134 Royalty-Free Audio Tracks for "Augmented Fifths"

Just augmented fifth in just C scale: E♭ and B.

*Two-hundred-seventh harmonic on C = G♯+. Just: 207 : 128 = 832.18 cents. Limit: 23-limit. MIDI pitch bend: 38,74

*Fifty-first harmonic on C = G♯. Just: 51/32 = 806.91 cents. Equal-tempered: 28/12:1 = 800 cents. Limit: 17-limit. MIDI pitch bend: 27,66

*Pythagorean augmented fifth on C = G♯++ (Ben Johnston's notation). 6561/4096 = 815.64 cents. Limit: 3-limit. MIDI pitch bend: 1,69

*Just augmented fifth on C = G♯. 25:16 = 772.63 cents. Limit: 5-limit. MIDI pitch bend: 31,55

C augmentedΕλληνικά: Η συγχορδία ΝΤΟ αυξημένη

Augmented chord progression: I+ IV. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]

Augmented chord progression: I+#6 IV. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]

Augmented chord progression: I+ IV64. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]

Augmented chord progression: I+64 IV6. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]

*29791th harmonic on C = G+. Just: 29791/16384 = 1035.11 cents. Limit: 31-limit. MIDI pitch bend: 29,107 on M6

Augmented chord progression: I+75 IV. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]

*Augmented unison on C = C♯. Equal-tempered: 21/12:1 = 100 cents. MIDI pitch bend: none Note how the diminished unison is essentially equivalent to the augmented unison.

Created using Sibelius.

Augmented chord progression: V+75 I. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]

Augmented chord progression: I+ vi63. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]

3-12 trichord on C. Augmented chord.

Augmented chord progression: V+65 I. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]

Augmented chord progression: V+43 I63. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]

Seventh augmented fifth chord on C.

Augmented triad on D.

*Augmented eleventh on C = F♯'. Equal-tempered: 218/12:1 = 1800 cents. MIDI pitch bend: none

*Augmented fourth on C = F♯. Equal-tempered: 26/12:1 = 600 cents. MIDI pitch bend: none

♭III+ chord in just intonation. Pitch bend matches intervals.

III+7M chord in C minor.

Undecimal augmented fourth on C (15/11): F↓♯+. 536.95 cents.

Semi-augmented whole tone on C (D#-), 125/108, 253.08 cents.

Augmented triad on C, As MIDI

*Octave, fourth, and just chromatic semitone/Compound just augmented fourth on C = F♯ (Ben Johnston's notation). 50:18 = 1768.72 cents.

Minor ninth augmented fifth chord on C. C E G♯ B♭ D♭.

Just augmented second in just C scale: A♭ and B.

Septimal augmented sixth on C. A♭. 1003.8 cents.

*Diminished fifth on C = G♭. Equal-tempered: 26/12:1 = 600 cents. MIDI pitch bend: none

Parallel fifths from German sixth resolution in Mozart - Symphony K.453.

A mean fifth (sine waves of 300 Hz and 448.6Hz) followed by a wolf fifth (300 Hz and 459.37Hz); intervals occur in quarter-comma meantone temperament.

Augmented dominant seventh chord on C

Augmented major seventh chord on C

Persian scale on C.

*Novendecimal augmented unison on C = C♯. Just: 20:19 = 88.80 cents. Limit: 19-limit. MIDI pitch bend: 53,92 on PU

MIDI rendering of a passage from the madrigal "O voi che sospirate a miglior noti" by Renaissance composer Luca Marenzio (c.1553–1599), bars 35–41. Illustrating a striking use of chromaticism in a progression through the whole en:circle of fifths. MIDI produced with Lilypond.

Ninth augmented fifth chord on C.

*Twenty-third harmonic on C = F♯+. Just: 23/16 = 628.27 cents. Limit: 23-limit. MIDI pitch bend: 6,73

*Hundred-fifty-fifth harmonic on C = D♯. Just: 155:128 = 331.35 cents. Limit: 31-limit. MIDI pitch bend: 4,74

*Just augmented fourth (45th harmonic) on C = F♯+. 45/32 = 590.22 cents. Limit: 5-limit. MIDI pitch bend: 112,60 Midi pitch bend on ~B 112,60 for 590.234375 cents rather than 600.

Just augmented sixth on C. 225:128 = 976.54 cents.

*Classic augmented fourth on C = F♯. 25/18 = 568.72 cents. Limit: 5-limit. MIDI pitch bend: 127,85 on P4

Typical example of horn fifths from the finale of Beethoven's 9th Symphony

Just perfect fifth on G = D. 3:2 × 3:2 = 1403.91 (203.91) cents. Midi pitch bend on 80,64 for 701.953125 cents and 32,65 for 1403.910002 cents.

Melodic perfect fifth descending.

Just perfect fifth below A = D-. 3:2 = 701.96 cents. As MIDI.