76 Royalty-Free Audio Tracks for "Clouds"

Creado con : telharmonic lxd , o_c piqued env , zdsp grain de folie , clouds oliverb and resonestor. Grabado directamente en el makenoise morphagene.

Made with edirol orchestral + damage.

This is a synthetic sample replayed in several octaves, run through at least 10 filters and sends and replayed several times to get a complete effect.

On the morning when we had a partial (around 70%) eclipse of the sun, i went outside to find it was raining. . . With very thick clouds in the sky. Olympus ls10 built-in mics.

A dark/eerie alien-like atmosphere for background ambiance. This sound was created using my modular synth, more specifically the black wavetable vco from erica synth and a mutable instrument clouds.

Short, three-field example of stochastic generation of clouds of sound using only sinusoids. Done with blue (of steven yi) as an environment for csound, and pmask (a replacement for cmask done in python) from inside blue.

Beautiful guitar loop i wanted to share with you. I used pattybomba: neon clouds kit. It's missing a groovy beat to complete it but do whatever you want. Made on bandlabenjoy!:).

Why are the clouds crying? we shall never know. A short 8-bit music loop made in bosca ceoil.

Sound of a teleportation device. This sound was created using my modular synth, more specifically a black wavetable vco from erica synth and an mutable instruments clouds. Going through a focusrite scarlet 2i4 and finally, through pro tools.

This is a raw sound-design sci-fi piece i made with a modular system using 4ms ensemble oscillator, mutable instruments clouds, strymon magneto & intellijel polaris.

Inspired by recent makenoise cicada series. Added clouds to an o-ctrl (fast) sequenced mimeophon output and sending partly back though feedback loop. X-pan did the rest using ochd as the lfo mod. Source for panning and fade in/out.

Sounds made with modular synthesizers clouds texture synthesizer & marbles random sampler & semi modular synthesizer behringer crave. Recorded with audacity wav format mono, sampling rate 44100hz 16bits. The 64 wav files complete the 4 mb which supports the korg volca sample. Make noise ;=).

I recorded this rainstorm with thunder in june 2021 in grimbergen belgium. The rain fell straight down with little or no wind, accompanied by subtle rumbling in the clouds with the occasional louder thunder discharge. Hope you like it. Use it freely.

All sorts of different sounds found in east village, nyc on a walking recording, complete with some lady loudly shouting to the clouds about ?? explicit content: has some adult language.

Ambient recording of the courtyard in my apartment complex. The are two story brick buildings, next to a main road, border-line highway. The traffic light means that the birds and neighbor's dog start predominant, then are taken over by the rush of traffic as the light changes to green. A sunny day, but clouds are in the distance, as an impending storm is about to roll in. The whining dog seems to share his sentiment about the dark clouds. Recorded with a zoom h6, stereo xy adapter set to 120 degree spread. Set up through a wide open window as to cut down on wind noise.

A short loop i created inspired by celtic music. More songs and loops here:https://soundcloud. Com/kilua-boy. All my works are free to use, of course. Do whatever you feel with them, butremember that credits helps a lot!. (sometimes i tweet here: https://twitter. Com/boykilua). Thanks, kilua boy.

A short loop i created inspired by celtic music. More songs and loops here:https://soundcloud. Com/kilua-boy. All my works are free to use, of course. Do whatever you feel with them, butremember that credits helps a lot!. (sometimes i tweet here: https://twitter. Com/boykilua). Thanks, kilua boy.

Was testing my rene sequencer with elements, processed through. . . . . . Of course the o. G clouds indeed ;). The clock for rene was ironically taken from the particles of braids( literally from the output of braids xd) and also the wogglebug( at ultra slow internal clock rate). I was just messing around rene as it just arrived soo,that's taht i guess lol.

My first excursion into the ambient realm. My friends mimeophon, o-ctrl, morphagene, x-pan, erbe-verbe and the omnipresent clouds took me to somewhere i never thought i'd venture. Basically a very simple sound source, sped up and slowed down in segments, granulated and pasted back together. Quite a wet mix. Shake the drops off afterwards. . .

The world exploited - nature complaining. Experimental theme for a film idea. Thanks to brett naucke: morphagene reels cellar cello & waterphones. Wav. Https://freesound. Org/people/makenoisemusic/sounds/402276/ loving it!. Slowed down in morphagene with randomly chosen splices passed though o-ctrl sequenced mimeophon, a haible tau phaser, qpas, erbe-verbe and clouds. Played with x-pan modulated by randomly influenced ochd.

I decided to bring my wind chimes inside and recorded them with an mxl 910 microphone into my computer using a focusrite scarlett 18i20 interface with the gain turned up a bit. I then chopped 15 samples i liked from the entire recording and formatted them into a make noise morphagene reel containing 15 splices. I am very pleased with the results, especially when patched into clouds or using an eventide space pedal for example. Enjoy!.

[game_over_05. Wav]. Game over. Image by account_deleted from pixabay (licensed under the pixabay license (free for commercial use, no attribution required)!) [2020-08-10]. - links: https://pixabay. Com/illustrations/blue-sky-cloud-clouds-1278829/https://pixabay. Com/service/license/. If you enjoyed the sound, please rate, comment, spread! it really helps!. Note: make sure to check out the other matrixxx-sounds! the sound quality is always better when you download the sound(s)! ⛄. Enjoy!/matrixxx.

I stood quite sheltered from the wind, above me the rustling trees from the breeze that was just blowing. In the distance a dog was barking. Nice stereo effect :-). The recording is edited. The recording is cut and the ends are faded in and out, 2 seconds each. Otherwise no further editing is done. This is my contribution # 3. Recording device: zoom h5microphone: xyh-5date: 01 august 2020time: morning, 09:48location: schwanewede, northern germanyweather: 24 °c, sunshine and cloudy sky. Very humid. Storm air. The clouds pulled together, a thunderstorm was brewing (but there was no thunderstorm). Humidity approx. 68 %, wind from south-southeast, 2-3 bft.

This is the sound of a viking electric lawnmower in action; mowing a piece of lawn. Today i got my audio equipment. This is my first contribution. When i was walking around today to catch sounds, i met a man who was mowing his lawn. I asked him if i could record him while he was mowing his lawn. He agreed and i was allowed to record him mowing. It's a viking electric lawnmower. Description: a man mows the lawn with an electric lawnmower. He drives the lawn mower over a piece of path to the meadow, mows and drives the lawn mower back. At the beginning of the recording, there is a short question asked if he should start now, which i confirm. The recording is unedited. Recording device: zoom h5microphone: xyh-5date: 31 july 2020place: schwanewede, northern germanytime: afternoon, about 4 pm. Weather: 25 °c, sunshine. Hardly any clouds in the sky. Wind from east-northeast, 2 bft.

Midnight recording from the streets of neukölln, berlin, on new years day 2009. In germany, this is the one day of the year when members of the general public are allowed to set off fireworks. Echoes of bombs and fusillades ring out across the city, while clouds of smoke tumble menacingly through the streets. Close by, a peaceful child sets off sparklers, and is astonished by the display. In the morning, the streets are littered with their remnants -- charred bits of paper, streaks of red ash. Recorded with an edirol r-09. From a contemporaneous news report:. "clashes in three german cities marred new year celebrations, with police facing their toughest challenge from a crowd of mostly young revellers in the capital berlin in the small hours of yesterday. One small breakaway group from that crowd, which numbered 1,000 at the peak, tried to fire a skyrocket inside a police station and invade it, police spokesman frank millert said. The rocket lodged in a broken window and burned itself out, but several police were injured by the flying glass. Police arrested three on arson charges. Earlier, elements from the same crowd in the prenzlauer berg district had smashed the windows of a passing tram and bombarded a police patrol car with firecrackers. The trouble abated about 3am. ".

Created by divkid for use in the make noise soundhack morphagene. There are dry-only, fx-only, and mix versions of this reel in the pack. See it in action at https://youtu. Be/rk4ufmfcouc. Patch walkthrough. The patch starts with the qu-bit chance providing discrete random values (sample and hold) going into an instruo harmonaig. This takes the stepped random voltages and quantizing them to a given scale. I put in the notes c d eb f g ab bb which is a c natural minor scale, the relative minor of eb major (for anyone that's curious). However like most of my modular work i didn't actually tune the oscillators to anything specific. So treat the scale as a pattern of intervals not a set of specific notes. The quantized notes then form 4 voice chords giving us a root, third, fifth and seventh cv output that will be diatonic following the scale pattern, meaning the third will be major or minor, the seventh major, minor or dominant and the fifth natural or diminshed to suit the scale. With the 4 quantized outputs on the harmonaig these all go into the four oscillators on the synthesis technology e370 quad morphing vco. Each of the e370 oscillators are in the basic morph xy mode using the built in rom b set of wavetables. Wavetables are modulating by various mixes of the befaco rampage, mutable instruments tides, wmd multimode envelopes and music thing modular turing machine. The modulation sources are mixed and split with multiples and mixers. These modulating wavetables then go into a bubblesound vca4p where i'm using 4 mk1 intellijel dixie oscillators all un-synced and free running with sine wave lfos. Each lfo freely fades the voice in and out of the vca4p. As this is unsynced there's no regard to pitch changes linked to changes in amplitude and the swells. I find splitting the gate/rhythm from pitch regarding sequencing to be a freeing and interesting way to work that's not available on traditional instruments. This is just a simple application of that idea with the lfos fading freely unrelated to the other modulation or sequencing of pitch. The sound then goes from the vca4p mix out into a befaco mixer and praxis snake charmer which the output section of the larger case and i'm sending a 'pre' auxiliary out into my fx case. The dry sound first goes into the erica synths fusion delay / flanger vintage ensemble which is giving me short modulated delays giving vibrato like sounds and pushing the input level and overdrive gives us some warmth and grit that thickens up the sound and also fills in the gaps left by the free running lfos pulling quieter sounds and compressing in the on board tube. This then outputs to the feedback 1 bit multitap delay module which has it's delay chip pushed to longer times for some added crackle and noise. I'm using the two delay taps for a shorter and longer delay with little feedback to mix the dry sound for a generally noisier and smeared version of the input. This then goes into the xaoc devices kamieniec with it's on board lfo as slow as possibly for a mildly resonant phase shifting. This goes into mutable instruments clouds set to sew random grains slowly and randomly which are pitch shifted up 2 octaves to fill out some high end flourishes against the closed chord voicings at the core of the patch. Finally this goes into a long lush reverb from the halls of valhalla card in the tiptop audio z-dsp. The stereo fx chain and the mono dry signal are mixed in the befaco hexmix and recorded as a mixed stereo file. I'd consider this to be the main 'reel'. However i split the dry signal and the fx only wet stereo signal and recorded those at the same time so you can choose which reel to use and experiment with dry/wet or blended sounds from this patch.