1,033 Royalty-Free Audio Tracks for "Augmented Chords"

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C augmentedΕλληνικά: Η συγχορδία ΝΤΟ αυξημένη
Author: Skalk at Greek Wikipedia
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Augmented chord progression: I+75 IV. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]
Author: Hyacinth
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Augmented chord progression: V+75 I. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]
Author: Hyacinth
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Augmented chord progression: V+65 I. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]
Author: Hyacinth
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Augmented chord progression: V+43 I63. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]
Author: Hyacinth
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Seventh augmented fifth chord on C.
Author: Created by Hyacinth (talk) using Sibelius.
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Created using Sibelius.
Author: The original uploader was Hyacinth at English Wikipedia.
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Minor ninth augmented fifth chord on C. C E G♯ B♭ D♭.
Author: Hyacinth
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Ninth augmented fifth chord on C.
Author: Created by Hyacinth (talk) using Sibelius 5.
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Augmented chord progression: I+ IV. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]
Author: Hyacinth
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Augmented chord progression: I+#6 IV. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]
Author: Hyacinth
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Augmented chord progression: I+ IV64. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]
Author: Hyacinth
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Augmented chord progression: I+64 IV6. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]
Author: Hyacinth
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Augmented triad on D.
Author: Hyacinth at en.wikipedia
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♭III+ chord in just intonation. Pitch bend matches intervals.
Author: Created by Hyacinth (talk) 12:40, 18 December 2011 (UTC) using Sibelius 5.
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Fifteenth chord from Perry on C
Author: Hyacinth
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Augmented chord progression: I+ vi63. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]
Author: Hyacinth
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Fifteenth chord from Marpurg on A: A,(C,E,)G,B',D',F',(A"). Resolves to C,E,G,C',E'.
Author: Hyacinth
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*Augmented unison on C = C♯. Equal-tempered: 21/12:1 = 100 cents. MIDI pitch bend: none Note how the diminished unison is essentially equivalent to the augmented unison.
Author: Hyacinth at en.wikipedia
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3-12 trichord on C. Augmented chord.
Author: Hyacinth
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Just augmented fifth in just C scale: E♭ and B.
Author: Created by Hyacinth (talk) 05:43, 6 January 2012 (UTC) using Sibelius 5.
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Augmented chord progression: I+65 IV. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified].
Author: Hyacinth
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Dominant eleventh on F in fifth inversion: B♭CE♭FGA. V11 resolves to I.
Author: Hyacinth
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Major triad on C: C E G. In root position, 1st inversion, 2nd inversion, then at the octave in root position.
Author: Hyacinth
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Dominant thirteenth on F in sixth inversion: DE♭FGAB♭C. V13 resolves to I6.
Author: Hyacinth
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Sixth (A), in red, of a C added sixth chord. Created by Hyacinth (talk) 15:57, 4 July 2010 using Sibelius 5.
Author: Hyacinth at English Wikipedia
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Root, in red, of a C major chord.
Author: Created by Hyacinth (talk) using Sibelius 5.
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Dominant seventh chord on G: G B D F. In root position, 1st inversion, 2nd inversion, and third inversion, then at the octave in root position.
Author: Hyacinth
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viio/V - V - I chord progression. Common in ragtime.
Author: Hyacinth
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Minor chord on A.
Author: The original uploader was Hyacinth at English Wikipedia.
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*Augmented eleventh on C = F♯'. Equal-tempered: 218/12:1 = 1800 cents. MIDI pitch bend: none
Author: Hyacinth (talk)
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*Augmented fourth on C = F♯. Equal-tempered: 26/12:1 = 600 cents. MIDI pitch bend: none
Author: Hyacinth (talk)
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viio7 in G major, on the guitar.
Author: Hyacinth
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Altered major chord on B with diminished seventh (B, D♯, F♯, A♭), equivalent to a minor-minor seventh chord on G♯ (G♯, B, D♯, F♯) Alterierter Akkord mit verminderter Sept Esperanto: Ekzemplo por malsupren aliigita septo
Author: Hyacinth
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Undecimal augmented fourth on C (15/11): F↓♯+. 536.95 cents.
Author: Hyacinth
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Lydian augmented polychord on C: 04689e = C,E,F#,G#,A,B.
Author: User:Hyacinth
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Semi-augmented whole tone on C (D#-), 125/108, 253.08 cents.
Author: Hyacinth
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*Octave, fourth, and just chromatic semitone/Compound just augmented fourth on C = F♯ (Ben Johnston's notation). 50:18 = 1768.72 cents.
Author: Created by Hyacinth (talk) 16:27, 15 December 2009 in Sibelius with midi pitch bend on 54 for 1,768.75 cents rather than 1,770.67. New version a P8 + P4 on 79,86 for 1770.6787109375 cents rather than 1,770.67.
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Just augmented second in just C scale: A♭ and B.
Author: Created by Hyacinth (talk) 05:45, 6 January 2012 (UTC) using Sibelius 5.
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Septimal augmented sixth on C. A♭. 1003.8 cents.
Author: Hyacinth
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Ninth (D), in red, of a C added ninth chord. Created by Hyacinth (talk) 16:46, 4 July 2010 using Sibelius 5.
Author: The original uploader was Hyacinth at English Wikipedia.
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CM13, first inversion = e13(♭9), 2nd inversion = G13... Eventually seven chords along a ladder of thirds. Created by Hyacinth (talk) 14:13, 31 March 2010 using Sibelius 5.
Author: Hyacinth at English Wikipedia
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Minor seventh chord on d (ii7) in C. Created by Hyacinth (talk) 07:23, 14 August 2011 (UTC) using Sibelius 5.
Author: The original uploader was Hyacinth at English Wikipedia.
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Half-diminished seventh chord on supertonic in C minor.
Author: User:Hyacinth
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Minor seventh chord on a vi7 in C. Created by Hyacinth (talk) 07:25, 14 August 2011 (UTC) using Sibelius 5.
Author: The original uploader was Hyacinth at English Wikipedia.
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