849 Royalty-Free Audio Tracks for "Blue"

Kelli's Number by U.S. Army Blues

Twelve bar blues in B, block chords. Created by Hyacinth (talk) 09:25, 17 December 2010 using Sibelius 5.

Seconds Blues by Mymanteus The Archmage

Clay and River's collaboration on a bit of blues.

This 1920 record is the first commercial recording of blues music by an African-American singer: "Crazy Blues" was composed by Perry Bradford for Mamie Smith in 1920, and sold a million copies in its first year.This is Okeh-4169 (7529 take C) Эрзянь: This 1920 record is the first commercial recording of blues music by an African-American singer: "Crazy Blues" was composed by Perry Bradford for Mamie Smith, and sold a million copies in its first year. Crazy Blues – blues w wykonaniu Mamie Smith z 1920 roku.

Recording of "Royal Garden Blues" by Mary Stafford and Her Jazz Band, from the original 78rpm disk

Walk That Dog by U.S. Army Blues

Masturbation Blues by Monplaisir

Dance Of The Stargazer by U.S. Army Blues

Not On The Bus by U.S. Army Blues

Well end blues by Monplaisir

Dirty shoes blues by Loyalty Freak Music

This is one is blues beat from my hyper mega blues pack. This one is free. You can check the rest of the bues samples here :. Https://sonoiz. Com/release/hyper-mega-blues-pack/.

Echo Blues Effect by Anonymous420

Performed by Isham Jones

Example for a simple straightforward walking bass line over a 12-bar blues scheme

The most common or standard 12-bar blues progressions variations, in C.(Benward & Saker 2003, 186). Created by Hyacinth (talk) 06:08, 14 July 2011 (UTC) using Sibelius 5.

The most common or standard 12-bar blues progressions variations, in C.(Benward & Saker 2003, 186). Created by Hyacinth (talk) 06:08, 14 July 2011 (UTC) using Sibelius 5.

The most common or standard 12-bar blues progressions variations, in C.(Benward & Saker 2003, 186). Created by Hyacinth (talk) 06:08, 14 July 2011 (UTC) using Sibelius 5.

The most common or standard 12-bar blues progressions variations, in C.(Benward & Saker 2003, 186). Created by Hyacinth (talk) 05:08, 14 July 2011 (UTC) using Sibelius 5.

Original Dixieland Jazz Band: "Saint Louis Blues" (1921)

Don't Care Blues (10 inch) - Mamie Smith and Her Jazz Hounds

Blues scale consists of a: tonic, minor 3rd, perfect 4th, diminished 5th, perfect 5th, and minor 7th.

Sixteen-bar progression - repeating variety: third section's first half repeated twice.

This is an improvised boogie-woogie blues chord progression, with both hands playing the rhythm, and another hand playing the unusual chords.

Written by Charlie Poole (1892-1930). Performed by Charlie Poole (vocals, 5 string banjo), Posey Rorer (fiddle), Roy Harvey (guitar).

My mates blues guitar solo attempt.

Roy Harvey performs the traditional old-time song "Milwaukee Blues" Roy Harvey singt das traditionelle Old-Time-Lied "Milwaukee Blues"

The traditional blues song Keep Your Lamp Trimmed and Burning, performed by Blind Willie Johnson (vocals and guitar) and his first wife (vocals)

Performed by Richard (Rabbit) Brown.

Performed by Mississippi John Hurt.

Performed by Blind Lemon Jefferson.

Free song to use for film, ads youtube intros etc fun experimenting with new combinations of instruments and styles little bit blues little bit reggaeton little bit of surprise smoething for everyone. Please remember to credit if you use in your production!!.

This is the sound of a concert at the new orleans house of blues as it bounced off the wall of the building behind it.

Don't You Grieve (Digital ID: afcss39 2664b2)

Livery Stable Blues by the Original Dixieland Jass Band, recorded on 26 February 1917. It was released on the Victor label on 7 March 1917, and was the first released jazz recording. 78 RPM, transferred to .ogg from a .mp3 file from The Internet Archive. Die erste kommerzielle Jazz-Aufnahme: Livery Stable Blues, der Original Dixieland Jass Band, von 1917. Le premier enregistrement commercial de jazz : Livery Stable Blues en 1917, par l’Original Dixieland Jass Band. Italiano: La prima registrazione commerciale di musica Jazz: Original Dixieland Jass Band, Livery Stable Blues, del 1917 Norsk nynorsk: Jazz-songen «Song from a Cotton Field» av Bessie Brown

Livery Stable Blues by the Original Dixieland Jass Band, recorded on 26 February 1917. It was released on the Victor label on 7 March 1917, and was the first released jazz recording. 78RPM, transferred to .ogg from a .mp3 file from The Internet Archive.

The traditional Columbus Stockade Blues by Moon Mullican, King Records 1948 Das Traditional Columbus Stockade Blues von Moon Mullican, King Records 1948

Performed by Andrew And Jim Baxter.

Short sound-bite of boogie riff.

Performed by The New Lost City Ramblers.

Me playing the first 3 notes of "worried man blues".

Standard Walking bass of a Boogie

Folk song: "Lost Train Blues"

Slow blues shuffle, first attempt recording with RiffWorks

Short sound-bite of lead guitar boogie riff.

B.C. Williamson's hit song, 'Believe Her 'Till I Leave Her'

A heartbeat sound i made, complete with some gurgling, blood-rushing sounds. Just uploaded a version without the gurgling, in case you prefer the way that sounds. To make this, i took a kick-drum sample and a snare-drum sample, and made a loop of kick-snare, kick-snare, kick-snare, over and over. After that, i eq'd out the more drum-like parts of each sample, added reverb to dull it, a chorus plugin and some compression to remove some of the drums' attack. . . Basically processed the hell out of them. To get the blood gurgling sound, i filled a water-bottle almost all the way full and turned it sideways, so i had a massive air-bubble floating around. I then tilted the bottle back and forth in front of my blue yeti usb condenser mic, so you could hear the air-bubble swishing. I had to be pretty gentle, because if you rock the horizontal bottle too much, the bubble moves too fast and makes a fake-sounding "gloomp. ". When i was happy with it, i mixed the heartbeat sound and the gurgling sounds so they'd work well together. Both the sounds were in mono, so i used a free plugin called wok ms-t on both of them to create a fake hard-panned stereo effect. I wanted it to sound like you'd been running, and were hearing the heartbeat in your ears. I think it turned out pretty cool. .

Please rate if you like this sound :). This is my voice. I was trying to recreate a similar sound to those of the shrieking nazgul creatures in lord of the rings. They are referred to as different things but overall a creepy, evil, raspy, breathy type screeching sound. I created this with a type of practiced scream on a blue yeti usb condenser microphone. I recorded in audacity and added some reverb, fade in, and fade out. It was originally for a video game voice over audition. I also have the original with no fx if needed. My example/inspiration were the creatures in lord of the rings, fellowship of the ring. They are also called the fell riders and the black wings (when they ride the fell beasts), as well as the shadows, the servants of sauron, and the nine servants of the lord of the rings. The orcs of the tower of cirith ungol call them shriekers. I download from this site often, so i thought i would return the favor :). Feel free to contact me with any other requests!. Apparitions beast black-wings cirith creatures creepy demon evil fellbeasts fell-riders ghosts ghoul halloween hell horror lord-of-the-rings monster nazgul nine-servants orcs sauron scary sci-fi screaming screeching shadow shriekers spooky ungol wraiths halloween.

New York Blues, a "Rag Classical" for accordion composed and performed by Pietro Frosini. Record format: Edison Diamond Disc Matrix number: 4998-B-1-6 Recording date: 1916 Release number: 50454-L Release date: February 1918 NPS object catalog number: EDIS 41040 Aufnahme der Ragtime-Komposition "New York Blues" aus dem Jahr 1916, gespielt auf dem Akkordeon von Pietro Frosini Македонски: Снимка на регтајм-композицијата New York Blues („Њујоршки блуз“). Пјетро Фрозини на армоника (1916).