28 Royalty-Free Audio Tracks for "Restored"

Created with bfxr.

From really bad snare to improved sound with serious amount of eq-ing,compression and synth white noise.

Large symphony orchestra restoring just before rehearsal.

polyphon - mechanical music machinehttp://de. Wikipedia. Org/wiki/polyphon_(musikautomat)this instrument is standing in the technik museum speyer in germany. It is restoring from maestro gotthard arnold and sina hildebrand from fachstette. Dethe music is older than 100 years and no gema-fees are to pay.

Orchestrion popper roland is building in leipzig, gemany. Now it ist standing in the technik-museum speyer. Restored from maestro gotthard arnold from fachstaette. Demusic is free from gema-fees -recording: tascam hd-p2 and beyerdynamic mce82soundsystem: pro tools le. .

Ancient drum loop sequenced by me c. A. 1995 in protracker. Smth like 5th module sequenced in my life. Not bad as for 13 y. O. Kid. Not bad at all!. Loop restored in flstudio by adding part of spectrum cut by sampling with low sampling frequency. 44100hz, 16bit restoration of 16khz, 8bit sample. 125bpm.

A flötenuhr (also orgeluhr) is a precious mechanical clock, with a small organ is combined. Given time to hear music from a pen-driven roller. Flötenuhrbaues the heyday was the late 18th out century. Flute clocks were built for affluent, culturally sophisticated circles, educated people with appropriate art and music understanding. The finest pieces built in vienna and berlin. Easier flute watches were up to about 1850 in large quantities in the black produced. They played for entertainment in guest houses. Several well-known composers wrote works specially for this instrument, as george frideric handel, carl philipp emanuel bach, haydn, antonio salieri, wolfgang amadeus mozart or ludwig van beethoven. Flute watches with great restrictions than their recorded music era to consider it forced the composer to be exact instructions in execution ornamentation and tempo. The coupling of wind plant and roll can be traced back to minimum tempos and makes historical flute clocks so interesting for issues of historical performance practice. Recorded at "deutsches musikautomaten museum bruchsal"recording: tascam hd-p2 and beyerdynamic mce82;soundsystem: pro tools le.

A restored version of "E Scherzo Od E Folia" (track 37) here

A digitally restored version of Crystal Palace Handel Festival of 1888-06-29, recorded by Col. George Gouraud on Edison's yellow paraffin cylinder. Over 2000 pops and crackles were removed to bring out more of the original recording.

Somewhat restored version of a 36-second wax cylinder recording of what is thought to be Whitman's voice reading the first four lines of his poem "America".

Wax cylinder recording made in 1889 by Otto von Bismarck; the only known record of his voice. Restored in January 2012 by The Cylinder Archive (www.cylinder.de)

Very, very refreshing and delicious sound effect. Sound of hot water being poured for a cup of tea, coffee, or hot chocolate. Its tea time.

The Lost Chord (1877) by Arthur Sullivan and Adelaide Anne Procter, sung by Reed Miller for Edison Records in 1913 This is Edison Blue Amberol #2106, which is a reissue of Edison 4-minute Amberol #202

Enrico Caruso and Nellie Melba singing the duet "O soave fanciulla" from Giacomo Puccini's 1896 opera La bohème. It was recorded in New York on 24 March 1907 (Victor C4326 95200) – http://victor.library.ucsb.edu/matrixDetail.php?id=200006039

The Lost Chord (1877) by Arthur Sullivan and Adelaide Anne Procter, sung by Reed Miller for Edison Records in 1913 This is Edison Blue Amberol #2106, which is a reissue of Edison 4-minute Amberol #202

Scheherazade, Symphonic Suite, Op. 35. Violin solo by Naoum Blinder. Recorded March 3 & 4, 1942 in the War Memorial Opera House in San Francisco. Victor DM-920. Transferred and restored from the original 78 set.

The Song to the Moon (Lieblicher Mond, or, in the original, "Měsíčku na nebi hlubokém") from act 1 of Antonín Dvořák´s Rusalka (1901, Op. 114), sung by Emmy Destinn (Ema Destinnová). Conducted by Walter B. Rogers. This is Victor 88519, Matrix C-14757-3. Full details

Scheherazade, Symphonic Suite, Op. 35. The San Francisco Symphony Orchestra conducted by Pierre Monteux. Violin solo by Naoum Blinder. Recorded March 3 & 4, 1942 in the War Memorial Opera House in San Francisco. Victor DM-920. Transferred and restored from the original 78 set.

Scheherazade, Symphonic Suite, Op. 35. The San Francisco Symphony Orchestra conducted by Pierre Monteux. Violin solo by Naoum Blinder. Recorded March 3 & 4, 1942 in the War Memorial Opera House in San Francisco. Victor DM-920. Transferred and restored from the original 78 set. La suite symphonique Shéhérazade Shéhérazade , de Nikolai Rimsky-Korsakov, Op. 35: I. La mer et le vaisseau de Simbad, interprétée par l'orchestre symphonique de San Francisco dirigé par Pierre Montreux avec Naoum Blinder en premier violon. Enregistrement des 3 et 4 mars 1942 à l'opéra du Mémorial de la Guerre à San Francisco.

Restored vintage ericsson telephone. Recorded with se rn1 and sound devices 664.

Restored 1929 model a ford truck starting up. The vehicle was used as a bookmobile in everett, washington from 1929 to 1950.

Restored 1929 model a ford truck, engine running. The vehicle was used as a bookmobile in everett, washington from 1929 to 1950.

Restored 1929 model a ford truck shifts from first to second gear. The vehicle was used as a bookmobile in everett, washington from 1929 to 1950.

This is the horn from a 1929 model a ford truck, used as a bookmobile in everett, wa from 1929 to 1950. The vehicle has now been restored.

Favorite airs from The Mikado (music by Gilbert and Sullivan, 1885) was a 1914 production by Edison Records, performed by the Edison Light Opera Company. This was one of several phonograph cylinders put out by Edison Records (and, no doubt, others) that attempted to encapsulate an entire opera or musical in about four minutes generally, they consisted of a bit of the opening chorus, a verse or two from one or two of the songs, then a bit of the Act II finale. This one is not atypical. The cast is not given, but in the 1913 recording of Pinafore, also by the Edison Light Opera Company, the following singers were featured: Elizabeth Spencer, Mary Jordan, Harry Anthony, Walter Van Brunt, James F. Harrison, and William F. Hooley The only copy of the recording I had to work from was not particularly high quality, and, though I think I managed to clean it up fairly well, I had to leave some of the background noise in, or the singers start to sound unnatural since cleanup of static does, by necessity, remove some information as well. By removing clicks and pops, then blending a noise-reduced track with the one just cleaned of the clicks and pops, good results can be achieved. Notes This was Edison Blue Amberol #2179, which was a reissue of Edison 4-minute Amberol #465. Songs All songs are heavily abridged: Overture (first few seconds) A wand'ring minstrel I Three little maids from school are we Tit-willow (On a tree by a river) Act II Finale: "For he's gone and married Yum-Yum" and "The threatened cloud has passed away" The full text of The Mikado is available on English Wikisource: s:The Mikado.

This mechanical music machine is standing in the "technik-museum speyer" (germany). The instruments are restored by maestro gotthard arnold and sina hildebrand from fachstaette. Dethe original music-recording is older than 100 years and free from gema-fees.

The sound of a restored cast-iron pump, located beside the church in a berkshire village, which is still being used to draw water. We hear the squeaking of the pump and the splashing of the water into a large metal container. Sony psm-10.

Ambience from the old city museum in baku. The dialog in the local language azeri describing the ancient past giving the silk road caravans safe passage over the caspian sea. The museum is original restored buildings in the city walls with amazing natural reverberation captured on the olympus ls10.