2,295 Royalty-Free Audio Tracks for "Bell Sequence"

Chime note on C. In chimes, modes 4, 5, and 6 appear to determine the strike tone and have frequencies in the ratios 92:112:132, or 81:121:169, "which are close enough to the ratios 2:3:4 for the ear to consider them nearly harmonic and to use them as a basis for establishing a virtual pitch."[1]

Annotated musical notation of beginning of refrain from the Christmas carol "Angels We Have Heard on High". Markings illustrate how melodic/harmonic sequence occurs in music.

Melodic sequence in "God Save the King". The pitches of the first line, "Send him victorious," are repeated, but lower, in the second line, "Happy and glorious,".

Page from Thomas Ravenscroft's (c. 1582 – 1635) "Pammelia, Musicks Miscellanie" (1609)

Mozambique primary bell pattern above a rumba clave. A two bell pattern played on the body and rim of a single mambo bell or high and low bongo or cha-cha bells.

author: Wikipit source: self recorded description: This is the "Westminster" and the one o´clock sound of a rod gong from clockwork produced by Kieninger/Germany date: 2005-12-17

Standard bell pattern.

Campana (Spanish: "bell") bell pattern below a 2-3 clave rhythm.

Synthesizer sequence.

Electronic bell sequence remix.

Synthesizer bells processing remix.

An important subtype of the descending 5-6 sequence is the root position variant, also known as the Pachelbel sequence, due to the use of this sequence in Pachelbel's Canon. The Pachelbel sequence changes the first inversion chords in the descending 5-6 sequence to root position chords, resulting in a bass pattern that moves down a fourth, and then up stepwise.

The standard way of filling in this descending thirds pattern is to interpolate a first inversion chord in between each of these descents by thirds. The result is a bass line that moves down continuously stepwise, resulting in a figured bass of '5-6', and therefore, the standard descending 5-6 sequence.

This file has no description, and may be lacking other information. Please provide a meaningful description of this file.

Daisy Bell sung by the DECtalk speech synthesizer. Using v4.61.02 for Windows. In G major at 200BPM, roughly. The input code is as follows: [:phoneme on] [d<40,27> ey<860> z<40,24> iy<860> d<40,20> ey<860> z<40,15> iy<860>] [g<40,17> ih<220> v<40> m<40,19> iy<260> yx<40,20> or<260> ae<300,17> en<300> s<40,20> rr<260> d<40,15> uw<860> _<900>] [ay<860,22> m<40> hx<40,27> ae<810,27> f<30> k<30,24> r<30> ey<860> z<40,20> iy<860>] [ao<200,17> el<100> f<40,19> or<260> dh<40,20> ax<260> l<40,22> uh<560> v<40,24> ax<260> v<40,22> yu<860> _<600,24>] [ih<260,24> tx<40> w<40,25> ow<180> n<40> t<40> b<40,24> iy<260> ax<260,22> s<40> t<40,27> ay<560> l<40,24> ih<220> sh<40> m<40,22> ae<60> ae<100,24> ae<100,22> r<40,20> ih<560> jh<40> _<560,22>] [ay<300,22> k<40,24> ae<520> en<40> t<40,20> ax<260> f<40,17> or<560> d<40,20> ax<260> k<40,17> ae<260> r<40,15> ih<560> jh<40> _<560>] [b<40,15> uh<220> tx<40> yu<560,20> d<40> l<40,24> uh<210> k<30> s<30,22> w<30> iy<260> t<40> _<560,20>] [aa<560,20> en<40> dh<40,24> ax<260> s<40,22> iy<260> t<40> _<260,22>] [ah<150,24> v<40,25> ax<110> b<40,27> ay<260> s<40,24> ih<260> k<40,20> el<260> b<40,22> ih<260> el<260> tx<40> f<40,15> or<250> t<10> t<40> uw<860,20> _<900>]

4 tone sequence using bowl bells.

From The Star-spangled Banner

Star-spangled Banner opening bars

Created with rytmik studio.

6-8 clave in 4-4.

Daisy Bell sung by Edward M. Favor (1856-1936). Edison Phonograph Co.: 1058. Recorded on brown wax cylinder. Original cylinder in collection of John Levin. Spoken introduction removed.

File:Daisy_Bell_sung_by_Edward_M._Favor.ogg, click removal (default settings) and light noise removal (using last 0.5 second as sample, settings 12db/5.0/2 bands) applied in Audacity 3.1.2.

Recamán's sequence depicted as a melody

Uendelighedsrækken (Dutch for "infinity series"), discovered and used by the Danish composer Per Nørgård, in G major. (This example is not composed by or taken from a work of Per Nørgård.) Uendelighedsrækken (Unendlichkeitsreihe), die der dänische Komponist Per Nørgård entdeckt hat und verwendet, in G-Dur. (Dieses Beispiel ist keine Komposition und kein Ausschnitt eines Werkes Per Nørgårds.)

Synth phrase loop made in fl. A try at bells or chimes into a loopable phrase, contemplative or light sadness.

Recording of 6 inch ac bell on 50hz supply. Using akg 451 and matu 828-3 interface. Typcall of bell used for school lesson change. Mic plaaced about 30 cm from bell. On carpet floor.

Bell noise made by placing a salt/pepper shaker's metallic lid on a piece of paper and pushing it into backwash guard on my granite counter top. Recorded with tascam dr-07 mkii handheld device at 16-bit 44. 1khz.

A single jingle bell being shaken while muffled in hand.

Recording of a hand bell being rung. Good for old house pull-type bell etc.

We hear the bell of a buddhist master called zoltán cser. We observe in the sound, the space-filling ability of the sound, and the joy of ringing. Dril-bu (tib) ghan-ta (san) bell (eng) csengő (hun).

Rings 2 times, it's a very nice sound.

A small bell.

Two small, 20mm diameter reindeer bells mixed into single file. Recorded with zoom h1.

A hand bell ringing, different tones, different speeds.

Recording of a school bell.

A deep soundbell,ready looped from start to end. So you can use it to create a pad with it.

Just a bell sound 👍.

A school bell sound made in fl studio.

Bell sound.

Recorded in protools + roland quad capture + akg ck93 mic.

This tollbell is exactly 4 seconds in length. Use this file for creating a sequence of bell strikes. Use original tollbell at end of sequence for long tail at end. This file is 2 bars at 120 bpm.

Holding a metal bell by its tongue, i’m rhytmically shaking it to make this sound. Reminds sleigh bells a bit. Sound of a couple of links joining the tongue to the bell body is prominent. Recorded with redmi note 5 phone, denoised and filtered bogus sub bass in audacity.

After searching the vastness of the interweb for some 6 inch zilbel samples with no luck, i finally decided to record my own bell. Theres 3 versions of 4 single samples each, 4 chokes, 4 medium and 4 hard hits. I know a lot of you out there have been searching for some samples of one of these bells for a long time so here ya go guys, totally free, full to use for whatever you want, no credit needed to be given to me. These sound amazing in a mix and really add a lot of life to your drum tracks, they dont sound over compressed (theyre dry recordings) and they dont over power everything else, nice crisp and clear. Ding away my friends!.

Simple *ting* sound.

Annoying sounds.

Ringing and yelling can be nice or uncomfortable.

Noise of different small bells.

Bells.

Marimba or kind of marimba like synth sequence music phrase looping. Made in fl studio.

Bell sounds three times at different pitches.