3,275 Royalty-Free Audio Tracks for "Bass Chorus"

Alberti bass in Thomas Attwood's Sonatina in G Major opening.

Equivalent Alberti bass patterns for 4/4 and 3/4 time signatures: 4/4 version.

Typical Walking Bass

Example of Albertini bass from Mozart's Sonate Opus KV 331 - Variation 6, measures 13-16 (instead of 13-15 so as to allow an end on the tonic).It seems like Alberti bass, but it isn't!

Equivalent Alberti bass patterns for 4/4 and 3/4 time signatures: 3/4 version.

One Horse Open Sleigh chorus.

After You've Gone by Creamer and Layton (1918) chorus, mm.24-43. Nashville number system realization on guitar.

The refrain of "Jingle Bells" by James Lord Pierpont.

Lament bass from Vivaldi's motet "O qui coeli terraeque serenitas" RV 631, Aria No. 2. Created by Hyacinth (talk) 22:25, 18 April 2010 using Sibelius 5.

Chromatic fourth: lament bass bassline in Dm (D-C♯-C(♮)-B-B♭-A).

Tonally coherent harmonization from Beethoven's C-Minor Variations (1806).

Typical boogie woogie bassline on 8 bar blues progression in C, chord roots in red.

After You've Gone by Creamer and Layton (1918) chorus, mm.24-43. Nashville number system realization on guitar.

Standard Walking bass of a Boogie

Bass chorus processed and remixed.

Example for a simple straightforward walking bass line over a 12-bar blues scheme

The opening of Vth of Beethoven's Seven Variations on "God Save the King" WoO 78 (1804) introduces Alberti bass patterns.

Sixteen-bar progression - repeating variety: third section's first half repeated twice.

Four on the floor on the bass drum. Created by Hyacinth (talk) 00:21, 6 February 2012 (UTC) using Sibelius 5.

Dido's Lament ground bass, m. 1-6. See: File:Dido's_Lament_ground_bass.png

Richard Temple, the original Mikado, sings "A more humane Mikado" from Gilbert and Sullivan's The Mikado

Double bass drum beat based on a standard rock backbeat pattern with a sixteenth note roll.

Oh, better far to live and die from The Pirates of Penzance

1st release date: 1936 1st recording date: 26 April 1935 Composer: Georges Bizet (1838-1875) Lyricists: Henri Meilhac (1831-1897) and Ludovic Halévy (1834-1908) Conductor: Franco Ghione (1886-1964) Performer: Beniamino Gigli (Tenor) (1890-1957) and Members of La Scala Orchestra, Milan Work: Carmen (Act 2) Content: Il fior che avevi a me tu dato (See here, thy flow' ret) Music genre: Opera terminology

Bach's "Crucifixus", B Minor Mass ground bass.

Stretched out chorus sample with extra octaves.

Title: en:Roland MC-202 Creator: Sven Buresch for Wikipedia Description: simple song arrangement using en:Roland's en:MC-202 for the filter hookline, en:SH-101 for the bass and en:TR-808 for drums; no additional effects. Sequencing was done with en:Steinberg en:Cubase SX 2.2; MC-202 and SH-101 had been connected via Harms en:MIDI/CV-Interface, en:TR-808 (Kenton MIDI modified) via Steinberg Midex8. Copyright dispute? Re: MC202 audio exampes Hi. http://en.wikipedia.org/wiki/Image:Mc202example.ogg and http://en.wikipedia.org/wiki/Image:Discobotter.ogg both were written, performed and recorded by myself. I am the copyright owner and I chose to have it PD for Wikipedia as there were no listening examples. If you doubt we can make music at all check out our myspace: [1] - another tune with a 202 on it or go to [2] - loads of noise with 202,303,404's and so on ;)) Hope this helps. Cheers, Sven. --audioschotter.net 13:38, 31 May 2007 (UTC)

Alberti bass in the opening of Clementi's Sonatina in G, Op. 36, No. 2.

1st release date: 1932 1st recording date: 18 May 1931 Place of recording: Teatro alla Scala, Milan (Italy) Author(s)/Composer(s): Georges Bizet (1838-1875) Lyricist(s): Henri Meilhac (1831-1897) and Ludovic Halévy (1834-1908) Music arranger(s): none Conductor: Carlo Sabajno (1874-1938) Performer(s): Gabriella Besanzoni (1888-1962), mezzo-soprano, Enrico Spada (1885-?), basso, Nerina Ferrari (1907-?), soprano, Tamara Beltacchi (1898-?), mezzo-soprano and members of the La Scala Theatre Orchestra and Chorus Vocal range: Bass, Mezzo-Soprano, Soprano, choir and orchestra accompaniment Title/Work: Carmen (opera) Content: Part 15: Act 2: Or ben, Pastià desia (Senor Pastia declares) Genre(s): Opera terminology

Bach C minor Passacaglia ground bass

You're a Grand Old Flag, as recorded by the United States Army Europe Band and Chorus.

Opening of Mozart's piano sonata K545. Created by Hyacinth (talk) 01:48, 31 October 2011 (UTC) using Sibelius.

Ｗｏｒｋ　Ｍｕｓｉｃ by Anonymous420

Ｃｏｗｏｒｋ　Ｐａｒｔｙ　Ｔｉｍｅ by Anonymous420

Ｔｉｍｅ　ｔｏ　raise by Anonymous420

ＰＲＥＳＩＤＥＮＴＡＴＯＲ by Anonymous420

Ｓｕｍｍｅｒ™　Ｂｌｕｅｓ by Anonymous420

Ｃｏｒｎｅｒ by Anonymous420

Ｏｖｅｒｔｉｍｅ　Ｍａｔｒｉｘ by Anonymous420

Ｉｎｔｅｒｓｔｅｌｌａｒ　Ｃａｐｉｔａｌｉｓｍ by Anonymous420

Example of figured bass in context. Implied pitches written in small, stemless type above bass voice. Taken from Beschränkt, ihr Weisen, by J.S. Bach. (Riemenschneider no. 47/69.) Final chord added.

Space dance - edm house techno soundtrack film dance music - dj sfx eq mastered.

A sustained synthetic chorus_ah_g#_d#_g#. Mp3.

The Coventry Carol, a sixteenth-century English carol

English lyric for a traditional French carol, sung a cappella

I worked out these 3 variations of the same bass sample, all very deep low frequency. Should be suitable for minimal techno or ambient, and it is useless for small amps, because sound is of very low freq. (format wav, 148khz 16bit stereo).

I worked out these 3 variations of the same bass sample, all very deep low frequency. Should be suitable for minimal techno or ambient, and it is useless for small amps, because sound is of very low freq. (format wav, 148khz 16bit stereo).

I worked out these 3 variations of the same bass sample, all very deep low frequency. Should be suitable for minimal techno or ambient, and it is useless for small amps, because sound is of very low freq. (format wav, 148khz 16bit stereo).

One chorus transforms to another smoothly.

Recorded a chorus session.