329 Royalty-Free Audio Tracks for "Chamber"

The Obvious Reference by Hyena Spareib Chamber Ensemble

National anthem of Uzbekistan (chamber orchestra)

The national anthem of Antigua, "Fair Antigua, We Salute Thee", performed by the US Navy Band

Perfect for adding a great oboe stadium sound once panned wide.

Kling, Glöckchen, Kling! performed by the Chamber Winds of the United States Air Forces in Europe Band. Track 5 from A Holiday Sampler (2000).

The President's Own United States Marine Chamber Orchestra performs Max Bruch's Kol Nidrei, Op. 47 on March 3, 2013 at the Rachel M. Schlesinger Concert Hall and Arts Center in Alexandria, Va.

Sound of electrical components with a high eco, ambient sound that could match for a tense situation like anybody hidding in a building. Recorded with a zoom h2 in pompeu fabra's univesity, barcelona.

Overture to Mozart's 1786 opera The Marriage of Figaro by NTNU Chamber Philharmonic.

Tone row with Schoenberg's initials preceded by remaining four notes.

Grieg's Suite for Strings, Op. 40, From Holberg’s Time I. Praeludium performed by the United States Marine Band. Maj Jason K. Fettig, conducting. Performed by the Marine Chamber Orchestra on Aug. 17, 2013, at the Rachel M. Schlesinger Concert Hall and Arts Center at Northern Virginia Community College in Alexandria, Va.

Grieg's Suite for Strings, Op. 40, From Holberg’s Time V. Rigaudon performed by the United States Marine Band. Maj Jason K. Fettig, conducting. Performed by the Marine Chamber Orchestra on Aug. 17, 2013, at the Rachel M. Schlesinger Concert Hall and Arts Center at Northern Virginia Community College in Alexandria, Va.

Grieg's Suite for Strings, Op. 40, From Holberg’s Time II. Sarabande performed by the United States Marine Band. Maj Jason K. Fettig, conducting. Performed by the Marine Chamber Orchestra on Aug. 17, 2013, at the Rachel M. Schlesinger Concert Hall and Arts Center at Northern Virginia Community College in Alexandria, Va.

Grieg's Suite for Strings, Op. 40, From Holberg’s Time III. Gavotte-Musette-Gavotte performed by the United States Marine Band. Maj Jason K. Fettig, conducting. Performed by the Marine Chamber Orchestra on Aug. 17, 2013, at the Rachel M. Schlesinger Concert Hall and Arts Center at Northern Virginia Community College in Alexandria, Va.

Grieg's Suite for Strings, Op. 40, From Holberg’s Time IV. Air performed by the United States Marine Band. Maj Jason K. Fettig, conducting. Performed by the Marine Chamber Orchestra on Aug. 17, 2013, at the Rachel M. Schlesinger Concert Hall and Arts Center at Northern Virginia Community College in Alexandria, Va.

Title/Work: Trumpet Concerto in E Flat Content: - Genre(s): Chamber music Author(s)/(Composer(s): Joseph Haydn (1732-1809) Music arranger(s): none Lyricist(s): none Performer(s): Philharmonia Orchestra; Trumpet: Harry Mortimer (1902-1992); Organ: Reginald Foort (1893-1980) Conductor: George Weldon (1908-1963) Place of recording: EMI Studio No. 1, Abbey Road, London (United Kingdom) 1st release date: 1949 1st recording date: 19 June 1946

Danse Profane, L 103, pt. 2, performed by the United States Marine Chamber Orchestra with Major Jason K. Fettig, conducting, MSgt Karen Grimsey, harp soloist on Aug. 14, 2010, at the Rachel M. Schlesinger Concert Hall and Arts Center at Northern Virginia Community College in Alexandria, Virginia. Claude Debussy. Danse Profane, L 103, pt. 2, interprétée par l'Orchestre de chambre des Marines des États-Unis avec le Major Jason K. Fettig, chef d'orchestre, MSgt Karen Grimsey, harpiste soliste, le 14 août 2010, au Rachel M. Schlesinger Concert Hall and Arts Center du Northern Virginia Community College à Alexandria, Virginie.

1st release date: April 1928 1st recording date: 1926 Place of recording: London (United Kingdom) Author(s)/Composer(s): Wolfgang Amadeus Mozart (1756-1791) Performer(s): Budapest String Quartet 1st Violin: Emil Hauser (1893–1978) 2nd Violin: Imre Pogany (1893–1975) Viola: István Ipolyi (1886–1955) Cello: Harry Son (born Henri Mozes Son) (1880–1942) Vocal range: instrumental Title/Work: String Quartet No. 17 in B-flat major, K. 458 Content: 3rd Movement: Adagio (1st Record) Genre(s): Chamber music

Danse sacrée, L 103, pt. 1, written by w:Claude Debussy, performed by the United States Marine Chamber Orchestra with Major Jason K. Fettig, conducting, MSgt Karen Grimsey, harp soloist on Aug. 14, 2010, at the Rachel M. Schlesinger Concert Hall and Arts Center at Northern Virginia Community College in Alexandria, Virginia. Македонски: Свештен танец (L 103), I дел од Клод Дебиси. Deux Danses pour harpe et orchestre, część 1. Danse sacrée L. 103/1 Claude’a Debussy’ego w wykonaniu Orkiestry Kameralnej Korpusu Piechoty Morskiej Stanów Zjednoczonych pod dyrekcją mjra Jasona K. Fettiga i st. sierż. Karen Grimsey solo na harfie. Claude Debussy. Danse sacrée, L 103, pt. 1, interprétée par l'Orchestre de chambre des Marines des États-Unis avec le Major Jason K. Fettig, chef d'orchestre, MSgt Karen Grimsey, harpe soliste le 14 août 2010, au Rachel M. Schlesinger Concert Hall and Arts Center du Northern Virginia Community College à Alexandria, Virginie.

Background white noise recorded at a computer test lab. Constant drone with no beeps or clicks. This was recorded outside a large chamber, there's another recording where i place the mic inside the big chamber.

Its mufo in a efects chamber.

12 gauge shotgun having chamber opened and closed.

Originally recorded/edited for my game project.

Cocking back the chamber of an automatic shotgun.

Watch out for the mummies.

A cloud of vapor erupts into the chamber. Created for the iron realm podcast.

Background white noise recorded inside an rf shielded chamber on a rack in a computer test lab. Constant drone with no beeps or clicks. A bit cleaner sounds when the door is shut perhaps useful for your sci-fi project?.

The sound of a chamber spinning and a shotgun cocking. Made by a nerf gun.

A few quick slides up a cello, in a large, empty chamber (an old bank vault).

A rather creepy sound created by "playing" a guitar with an iron bow and sending it through a long reverb chamber.

Rock and Pop A layering of chamber music and electric guitar that is at times both somber, and driving. Source: Brian.Boyko@netqos.com - Brian Boyko

Background white noise recorded at a computer test lab. Constant drone with no beeps or clicks.

A bicycle ringing sound recorded in an anechoic chamber with a condenser microphone, 2010, hyunjoo chung, nara hahn, keunwoo choi, hyun-woo koh, at seoul national university, applied acoustics laboratory.

A bicycle ratchet sound recorded in an anechoic chamber with a condenser microphone, 2010, hyunjoo chung, nara hahn, sang-bae chon, keunwoo choi, hyun-woo koh, at seoul national university, applied acoustics laboratory.

Sound of turning pages of harry potter and the chamber of secrets.

Flicking the lighter, sparking the lighter, inhaling the bong, bubbling, exhaling, clearing chamber, placing bowl back into the glass, exhaling the smoke.

Here's a little sound design experiment i did using chopped up samples of me and my friend messing about , i then put us in the king,s chamber of the great pyramid in giza , check out the reverbs !.

I made this as jump point for another sound for a foley project for a movie. This was made using a number of chain dog leashes and my mxl mic along with an echo chamber affect in my sound editing software.

The putipu'ù is a percussion instrument used in neapolitan folk music and, generally speaking in the folk music of much of southern italy. (an alternative name is "caccavella". ) the name putipù is onomatopoeia for the "burping" sound the instrument makes when played. The instrument consists of a membrane stretched across a resonating chamber, like a drum. Instead of the membrane being stuck, however, a handle is used to compress air rhythmically within the chamber. The air then spurts audibly out of the not-quite-hermetic seal that fastens the membrane to the clay or metal body of the instrument.

Recording of a 28 inch subatomic gong where the sound reverberates in a 22 foot by 11 foot room (same ratio as the kings chamber in the great pyramid). Time between gong hits are allowed to let the sound resonate through the room.

Mono recording of a 440 hz tuning fork with resonance box, full decay time = more than 1 minute. I used the measurement microphone k4 by arnold esper placed directly in the resonance box. Recorded in the anechoic chamber for analysis and measurement purpose mostly.

Edited and mixed samples from the versilian studios chamber orchestra library. Use the link below to download the samples in multiple versions: https://vis. Versilstudios. Com/vsco-2. Html.

I used my bathroom as a live echo chamber - porting out from my pc, and then recording back via a neuman mic. I liked the tunefullness of the boiler pump in the airing cupboard, so left it running and put the mic in there. This is a very small piece of an overtone composition i made.

Water flowing from an above-ground stream into a sinkhole leading to an underground cave. Recording captures the gurgling of water running over rocks along with the deeper, bassy rumble of the underground chamber.