5,956 Royalty-Free Audio Tracks for "Ass"

John Philip Sousa's "The Pathfinder of Panama" (1915) as performed by the United States Marine Band. Track 73 from the band's 2018 album The Complete Marches of John Philip Sousa: Vol. 4 (1899-1916). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Comrades of the Legion" (1920) as performed by the United States Marine Band. Track 91 from the band's 2019 album The Complete Marches of John Philip Sousa: Vol. 5 (1917-1922). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Who's Who in Navy Blue" (1920) as performed by the United States Marine Band. Track 93 from the band's 2019 album The Complete Marches of John Philip Sousa: Vol. 5 (1917-1922). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Stars and Stripes Forever" (1896) as performed by the United States Marine Band. Track 53 from the band's 2017 album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Ancient and Honorable Artillery Company" (1924) as performed by the United States Marine Band. Track 99 from the band's 2020 album The Complete Marches of John Philip Sousa: Vol. 6 (1922-1928). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Boy Scouts of America" (1916) as performed by the United States Marine Band. Track 75 from the band's 2018 album The Complete Marches of John Philip Sousa: Vol. 4 (1899-1916). Conducted by Lieutenant Colonel Jason K. Fettig.

Up High performed by the Concert Band of the United States Air Force Band. Track 30 from Heritage to Horizons (2007).[1] Previously published as track 6 from Such Brave Defenders (2006).[2][3][4]

John Philip Sousa's "March of the Mitten Men" (1923) as performed by the United States Marine Band. Track 97 from the band's 2020 album The Complete Marches of John Philip Sousa: Vol. 6 (1922-1928). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Solid Men to the Front" (1918) as performed by the United States Marine Band. Track 86 from the band's 2019 album The Complete Marches of John Philip Sousa: Vol. 5 (1917-1922). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Glory of the Yankee Navy" (1909) as performed by the United States Marine Band. Track 67 from the band's 2018 album The Complete Marches of John Philip Sousa: Vol. 4 (1899-1916). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Corcoran Cadets" (1890) as performed by the United States Marine Band. Track 39 from the band's 2017 album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Belle of Chicago" (1892) as performed by the United States Marine Band. Track 43 from the band's 2017 album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Man Behind the Gun" (1899) as performed by the United States Marine Band. Track 57 from the band's 2018 album The Complete Marches of John Philip Sousa: Vol. 4 (1899-1916). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Pathfinder of Panama" (1915) as performed by the United States Marine Band. Track 73 from the band's 2018 album The Complete Marches of John Philip Sousa: Vol. 4 (1899-1916). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Pet of the Petticoats" (1883) as performed by the United States Marine Band. Track 20 from the band's 2016 album The Complete Marches of John Philip Sousa: Vol. 2 (1883-1889). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The New York Hippodrome" (1915) as performed by the United States Marine Band. Track 72 from the band's 2018 album The Complete Marches of John Philip Sousa: Vol. 4 (1899-1916). Conducted by Lieutenant Colonel Jason K. Fettig.

La fatal pietra ("Morir! sì pura e bella!") from Verdi's Aïda (1871), sung by Nicola Zerola in 1909. Digital transfer by Tim Ecker, cleanup by Adam Cuerden. This is Victor Matrix C-8493-2, Recorded 17 December 1909 in Camden, New Jersey, and released as Victor 74225. (Full details).

John Philip Sousa's "El Capitan" (1896) as performed by the United States Marine Band. Track 52 from the band's 2017 album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Colonel Jason K. Fettig.

Register Violin demo, played with modulation. You will hear every key. Violin (4') is the same as Viola ('), but one octave higher. This is the famous and well known sound of the Arp/Solina String Ensemble! Data of instrument: Series 76 (Manufacturing year) No. 0131202 Manufactured by B. V. Eminent - Bodegraven - Holland

John Philip Sousa's "Comrades of the Legion" (1920) as performed by the United States Marine Band. Track 91 from the band's 2019 album The Complete Marches of John Philip Sousa: Vol. 5 (1917-1922). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Man Behind the Gun" (1899) as performed by the United States Marine Band. Track 57 from the band's 2018 album The Complete Marches of John Philip Sousa: Vol. 4 (1899-1916). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Charlatan" (1898) as performed by the United States Marine Band. Track 55 from the band's 2017 album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Ancient and Honorable Artillery Company" (1924) as performed by the United States Marine Band. Track 99 from the band's 2020 album The Complete Marches of John Philip Sousa: Vol. 6 (1922-1928). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Hands Across The Sea" (1899) as performed by the United States Marine Band. Track 56 from the band's 2018 album The Complete Marches of John Philip Sousa: Vol. 4 (1899-1916). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "March of the Mitten Men" (1923) as performed by the United States Marine Band. Track 97 from the band's 2020 album The Complete Marches of John Philip Sousa: Vol. 6 (1922-1928). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "March of the Royal Trumpets" (1892) as performed by the United States Marine Band. Track 44 from the band's 2017 album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Who's Who in Navy Blue" (1920) as performed by the United States Marine Band. Track 93 from the band's 2019 album The Complete Marches of John Philip Sousa: Vol. 5 (1917-1922). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Pet of the Petticoats" (1883) as performed by the United States Marine Band. Track 20 from the band's 2016 album The Complete Marches of John Philip Sousa: Vol. 2 (1883-1889). Conducted by Lieutenant Colonel Jason K. Fettig.

Yet another "low, bassy thing". Will sound better once downloaded as the preview function sometimes adds compression artifacts. This one is loopable and might produce a mildly stupefied mental state in some listeners. So if you go and load it into your ipod don't try operating a vehicle or playing with power tools.

This sound is a collection of noises intended to respresent: a blind person's cane, someone trying to crack a safe and a person searching for something - such as in a store room. It was recorded using a shure sm58 and a marantz digital hard drive recorder.

I made this sound with sound forge audition studio and reaper. This is one of four sounds which you can use as lightning spell or anything with electricity in your game. Example and little bit how it was made here https://www. Youtube. Com/watch?v=a7nxvmjslhu.

Sousa's "The High School Cadets" (1890) as performed by the United States Marine Band. Track 40 from the band's album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Col. Jason K. Fettig.

John Philip Sousa's "March of the Royal Trumpets" (1892) as performed by the United States Marine Band. Track 44 from the band's 2017 album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Keeping Step with the Union" (1921) as performed by the United States Marine Band. Track 94 from the band's 2019 album The Complete Marches of John Philip Sousa: Vol. 5 (1917-1922). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Pride of Pittsburgh" (1901) as performed by the United States Marine Band. Track 60 from the band's 2018 album The Complete Marches of John Philip Sousa: Vol. 4 (1899-1916). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Pride of Pittsburgh" (1901) as performed by the United States Marine Band. Track 60 from the band's 2018 album The Complete Marches of John Philip Sousa: Vol. 4 (1899-1916). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The New York Hippodrome" (1915) as performed by the United States Marine Band. Track 72 from the band's 2018 album The Complete Marches of John Philip Sousa: Vol. 4 (1899-1916). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Hail to the Spirit of Liberty" (1900) as performed by the United States Marine Band. Track 58 from the band's 2018 album The Complete Marches of John Philip Sousa: Vol. 4 (1899-1916). Conducted by Lieutenant Colonel Jason K. Fettig.

Monologue ("J'ai atteint le pouvoir suprême" ["Достиг я высшей власти"] de Boris Godounov, interprétée par Fédor Chaliapine Monologue ("I have attained supreme power" ["Достиг я высшей власти"] from Modest Mussorgsky's 1872 opera Boris Godunov, sung by Feodor Chaliapin

The Argentine national anthem performed by the United States Navy Band, specifically the short version often used at international sporting events, such as FIFA soccer games.

Loved the creaky ambience of the station as i passed through there at midnight. Listen for the periodic creaks and moans of the machinery. Don't forget to let me know what you use it for!.

John Philip Sousa's "The Washington Post" (1889) as performed by the United States Marine Band. Track 38 from the band's 2017 album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Semper Fidelis" (1888) as performed by the United States Marine Band. Track 34 from the band's 2016 album The Complete Marches of John Philip Sousa: Vol. 2 (1883-1889). Conducted by Lieutenant Colonel Jason K. Fettig.

Recording inside a moving vehicle as it accelerates. You can use it for free and no need to credit! if you feel like saying thanks with a dollar or two my paypal is billgrip@gmail. Com. God bless!.

Some old floorboards creaking when i press on them. The creaks are clean and interims are almost noiseless so you can chop easily as you please. Recorded with a roland edirol r-09hr and edited in audacity. If you use this sample, please tell me what you did with it below! links are nice too.

In the afternoon of 1st of november, in the center of sao paulo. Thousand of young people, dressed as zombies and skeletons having a crazy party. Binaural recording with soundman okm`s and a h4n. If you want to support my work, please visit:jardinsonore(. )bandcamp(. )comthere you find a lot more.

I made this with iampagan's slimy_flesh cc0 sound as i needed something to draw attention to a centipede i had appearing in my animation and couldn't find anything else that would suit it. It's not the best sound ever (i'm a newbie), but maybe somebody else might have use for it. So 'ere ya go!.

Rubbing a nail directly on a contact mic. This could be suitable layered as a foley sound to serve in place for writing with a pencil, pen, or chalk. If necessary, eq out some top end if it's too metallic sounding or adjust for speed and pitch.

This sound has been created by modifying a voice record of about 3 minutes non-sense talk. Afterwards transformed and modified by many various effects in audacity. Sounds like an alien transmission or digital matrix, transformation kinda thingy. . Feel free to use as you like under public domain.

As usual. . A triple osc was used. I played with the different possibilities. . . Sine, triangle, saw, square waves were used here. It may cause damage on high volume (maybe?). Effects: phaser, reverb. After recording, the entire soundshape was inverted.