11 Royalty-Free Audio Tracks for "Companion"

The diabolical staff of the soulbender, whispering to it's wielder.

Reaktor blocks build using the spacewalkers companion oscillator as drone source with some sequencers run by a clock divider.

Some booting up noises for a small robotic companion. Made with sun ra in mixcraft 7. This sound was used in the game oneshot!.

The reason i suspect my companion and i are not good for each other. A slip, and the next thing i know it's been made worse. . .

Interior driving sequence recorded with neumann kmr82i in passenger seat. Timed companion to exterior file.

Exterior driving sequence recorded with 2 em172s mounted on windshield. Timed companion to interior file.

A buzz noise i made when i was pretty hungry and impatient but had to wait to go eat with a companion. It would probably be a good sound at lower level for the hum of some type of machine. (like my stomach. ).

With "the naughty boy" and "the traveling companion" in the second installment of fairy tales*on his travels from flower to flower. Of course we need at least to me against rust cheerful mysteriously connected melodies / sounds or pieces of called loop, of course with the help of friends with fresound. Org; for now we will not overstate.

Large river rapids running strongly after winter rain. Recorded approximately fifty feet above water level. The river flows and turns through a narrow, high, partly exposed bedrock canyon which likely amplifies the sound of the rapids. The first nine seconds are unedited. The last two seconds have a fade out applied. In summer you can walk where the centre channel is in winter, so this is a lot of water moving swiftly down the cowichan river to the salish sea. Also see the companion audio posting "river-canyon-waters-edge-bottom-step. Wav" taken below the height of this recording. Recorder: zoom h1 n. Audio quality stereo 48000 hz.

This is the companion audio to the article "modify your monitor audio" appearing on w1zy's substack account. In it, we hear what happens when you mix through a soundboard the audio from a ham radio transmitter's "monitor" output and a second receiver dialed onto the transmitter's output frequency. When the two are mixed, we hear a heterodyning between the external receiver and the transmitter monitor audio sources. By adjusting the receiver's frequency to that of the transmitted signal, we can zero-beat the two audio sources together producing a "flange" effect derived from analog devices. Non-ham audio enthusiasts might find this clip interesting since it is producing this artifact not through some plug-in, but through use of "legacy" analog equipment.

Sound transparency (first example on sound transparency and opacity). This sound sample is a companion to my talk and paper presented at foteo ("faire oeuvre, transparence et opacité") at université laval, visual art department, may 2008. The paper title is: "transparence sonore : acoustique physique; opacité sonore : un phénomène psychoacoustique; implications en création sonore". This nearly trivial example shows what i call "sound transparency". Since sound propagation is a linear phenomena, sound is transparent: the presence of a given sound (here a razor) does not modify the sound quality of an other sound (here a knife being rubbed). You can appreciate the sound quality, timbre, texture, dynamic of each sound even when an other one is present. The second part of the sample is the repetition of the first part, but the two sounds are presented on different channels.