162 Royalty-Free Audio Tracks for "Carl"

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Sveriges Radios folkmusikinspelningar. Dokumentatör: Matts Arnberg (Q5559459) Radiotjänsts ursprungliga produktionsnummer: M57/10.719:1:5
Author: Untitled
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01:58
Wax cylinder recording of "Kham Hom", or "Sweet Words", performed by a Siamese (Thai) theater group visiting Berlin, Germany. Recorded by Carl Stumpf, saved in the Berlin Phonogramm-Archiv.
Author: Traditional song
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01:58
Jingle Bells by the Million Dollar Quartet, 1956. On the piano seems to be Jerry Lee Lewis, Carl Perkins on lead guitar and W.S. Holland on drums. Jingle Bells vom Million Dollar Quartet, 1956.
Author: James Pierpont
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01:37
Sveriges Radios folkmusikinspelningar. Hälsinglands- och Härjedalsresan 1960 Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: MT 60/249:1:1 Hänvisning till tryckt/skriftlig källa: Svenska Låtar, Östergötland, nr. 296
Author: Untitled
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03:20
Label: Parlophone (Carl Lindström Company) Cat. no.: P-9317 Order number: 20932 Matrix/StamperID: 2-20932 1st release date: 1929? 1st recording date: 23 November 1928 Place of recording: Carl Lindström AG, SO.33, Schlesische Straße 26, Berlin (German Reich) Author(s)/Composer(s): Franz Schubert (1797-1828) Lyricist(s): Alfred Maria Willner (1859-1929) and Heinz Reichert (1877-1940) Music arranger(s): Heinrich Berté (1857-1924) Conductor(s): Walter Sieber (unknown birth/death date) Performer(s): Parlophon choir with soloists and large orchestra; Soloists:Ilse Wald (1898-?), Elisabeth Kühnlein (unknown birth/death date) and Hans Clemens (1890-1958) Vocal range: various Title/Work: Das Dreimäderlhaus (House of the Three Girls) (operetta) Content: Act 4: Potpourri - Part 2 Genre(s): Operetta terminology Comments: RCM and ELP
Author: Untitled
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01:13
Wax cylinder recording of the Thai Royal Anthem ("Phleng Sansoen Phra Barami") performed by Boosra Mahin Theater Group, a Siamese (Thai) theater group visiting Berlin, Germany. Recorded by Carl Stumpf, saved in the Berlin Phonogramm-Archiv. There is a copy of this phonograph cylinder recordings in Thailand preserved by The First Antique Phonograph & Gramophone Museum in Thailand, directed by Mr. Pluethipol Prachumphol. This is the oldest recording of the Thai Royal Anthem. More information are available at http://www.t-h-a-i-l-a-n-d.org/talkingmachine/boosra_mahin/index.html ไทย: เพลงสรรเสริญพระบารมี บรรเลงดนตรีไทยโดยคณะละครนายบุศย์มหินทร์ (บุศย์ เพ็ญกุล) บันทึกเสียงในกระบอกเสียงไขผึ้งยี่ห้อเอดิสัน นับเป็นการบันทึกเสียงเพลงสรรเสริญพระบารมีของไทยที่เก่าแก่ที่สุดเท่าที่มีการค้นพบ เพลงนี้ได้บันทึกเสียงเมื่อคณะละครนายบุศย์มหินทร์เดินทางไปเปิดการแสดง ณ กรุงเบอร์ลิน ประเทศเยอรมนี เมื่อวันที่ 24 กันยายน พ.ศ. 2443 (ค.ศ. 1900) บันทึกเสียงโดย ดร. คาร์ล สตัมฟ์ (Carl Stumpf) แห่งมหาวิทยาลัยกรุงเบอร์ลิน กระบอกเสียงดังกล่าวนี้ปัจจุบันได้มีการเก็บรักษาไว้อย่างดีที่ Berlin Phonogramm-Archiv มหาวิทยาลัยกรุงเบอร์ลิน สำเนากระบอกเสียงดังกล่าวในประเทศไทยได้มีการอนุรักษ์ไว้ที่พิพิธภัณฑ์เครื่องเล่นกระบอกเสียงและหีบเสียงไทย กรุงเทพมหานคร ไฟล์เสียงดังกล่าวนี้ ผู้อัปโหลดได้รับอนุญาตจากผู้อำนวยการพิพิธภัณฑ์เครื่องเล่นกระบอกเสียงและหีบเสียงไทยให้อัปโหลดเพื่อการศึกษาและเป็นสาธารณะประโยชน์แล้ว สำหรับข้อมูลเพิ่มเติม สามารถศึกษาได้ที่ http://www.t-h-a-i-l-a-n-d.org/talkingmachine/boosra_mahin/index.html
Author: Boosra Mahin Theater Group
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Label: Parlophone (Carl Lindström Company) Cat. no.: P 9116 Order number: 20258 Matrix/StamperID: 2-20258 1st release date: 1927? 1st recording date: 5 May 1927 Place of recording: Carl Lindström AG, SO.33, Schlesische Straße 26, Berlin (German Reich) Author(s)/Composer(s): Giuseppe Verdi (1842-1898) Lyricist(s): Francesco Maria Piave (1810-1876) based on a Spanish drama, Don Álvaro o la fuerza del sino (1835), by Ángel de Saavedra, 3rd Duke of Rivas (1791-1865), with a scene adapted from Friedrich Schiller's Wallensteins Lager. Conductor(s): Frieder Weissmann (1893-1984) Performer(s): Orchester der Staatsoper Berlin, Meta Seinemeyer (1895-1929) Vocal range: operatic soprano with orchestra Title/Work: La forza del destino (opera) Content: Sono giunta! Grazie, o Dio! (Aria di Leonora) Genre(s): Opera terminology Comments: RCM and Reloop
Author: Untitled
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02:37
Label: Parlophone (Carl Lindström Company) Cat. no.: P 9118 Order number: 20200 Matrix/StamperID: 2-20200 1st release date: 1927? 1st recording date: 30 March 1927 Place of recording: Hochschule für Musik, Berlin (German Reich) Author(s)/Composer(s): Franz von Suppé (1819-1895) Lyricist(s): Karl Costa (1832-1907) Conductor(s): Fritz Zweig (1893-1984) Performer(s): Orchester der Staatsoper Berlin Vocal range: instrumental Title/Work: Leichte Kavallerie (operetta) (Light Cavalry) Content: Ouverture - Part 2 Genre(s): Operetta terminology Comments: RCM and ELP
Author: Untitled
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Attempting to define the relentless nature of the human collective unconsciousness. Sorry carl gustav, i couldn't resist ;). . .
Author: Jim Bretherick
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This historic "flute clock" (orgeluhr) is a precious mechanical clock, with a small organ is combined. Given time to hear music from a pen-driven roller. Flötenuhrbaues the heyday was the late 18th out century. Flute clocks were built for affluent, culturally sophisticated circles, educated people with appropriate art and music understanding. The finest pieces built in vienna and berlin. Easier flute watches were up to about 1850 in large quantities in the black produced. They played for entertainment in guest houses. Several well-known composers wrote works specially for this instrument, as george frideric handel, carl philipp emanuel bach, haydn, antonio salieri, wolfgang amadeus mozart or ludwig van beethoven. Flute watches with great restrictions than their recorded music era to consider it forced the composer to be exact instructions in execution ornamentation and tempo. The coupling of wind plant and roll can be traced back to minimum tempos and makes historical flute clocks so interesting for issues of historical performance practice. Record with tascam hd-p2 and beyerdynamic mce82soundsystem: pro tools le.
Author: Ohrwurm
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A flötenuhr (also orgeluhr) is a precious mechanical clock, with a small organ is combined. Given time to hear music from a pen-driven roller. Flötenuhrbaues the heyday was the late 18th out century. Flute clocks were built for affluent, culturally sophisticated circles, educated people with appropriate art and music understanding. The finest pieces built in vienna and berlin. Easier flute watches were up to about 1850 in large quantities in the black produced. They played for entertainment in guest houses. Several well-known composers wrote works specially for this instrument, as george frideric handel, carl philipp emanuel bach, haydn, antonio salieri, wolfgang amadeus mozart or ludwig van beethoven. Flute watches with great restrictions than their recorded music era to consider it forced the composer to be exact instructions in execution ornamentation and tempo. The coupling of wind plant and roll can be traced back to minimum tempos and makes historical flute clocks so interesting for issues of historical performance practice. Recorded at "deutsches musikautomaten museum bruchsal"recording: tascam hd-p2 and beyerdynamic mce82;soundsystem: pro tools le.
Author: Ohrwurm
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