32 Royalty-Free Audio Tracks for "Bruce"

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A female voice saying, "welcome, master bruce. ".
Author: Say.My
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00:06
A record of me (d3x5n1p3r) imitating batman.
Author: Xxx Dxnpr Xxx
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00:09
V of V in C, four-part harmony. Bruce Benward and Marilyn Nadine Saker (2003). Music: In Theory and Practice, Vol. I, seventh edition: p.269. ISBN 978-0-07-294262-0.
Author: Hyacinth
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02:36
Bombasto performed by the Concert Band of the United States Air Force Band of the Rockies. Track 5 from Footlifters! (1998).[1] Recorded Feb. and June 1998, Pikes Peak Center, Colorado Springs, CO. H. Bruce Gilkes, conductor; Gena R. Stuchbery, associate conductor.[2]
Author: Composition: Orion R. Farrar; Performance: United States Air Force Band of the Rockies, Concert Band; Recording: United States Air Force
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02:31
St. Julian performed by the Concert Band of the United States Air Force Band of the Rockies. Track from Footlifters! (1998).[1] Recorded Feb. and June 1998, Pikes Peak Center, Colorado Springs, CO. H. Bruce Gilkes, conductor; Gena R. Stuchbery, associate conductor.[2]
Author: Untitled
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00:57
Go Falcons performed by the Concert Band of the United States Air Force Band of the Rockies. Track 6 from Footlifters! (1998).[1] Recorded Feb. and June 1998, Pikes Peak Center, Colorado Springs, CO. H. Bruce Gilkes, conductor; Gena R. Stuchbery, associate conductor.[2]
Author: Composition: N/A; Performance: United States Air Force Band of the Rockies, Concert Band; Recording: United States Air Force
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03:30
Gloria performed by the Concert Band of the United States Air Force Band of the Rockies. Track from Footlifters! (1998). Recorded Feb. and June 1998, Pikes Peak Center, Colorado Springs, CO. H. Bruce Gilkes, conductor; Gena R. Stuchbery, associate conductor.[1][2][3][4]
Author: Composition: Frank H. Losey; Performance: United States Air Force Band of the Rockies, Concert Band; Recording: United States Air Force
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03:06
National Emblem performed by the Concert Band of the United States Air Force Band of the Rockies. Track 8 from Footlifters! (1998).[1] Recorded Feb. and June 1998, Pikes Peak Center, Colorado Springs, CO. H. Bruce Gilkes, conductor; Gena R. Stuchbery, associate conductor.[2]
Author: Composition: Edwin Eugene Bagley; Performance: United States Air Force Band of the Rockies, Concert Band; Recording: United States Air Force
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02:46
March Grandioso performed by the Concert Band of the United States Air Force Band of the Rockies. Track 7 from Footlifters! (1998).[1] Recorded Feb. and June 1998, Pikes Peak Center, Colorado Springs, CO. H. Bruce Gilkes, conductor; Gena R. Stuchbery, associate conductor.[2]
Author: Composition: Roland F. Seitz; Performance: United States Air Force Band of the Rockies, Concert Band; Recording: United States Air Force
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02:44
The Washington Post performed by the Concert Band of the United States Air Force Band of the Rockies. Track 12 from Footlifters! (1998).[1] Recorded Feb. and June 1998, Pikes Peak Center, Colorado Springs, CO. H. Bruce Gilkes, conductor; Gena R. Stuchbery, associate conductor.[2]
Author: Untitled
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02:54
King Cotton performed by the Concert Band of the United States Air Force Band of the Rockies. Track 16 from Footlifters! (1998). Recorded Feb. and June 1998, Pikes Peak Center, Colorado Springs, CO. H. Bruce Gilkes, conductor; Gena R. Stuchbery, associate conductor.[1][2][3]
Author: Untitled
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04:08
The Chicago Tribune performed by the Concert Band of the United States Air Force Band of the Rockies. Track 11 from Footlifters! (1998).[1] Recorded Feb. and June 1998, Pikes Peak Center, Colorado Springs, CO. H. Bruce Gilkes, conductor; Gena R. Stuchbery, associate conductor.[2]
Author: Untitled
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02:27
Adjutant's Call and "Men of Ohio" performed by the Concert Band of the United States Air Force Band of the Rockies. Track 1 from Footlifters! (1998).[1] Recorded Feb. and June 1998, Pikes Peak Center, Colorado Springs, CO. H. Bruce Gilkes, conductor; Gena R. Stuchbery, associate conductor.[2]
Author: Composition: Henry Fillmore; Performance: United States Air Force Band of the Rockies, Concert Band; Recording: United States Air Force
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03:45
The Stars and Stripes Forever performed by the Concert Band of the United States Air Force Band of the Rockies. Track 21 from Footlifters! (1998). Recorded Feb. and June 1998, Pikes Peak Center, Colorado Springs, CO. H. Bruce Gilkes, conductor; Gena R. Stuchbery, associate conductor.[1][2][3]
Author: Untitled
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00:54
Falcon Fight (the United States Air Force Academy fight song) performed by the Concert Band of the United States Air Force Band of the Rockies. Track 10 from Footlifters! (1998).[1] Recorded Feb. and June 1998, Pikes Peak Center, Colorado Springs, CO. H. Bruce Gilkes, conductor; Gena R. Stuchbery, associate conductor.[2]
Author: Untitled
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01:53
America the Beautiful performed by the Singing Sergeants of the United States Air Force Band. Track 14 from Finding North (2019). Selections recorded November 2018 at Hylton Memorial Chapel in Woodbridge, VA. Credits: Co-producer – Brandon Hults (tracks: 2nd Lt. Brandon Hults), 1st Lt. Philip Emory* Engineer [Senior Recording Engineer], Mixed By, Mastered By – Bruce Leek Executive Producer – Larry H. Lang (tracks: Colonel Larry H. Lang) Music Director, Conductor [Enlisted] – Master Sgt. Taylor Armstrong* Producer [Assistant] – Master Sgt. Benjamin Park* Production Manager [Chief] – Chief Master Sgt. Ryan Carson*
Author: Composition: Samuel A. Ward; Arrangement: Chief Master Sgt. (Ret.) Michael Davis; Lyrics: Katharine Lee Bates; Performance: United States Air Force Band, Singing Sergeants; Recording: United States Air Force
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05:41
Away in a Manger (jazz rendition) performed by the Airmen of Note of the United States Air Force Band. Track 10 from Christmas Time is Here (1998). Recorded at the Center For The Arts, George Mason University, January 24-27, 1998. Credits: Alto Saxophone – Technical Sergeant Andy Axelrad* Alto Saxophone [Lead] – Senior Master Sergeant Joe Eckert* Baritone Saxophone – Master Sergeant Don New* Bass – Master Sergeant Paul Henry* Bass Trombone – Master Sergeant Dudley Hinote* Directed By – Chief Master Sergeant Peter C. BarenBregge* Drums – Senior Master Sergeant C. E. Askew* Engineer [Assistant] – Master Sergeant Kendall Thomsen* Engineer, Edited By – Bruce Leek Guitar – Technical Sergeant Shawn Purcell* Layout [Graphic] – Master Sergeant Dudley J. Hinote*, Master Sergeant Judith J. Thompson*, Technical Sergeant Robert K. McConnell* Liner Notes – Chief Master Sergeant Peter C. BarenBregge* Mixed By – Senior Master Sergeant Mike Crotty*, Chief Master Sergeant Peter C. BarenBregge* Percussion – Master Sergeant Pat Shrieves* (tracks: 2, 4 to 11) Piano – Master Sergeant Wade Beach Jr.* Producer – Senior Master Sergeant Mike Crotty*, Chief Master Sergeant Peter C. BarenBregge* Tenor Saxophone – Senior Master Sergeant Saul Miller Jr.* Tenor Saxophone [Lead] – Chief Master Sergeant Pete BarenBregge* Trombone – Technical Sergeant Jeff Martin* Trombone [Assistant Lead] – Technical Sergeant Ben Patterson* Trombone [Lead] – Master Sergeant Joe Jackson* Trumpet – Master Sergeant Rich Sigler*, Technical Sergeant Tim Leahey* Trumpet [Assistant Lead] – Master Sergeant Dave Detwiler* Trumpet [Lead] – Master Sergeant Bruce Gates* Vocals – Master Sergeant Tracey Wright*
Author: Composition: James Murray; Arrangement: TSgt Alan Baylock; Performance: United States Air Force Band, Airmen of Note; Recording: United States Air Force
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Good King Wenceslas and His Merry Band performed by the Airmen of Note of the United States Air Force Band. Track 1 from Christmas Time is Here (1998). Recorded at the Center For The Arts, George Mason University, January 24-27, 1998. Credits: Alto Saxophone – Technical Sergeant Andy Axelrad* Alto Saxophone [Lead] – Senior Master Sergeant Joe Eckert* Baritone Saxophone – Master Sergeant Don New* Bass – Master Sergeant Paul Henry* Bass Trombone – Master Sergeant Dudley Hinote* Directed By – Chief Master Sergeant Peter C. BarenBregge* Drums – Senior Master Sergeant C. E. Askew* Engineer [Assistant] – Master Sergeant Kendall Thomsen* Engineer, Edited By – Bruce Leek Guitar – Technical Sergeant Shawn Purcell* Layout [Graphic] – Master Sergeant Dudley J. Hinote*, Master Sergeant Judith J. Thompson*, Technical Sergeant Robert K. McConnell* Liner Notes – Chief Master Sergeant Peter C. BarenBregge* Mixed By – Senior Master Sergeant Mike Crotty*, Chief Master Sergeant Peter C. BarenBregge* Percussion – Master Sergeant Pat Shrieves* (tracks: 2, 4 to 11) Piano – Master Sergeant Wade Beach Jr.* Producer – Senior Master Sergeant Mike Crotty*, Chief Master Sergeant Peter C. BarenBregge* Tenor Saxophone – Senior Master Sergeant Saul Miller Jr.* Tenor Saxophone [Lead] – Chief Master Sergeant Pete BarenBregge* Trombone – Technical Sergeant Jeff Martin* Trombone [Assistant Lead] – Technical Sergeant Ben Patterson* Trombone [Lead] – Master Sergeant Joe Jackson* Trumpet – Master Sergeant Rich Sigler*, Technical Sergeant Tim Leahey* Trumpet [Assistant Lead] – Master Sergeant Dave Detwiler* Trumpet [Lead] – Master Sergeant Bruce Gates* Vocals – Master Sergeant Tracey Wright*
Author: Composition: traditional; Arrangement: SMSgt Mike Crotty; Performance: United States Air Force Band, Airmen of Note; Recording: United States Air Force
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08:36
December Makes Me Feel This Way ("Joy to the World") performed by the Airmen of Note of the United States Air Force Band. Track 6 from Christmas Time is Here (1998). Recorded at the Center For The Arts, George Mason University, January 24-27, 1998. Credits: Alto Saxophone – Technical Sergeant Andy Axelrad* Alto Saxophone [Lead] – Senior Master Sergeant Joe Eckert* Baritone Saxophone – Master Sergeant Don New* Bass – Master Sergeant Paul Henry* Bass Trombone – Master Sergeant Dudley Hinote* Directed By – Chief Master Sergeant Peter C. BarenBregge* Drums – Senior Master Sergeant C. E. Askew* Engineer [Assistant] – Master Sergeant Kendall Thomsen* Engineer, Edited By – Bruce Leek Guitar – Technical Sergeant Shawn Purcell* Layout [Graphic] – Master Sergeant Dudley J. Hinote*, Master Sergeant Judith J. Thompson*, Technical Sergeant Robert K. McConnell* Liner Notes – Chief Master Sergeant Peter C. BarenBregge* Mixed By – Senior Master Sergeant Mike Crotty*, Chief Master Sergeant Peter C. BarenBregge* Percussion – Master Sergeant Pat Shrieves* (tracks: 2, 4 to 11) Piano – Master Sergeant Wade Beach Jr.* Producer – Senior Master Sergeant Mike Crotty*, Chief Master Sergeant Peter C. BarenBregge* Tenor Saxophone – Senior Master Sergeant Saul Miller Jr.* Tenor Saxophone [Lead] – Chief Master Sergeant Pete BarenBregge* Trombone – Technical Sergeant Jeff Martin* Trombone [Assistant Lead] – Technical Sergeant Ben Patterson* Trombone [Lead] – Master Sergeant Joe Jackson* Trumpet – Master Sergeant Rich Sigler*, Technical Sergeant Tim Leahey* Trumpet [Assistant Lead] – Master Sergeant Dave Detwiler* Trumpet [Lead] – Master Sergeant Bruce Gates* Vocals – Master Sergeant Tracey Wright*
Author: Composition: George Frederick Handel; Arrangement: TSgt Alan Baylock; Performance: United States Air Force Band, Airmen of Note; Recording: United States Air Force
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Tournament Galop performed by the Rampart Winds of the United States Air Force Academy Band. Track 1 from Golden Door (2003). Recorded November 5-8, 2001 at Sunrise United Methodist Church, Colorado Springs.[1] Credits: Administrator [Rampart Winds NCOIC], Clarinet [Rampart Winds] – Scott Richardson (9) Bassoon [Rampart Winds] – Alex Vieira (3) Coordinator [Production Assistant] – Sandra Tiemens Design Concept – Chris Hureau Engineer [Assistant], Coordinator [Production] – Douglas M. Huggins* Engineer, Mixed By, Edited By – Bruce Leek Executive-Producer, Administrator [Commander] – Philip C. Chevallard Flute [Rampart Winds] – Cheryl White (2) Horn [Rampart Winds] – Mark Firks Liner Notes – Scott Richardson (9) Oboe [Rampart Winds] – Sarah Balian Producer, Administrator [Deputy Commander] – Matthew S. Henry
Author: Composition: Louis Moreau Gottschalk; Transcription: Sarah Balian; Performance: United States Air Force Academy Band, Rampart Winds; Recording: United States Air Force
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106bpm, 8 bar loop we created for our on road bruce project.
Author: Cheeseymofodude
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00:10
Taken from a our on road bruce project, made to go along with a slap base line. Mixed nicely.
Author: Cheeseymofodude
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00:10
Taken from a our on road bruce project, made to go along with a slap base line. Mixed nicely.
Author: Cheeseymofodude
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00:10
Taken from a our on road bruce project, made to go along with a slap base line. Mixed nicely.
Author: Cheeseymofodude
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8 bar loop used in our on road bruce project. Mixed nicely and can be used in various styles and genres.
Author: Cheeseymofodude
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00:10
Taken from a our on road bruce project, made to go along with a slap base line. Mixed nicely.
Author: Cheeseymofodude
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Taken from a our on road bruce project, made to go along with a slap base line. Mixed nicely.
Author: Cheeseymofodude
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00:04
This is a true stereo, absolutely unmodified file, the sound of a funny lummox admiring the intonation of bruce lee. I did not say it sounded like mr. Lee, whose memory i respect.
Author: Nuncaconoci
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Silly sound of my husband saying watah, similarly to bruce lee. Also co sidered a ninja sound.
Author: Robynnninjah
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00:02
The initial coughing for when bruce is in the poison cloud in our new pc pixel-art game grow big (or go home).
Author: Killianm
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00:29
Ok, i don't know how many of you might be interested in this, but i figure there's no harm in posting it. I'm working on some original songs. Laptop-based, electronic songs, with many orchestral parts, including violin, viola, cello, and string bass. Presonus studio one has some very nice vst string instruments, and i have some really great ones for kontakt. But they all are missing one thing, and i couldn't find the (admittedly esoteric) sound that i'm looking for anywhere on the internet. Being a viola player myself, i recorded myself playing these very particular incidental sounds. Let me explain-. There's this 'grabby' sound that a well-rosined bow makes just is it is first being drawn across the string. Listen carefully to any of the pros and you'll hear it. In your laptop sequences, if used subtly, right at the point where the first note of a phrase is initiated, this sound can give the string part a marked sense of realism*. This, combined with vibrato, reverb and a nice warm/tube/tape saturation setting, nobody will be able to tell the difference between your vst and the real thing. About the audio-i tried to keep them as pitchless as possible, thus not limiting their utility. I recorded two sets of all four open strings (c, g, d, a), first close mic'ed, and once from a few feet away, in stereo. Or to say it another way, the sounds are as follows-1. Open c close2. Open g close3. Open d close4. Open a close5. Open c far6. Open g far7. Open d far8. Open a far. It's totally overkill for me to record all the different versions, but i suppose somebody out there might find one more appropriate than another for their purposes. They work pretty effortlessly for violin and viola, but you might have to pitch them down for cello and string bass. I added no processing whatsoever, apart from normalizing each individual sound. Aiff, recorded at 44/16. Nady scm-2090 stereo condenser mic, focusrite saffire pro 24 interface, recorded in logic. Not the quietest room, but these sounds will be so far down in the mix that it won't matter. Free for all to download, no attribution necessary. Http://www. Freesound. Org/people/bruce%20burbank/sounds/220917/. As an example, here's the part i'm working on that motivated me to record these sounds, with the grabby sound in place. See if you can spot the three times i used it. *pro tip- much the same way i'll insert an inhale breath right before horn or oboe phrases.
Author: Bruce Burbank
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