison that appears here. Length: 1:34 Transcription: “

Minuet in G major (BWV Anh. 114) by Christian Petzold from the Notebook for Anna Magdalena Bach First published: 1725 or before as in https://imslp.org/wiki/Minuet_in_G_major,_BWV_Anh.114_(Pezold,_Christian) Other works on the same theme: https://vimeo.com/42708836 https://www.pianotv.net/2017/03/minuet-in-g-minor-anh-115-tutorial/ Recorded by Millennium bug in May 2019 (synthesiser sound version; see File:Menuet bwv anh 114 115 Anna Magdalena2.wav for piano sound version)

2 lengths of 3 different pitches of this low cinematic squelch bass. Played once with a large reverb and again played dry with no fx. This sound is modeled after the inception movie's large horn blast. It is a low multi-voiced saw wave with a specific ring modulation setting to give it it's effect. This sound is rendered as a 44100 sample rate 16 bit wav file. Made with native instrument's massive inside ableton live 9.

This stereo recording was made on november 23, 2014 in brady, washington. The clip contains a union pacific freight train rolling at moderate speed through a rail crossing. As the train passes a crossing bell can be heard abruptly shutting off. This original recording was made using a zoom h-6 handy recorder with zoom stereo xy microphone. The track was edited in audacity 2. 0. 6. I would greatly appreciate your feedback on the quality of my work and, if you choose to use this in a project, the end use you have in mind. .

This is the final piece for our final project of sound creation laboratory. We have made changes in several ways: erasing redundant information (such as spoken words), filtered a section of the piece in order to make a sense of outside the club or inside the club. We also introduced an echo effect to make the effect of a drunk state. Furthermore, a bed sound has been placed at the final of the piece. This is a good improvement related with the final impression the piece gives to the audience. It's a recreation of tired atmosphere and also of the desire of sleeping.

Ambience of a night in december. It snowed earlier in the day, with freezing rain after. In this you can hear icy trees crackle as they sway in the wind. A block away, motorists are passing by. Some people yell out. A one-note wind chime is dinging, sometimes another wind chime sounds. Some ice falls, and various other little things happen. . . If this is useful to you, go ahead and use it in anything. I'd like to hear what you do with it, so if you can, leave a comment about it.

It is dusk on an autumn evening on the south side of the river thames, a few feet downstream from vauxhall bridge. Innumerable starlings have congregated in a murmuration underneath (in fact inside the fabric of) the bridge to noisily discuss the day before sleep. Overhead, cars and buses thump across the bridge panels, while small groups of city workers, nurses and spies head home or for drinks. All the while the river laps away as an unconscious heartbeat, and is churned up by the thrum of a passing riverboat.

It becomes clear when i record with audacity and can actually see the attack and decay. I’m playing with alm pip slope. With this module you can cv control the attack and decay. As oscillator i use intellijel μvcf in self-oscillation mode. I fm-modulate this filter/oscillator with a tone from uoki-toki polivoks vcf. The semi random trigger is really two triggers connected to an or gate. Pitch is from analogue systems rs-40 (sample/hold and noise). I can listen to this for a looong time. Retro sound.

While recording narration on my blue yeti microphone, the cable came loose in just such a way that it started glitching and converted everything i said into weird techno music. In the radio drama big data, it was used to represent the end of the internet. You are free to use it in any way you like, but it would be super funny if you credit it to "broke yeti" as though that is a real band and help me confuse people.

A clean raw stereo recording of a about a thousand people chatting with each other. Almost no distinct dialogue, but a discerning ear would hear american english and iberian spanish. Recorded in stereo on an h4n. The microphone was positioned on the side of the crowd, but pretty close. Recorded in a big space with huge ceilings--would be suitable for a theatre, auditorium, rally, sports game, etc. , but an experienced editor might be able to make this into an outdoor scene as well. There might be minimal handling noise.

Was cooking a ham steak one night and when poking it with a fork noticed it made some awesomely gross sounds, lol. So, like any astute audio lover, i grabbed my zoom and recorded it! did my best to not rattle the stove or anything on it. I'll put it as creative commons, since who really goes through and credits every single random sound file they downloaded on any given internet scourge? but i'm always interested to see how the sound are used - especially this one ;). Raw, unedited file. Enjoy!.

Test subject is given two types of music to listen to, and asked to describe their difference. The color of the first kind of music is not provided, but the color of the second kind of music is orange. This is possibly a color code for the experiment, but may also be what a person with synesthesia sees when they hear it. The first kind of music is considered as merely "entertainment", hence its descriptionthe second (orange) kind of music, according to the subject, affects our spirit, to which the experimenter says "sure".

After spending a weekend putting together a giant wardrobe (from everyones favourite swedish furniture store) for my girlfriend i thought i should reward myself by making some recordings of it. This is a close mic recording of the sliding door, i followed the top of the door (where there was the most interesting sound) the full length of the wardrobe as i opened/closed the door. For this recording i used my sennheiser mkh416 going into a sound devices mp-1 preamp and recorded to a tascam dr-680.

Dubstep bass: 110 bpm wobble at 1/8th note, half of the samples as a sine lfo and saw lfo descending. Sampled in ableton using massive, compression using psp compressor2. Random presets with lfo settings on key parts, and very little other effects used, mostly so this sample can be re-sampled. 110 bpm so it can be pitched up which is usually better then having to pitch samples down.

Dubstep bass: 110 bpm wobble at 1/8th note, half of the samples as a sine lfo and saw lfo descending. Sampled in ableton using massive, compression using psp compressor2. Random presets with lfo settings on key parts, and very little other effects used, mostly so this sample can be re-sampled. 110 bpm so it can be pitched up which is usually better then having to pitch samples down.

Dubstep bass: 110 bpm wobble at 1/16th note, half of the samples as a sine lfo and saw lfo descending. Sampled in ableton using massive, compression using psp compressor2. Random presets with lfo settings on key parts, and very little other effects used, mostly so this sample can be re-sampled. 110 bpm so it can be pitched up which is usually better then having to pitch samples down.

Dubstep bass: 110 bpm wobble at 1/16th note, half of the samples as a sine lfo and saw lfo descending. Sampled in ableton using massive, compression using psp compressor2. Random presets with lfo settings on key parts, and very little other effects used, mostly so this sample can be re-sampled. 110 bpm so it can be pitched up which is usually better then having to pitch samples down.

Automated/computer controlled plasma cutting torch. Re-processed from open source wikipedia video courtesy of metaveld wijchen bv. Noise reduced, dynamics compressed and high/low frequencies resynthesized. I'm not that big a stickler about receiving credit for the use of my sounds on freesound. As a courtesy, i appreciate it but i do ask people to always credit freesound. Org and if their project ever sees any kind of profit to please consider making a donation to the website. It's a great resource and deserves our support. Good luck with your project.

Mid range field recording of the area in front of the new york times building in new york, taken from opposite the building on the corner of 8th ave and west 40th st. Cars can be heard driving by, horns are honked, brakes are trodden etc. A sweeper vehicle features sometimes. People can rarely be heard, as the recording was done at about 6 am on a saturday morning in march 2012. Recorded with a zoom h2, mics set to 90° dispersion.

Recording #1 of my own shirt flapped, snapped, whipped, waved etc. If you pitch-shift this down (or slow it down) it can sound (imo) indistinguishable from, say, a large flag or large sail being pulled and snapped in the wind. This had recording noise removed, and silences auto-trimmed, with auto-regions from that trimming generated and saved in the file (handy for selecting a sound region easily or exporting regions as a lot of separate sounds). I request but do not demand attribution to me for use of this sound.

A drain after a water flow: the water seems to build up a physical-mechanic surface tension kept mass in the tube, opens and closes this bubble-entity producing a specific rhythm in the plughole resp. The drainage pipe. It pulses with various plops and splashs, starts off with a firework kind of beat but then one hears a differentiated rhythm of 4-strokes sequences with slugs before these etc. Getting slower. Many minutes later it ends (beyond this track). The (hearable) cut is just the censorship of a small abortive piece -- left in to document the recording as recording.