19 Royalty-Free Audio Tracks for "Be True"

Different versions of lies.

In this audio i will be giving a brief description of the true-crime case on luka magnotta.

true feelings by ¶RADIO HUMMINGBIRD. ¶sentiments from a time of which we believed it would be the future.

Cars slowly driving round a car park. Petrol and diesel cars can be heard, something that might not be true in a few years :)zoom h5 internal mics.

Smg sound made with another toy gun. Og sound used to be more cartoonish, but after removing the speakers it sounds a lot like a true smg! (+ small reload sound at the end).

The sound can be used with the ben-10 - vehicle force. It is true, this can be a classic fighting scene sound effect to use in the movie. Download it if you can use it in the fighting scenes for grassland transport and vehicles battle and battle at rohan's alley.

A busy morning in the deep woods in mid april. Recorded in the shawnee forest in illinois on april 15th, 2017 using the sound devices 702 and the stereo microphone, audio technica bp4025. A true stereo recording. The migrating birds have arrived from central and south america. This shows how nature sometimes can be quite loud and busy! pretty cool to listen to with good headphones on.

A more dreary version of spooky siren. The intonations of this feel more grimdark, in a sense total tripedation and tension over an event can be felt like the forthcoming of a thunderstorm over a hero illuminating him towards his true path. Reasynth, orilriver and losers filtering plugins were used. I inspired this from half life 2's citadel siren which contained a single trailing notation.

This is a fragment from the aria ah mes amis at a lower pitch and badly performed. Iintend to use it for a coursera homework (audio signal processing for music applications). The intention is to transpose it and simulate a morfing like a falseto to the true key where the tenor hits high c, which i obviously cannot hit, otherwise i wouldn't be taking coursera courses and uploading to freesound. . .

This is a very clean recording (no voices or words that can be made out) of a 737 in flight from inside the passenger cabin. We were seated directly behind the wing. It's just a great recording of what the sound level actually is inside a 737 at altitude. It's a surprisingly low rumble and a true white noise. Enjoy!. - christopher c. Courter.

Alien xxx sent me a “cross modulation challenge”. I have tried to be true to his idea, but added automation, so to speak. Oscillator1 is constantly fm-modulating oscillator2. I vary the frequency of oscillator1 with an lfo. The output of oscillator1 is sent to a) left audio channel and b) in to oscillator2. The output of oscillator2 is fed to oscillator1. The degree of cross fm modulation is controlled by a vca controlled by another lfo. The output of oscillator2 is also sent to right audio channel. As i’m writing this i have just made a theoretical patch on a piece of paper. The result is what you hear. No effects added. Straight out of the modular for better or worse.

A recording of a typical busy, yet peaceful later afternoon sound-scape of a small midwestern town at 5:30pm on a weekday. This was recorded on tuesday may 24th, 2016 using the marantz pmd661 and two sennheiser me66 microphones. . . True stereo recording. You will hear the delightful sound of neighborhood kids playing a friendly - or sometimes not so friendly - game of wiffleball which adds to the reflective nature of this recording. The trilling bird calling towards the end of the recording is the beautiful little, rusty-capped chipping sparrow. These chipping sparrows converge on the midwest around this time and their calls can be mistaken as an insect. Enjoy this summer 2016 recording and maybe it will trigger wonderful, innocent memories of your own childhood.

English spring #gm0017 is the latest free sample pack from gowler music. Recorded in the month of april in the northern english country side, this sample pack features over one hour of ambient nature sounds including bird calls, wind and the occasional airplane overhead. Rather than cutting the raw files into shorter minute-long samples, we’ve decided to leave these samples ‘as is’ to give people more creative control of the content. With only a slight eq tweak and some channel boosting, these samples have been left relatively untouched to give a more realistic, true sound. Perfect for any music producer of film maker looking for real ambient nature sound effects, english spring #gm0017 can be downloaded for free now. Https://gowlermusic. Com/free-sample-pack-english-spring-gm0017/.

This is a reading from the second chapter of "nathaniel's nutmeg: or, the true and incredible adventures of the spice trader who changed the course of history", by giles milton. It is also intended for the freesound sound museum to represent books as what is fading rapidly into obsolescence. By the time you read this, you may not even know what a books is. Books are when the written word is compiled onto sheets of paper in a long-form volume. You may not know what paper is. Paper is commonly used to write on or make oregano cranes with, being flat and thin rectangles made from trees. You probably won't remember what a tree was. That is a very sad thing. They are all gone now, destroyed in feckless deference to paper. When the paper runs out, there will be nothing left to write our collective histories on, what we desperately need. When this occurs, it will stand as the moment our past was truly lost, leaving us lost the same, drifting in circles. Until another man or woman rises up to invent trees again, thus beginning the cycle anew. It's a beautiful idea. We should always be moving towards the future, not lost in syrupy memories of old forests not seen for what they really are: petrified wood and amber. Leave that with the other fossils and relics. Let it be the final page written on the last book until it crumbles to dust. Let it go. The file was recorded using a mid/side stereo technique at 24bits, downsampled to 16bits under the loving care of gaussian dither. The room was treated as best i could to be acoustically pleasing and quiet. I think you will find the noise floor to be particularly well balanced and textured, suitable for post-production tasks, or just for relaxing with at home. .

Noise created by individual oscillators, using audio paint, with different height images, to demonstrate what happens with too few oscillators vs. Plenty. In the end, the result is not random enough to be noise. The first 2-second burst is pure white noise for comparison. Then we have multiple 1-second bursts from audio-paint in a sequence of different image sizes: 50,100,150,200,250,350, 500, 700, 1000, 1350, 1750, 2200, 2700, 3250, 3850, 4500, and 9999 (this corresponds to the number of oscillators). The last burst is longer, and there is 1/2 second gap of silence after the first (reference) burst and before that last (9999) burst. The images other dimension was 20. The spacing of frequencies was exponential, between 40 hz and 18 khz. This is not intended to be useful, just an illustration during a discussion in a forum (http://www. Freesound. Org/forum/sample-requests/35199/?page=2#post75605). As mentioned there, i realized only afterward that exponential spacing would be giving me an approximation to pink noise instead of white noise, so the reference burst at the start is not really a fair comparison. Ideally, i would go back and re-do all this using linear spacing, but that's a lot of trouble. :-) i did, however, change to linear to get a white approximation, but that's a different sound i'll upload separately (c. F. Http://www. Freesound. Org/people/zimbot/sounds/242053/). I don't believe you can get true white noise without at least something being random in your synthesis method.

GILBERT & SULLIVAN: The Yeomen of the Guard (1920) Cast Sir Richard Cholmondely - Robert Radford /Edward Halland Colonel Fairfax - Derek Oldham Sergeant Meryll - Peter Dawson /George Baker Leonard Meryll - Ernest Pike Jack Point - George Baker Wilfred Shadbolt - Robert Radford First Yeoman - Ernest Pike Second Yeoman - Peter Dawson /Robert Radford Elsie Maynard - Violet Essex Phoebe Meryll - Nellie Walker /Ruby Heyl Dame Carruthers - Edna Thornton Kate - Bessie Jones Chorus: Sarah Jones, Walter Glynne, and the soloists George. W. Byng, conductor His Master's Voice 78rpm Album D 481/5, D 496/501 Recorded in London, March 4 - October 2, 1920 Digital transfer by F. Reeder Note that F. Reeder labels his transfer as CC-BY-NC-SA 3.0. The recording is in the public domain, and the transfer does not introduce substantially original material. These transfers are therefore in the public domain in the United States. In jurisdictions where this audio transfer is able to gain its own copyright, these files may be used according to the CC BY-NC-SA 3.0 license.

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A peaceful ambiance of some pine trees in early, early spring. The predominant, lower-pitched background is the strong south wind blowing through the tops of healthy pine trees. . . An unwavering "swooshing" that cuddles and curls around the flexible, thick-resin-filled pine needles. Also, from time to time, you hear the sound of the wind rattling some dead and brown oak leaves; oak leaves which are still stubbornly hanging on to their parent tree. I purposely did only a very bare minimum of post-processing on this sound so as to keep it as realistic as possible. Yes, there are quite a few wind rumbles that i toned down just a little bit. I did not totally get rid of the wind rumbles. I did this on purpose so you the true feeling of " being there " on that mild, but still raw cold day of spring could still be felt. At 4:35 into the soundscape the trilling of a pine warbler is heard---a warble of warm-sounding notes fighting back stubborn winter. At 9:33 that hardy year-round resident, black-capped chickadee starts tweeting about. Recording made on saturday march 25, 2023 using a sound devices mixpre-3 series ii and only one microphone. I used a sennheiser mkh 8070. Enjoy this soundscape of winter slowly losing its grip, as told by pine trees and brown, crackly oak leaves.

No, i cant really describe what this is! but i use a ring modulator. Two audio signals goes in. I guess the side band frequencies goes out??? or?! anyway the original frequencies are also in the mix. So, two audio signal and the result from a diy ring mod. Have to learn more. . . Read below!!! in this sound you are listening to, the result, the ring modulation, carrier signal and modulator signal. After some research. . . I write this for myself. . . Correct me if i'm wrong!!!from youtube (audiocollage)ring modulation is the sum and the differences of the carrier and modulator signal. Feed the ring modulator with 261,626hz and 391,995hz and you get (261,626 + 391,995) 653,621hz and (391,995 - 261,626) 130,369hz. From wikipedia". . . Neither the carrier nor the incoming signal is prominent in the outputs, and ideally, not at all. "". . . In the basic case where two sine waves of frequencies f1 and f2 (f1 < f2) are multiplied, two new sine waves are created, with one at f1 + f2 and the other at f2 – f1. The two new waves are unlikely to be harmonically related and (in a well-designed ring modulator) the original signals are not present. It is this that gives the ring modulator its unique tones. ". Above is true when using pure sine waves! waves with no harmonics. I have a passive diy ring modulator. I guess it's not acting "perfect". . .