161 Royalty-Free Audio Tracks for "Chaos"

Two small connected feedback systems playing for you.

Fireworks and cheering and loud clanging of pots in the street to celebrate the new year.

Started with me playing with doepfer a-146-2 as gate delay. Went on using it as a wave shaper. Went on and on. . . It's not a very big patch. But the outcome is nice. It's a mix of chaos and random. Yes i'm using jerk off and sloth. Analog modular synth fun.

An unlikely patch. . . I think it will loop fine. But who wants it looping?.

Inspired by amliebsch's "voice from hell" sound, i decided to take a crack at making something similar. This was made with my own voice. If you want to know what it's saying, it's:. To invoke the hive-mind representing chaos. Invoking the feeling of chaos. With out order. The nezperdian hive-mind of chaos. Zalgo. He who waits behind the wall. Zalgo!. Just slowed and pitched down immensely and then with some added reverb to give it the creepy effects that i wanted to. I think it would make a really great ambiance to a creepy horror scene in some creepy abandoned. . . . Wherever you would expect to hear these kinds of sounds. Credits to amliebsch for giving me the idea!.

My two neuron patch with cross feedback! here it is. I think!i will take a closer look tomorrow.

A alarm sound recorded with the sony a7rii in slowmotion mode, sounded pretty cool and had to share it with you guys. Credits would be much obliged.

How to wake the kids (not really kids anymore) up. . . You can hear one of them. . .

Crashing noise from the spring tank reverb with tiny sounds. Made with the koma elektronik field kit fx.

Sound of another world made by a analog modular synth.

Government protest in reykjavik iceland at parliament building in autumn 2010. It was a lively protest.

Repeating patterns but not exact. Guess this sound will loop. I have not tested. . . I should. Who wants to loop it?.

Received this robo-call today on my home phone -- it is both fascinating and terrifying to me, and felt like it needed to be out in the wild. So here you go world. . .

Government protest in reykjavik iceland at parliament building in autumn 2010. It was a lively protest.

I'm trying hard to learn/understand nlc genie. Bought the module 3rd hand. . . At least. Some tribal sounds. Modulating genie w nlc sloth. Genie is modulating vco and vcf.

For one reason or another helsinki come to my mind today. For this drone i took an excellent helsinki field-recording, by the freesound user susipekka, as background.

Modular synth generative feedback patch driven by feedback between flip-flop chaos (nlc), a vclfo and logistische gleichung (klangbau köln). Two simple voices and filtered noise. Some reverb from spring reverb.

Old-school sound made with analog modular synth - the old way. . . The reverb is a spring reverb - what else. . . ?.

I'm trying to find a place for "rnd modul logistische gleichung" in my modular. Okay this is a to long sequence. . . ? and unstable. But interesting. Makes it a little generative.

A patch with a changing sequence made on analog modular synth. Spring reverb and analog delay. The changes are made with an chaos lfo. Its 10 min loop!.

Three part modular uncomposition. Or call it a patch driven by a mix ofchaos and order. Perfect as annoying sound. . . Made with a analog modular synth. The reverb is a spring reverb.

I'm trying hard to learn/understand nlc genie. Bought the module 3rd hand. . . At least. Some techno-like sounds. Genie and drum sound are modulated by nlc jerkoff. Genie is modulating vco and vcf.

nonlinearcircuits jerkoff chaos circuit is based on sprott's chaotic jerk equation. This sound is long and boring. . . But i wanted to test the nlc jerkoff. This might be of interest to someone. . . I upload an mp3 file to save disc space. . . The single module has 3 outs. 2 of them are controlling vcaa and one is connected to an envelope follower that generates a trigger when the cv is high enough. The signals in to the vca are the same (1. 5v). A way to illustrate the work of the module. Maybe.

Zoom h4n on a tripod next to the columbia river near portland/vancouver. Along with the river, a train crawled along nearby as a few planes came in for landing at pdx.

Sound/track made withhttps://freesound. Org/people/gis_sweden/sounds/465325/noise and some simple tones added. Reverb and delay (zoom ms-70cdr)!nlc sloth is controlling filters and melody development.

This was recorded in late may of 2021 near my parents' attic. I have no idea why, but when it rains it always sounds like chaos in that particular location and i thought it was unique enough that it deserved captucing.

Recorded on 28/07/2010 at approx. 7pm at hong kong international airport. Severe rainstorms (red/black) caused a lot of flight delays/cancellations and hence airport chaos! recorded with a zoom h2 in 2-channel surround mode, with a windshield. File has not been modified.

Medium sized, mixed male and female, crowd yelling and screaming in panic. Recorded (and featured) by students of video games and animation from the national school of arts of uruguay, during the sound design workshop.

Another sloth lfo test. I wanted to see - expected to see - cyclesrepeating. I don't. I have x controlling frequency and y controllinga filter. This recording is 5 minutes so there should be some repetitiveness. . . It's a regular sloth. . . I see 48 second cycles but they are not the same. Cool. Chaos.

No it didn't. Well cool patch anyway? it's what i like. Small variations on a simple theme. Sloth lfos and a jerk off (both from nlc) are the engine. Yes and a comparator. Using an or/gate-combiner to create a trigger-ish for quadra to react on. Analog delay and spring reverb. Why did i do this patch from the very beginning? when the voltage on x from sloth reaches a specific value a trigger is generated and i sample the value on y and uses to select pitch on an oscillator. The one playing the long tones. Chaos creates my variations. Sh1t, now when i've stopped recording cool thing are happening. Promise. . .

Electronic minute no 27 - combined forces. A patch with 2 unrelated patchesthey share an lfo. . . A) 2 lfos playing with a-101-1 vactrol vcfthe filter is feed with a square wave. B) a more advanced patchtriggers from env. Follow. Feed with cv from jerkoff (chaos)noise to a slew controlled by a sloth lfos/h to oscosc to vcathe vca is controlled by the same lfo as the slew but inverted!. Evaluation of patch/soundone cycle is - cycles? about 1min - goodonly short sounds - no, and thats goodamplitude variation - fairly goodpitch variation - yes, goodtimbre variation - not bad at allmusical value - i should consider this musicalentertaining - think so, yes.

A funny patch i made on my little modular. Unedited sound file. I'm creating tones with a clock divider and a mixer. I insert a little chaos in to the tone sequence. Constantly changing "melody". And the bass is connected to the melody. . .

Soundscape_humfaksound description: ball, schuss, torjubelwave, 44. 1khz, 16bitrecording device: zoom h2next with xy-capsulelocation: universität zu köln, humanwissenschaftliche fakultät, hf 216 (ug, café chaos)lat: 6. 919167lon: 50. 931111date recorded: 2014-11-26recorded by: saskia kempf and edited by: tim meyerthis recording was created during the seminar "gestaltung auditiver medien" (ws2014/2015) intermedia, bachelor of arts, university of cologne.

Soundscape_humfaksound description: münzeinwurf, becher füllenwave, 44. 1khz, 16bitrecording device: zoom h2next with xy-capsulelocation: universität zu köln, humanwissenschaftliche fakultät, hf 216 (ug, café chaos)lat: 6. 919167lon: 50. 931111date recorded: 2014-11-26recorded by: saskia kempf and edited by: tim meyerthis recording was created during the seminar "gestaltung auditiver medien" (ws2014/2015) intermedia, bachelor of arts, university of cologne.

Soundscape_humfaksound description: kühlschrank öffnen, flaschenklirrenwave, 44. 1khz, 16bitrecording device: zoom h2next with xy-capsulelocation: universität zu köln, humanwissenschaftliche fakultät, hf 216 (ug, café chaos)lat: 6. 919167lon: 50. 931111date recorded: 2014-11-26recorded by: anina linderoth and edited by: tim meyerthis recording was created during the seminar "gestaltung auditiver medien" (ws2014/2015) intermedia, bachelor of arts, university of cologne.

An mp3 recording of a large crowd talking and chatting while instruments are warming up - the overall effect is a rather dissonant cacophony. This recording was taken during a performance at the colorado symphony on january 28th (2017). Recorded with a black sony ic voice recorder.

An mp3 recording of a large crowd talking and chatting while instruments are warming up - the overall effect is a rather dissonant cacophony. This recording was taken during a performance at the colorado symphony on january 28th (2017). Recorded with a black sony ic voice recorder.

The engine to the hysterical "melody" is formed by a two lfos and a looping envelope performing an ever changing dance of random or maybe chaos. Zooming in and study waveforms in this sound is interesting. The sound is unedited, straight from the analog modular synth. Quantization of the pitch - nope. . .

Police ordering crowd to disperse using bullhorn. Heavy reverb. Reading the riot act based on a transcript of actual riot act reading at in canada. I know, hard to believe but it happens sometimes. This would be played on a loop prior to and during police dispersal of a crowd this is a re-creation.

Distant fireworks on a beach at haad chao phao, koh phangan, thailand recorded with an olympus ls-11.

5 min recording. Question. Do you hear any form of repetitiv pattern?the "engine" for this. . . Is a feedback patch. Chaotic? maybe. The colors the soundfile get here on freesound reveals patterns. I use this feedback patch to derive timing and pitch. I restrain the pitch. It's bad enough as it is. The feedback patch is made with 2 lfos, 1 vclfo and a vcad.

A near chaotic experiment. Im mixing cycling envelopes and lfos to generate triggers. The four sounds are totally unrelated. > bass drum. > snare (or something. . . )> bass. The pitches for the bass are generated withthree mixed lfos. A trigger is generated from the quantizerwhen the cv changed enough to generate a new note inthe selected scale. > ear piercing and annoying sound. Three minutes of more than enough.

Just makes your ears hurt, doesn't it? could be great for something like a machine having a complete meltdown, or a robot going haywire. Created by taking a stock sound effect of guitar plugs being pulled and distorting, reversing, stretching, looping, adding phaser, flanger, vibrato, tremolo, i can't even remember what else, like there's no tomorrow. All done in wavepad. I also tried to make it loop, but it's up to you whether i succeeded or not.

Distant longtail-boat on a beach at haad chao phao, koh phangan, thailand. Wind, talking people and birds in the background. Recorded with an olympus ls-11.

A very silent (and therefore maximized - turn it down for your purposes again!) recording of a distant tokeh at haad chao phao beach, koh phangan, thailand recorded with an olympus ls-11.

In this patch i use bastl instruments tromsø as comparator, sample and hold and oscillator (3 in 1). The cv is coming from nonlinearcircuits jerk off. The audio out from tromsø goes through nonlinearcircuits timbre!. Some delay from an analog delay pedal and reverb from doepfer spring reverb. One voice exploring a chaotic cv source. I sold one of my tromsøs a while ago. Will i regret that? psssst take a closer look at the wave form! the wave folder is doing its work!.

Distant longtail-boat on a beach at haad chao phao, koh phangan, thailand. The waves are clearly audible. Wind and talking people in the background. Recorded with an olympus ls-11.

Modular synth patch where two envelopes are involved in a chase. There could have been a rhythm, but i let chaos disturb theharmony. The square wave sounds are "distorted" in a wave rectifier. The kind of patch only an owner to a modular synth findany interest in?do you find any use for some part of this sound let me know!the "ground/root pith" is 122hz. . . Almost a b. . . But not really. I tune my oscillators without caring about "real" tones. The quantizer makes the steps between tones.

A krell patch and short sample and hold tones. Okay even the krell gets pitch cv from a sample and hold. The short sample and hold tones are panned with help of chaos. I use two nlc sloth lfos to control the panning. The speed of the short sample and hold tones are controlled by two mixed lfos from bmc 2lfosh. Reverb from spring reverb and delay from an anlog delay stomp box. Please suggest some tags i should have used. . . !.

A patch with nonlinearcircuits jerkoff ("chaos circuit based on the jerk equation and its electronic implementation by jc sprott") in the center. I had a question that needed an answer. Is jerkoff a stable lfo when not using the input to disturb the rythm?my answer is. It can be relatively stable, but sometimes it is wobbling around. The recording is from a wobbly jerkoff. One output to osc cv in and another to a vcf vc in. The third output goes to a comparator. The comparator generates a trigger every time the cv is passing the threshold level.