8,901 Royalty-Free Audio Tracks for "Bass Ambient"

Example of Albertini bass from Mozart's Sonate Opus KV 331 - Variation 6, measures 13-16 (instead of 13-15 so as to allow an end on the tonic).It seems like Alberti bass, but it isn't!

Equivalent Alberti bass patterns for 4/4 and 3/4 time signatures: 4/4 version.

Typical Walking Bass

Alberti bass in Thomas Attwood's Sonatina in G Major opening.

Equivalent Alberti bass patterns for 4/4 and 3/4 time signatures: 3/4 version.

Lament bass from Vivaldi's motet "O qui coeli terraeque serenitas" RV 631, Aria No. 2. Created by Hyacinth (talk) 22:25, 18 April 2010 using Sibelius 5.

Chromatic fourth: lament bass bassline in Dm (D-C♯-C(♮)-B-B♭-A).

Tonally coherent harmonization from Beethoven's C-Minor Variations (1806).

Typical boogie woogie bassline on 8 bar blues progression in C, chord roots in red.

Standard Walking bass of a Boogie

Example for a simple straightforward walking bass line over a 12-bar blues scheme

The opening of Vth of Beethoven's Seven Variations on "God Save the King" WoO 78 (1804) introduces Alberti bass patterns.

Sixteen-bar progression - repeating variety: third section's first half repeated twice.

Dido's Lament ground bass, m. 1-6. See: File:Dido's_Lament_ground_bass.png

Four on the floor on the bass drum. Created by Hyacinth (talk) 00:21, 6 February 2012 (UTC) using Sibelius 5.

A sic-fi Ambient Track find at soundcloud under my artist name Magnetic Myths

Ambient synth piece in which every musical element is a pitch palindrome. I used it to experiment with some new softsynths I'd just bought - Korg Gadget. My first track for the disquiet junto... More on this 344th weekly Disquiet Junto project (Careful Symmetries: The Assignment: Explore palindromes in musical form) at disquiet dot com.

Richard Temple, the original Mikado, sings "A more humane Mikado" from Gilbert and Sullivan's The Mikado

Double bass drum beat based on a standard rock backbeat pattern with a sixteenth note roll.

Oh, better far to live and die from The Pirates of Penzance

I worked out these 3 variations of the same bass sample, all very deep low frequency. Should be suitable for minimal techno or ambient, and it is useless for small amps, because sound is of very low freq. (format wav, 148khz 16bit stereo).

I worked out these 3 variations of the same bass sample, all very deep low frequency. Should be suitable for minimal techno or ambient, and it is useless for small amps, because sound is of very low freq. (format wav, 148khz 16bit stereo).

I worked out these 3 variations of the same bass sample, all very deep low frequency. Should be suitable for minimal techno or ambient, and it is useless for small amps, because sound is of very low freq. (format wav, 148khz 16bit stereo).

Comments welcome.

Bach's "Crucifixus", B Minor Mass ground bass.

Title: en:Roland MC-202 Creator: Sven Buresch for Wikipedia Description: simple song arrangement using en:Roland's en:MC-202 for the filter hookline, en:SH-101 for the bass and en:TR-808 for drums; no additional effects. Sequencing was done with en:Steinberg en:Cubase SX 2.2; MC-202 and SH-101 had been connected via Harms en:MIDI/CV-Interface, en:TR-808 (Kenton MIDI modified) via Steinberg Midex8. Copyright dispute? Re: MC202 audio exampes Hi. http://en.wikipedia.org/wiki/Image:Mc202example.ogg and http://en.wikipedia.org/wiki/Image:Discobotter.ogg both were written, performed and recorded by myself. I am the copyright owner and I chose to have it PD for Wikipedia as there were no listening examples. If you doubt we can make music at all check out our myspace: [1] - another tune with a 202 on it or go to [2] - loads of noise with 202,303,404's and so on ;)) Hope this helps. Cheers, Sven. --audioschotter.net 13:38, 31 May 2007 (UTC)

( ͡° ͜ʖ ͡°).

Audio of a door opening that produces an interesting bass sound.

Sound for a horror movie.

It sounds as dripping water, i played piano and changed to bass sound after.

Two minutes of dark drone sound.

Alberti bass in the opening of Clementi's Sonatina in G, Op. 36, No. 2.

Hoping this one doesn't have the squeak sounds like with the wav file. My first attempt at ambient guitar. Recorded with my epiphone sg through the walrus slo pedal on 'rise'setting, into the focusrite 2i2 interface and then into reaper. The bass is a squier mini-bass through a behringer bxl1800 amp into the interface and into reaper. I used reverb, eq, compression and pan surround on both instruments. Comments welcome and let me know what you use it for. :-).

Imagine you just landing on an unfamiliar planet, where the local on the planet is just some unpopulated area with a open wide field or jungle. You don't see any one, or anything, but either dust,trees, grass, or a vacant road. While your wondering through this place you also notice that that nightfall is approaching, and you can see the moon and the starts of this planet. This synth patch is just the sound for that, a drone bass synth patch used to create some imaginary audience feel that would lead you or someone to be driven to madness. This patch was made in massive.

Bach C minor Passacaglia ground bass

Ambient bass tone combined with a simple field recording.

Deep down there's a rumbling monster inside. A monster that craves pineapples. No pen, tho.

Folded looped pitched up and down.

This began as a short sample of brown noise created on audacity. I boosted the bass and stretched it out a little with paul's extreme sound stretcher. All very easy but i quite like the result.

Opening of Mozart's piano sonata K545. Created by Hyacinth (talk) 01:48, 31 October 2011 (UTC) using Sibelius.

Recorded with volca fm and microbrute, processed with dod g10 rackmount, digitech rp80 and ableton.

( ͡° ͜ʖ ͡°).

John Bartmann - dusty-membrane-master

John Bartmann - blue-whale-master

John Bartmann - disorient-master

John Bartmann - back-to-bali-master

John Bartmann - auspicious-flutes-master

John Bartmann - bowed-voices-master

John Bartmann - approaching-neverland-master

John Bartmann - fake-vega-master