137 Royalty-Free Audio Tracks for "Bamboo"

Banging a metal brake drum with a piece of bamboo.

Hitting the metal spokes of a bicycle wheel with a piece of bamboo.

Hitting the metal spokes of a bicycle wheel with a piece of bamboo.

Hitting the metal spokes of a bicycle wheel with a piece of bamboo.

Hitting the metal spokes of a bicycle wheel with a piece of bamboo.

Hitting the metal spokes of a bicycle wheel with a piece of bamboo.

Hitting the metal spokes of a bicycle wheel with a piece of bamboo.

Banging on some metal spokes of a bicycle wheel with a piece of bamboo.

Swinging the pole. Stereo recording made with tascam dr-100.

Bamboo cluster recorded with a jrf contact microphone.

Performed by Harry Macdonough

Performed by Marie Cahill

Enjoy! by: pinball_wiz.

Small bamboo forest, with all the naturel sounds you can expect, birds, insects wind. Recorded with a zoom h6 late in the afternoonmidside mic //raw. Un enregistrement effectué en fin d'après midi dans une petite forête de bamboo an bordure d'une petite route au menu bruits de bambou balayé par le vent des oiseaux des insectes des craquement. Enregistré avec un zoom h6 // ms raw.

Dramatic musical wood drag bounce boat.

Banging a metal trash can with a piece of bamboo.

Snapping a piece of bamboo. Mono recording from shotgun mic and solid state recorder.

Banging a metal trash can lid with a piece of bamboo.

Banging a metal trash can lid with a piece of bamboo.

Cold wind chill created by filtering a recording of some wind thru leaves.

I took a bamboo backstratcher to the cage on my microphone. Recorded with a cad gxl2200 microphone.

Cracking and twisting of a broken piece of bamboo. Mono recording from shotgun mic and solid state recorder.

Sound was made using a bamboo stick. Very useful for light medieval weapons.

Foley (sound effect) for arrows flying by. Used a bamboo stick. Thanks to epicsound for the idea.

Midnight field recording by a paddy field. Spring water fall into a small fish pond thru a bamboo pipe, crickets and frogs sound in the background.

Karinding is a traditional musical instrument from sundanese west java, indonesia, the material of the instrument is made of bamboo and how to use it is blown and vibrated in the mouth.

My bathroom. Settled the lid onto the seat (a bamboo seat) and flushed the toilet. Takes a while for the tank to fill. Recorded with a tascam dr-08.

I've bought this bamboo flute back in a days at the street market in kiev for some cents. It doesn't have certain scale or even clean pitches so has more decorative function in my room, still sounds interesting.

A wind chime with eight metal tones surrounded by a bamboo resonance tube. A1-d2-f2-g2-a2-d3-f3-a3. Ortf wide stereo fieldrecorder: tascam dr-60d mkiimicrophone: 2x røde m5.

A bag of broken glass punched with a bamboo stick. Recorded with a roland r-05, processed with logic x (saturated, eq'd). If you would like to support this channel, please visit: https://ko-fi. Com/gregorquendel. Https://www. Gregorquendel. Com.

This loop was made using a homemade didjeridu. It had an odd dry tone and i made some noises in it with my mouth, then manipulated it all in audacity. Kind of indescribable but hopefully it can be of use to someone. . .

This is a recording of a burmese temple plate bell/gong. My parents bought this instrument for me. It comes from the samples i made whilst making the music for the show 'little leap forward' by horse + bamboo theatre company in 2009.

7 sets of wind chimes, one of bamboo & 6 metal of varying tones & sizes from 18” to 72”, played manually in studio, single track, to simulate a brisk summer breeze on the back deck. Recorded on zoom h4, centered, at 6-feet, in soundwell studio, boise idaho usa.

I did some swishes myself using a spiral hose; i needed them for specific situations in video editing and the bamboo swishes i found here on freesound were too fast and strong. The flexible spiral hose made for some nice and slower swishes; some of the 16 sounds build up a little, some are very fast and strong, some soft and gentle. A whole pack for you to use. Recorded with a tascam dr-05 stereo (the movement always went from left to right); a little noise reduction in audacity.

Recording of my duduk. It's in the key of a, so i played a b3 and pitched it up to c3 with melodyne so it's usable in a sampler or to import as a wavetable in serum or whatever. Because of it's harmonic content, it actually works great as a clean yet relatively translatable sub bass for electronic music. I used it to make a wavetable in serum which works perfectly. The instrument is a double reed woodwind folk instrument from armenia, the reeds are made of a flattened piece of bamboo, and the body is made of the wood from an apricot tree. And it's history dates back to approximately 1200bc. Enjoy!.

This is a quick fire sound i made using qubodup's "swing 25" public domain/cc0 upload on this site. It's a bamboo stick swinging, which i layered and toyed with to get the results here. For those curious, here are the steps. * i took the file into reaper, and slowed the file's playback rate to 31% of the original. * i then duplicated the file three times, for a total of 4 tracks. * track 1 (lowish gas-burner sound):- reverb (drum-room impulse response, a medium-sounding reverb with a slight deadness to it. In free impulse loader reverberate le, stretched impulse to 150% and set attack time to 0. 218s). - eq (-8db bandpass near 200hz, rising back to 0 by the 1k mark. Low-pass applied at 5. 8khz). * track 2 (lowest of sounds, like a bassy gas-burner):- chorus effect. That's it. (specifically acon digital multiply, a free plugin, set to the "romantic" preset). * track 3 (not as low as track 2, but closer to track 2 than 1)- reverb (a large hall impulse response. No adjustments, ie. No increased attack or stretching like for track 1. ). -chorus doubler (free plugin duet, preset: "basic doubler. " same effect as if i had doubled the track and pitched one up 6 cents. ). - chorus (free plugin acon digital multiply, preset: "romantic. "). * track 4 (most flame-thrower, whooshy of tracks. )- reverb (impulse response says "hall medium," but it's a thick, even echo from start to finish. Makes the sound go from its default "whoosh" to a flamethrower noise. - chorus doubler (duet again, preset: basic doubler). - chorus (acon digital multiply, preset: "romantic. "). Master bus:. - compressor (tdr kotelnikov mastering compressor, the free successor to the tdr feedback compressor ii. Preset: punchy. Thresh: -20. 9, soft knee: -1. 5, ratio: 2:0:1, attack: 7. 0 ms, release peak: 70 ms, release rms: 165 ms, makeup: 1. 5 db, output: 2. 0 db. That's it.

The same as my other fire whoosh sound, but i used a hi-pass eq at the 50hz mark to take out some of the "mud. ". --. This is a quick fire sound i made using qubodup's "swing 25" public domain/cc0 upload on this site. It's a bamboo stick swinging, which i layered and toyed with to get the results here. For those curious, here are the steps. * i took the file into reaper, and slowed the file's playback rate to 31% of the original. * i then duplicated the file three times, for a total of 4 tracks. * track 1 (lowish gas-burner sound):- reverb (drum-room impulse response, a medium-sounding reverb with a slight deadness to it. In free impulse loader reverberate le, stretched impulse to 150% and set attack time to 0. 218s). - eq (-8db bandpass near 200hz, rising back to 0 by the 1k mark. Low-pass applied at 5. 8khz). * track 2 (lowest of sounds, like a bassy gas-burner):- chorus effect. That's it. (specifically acon digital multiply, a free plugin, set to the "romantic" preset). * track 3 (not as low as track 2, but closer to track 2 than 1)- reverb (a large hall impulse response. No adjustments, ie. No increased attack or stretching like for track 1. ). -chorus doubler (free plugin duet, preset: "basic doubler. " same effect as if i had doubled the track and pitched one up 6 cents. ). - chorus (free plugin acon digital multiply, preset: "romantic. "). * track 4 (most flame-thrower, whooshy of tracks. )- reverb (impulse response says "hall medium," but it's a thick, even echo from start to finish. Makes the sound go from its default "whoosh" to a flamethrower noise. - chorus doubler (duet again, preset: basic doubler). - chorus (acon digital multiply, preset: "romantic. "). Master bus:. - compressor (tdr kotelnikov mastering compressor, the free successor to the tdr feedback compressor ii. Preset: punchy. Thresh: -20. 9, soft knee: -1. 5, ratio: 2:0:1, attack: 7. 0 ms, release peak: 165 ms, release rms: 165 ms, makeup: 1. 5 db, output: 2. 0 db. That's it.