24 Royalty-Free Audio Tracks for "Basis"

A perfect loop of a three second base sting. Too-tip: in an audio editor; duplicate it over-and-over, it loops perfectly!.

Return to the basis by Soft and Furious

Chime note on C. In chimes, modes 4, 5, and 6 appear to determine the strike tone and have frequencies in the ratios 92:112:132, or 81:121:169, "which are close enough to the ratios 2:3:4 for the ear to consider them nearly harmonic and to use them as a basis for establishing a virtual pitch."[1]

MIDI of "Ut Queant Laxis", an 8th century hymn best known for being the basis for Ut-Re-Mi-Fa-Sol-La, later modified to the familiar Do-Re-Mi-Fa-Sol-La-Ti. Each line begins with a note that moves up the scale from Do to La (Ti not being used in music of that period).

Song "Good morning to all", the basis for the song "Happy Birthday to You". Software 使用ソフト 超録 http://pino.to/choroku/ - for recording 録音用 Audacity http://audacity.sourceforge.net/ - edit & export ogg file 編集とoggファイルの書き出し用 chord コード進行 A -> E -> E -> A A/C# -> DM7 -> Bm7/E -> A

The galop from the operetta Geneviève de Brabant by Jacques Offenbach, transcribed by John R. Bourgeois, and played by the United States Marine Band under Bourgeois's direction. This piece is an instrumental version of the "Gendarmes' Duet", and formed the basis of the "Marines' Hymn".

MIDI of "Ut Queant Laxis", an 8th century hymn best known for being the basis for Ut-Re-Mi-Fa-Sol-La, later modified to the familiar Do-Re-Mi-Fa-Sol-La-Ti. Each line begins with a note that moves up the scale from Do to La (Ti not being used in music of that period).

Alternate Title: The Battle Hymn of the Republic Henry Reed's air is evidence of the folksongs in circulation about John Brown that became the basis for Julia Ward Howe's patriotic hymn "The Battle Hymn of the Republic." His version implies a verse and refrain using essentially the same melodic material, as is the case with "The Battle Hymn of the Republic." Title change: The title appeared in the fieldnotes as "John Brown's a-Hangin' on a Sour Apple Tree." Key: D Meter: 4/4 Strains: 2 (middle-middle, 4-4) Rendition: 1-2-1 Phrase Structure: ABAC A'B'A'C (abcd abef a'b'c'd' abef) Compass: 9

O Tannenbaum, an 1824 German Christmas carol written and with music arranged by Ernst Anschütz using a traditional folk melody as his basis. Performed by the chorus of U.S. Army Band "Pershing's Own", led by Colonel Thomas Rotondi, Jr. (Leader & Commander) and CSM Debra L. McGarity (Command Sergeant Major) c. 2010. This recording includes the first verse in German, followed by an English translation. CSM Debra L. McGarity O Tannenbaum (Mon beau sapin) interprétée par le chœur de l'armée américaine (U.S. Army Band). Basée sur un chant traditionnel allemand, elle est devenue depuis le début du XXe siècle un chant de Noël associé au traditionnel sapin de Noël. Українська: «О ялиночко!» (O Tannenbaum) — німецька різдвяна колядка у виконанні хору армійського оркестру США «Pershing's Own». Эрзянь: "O Tannenbaum" ("О, куз" эли "Роштувань Чувто") конань моры "Pershing's Own" АВШ-нь ушмовиень оркестрась. Моронть юрокс ашти немецень раськень эськоень моро, сон теевсь XX пингеньть ушодомонтень Роштувань ине морокс, кона сюлмазь Роштувань чувтонть марто. العربية: "أغنية O Tannenbaum" (يا شجرة الميلاد) من أداء جوقة الجيش الأمريكي ("Pershing's Own")، وهي مشتقة من أغنية تقليدية ألمانية، أصبحت إحدى أغاني ميلاد يسوع مرتبطةً بتقليد شجرة الميلاد منذ بدايات القرن العشرين. Čeština: "O Tannenbaum", německá vánoční koleda, vzniklá na základě tradiční německé lidové písně se z počátku 20. století v podání amerického armádního sboru "Pershing's Own".

Opening and closing a door. On the basis of the existing here sound /395650/cleaned, lowered the tone, shortened. Used for game.

My air conditioner, recorded with my pcm-m10 field recorder. Used as the basis for many sci-fi and creepy ambient sounds.

A basis for an alarm, made in native instruments massive, using the roughmath ii waveform and modifying it using effects built into massive and into the daw.

The amen break processed very lightly to form a basis for re-sampling and slicing into any form required.

Recordings of 2 nerf guns, the strongarm and modulus recon mkii. Both well put together nerf guns, would be a good basis when creating your own weapon sounds when coupled with other layers.

Electro bass hook progression. Use this as a basis for an electro house track. Add a kick, snare, loop, house leads, fx, whatever you want. Tempo is 128 bpm so download it and get to work!.

A drum loop i made for fun. It seemed pretty good as a basis for experimentation so i made the following track with it:. Https://soundcloud. Com/hugofski/delirium. The delay really makes it pop, i think. Feel free to use it for anything.

This is the ambience of a normal working day. As you can hear, there is normal things happening. Like a telephone going off, writing, typing and all that other stuff that you would probably hear on a normal basis. Actually. . . More like a stereotype.

Thunder storm: this is a very accurate and realistic thunder storm. The great clashes of thunder can be heard accompanied buy the rumbling of the storm. Wind blowing and swooshing paints a beautiful picture. The sharp lightning strikes are very prominent. Recorded with the zoom h6, rode ntg. This is a great ambience to create the basis of an amazing soundscape.

The mitosis pack is a pack generally founded on just 1 beat pattern, the most common dance drum pattern found in techno music and trance. This pack uses the single pattern and expands upon it through various sounds that make the pattern sound different. 001 is the basis of all. Reaktor - arobic was used to mainly create this loop.

This is a "reel" for the make noise morphagene that was used as the basis for the 6 improvised live-looping performances found on the "anagrams" ep by kolyder. ( https://kolyder. Bandcamp. Com/album/anagrams ). It is ready to be used in your morphagene and you are free to use those sounds in whatever way you want. You're also very welcome to record your own "anagram" with it and send it over !.

Czech sentences:cz: "prd krt skrz drn, zprv zhlt hrst zrn. "en: "a mole farted through grass, first swallowing a handful of grain. "cz: "chrt pln skvrn vtrhl skrz trs chrp v čtvrť krč. "en: "a greyhound full of stains burst through a cluster of cornflowers in the neighborhood of krč. ". These are actually not tongue twister for native czech speakers but i can imagine they can appear as such for foreigners. It is very unusual structure - definitely not used in day to day basis nevertheless grammatically legit.

An interesting sound from a house we were staying at. The outdoor exhaust for the clothes dryer made this jet like noise, particularly when the microphone was moved around it. There are some bird and mower noises in the background, but this really just wants to be the basis for some cool sound design jets, whooshes, turbines, etc. Play with it and make something cool. Recorded with a zoom h1n, 24-bit, 48khz, stereo. Cleaned up a bit in izotope rx.

An audio translation of statistics on the current covid-19 pandemic. A sound composition that makes the pandemic tangible on an acoustic level, based on data series and curves. The basis for the auditory presentation of the statistics is provided by pixelsynth, a browser-based synthesiser for generating sounds from images. A cursor scrolls over the monochrome image of a statistic and plays notes when it comes into contact with bright pixels. The audio tracks generated by pixelsynth from the statistics were then recorded in logic pro and individually processed using effects, automations and other synths and sounds. Additional information: the audio is complemented by appropriate animations of the statistics, which cannot be shown here, however.

An actual new production instead of old stuff! made in june of 2020. A dark intro implies the humming engines of the spaceship you're in as you're traveling at speeds unimaginable. Slowly the ship starts to spring to life. As you open your eyes, slow but huge bands of light sweeps across your cryogenic sleeping pod, as if being scanned. The pod starts to move while you're still in it, going through chambers filled with machinery and bleeping computer stations, until it stops in front of a huge closed door. Suddenly, your pod opens up as well as the door. Your eyes are greeted with the majestic sight of a gigantic control room with windows as far as the eyes can see, galaxies fills your field of view, a beautiful synergetic view of the grandeur of space and the hundreds of lights of the control room, welcoming you to a new adventure. 2 simple chords form the basis of a textural composition supplied with sound effects. Plugins used: ni kontakt 5 with atom hub's the planet, doom by sampletraxx, space by rigid audio, ni absynth, and massive vst synths. Extra sound effects: shocking signal and ui designer by sampletraxx, heavily sampled and mangled. Effects: izotope mastering plugins, a bunch of fl studio stock reverb and eq, guitar rig 5, blackhole reverb, replika xt, raum reverb.