157 Royalty-Free Audio Tracks for "Chaos"

Medium sized, mixed male and female, crowd yelling and screaming in panic. Recorded (and featured) by students of video games and animation from the national school of arts of uruguay, during the sound design workshop.

Electronic wasps taking bytes of ram.

This is a field recording from inside the "experience gallery" of the musical instrument museum (phoenix, arizona). The experience gallery is full of gongs, bells, drums, gamelan instruments, stringed instruments, marimbas, xylophones, and even a theremin. A schoolgroup of children were let loose at the time of this recording. Recorded in stereo with a sony pcm-d50 (onboard mics, wide pattern) while in motion.

Boring sound. . . Neuron patch (?). . . Inspired by nlc squid axon (i have saved some hp for that one!) i have patched up a simple 2 stage asr with 2 s/h. Most of the time it plays its atonal melody, but when the patch is stimulated (by a sloth lfo) feedback opens up. I can adjust the sensitivity in different ways (so i can simulate the intake of drugs. . . ). The sound from the oscs goes though vcfs with some resonance. The vcfs are controlled by the same sloth lfo. My neuron patch. . . No hands during recording. My favourite part is when nothing happens - for almost 1 min?! but you can hear the filter working via the vcfs. The cv must be in some strange area.

These are two guitar solo outtakes from a guest guitar session i was asked to be on. They essentially wanted that early era slayer vibe where there is more cacophonous noise than structure. I think i recorded 15-20 for two sections in one song. They chose two other files and this was the one i liked best to keep as a memento. I am the creator and owner of the audio contained within the file. I know guitarists these days want to sound like an andy sneap plugin, but this may give someone a different idea. Within the context of the song they were for they fit well. I'm not apologizing for the playing or quality of the recording. Just something i did for a friend that took me 4x as long to set up than total time under the red light. It was fun.

Zoom h4n on a tripod next to the columbia river near portland/vancouver. Along with the river, a train crawled along nearby as a few planes came in for landing at pdx.

Electronic minute no 27 - combined forces. A patch with 2 unrelated patchesthey share an lfo. . . A) 2 lfos playing with a-101-1 vactrol vcfthe filter is feed with a square wave. B) a more advanced patchtriggers from env. Follow. Feed with cv from jerkoff (chaos)noise to a slew controlled by a sloth lfos/h to oscosc to vcathe vca is controlled by the same lfo as the slew but inverted!. Evaluation of patch/soundone cycle is - cycles? about 1min - goodonly short sounds - no, and thats goodamplitude variation - fairly goodpitch variation - yes, goodtimbre variation - not bad at allmusical value - i should consider this musicalentertaining - think so, yes.

An mp3 recording of a large crowd talking and chatting while instruments are warming up - the overall effect is a rather dissonant cacophony. This recording was taken during a performance at the colorado symphony on january 28th (2017). Recorded with a black sony ic voice recorder.

An mp3 recording of a large crowd talking and chatting while instruments are warming up - the overall effect is a rather dissonant cacophony. This recording was taken during a performance at the colorado symphony on january 28th (2017). Recorded with a black sony ic voice recorder.

Piano keys.

Piano keys.

Old-school sound made with analog modular synth - the old way. . . The reverb is a spring reverb - what else. . . ?.

Sound created using a sampler and effects.

_.

Sound of another world made by a analog modular synth.

Government protest in reykjavik iceland at parliament building in autumn 2010. It was a lively protest.

Government protest in reykjavik iceland at parliament building in autumn 2010. It was a lively protest.

While working on another audiobook, i decided to make this sound. It's 38 voices, each saying different things, panned around and mixed together, creating a "wall of sound" that speaks like 38 radio channels at once. Recorded with a zoom h2 via usb into ardour2. Mixed and exported to flac with ardour2. Ps: it's all polish (with some possible german shout-outs), but the amount of noise makes it almost completely incomprehensible. Only a few words that are being yelled in a different voice can be understood. No sound repeats here, no recycling - every voice and every second of this recording is unique. Yes, it required quite a lot of work to record so much talking in quality! it's almost an entire audiobook squeezed into 5 minutes. Strangely (or not) listening to this makes my mind rest, because the noise blocks all other sounds from the environment - making my mind free of stimulation, allowing for sleep-like rest state. The signal is so much modulated that it appears to be not modulated at all - like static you get from a fm radio of you tune it wrong. The brain receives less data when you listen to this, than when you sit in a room hearing even faint (but distinct) noises from outside, other rooms, other people or yourself. This is sound masking in action. A very interesting psychoacoustic property of human hearing. Also: this is an interesting material to study of my voice's spectral energy distribution while speaking (as opposed to singing). As you can see using the spectrogram view, most energy is present in the band below 600 hz.

It's a 15-minute long drum improvisation. It contails a lot of different beats and rhythms played so you might cut-out some loops for your needs. The kit has:- single kick- snare- hihat- 3 toms- broken crash that sounds really short- ride. The kit was old and not in perfect condition. I also used my sticks to play on some other part of the drumkit, like metal stand for the crash etc. I also got up and stated running around in a circle hitting sticks together and afterwards hitting drums and cymbals while running around the drumkit. I took my shoes off before i started so you can't hear my footsteps. I didn't use a metronome and i know i don't hold the tempo and it's a bit wiggly sometimes. I think this performace was inspired by band mr. Bungle. I recorded this with zoom h2 handy recorder's front stereo xy mics. It was standing on a table about one meter above the floor. Facing the drumkit and me. It was captured into a 48khz/24-bit wav file, then i trimmed the ends and converted this to flac using audacity. No processing applied, though i think it sounds nicer when you put these effects:. 1. A compressor:-attack: 10ms-release: 50ms-ratio: 2. 5:1-treshold: around -24db2. A reverb:-decay: 1. 5 to 2 seconds-dry: 0db-wet: around -15 db. It amazes me how much energy compression actually adds to drums!. I made this with my podcast (http://unfamusic. Com/fnr/) in mind. I want to overdub guitars, vocals and make it one big schizophrenic song. If you're interested to hear it, leave me a comment so i can find you, or just subscribe to my podcast's rss (http://feeds. Feedburner. Com/unfa-fnr/).

Synthesized sound, then sampled and processed.

Created on audiosynth one for the ipad.

MCS Source: Midnight Casette System http://mcs.franknora.com/ - Frank Nora

New music dedicated to the Public Domain October 2015. - Kevin MacLeod

Soundfont from chaos bank 1. 9: http://rkhive. Com/banks. Html.

Soundfont from chaos bank 1. 9: http://rkhive. Com/banks. Html.

Soundfont from chaos bank 1. 9: http://rkhive. Com/banks. Html.

Just a music by me. Made in fl studio.

Made this for a home video for a look back in time.

Chaos by feeding a square through a filter and back to its own fm input.

Based on the logistic equation. . .

Chaos in controlnow have to fix my dish washererror code e:24.

A track suitable for some action driven scence.

Created by pouring water over a stove, the first of two.

Its exactly what the title says. . . Chaotic! you can use any of my sounds freely, just please credit me.

Inspired by amliebsch's "voice from hell" sound, i decided to take a crack at making something similar. This was made with my own voice. If you want to know what it's saying, it's:. To invoke the hive-mind representing chaos. Invoking the feeling of chaos. With out order. The nezperdian hive-mind of chaos. Zalgo. He who waits behind the wall. Zalgo!. Just slowed and pitched down immensely and then with some added reverb to give it the creepy effects that i wanted to. I think it would make a really great ambiance to a creepy horror scene in some creepy abandoned. . . . Wherever you would expect to hear these kinds of sounds. Credits to amliebsch for giving me the idea!.

Very bizarre sounds emanating from the dark deep bowels of the balmy and humid swamplands!::::: ::::: ::::: ::::: ::::: ::::: ::::: ::::: :::::caution! due to the frightening nature of this clip, parental advisory is recommended!lol!.

Made from a collection of sounds from freesound! added some reverb and mixed them all together. Sounds used:monster by audiorichterdragon roar by veromawind2 by eliasheuninckfx_door_noise_whistling_loop by olichiterockfall in mine by benboncancinematic deep rumble by swiftoid.

Modular synth generative feedback patch driven by feedback between flip-flop chaos (nlc), a vclfo and logistische gleichung (klangbau köln). Two simple voices and filtered noise. Some reverb from spring reverb.

A patch with a changing sequence made on analog modular synth. Spring reverb and analog delay. The changes are made with an chaos lfo. Its 10 min loop!.

Recorded on 28/07/2010 at approx. 7pm at hong kong international airport. Severe rainstorms (red/black) caused a lot of flight delays/cancellations and hence airport chaos! recorded with a zoom h2 in 2-channel surround mode, with a windshield. File has not been modified.

This was recorded in late may of 2021 near my parents' attic. I have no idea why, but when it rains it always sounds like chaos in that particular location and i thought it was unique enough that it deserved captucing.

Another sloth lfo test. I wanted to see - expected to see - cyclesrepeating. I don't. I have x controlling frequency and y controllinga filter. This recording is 5 minutes so there should be some repetitiveness. . . It's a regular sloth. . . I see 48 second cycles but they are not the same. Cool. Chaos.

A funny patch i made on my little modular. Unedited sound file. I'm creating tones with a clock divider and a mixer. I insert a little chaos in to the tone sequence. Constantly changing "melody". And the bass is connected to the melody. . .

The engine to the hysterical "melody" is formed by a two lfos and a looping envelope performing an ever changing dance of random or maybe chaos. Zooming in and study waveforms in this sound is interesting. The sound is unedited, straight from the analog modular synth. Quantization of the pitch - nope. . .

Soundscape_humfaksound description: ball, schuss, torjubelwave, 44. 1khz, 16bitrecording device: zoom h2next with xy-capsulelocation: universität zu köln, humanwissenschaftliche fakultät, hf 216 (ug, café chaos)lat: 6. 919167lon: 50. 931111date recorded: 2014-11-26recorded by: saskia kempf and edited by: tim meyerthis recording was created during the seminar "gestaltung auditiver medien" (ws2014/2015) intermedia, bachelor of arts, university of cologne.

Soundscape_humfaksound description: münzeinwurf, becher füllenwave, 44. 1khz, 16bitrecording device: zoom h2next with xy-capsulelocation: universität zu köln, humanwissenschaftliche fakultät, hf 216 (ug, café chaos)lat: 6. 919167lon: 50. 931111date recorded: 2014-11-26recorded by: saskia kempf and edited by: tim meyerthis recording was created during the seminar "gestaltung auditiver medien" (ws2014/2015) intermedia, bachelor of arts, university of cologne.

Soundscape_humfaksound description: kühlschrank öffnen, flaschenklirrenwave, 44. 1khz, 16bitrecording device: zoom h2next with xy-capsulelocation: universität zu köln, humanwissenschaftliche fakultät, hf 216 (ug, café chaos)lat: 6. 919167lon: 50. 931111date recorded: 2014-11-26recorded by: anina linderoth and edited by: tim meyerthis recording was created during the seminar "gestaltung auditiver medien" (ws2014/2015) intermedia, bachelor of arts, university of cologne.

A krell patch and short sample and hold tones. Okay even the krell gets pitch cv from a sample and hold. The short sample and hold tones are panned with help of chaos. I use two nlc sloth lfos to control the panning. The speed of the short sample and hold tones are controlled by two mixed lfos from bmc 2lfosh. Reverb from spring reverb and delay from an anlog delay stomp box. Please suggest some tags i should have used. . . !.

Modular synth patch where two envelopes are involved in a chase. There could have been a rhythm, but i let chaos disturb theharmony. The square wave sounds are "distorted" in a wave rectifier. The kind of patch only an owner to a modular synth findany interest in?do you find any use for some part of this sound let me know!the "ground/root pith" is 122hz. . . Almost a b. . . But not really. I tune my oscillators without caring about "real" tones. The quantizer makes the steps between tones.