849 Royalty-Free Audio Tracks for "Blue"

Kid saying "i'd take my gun and go pew pew pew". Slightly different intonation than the other of the same. Recorded with blue microphone and audacity.

Adoration of the virgin mary, rome, italy, sept 26 2015. Italian men chanting and singing in adoration of mary. Recorded in rome in open air using a blue snowball microphone.

Recorded with my blue yeti usb microphone, cardioid mode. Feel free to use this sound however you like. You don't even have to credit me--although you can if you want to. :). Comments are also welcomed. :).

The sound of my nikon d7100's shutter with 70-300mm lens attached. Recorded with the blue yeti pro with the camera various distances from the mic.

Nightmare Blues Written by Arthur Behim and Frank J. Gillen Performed by Daisy Martin with Tampa Blue Jazz Band Okeh 10" 8013, Side B Matrix Okeh S-70087-C Recorded in August 1921 David Giovannoni Collection

A simple little acoustic guitar lick i came up with. The mood kind of makes me think of a bunch of survivors gathered around a campfire, quietly reflecting on their journey and the hardships they have encountered along the way.

The Huffman Prairie Winds of the United States Air Force Band of Flight perform Bach's "Little" Fugue in G Minor, BWV 578. Track 7 form Blue Skies (1993).

Edison Blue Amberol #3727. Performed by Edward Meeker.

Cycling the bolt on a mosin nagant rfile. The audio is very generic and could be used for any bolt action rifle. Recorded on a blue yeti microphone through audacity at 16bit 44000hz. Attribution appreciated but not required.

My voice, three "moans" slowed down/pitch changed with reverb added to sound like a humpback whale. Might need to use noise reduction for the popping/clicking when you use it. I made this because icouldn't find a good clear whale song.

Actually more of a rhythm synth as opposed to a bassline that i'm using in a song i'm currently working on. This synth is from the blue synth. Enjoy and create. Break through with vision.

This is a short recording of a busy signal i made after attempting to call someone. Naturally, there was someone already on the line. Recorded with blue yeti microphone and audacity.

Date: 29/9/2017location: hamilton, new zealand. Played this piece with a marine band hohner in the key of c. This was recorded using audacity with macbook pro's built-in microphone. I used audacity's noise reduction feature to drown out the noise in thebackground.

Recorded on my blue yeti, slide guitar using can against acoustic guitar. Sounds like someone is losing there mind or disturbed. I'd love to hear how you used it! :).

Used blue snowball to record flapping of thick paper, then sped up and repeated to produce an easily-looped light flapping sound. Originally produced to represent beating fairy wings in an episode of the super legit podcast.

molly was the name of the female voice prompt personality on the blue violet vmx voice mail systems when this "good-bye" was recorded at hewlett-packard in 1993 using a macintosh se-30 and an farralon macrecorder.

Cycling the pump action on a shotgun. The audio is very generic and could even be used for a pistol action cycle. Recorded on a blue yeti microphone through audacity at 16bit 44000hz. Attribution appreciated but not required.

Pinafore airs, Pt. 2 of 4. This four-part cylinder collection covers most of H.M.S. Pinafore's songs, although, sadly, part 3 is missing from the collections I've so far been able to check. This cylinder includes "My gallant crew, good morning", "I am the Captain of the Pinafore", "Sorry her lot" (second verse, beginning "Sad is the hour"), "Over the bright blue sea", and "I am the monarch of the sea" Performers include Elizabeth Spencer, Mary Jordan, Harry Anthony, Walter Van Brunt, James F. Harrison, and William F. Hooley. This is Edison Blue Amberol #1891, also issued as Edison Amberol #820

Mercury, the Winged Messenger from Gustav Holst's planets performed by the Concert Band of the United States Air Force Band. Track 5 from Air Force Blue (2013).

Me walking in my driveway on a rainy night, just put my blue yeti near my feet, and recorded. If you liked this sound & or used it in your own work, feel free to donate to me here! paypal. Me/kb2.

Mouse: razer deathadder essentialrecorded with: blue yeti. License: this file is cc0, so you can do whatever you want with it. You don't even have to credit me. Although it would be nice :). Follow your passion.

An xbox one controller's buttons being pressed and mashed, as though playing an action or fighting game, with clear separations to allow use of a variety of paces and combos. Recorded on blue snowball for the super legit podcast.

A drowsy, warm lazy hot day in mid-summer in the forest of the midwestern usa. As is the case around mid-july, the birds are not singing as much. Perhaps they are just exhausted from raising a family and wilting from the heat. The insect chorus ebbs and flows, like the ocean waves creeping up on the beach, and retreating back. Except, unlike the ocean which never stops moving, the insects will eventually stop singing and hibernate for the winter. I have always loved the sound of propeller-driven planes and their slow, molasses-like sound. That sound has always induced a melancholy touch to the recordings. To me, this drowsing plane symbolizes change -- even though the birds and plants are still in full growth, the end is near. . . In about four more weeks schools will resume, the emphasis for many will turn inward. Leaving the woods to deal with the transition. The droning plane, like ocean waves, symbolize change. . . In several months there woods will be drastically changed. Recording made on july 18, 2022 using sound devices mixpre 6 and the sennheiser mkh 8020 omnidirectional microphone. Enjoy this peaceful ambiance, and hopefully it will trigger some long-past memories for you.

H.M.S. Pinafore performed with the following cast: Willie Rouse (Sir Joseph Porter, K.C.B.) Harry Dearth (Captain Corcoran/Boatswain's Mate) Walter Hyde (Ralph Rackstraw) Harry Thornton (Dick Deadeye) Alfred Cunningham (Dick Deadeye/Boatswain's Mate) W. Anderson (Carpenter's Mate) Elsa Sinclair (Josephine/Cousin Hebe) Ada Florence (Mrs. Cripps, called "Little Buttercup") Miss Burnett (Cousin Hebe) There is some disagreement about who the performers are in various parts, as explained by Mark Shepherd. Not to be confused with the Russell Hunting/Sterling selections from Pinafore dating from the same year and using some of the same performers. The performance cuts the overture, the entr'acte, "A British Tar" and part of the Act I finale. Some portions are transposed from their original keys.

H.M.S. Pinafore, Listing of tracks Overture (Imperial Infantry Band) Selections - Orchestral medley (London Orchestral Band) We sail the ocean blue (Male chorus) I'm called Little Buttercup (Little Buttercup: Ada Florence) A maiden fair to see (Ralph Rackstraw: Walter Hyde) I am the Captain of the Pinafore (Captain Corcoran: Harry Dearth) When I was a lad (Sir Joseph Porter: M. Anderson) --- [Lost] Act I finale Never mind the why and wherefore (Josephine: Ada Florence; Sir Joseph Porter: Ernest Pike; Captain Corcoran: Walter Hyde) Hold, pretty daughter of mine --- He is an Englishman (Captain Corcoran/Boatswain's Mate: Harry Dearth; Ralph Rackstraw: Bernard Turner; Chorus) Farewell, my own (Ensemble)

H.M.S. Pinafore performed with the following cast: Willie Rouse (Sir Joseph Porter, K.C.B.) Harry Dearth (Captain Corcoran/Boatswain's Mate) Walter Hyde (Ralph Rackstraw) Harry Thornton (Dick Deadeye) Alfred Cunningham (Dick Deadeye/Boatswain's Mate) W. Anderson (Carpenter's Mate) Elsa Sinclair (Josephine/Cousin Hebe) Ada Florence (Mrs. Cripps, called "Little Buttercup") Miss Burnett (Cousin Hebe) There is some disagreement about who the performers are in various parts, as explained by Mark Shepherd. Not to be confused with the Russell Hunting/Sterling selections from Pinafore dating from the same year and using some of the same performers. The performance cuts the overture, the entr'acte, "A British Tar" and part of the Act I finale. Some portions are transposed from their original keys.

Acryllic markers being used on masonite wood. Both long and short strokes recorded from different angles. Sounds very exaggerated, similar to cardboard or paper. Could also sound like writing. Recorded with a blue yeti in stereo mode without any processing. Recorded for a promotional video.

Clair de Lune performed by the Wright Brass of the United States Air Force Band of Flight. Track 14 from Blue Skies (1993).

Jingling 2-4 sleigh bells in a couple patterns. Recorded using a blue yeti microphone at 16-bit 48000hz in audacity. I isolated the samples i liked and left a small gap of silence between them for separation later. Attribution appreciated but not required.

Fast writing/scribbling with a pen on paper, on a desk. Opening and closing of the pen, as well as putting the cap on the other side of the pen and removing it. Recorded with a blue snowball on the cardioid setting.

A sound effect i made for my game circlerc. It's been a while since i made this sound, but iirc it was made by slapping a calculator against a pencil case full of stationery in front of a blue snowball microphone. Credit is appreciated but not required.

Engaging the safety of my 9mm taurus g2c. Multi-purpose. Recorded indoors using a blue-yeti microphone. Cleaned in audacity. Free for all personal and commercial use.

Lord, Guard, and Guide (The Air Force Hymn) performed by the Concert Band of the United States Air Force Band. Track 12 from Air Force Blue (2013).

A ceramic mug of tea (or it could be coffee, water, or any liquid) is stirred with a metal spoon. The spoon is clinked against the mug. The mug is set down on a wooden table. This was recorded with a blue yeti, with background noise removed.

Hit two 1/2" metal emt pipes together. Left spaces between sounds of interest. Might be useful for a train crossing signal, a sword fight, or a blacksmith hammer on anvil. Recorded on a blue yeti microphone through audacity at 16bit 44000hz. Attribution appreciated but not required.

In my room opened up audacity grabbing my blue yeti mic and my cup of water and put my mic against my neck and starting recording. Though if you use this sound can you please tell what its gonna be used for. I would very much, like to know.

Car idles, then revs for no other reason but to make a noise. Can't remember what type of car it was, but it was blue and little flames came out of the exhaust. Tascam dr-22wl, internal mics, deadcat. 15hz high pass filter.

Recording of rain outside my house, with mic placed just outside a doorway under a plastic roof. Contains various dripping sounds from droplets coming off the roof and hitting lids of cans, the ground, etc. Recorded with a blue yeti microphone in omnidirectional pickup mode.

Brief field recording of birds in a local park. I believe the bird heard in this clip is a blue jay but i am not certain. Recorded using a tascam dr-40x and noise removal done using audition's default parameters.

A violin bow scraped back and forth on various parts of the neck of my acoustic bass with a little bit of reverb and compression applied, several samples to choose from, and a bit at the end that sounds kind of like a big monster snarling. Recorded with a blue yeti blackout.

My next door neighbor has dogs in his garage and you can hear them im using a condensor mic and bird are very crisp,it goes for about 50 min. I had the mic in the window recorded at basement-production508.

I uploaded a forlorn sounding hound sound, but this is more like it. It's not a racoon, though, it's the fedex truck. My second dog is an oversize pointer, and i'd never once heard him bark. His is the very last, louder, quite different bark at the end.

John Philip Sousa's "Who's Who in Navy Blue" (1920) as performed by the United States Marine Band. Track 93 from the band's 2019 album The Complete Marches of John Philip Sousa: Vol. 5 (1917-1922). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Who's Who in Navy Blue" (1920) as performed by the United States Marine Band. Track 93 from the band's 2019 album The Complete Marches of John Philip Sousa: Vol. 5 (1917-1922). Conducted by Lieutenant Colonel Jason K. Fettig.

These are some remixes of hello_flowers, the ones here are all the screaming pack hit with some major reverbcut in audacity, tone and pitch taken down and multiplied compressed,and run through d. Blue glitch, (mainly a stretcher a pass a crush andthen a gate etc. ) there are also some pads made from massive.

Large ship 40 metres long boat with engines running. M/v blue horizon, operating in the red sea. The engines shut down about 1 min in leaving the sound of the power generator and air conditioning. Recorded with a contour+2 camera.

Ringing of a small metal bell. Recorded using a blue yeti microphone at 16-bit 44100hz in audacity. Used audacity's noise removal filter to to remove background noise. For this file, i isolated the samples i liked and left a small gap of silence between them for separation later. Attribution appreciated but not required.

Slight to heavy rainfall on my backyard deck in the suburbs, couple of thunder sounds. Unedited sounds. Recorded with a blue yeti microphone using audacity, microphone was set on my floor next to a open patio door. Sound recorded on the 30th of may 2017 in quebec, canada. . Wav format.

My upstairs neighbor sometimes likes to rhythmically stomp on their floor. I recorded their stomping with low gain and then with high gain, from the living room of my apartment. You'll likely need to perform some noise reduction, especially on the high gain stomps. This was recorded with a blue yeti mic.

This was my first recording using my snowball blue microphone. This is my cat tabby purring. I split the audio files apart. So i'll get several small files for a single recording. So my descriptions might be repeated sometimes. Rough ratingssound quality: 3 volume: 2recorded at 01/03/2020 18:53:29.